its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

its been nearly four years since gridloks debut album break the system solidified his dynamic sound into the vanguards of drum and bass.

this new ep retraces ceephaxs history and its very own personal and genious way to appropriate a musical style with always such generosity. from the dubstep of souley man, the sunset dancefloor hit bacardi breezer, the drum n bass track dona hue, the break bit track turrican 2 to ticker train, an acid bomb that defies anybody to not let themselves get carried away by these wild bpm.

men in trees are back with their third ep on its own platform audio parish. this time they take us with a healthy portion of groove to mango city. once there, we meet barfly, this track draws us immediately into its spell with its deep character and hypnotic groove and the insane vocal part in the break. this give us finally the feel we are actually in a smoky bar in the middle of mango city. this is an amazing super warm and rollin piece of house music. alabasta on the flip, with its bright and massive sounds, is a dry forward rolling peak-time-mover. this track is jaunty fun that will get the crowd moving for sure. return to mango city is the next killer release with the typical men in trees-groove, two different house tracks, which will provide a lot of dancefloor action.

spectrum recordings returns after a lengthy break to bring in the new year with a bang! 2 brand new tracks with the vibes straight of detroit circa 1993, brought up to date in a 2010 style, all courtesy of mat puffett - aka future beat alliance.
>diagram< has already caused a stir with its gruff roaring bassline juxtapositioned against the warm uplifting strings and pads. this is an intelligent and beautiful piece of electronic music, but still has the weight to work on the dancefloor and will appeal to a wide range of house and techno djs.
the flipside >crying sine< is a hypnotic groover surrounded by lush, atmospheric pads and spacey percussion: its also very dj friendly and across the board support is expected.
spectrum have taken a look back to move forward, and manage to sound as current as ever in an ode to the glory days of techno.

after the success of >mostro<, the french wonderboy play paul - mainly known for his works on kitsune, gigolo (>lalaland<) and craft music - is back on absolut freak records with >9am<. the ep starts with a massive remix by the german sensations disco trash music (freshly signed on the label) which will smash your head, until the break... everybody say yeah! back side, the most exciting turkish band gooseflesh is also back on absolut freak (after their remix of dro & lodzys >now yet now< on the af13) with a powerful version in their own style. a killer! then, the original version by play paul takes you to a lovely journey, with a warm melody for melancholic mornings. you can enjoy the artwork made by the incredible falk klemm from the german collective the zonders. get freak!

after a short break in jail, the domestic violence is back! more ruthless then ever the boys will slaughter inhouse, leave all for dead and dumb the bodies in the bin! domestic violence is a global thing and we have artists from all over the world on this wicked label. from brazil to italy and germany.. ultra hard techno!!

as well 2010 aspekt dont allow oneself a break and so also this year, many brillant productions with interesting support acts are planned. after various successful releases, aspekt strikes back with number 13. süß sauer by microtune & takter, invites the listener to a never ending excursion of dreaming and dancing.they are known to tap the full possibilities, to reach minimalist the most. on side a their track süß enchanted by pushing tech-house, with a touch of deep and playful emotional melodies. dole&kom sweeten the whole thing, with their spirited remix once more. experimental tech-house, mixed with minimal accents, which animate to dance. since 2005 the guys have their own label death by disco and they are producing for labels like bondage, parquet and session deluxe. with sauer on side b, the listener can expect a nice minimal-house track by the duo, which leaves nothing to be desired. gregor sultanow gives it beans once more, with his remix. his permanent experimentation, which feature his style, you can hear clearly. great minimal-tech-house with playful melodic sounds with which you cant sit still. awesome record for the dancefloors!

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

joe clausell has long been one of new york city’s busiest dance figures, thanks to his work in all areas of the house community: as a highly respected dj, producer, remixer, and label-head. after a decade long break from releasing a full length, here’s ‘un.chained rhythums part 1’ with a mix of worldmusic and afro/latin inspired club tracks

fergie and excentric kicking off the year with ragaroo, a tense builder, winding things up to an uncontrollable level with a mixture of rising and just plain strange sounds, with the usual high production standards that you expect from a fergie track. on remix duties is jus phil (monu digital), who returns to the excentric after his shuffling and bass heavy remix of fergie - break-out from earlier in the year. his take introduces a low slung yet bouncy groove, hooking listeners in before using the weird craggy effects of the original to really take things to a new level of twistedness

