madnurse is back with some great techousy tracks. almost all labels changed their plans and switched over to another style of music. but madnurse sticks to its original flavor. funky techouse with a twist. the original track is by alexander koning and has a more progressive techno feel. while the rmx by mark antonio is straight up funkiness which can be best compared to the new danilo vigorito and rino cerrone stuff. the warren fellow rmx is a steady builder that, wrecks up the dancefloor after the break

cool and catchy 2007 cover of the 20 fingers number of the same name

>baby show up< shows olivers strength in crafting a vivacious floor-rocking beat, with a deeply cavernous kick and sharp stabs forming the groove before simply gripping synth melody gives the track a sparsely wistful atmosphere. as the bass bounces the track along, a precisely executed break leaves no doubt as to the peak-time quality inherent in this production. >baby show up – elegant universe remix< demonstrates the appropriate name of these young remixers, with a track that falls nothing short of a nearmasterpiece. textured melodic soundscapes float gently over an entrancing and slowly lumbering bass-kick combo, purveying a level of passion rarely found in such a graceful piece

rmxs by joachim spieth & matzak big with: pascal feos, karotte, patrick chardronnet,.. + dcc bullets !! with the 10th release, paso is celebrating a small jubilee. therefore we are very proud to announce 2 new artists: maxime dangles, known from >k2< and >kompakt< is responsible for the original of >strawberry<. neotrance at its best!! responsible for the first remix was the french matzak, who recently released an album and some much talked about singles on >boxer rec<! starting mellow, the matzak >strawberry remix< expands to a fully rave grenade. once after the break, when the clap lashes round your ears, party is guaranteed on the dancefloor...

kenny dope gonzales and lil louie vega made their production debut on the new york label way back when, so there can be no one more fitting to compile the first new album release on the imprint. in case you didnt know, strictly rhythm were one of the most important house labels of the 1990s. established by entrepreneur mark finkelstein and serious club babe gladys pizzarro, the label would launch the careers of, among others, roger sanchez, erick morillo and, as we ve seen, masters at work. pretty significant, then! strictly maw is an album no true househead will want to miss

if youre fed up of looking out your window onto grey dreary weather and desperately need some sunshine in your life then you are in luck. chris lakes new track >carry me away< does just that... described as being >reminiscent of a hot summers day dancing on the beach< this track is tipped for huge success. featuring the sultry voice of emma hewitt, an uplifting piece of blissed out electronica, you cannot help but fall in love with emmas beautiful vocals over a hooky piano riff that is chris trademark. complimenting the original, there is the sébastien léger remix which tears apart chris mix that gives you a deep, dark, electro-twisted journey, still keeping the vocal with a soaring orchestral break that makes the hairs on the back of your neck stand on end

brilliant uplifting summer house ep

gentlemen, to your battle stations please! all hell is about to break loose and things might get messy. x-tension is a dj team consisting of stormtrooper and thomas nordmann. stormtrooper, already well known in the hardcore scene for release like todesvogel or existenz, played at big parties troughout europe like energy, masters of hardcore and judgement day. his style is dark, rough, full of distorsion and hardly with any melodies. thomas nordmann, techno dj from south germany since 1999, is known for his very wideranging sets and productions

rmxs by mason (great stuff!), sven wegner & bardia s. and juho kahileinen a1.after the great >touch it< release, groove rebels showing again real love for hammarskjöld records. breakpoint is not just another minimal electrified tool. its intense with an unbeatable bang n dream solution. of course including there typicall plastic bouncin percussions. theyre said: >taste it< but rightnow its time to break it...gr as ever on point. a2. this one comes from mr. sven >klanggut< wegner and bardia s. directly from the hometown of hammarskjöld

mos ferrys sublabel fenou returns after a one year break with a new limited 10 vinyl edition. the first releases realize collectors price and show a path to a universe of experimental, minimal pop. dapayks >dehalledretro< is probably known as part of his liveset. the calm and reduced, but groovy track emerged from a bunch of loops hes playing with during his performances. its a proof that shows, minimal is not always made of clean, sterile sounds and dry wood-like tones. dredl kiboshs flipside >i found you< is spinning around broken beats and intelligent grooves, beyond the klikkaklakka standards. its a link between four-to-the-floor and downtempo-breakbeat, very soulful

after a short break the label from arkus p >friendly fire< is back on stage and celebrate their tenth birthday with a great banging harder techno to schranz 4 tracker from robert natus vs. brainshaker

spanish producer dancelwerk returns with a second helping on sounderground records with a slamming release called >noises<. already gaining favour from the likes of inxec and sian these tracks do not disappoint! on the a side >strange voices< is a powerful, full on track that still remains gorgeously minimal. complete with heavy basses, lots of synth weirdness and a very deep yet dark >strange vocal< hook thst all adds up to a really sinister peak time track. friendly noises delivers an excellent b side with a really up front techy feel, skippy percussion and driving drums with a very very cool break down, lots of weirdness,nice!

main mix features roy davis jr on slick old school flavored vocals supported with tinkling keys and jazzy synth horns that make way to a delicious break that leads into some searing percussion and serious bass all joining together for a jaw dropping, refreshing reintroduction to some real house music. next up is the jimpster mix, a deep edged straight ahead affair accentuated with big keys and roys vocal right up front and center. a midsection that pulses and hesitates and then drives on with an enveloping deepness that pulls you in. gorgeous! last up is the dub, a wildly percussive take with roys vocal setting the tone. pumping bass and tabla drive the energized big sound with breaks that twist and distort only to launch back into the infectious groove

dj fred hush is back for more on the palm beachrecords. the label from brussels is starting to get real famous in country s like belgium, france and germany. after the >open your eyes< (pb 601) and the >dangerous disco< (pb 602) releases, the rubix ep follows in their known style. with the title track hush offers a track like a horse on a racetrack... its right after you and it wont stop running and running and running. solid electro–electronic music for discerning dancefloors and relaxing sofas. the flipside will break up your dancefloor because fred hush chooses to build up softly to reach an amazing climax. friendly but minimal electro – sounds with a warm and uplifting bassline..

nice price deal !!! side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. a1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot.

break heavy house with a hefty dose of in yer face b boy/hip hop attitude from the legendary nu groove staple. comes with a spacey disco take by ray mang

"this ep combines different periods of time. oldschool and newschool elements is the key element of a modern production, no matter if its nasa or both legends acquaviva & lützenkirchen to deliver a masterpiece that is functional in every possible way. sirens and oldschool stabs on one side, combined with electronic fierceness and drumming madness. the b-side "hurt me" is more agressive, sawtooth sounds modulating through every spectrum of frequencies. at least one will get your ears bleeding or just the mind blowing if youre lucky enough to survive. cologne based producer pierce gives the >satellite< original a new face with his remix. long synth build ups, reduced drumming and massive compression focus on the basic needs and desires of a rocking dancefloor: to celebrate a break, a melody and to