after a break of 3 years, fear of flying resurrect their limited label to give an airing to a track that has been getting some serious attention at londons uber club fabric, having been a staple in the sets of supa resident craig richards for some months now. tiger tiger is all about the tension as the 3 minute intro builds and builds with the an arpeggiated synth, deep bass and a spanish female vocal hook before dropping, no doubt, to dance floor pandemonium as the kick is introduced. its anthemic qualities are brought to the fore later on with a string breakdown and more lashings of the ultra catchy spanish female vocal. ekkohaus provides two excellent mixes on the flip – the main remix shimmers along in fine dance floor fashion. super slick percussion and snippets of the main vocal keep pushing the tracks along, occasionally dropping into the full vocal hook to get hands in the air and smiles on faces.

every year hundreds of thousands of dance records are being made and released. with the output from dance producers at an all-time high and with so many records crossing over it takes something a bit special to break-through from underground groover to worldwide mover. 2010 is the year of >sidney samson – riverside (lets go!)< on data records.
the facts above dont lie, this isnt just a dance record, its a dancefloor phenomenon and theres good reason for the comparisons with >day & night< by kid cudi vs. crookers and fedde le grands infamous >put your hands up for detroit<. its got exactly the same appeal and has had exactly the same effect, i.e. unstoppable support and praise from the coolest underground djs all the way up to the global superstar djs and via every european summer holiday resort. sidney samson is a name you simply cannot ignore right now.

after a long break mainakustik is back with a strong two tracker produced by matt brown from italy. he is already known from various releases on imprints like einmaleins, below, …
side a >balancoire< is a great starter with groovy trumpet samples and warm driving basslines. side b >moneare< comes around with a hypnotic percusion rhythm. after a while the bassdrum gets in and the dancers freak out. just try it - 2 excellent functional tools for the dancefloors!

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

2009 re-release of this classic cypress hill album, including >i wanna get high<, >insane in the brain<, >hits from the bong< and many more. one fat timeless joint on double 180gr vinyl!

big with mihai popoviciu, gel abril, phil weeks, timo maas, dj t, kabale und liebe, nima gorji!! maybe the most diversified ep for the young label! solar & poppcke deliver a full-on floorburner with c mon - a fat bassline, ever-building arrangement and great breaks topped by a catchy vocal - perfect for the peaktime!
a2 is one of those tracks that will cause a lot of fun in your local recordstore when somebody tries to explain the staff the name of this track he is looking for ,-) besides that its a cool minimal-ish tricky groovetool with soulful vocals and a very unique vibe.
b1 is a classic deep and hypnotic chordanthem, slowly building in a hypnotic way and delivering its full dancefloor effect right after the main break.
the sweno n remix is perfect for the bigger floors: clean and straight production, techy vibe, driving chord stabs - this is a perfect dancefloor-destroyer for the middle of the night.

a1) new love - this elevating new track is deep, funky and sexy. the beat is ever growing, the bass never ending. disco mixes with deep winking and eye to electro. b1) low down - sounds like a completely different atmosphere. still funky, its the perfect tune for a poolside party in la as the sun is going down... smart, sexy ladies get the party started moving to this disco house dance tune. b2) dont stop is the natural conclusion to this 12inch. we re at the break of dawn when this drops, as the sun is rising. slow bpms and vocal intermissions for those whose feet still want to move to the groove.

bolz bolz comes back at your full steam with this new release of ramped up crunchy dirty break beat waver. this is some of his best work yet with >lift going up< setting the tone of what is to come. bolz bolz has come along way and in this lp he really creates a new universe of sonic wonder.

1991 classic, 180 g vinyl on 2x12 vinyl set!!

classic sounding track by two long going and respected techno heads.. fabrice lig and titonton. these guys take it back to the early nineties when techno was still fresh and new... the days that titonton and dan curtin were debuting with their sophisticated techno sound. raw funky 909 percussion, bleepy analogue synths and great warm string sounds and beautiful melodies. purist techno tracks that never go out of style and reminds the old blokes why we loved techno in that period so much. and it shows the young cats that there is more then the standard dj tool techno! beanfield is on remix duty here... and he delivers an updated modern dancefloor friendly house version with a great string section that reminds a bit of knights of the jaguar and a killer bassline after the break. check!

after the well received all creation 12s delsin records drops yotokos >wet ink<. yotoko are shifty & domu (jcr, 2000black, archive). yotoko stands for a perfect fusion between broken beat, techno and soul.
their album is not about breaking barriers, but it is their own little twisted version of what they call techno. for yotoko techno can be heard in everything, so as such it is all techno. domu and shifty are influenced by lots of different stuff, soul, jazz, disco, hip hop, techno, some old break beat, new broken stuff.. as well 20 pence mad charity shop finds.. the album is about yotoko making music they think is cool and realizing that all this music is the same no matter what the bpm or groove.
domu started as sonar circle for 4 heros reinforced label. later on active as domu for labels as archive and 2000 black and together with archive label boss volcov for the jcr-label with their album as rima. shifty is domus longtime comrade, making his first musical public appearance as yotoko. the albums artwork will be done by amsterdams machine, who already took care of the kindred spirits releases.

constant development in stagnating musical landscapes is the key to remain catchy as an artist these days. adrian martin & eleminal are always yearning for progress. >la calma<, their new release on miniload gives you a listen on their growing sophistication. an adroit beat conduction married to a sneaky bass giving birth to a tremendous and powerful musical moment, peppered with hidden hooks and a savory break. >la calma< is smoother than previous releases by adrian & eleminal without condemning a certain roughness of preceding collaborations. tom clark (highgrade records) follows that footprint, though adding a more frontal bass paired with a dreamy almost breathed on jazzy feel melody construction. miniload artists doppelt gemoppelt are redefining >la calma< in a straighter harmonization. no vanilla - just a clear and well structured body, adding cushy noises and warm imbedded waves.

big with: m.a.n.d.y., pierce, jerl, makossa, deepchild, mike stukes, djuma soundsystem, tiger stripes, martin landsky, dj t, diskjokke ...
leeds based audiojack stormed on to the scene with their chart busting single >robot<, back in 2006. since then theduo have stayed true to the leeds house institution that is 20/20 vision, releasing multiple 12 inches and an album over the last 3 years. one can only imagine how giddy we are to finally slot these nice young chaps for a release on get digital. anchored by a smattering of effects, quirky soundsand sliced up vocals - that even a sushi chef would bow in approval of – made it almost easy to crown >kicks forkicks< the a-side. although storming right from the get-go, it is the two break-downs that build up to reintroduce the beats that provide a dramatic tension effect, withoutsacrificing their credibility. a tune equally affective as it is infectious.

6 track massacre!!!

banging hardcore beats & synths meets female vocals in the break !

the artform label began in 1997 formed by jamie anderson as a platform to release his studio productions. artform soon had the attention and support of other music pioneers and released early works by jerome, steve rachmad, dave angel, stanny franssen and jesse rose. the mission for the label was to bridge the divide between genres of electronic music by experimenting with fusing styles and developing new sounds, a legacy which is still apparent today. after a short break artform now returns with a fresh new track by jamie anderson to relaunch the label joined by a huge remix from amsterdam‘s jerome. the pair of have worked together many times with releases on 100% pure and jerome‘s own outland records. this past year has seen jamie‘s productions on labels such as cocoon, rekids, klang elekronik and harthouse, and this release proves to be one of his strongest yet. predator continues in the labels direction of forward thinking tech house with a classic sound of the 909 creating a sinister backdrop of detroit inspired techno.

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

moxie takes you on an outer space 80s electro jam. theres the uptempo female version and the more mid tempo male version. warning... dance, break and party invasion!!

nice price deal !!! the disconet greatest hits series continues at a pace with number 7! up first we have the original disconet version of globe & the whiz kid’s play that beat, which was the first ever outing of lesson 1 - the payoff which pioneered the whole sampling movement. up next we have the heavy hitting dancefloor kat mands the break, which has a true carnival feel! on the flip we have the disconet version of graffittis blissful feeling love which hit in 1979, and the moroder inspired dancer dance by pussyfoot.

detroit, 1993. the burden brothers, known for their octave one project and 430west record label, start a new sub label called direct beat. it was created to release the techno electro sounds of inner city detroit. in 1995 the label was in full effect and released music produced by friends such as tommy hamilton, keith tucker, mad mike banks, will web and them self.
now 15 years later we know that direct beat was one of the big influences on how electro and techno is today. together with underground resistance, axis, m-plant in detroit and some like minded people in europe and artists such as drexciya, aphex twin, autechre and dopplereffekt it changed the way people looked at techno... it broke away from the dominant 4/4 kick and brought back the funk and emotion that disappeared once house and techno became popular and mainstream music in the early 90s.
we are happy to bring back direct beat records by making some of its classics available for a new generation. this is a part of techno music history we may not forget about! especially in these days that people consume more and more of the format tracks. this shows that emotion, passion and energy creates much more then just a dj tool... it creates tracks that become part of peoples life! and not for just one or two months in your i-pod... but for the rest of your life in your record collection! timeless classic collection... must have!

time for the next various artists ep introducing 3 upcoming producers to the scene. from italy comes guiseppe cennamo with a powerful deep/techhouse track building a great athmosphere in the club. greeck guy bengoa delivers a really warm building up deephouse track with a nice vocal line by julie naked showing the coolness of sunny greece at least mr. carlos sanchez & dj ray from gran canaria! like is based on a deep organ bassline building up to an amazing break with a catchy melody. listened once, you wont get this track out of your ears

marek bois is a constant element on the rrygular label carousel. since 2006 hes putting out new records on a regular basis. his first artist album boissche untiefen and the compulsory remix record in 2008 marked the climax of the project, so far. and to be honest he deserved a short break afterwards. the release of apples & oranges shows the new bois, purposeful as usual and even more punchy on top. marek bois ist eine feste größe auf dem rrygular labelkarussell. seit 2006 kommt in regelmäßigen abständen neues material von ihm. nach seinem ersten album boissche untiefen inklusive remixes in 2008 hat er es verdienterweise etwas ruhiger angehen lassen. mit apples & oranges kommt nun der neue bois, gewohnt zielsicher und obendrein noch schlagkräftiger als zuvor

after a release break of almost 2 years, room recordings, the label which has given us masterpieces like juergens >love it< is back

after a break of roughly a year the baltic k-tv imprint is back with a pictured 4-track beauty by rostock based quinto.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

finally back after a serious break, pornographic is back in action! cristian varela brings us a special picture disc to celebrate release number 25. the music on this nice looking vinyl is perfect technomusic that will appeal to a very wide spectrum of listeners and partypeople. already a favorite among some famous dj s out there!! check it out!

one more time o.ton kick it loud with this second ep !! keep it easy! weve asked to robber and bandit to make us dance. those two young belgian dj and producer make it heavy and ravey !!! with various influences they give the tone : trancey bassline, heavy break and loud minimal techno producing stuff. a side is an amazing short track called rusian panther : mixing ravey melody big infrasound techno beats and breaked rhythms .the second one battleship mendoza is « the » real peaktime bombing track, just listen ! on the aa side : chilling session on the dancefloor but with a perfect gimmick that one keep us alive

who are these guys behind the pseudonyms? good guy mikesh and filburt are two music lovers… full stop! two independent acts that met in leipzig and began to merge their musical creative capacities two years ago. a convolution of disco, pop and house, propagating one of leipzigs most promising collaborative developments. good guy mikesh has haunted leipzigs contemporary underground for a long time. from the beginning of his musical career, his singles have signified an eclectic mix of pop, soul and disco. filburt - dj, record store owner and leipzig club scene veteran, was consequently good guy mikeshs best possible accomplice in the mission to break fresh ground. this mixture of soul, disco and house-pop is it, charged by the duos certain something - an energy sought for not only in this town, but throughout the whole scene. someone told me, their latest single, has been causing an outbreak of contagious enthusiasm in the scene since its release on permanent vacation this summer. we are proud to release this fine ep, which comes with a remix by one of our uk favorites: mark e !

>burnout< is hardtechno at its best: pumping, energetic and with a killer break. hard-acid fans will love >lsd< at the b-side, stomping hardtechno with rough 303 basslines. again stunning artwork by ed repka. >burnout< is already supported by pet duo, rush and frank kvitta.

big with: russ gabriel, raresh, laurent garnier, mark henning, anthony shakir, dave mothersole, efdemin,.. after a well-deserved break mowar is back on track and proudly delivers its 4th release by italys upcoming techno talent roberto bosco. hailing from the naples area, roberto delivers 2 deep techno groovers. login exact opens up from the start with a very vicious and infectious groove, grabbing you instantly and looping your mind into deep techno heaven

limited edition rihanna remixes ep.

big with mihalis safras, jeff samuel, axel bartsch, stephan bodzin, pawas, gianni vitiello and many more.. acker records hat besuch aus der schönen hansestadt hamburg. als leidenschaftlicher und innovativer plattendreher ist marcus carp seit vielen jahren aus der clubkultur der norddeutschen metropole nicht wegzudenkenden. mit den herren deo & z-man begleiten ihn nicht nur zwei ebenso geschätzte musikerkollegen, sondern auch eine doppelte portion südländisches temperament und lebensfreude. overtighten nut entwickelt aus einem reduzierten, jedoch hochgradig effektiven rhythmusrepertoire einen verwegen-dreckigen charme. mit dem break gesellt sich ein gezupfter kontrabass zu seinem ziemlich dicken elektronischen artgenossen und macht die ausgelassene abfahrt perfekt. mollono.bass schichtet in seiner interpretation des titels feinfühlig und unterschwellig tonspur auf tonspur und schürt so gehörige erwartungen auf einen besonders energiegeladenen abgang nach dem kurz gehaltenen break. sie werden in jeder hinsicht erfüllt. mit verspielten instrumenteneinsatz und rollendem groove runden runfunk3000 in einer songorientierten version die vorliegende acker veröffentlichung schließlich ab

today, krikors musical style has become more hybrid than ever, a personal synthesis of his musical obsessions : the fat groove and old drum machines of chicago house, the abstract sounds of minimal techno, the urge and energy of rock(abilly), the harshness of industrial music, the dark romantism of folk anti-heroes from the 60s and the forward thinking of grm lab rats (pierre schaeffer, pierre henry..). the result of this synthesis is a first album >land of truth< at last, after 10 years of waiting. its an intimate and ambitious album, bitter and sweet. 11 cinematic songs featuring the voices of krikor himself and also nicolas ker (from poni hoax) on >god will break it all< and >dogs on trial<, chloe (the french dj) on >everything fades< and chloe (the english punkette of battant) on >the times<.

nice price deal !!! the latest new comers from barcelona are sw eden born pow erduo of marco gegenheimer and jens rosengren aka gegenheimer & jenius. both of them are active in the spanish house scene and have been creating a havoc w ith their record label collective ourvision w hich released the excellent archimboldo from fellow sw ede axel boman. the tracks they offered to moodmusic have a simple message of floor dominance w ith musical values and they?ve proven to w ork fairly w ell on recent moodmusic nights at panorama bar and sonar. starting w ith basic shape, a tech-housey, almost early techno feel takes over w ith phasing keys and dry drumprogramming w ith a big break w ith lends a few notes from detroit city. cadaquÚs has a more house feel to it, still keeps the groove as main point w ith stabbing keys and a beautiful theme taking you on a trip to almost mr fingers territory. the closing track ips has been a sureshot favourite at the moodmusic hq since w e got it, a classic deep house track of pure quality w hich show s the musical roots of these talented producers. watch out

little dragon return with a spectacular second album offering in august, a pulsating electro pop epic that prince would be proud of (only fronted by a beautiful swedish lady with a sultry voice). a bold and surprising side/two step onwards from their self titled debut, released two years ago to great acclaim especially among specialist circles. machine dreams, with its nagging hooks and gloriously infectious tunes, should finally see the band break out into the mainstream.

supported by timo maas, dave seaman, dubfire, hot chip, dj hell, piemont, chloe, dan curtin!! new design, new ideas, bukaddor & fishbeck took a break from producing while playing a lot of live gigs and are back now, better than ever.

the debut situation release has been one of our best selling 12s of the year, thankfully the boys are back with yet another massive release. having taken the edits scene by storm with their amazing debut release on disco deviance and the launch of their own imprint with an equally strong set of cuts, the situation crew have now established themselves as favourites of some of the worlds leading disco djs like greg wilson, ashley beedle, optimo, horse meat disco, the revenge and pete herbert amongst others. on this release the seriously percussive disco vibes of late in the love break fuses the sounds of paul simon with some salsoul flavours to produce a truly inspired musical blend. heavily influenced by the sound and attitude of greg wilson, its a perfect track for any disco or balearic dj set. flip the record over and the party really starts to lift off as goblin gets mashed up with the b52s and reworked into a wicked, percussion driven slice of disco funk. absolute dance floor madness situation style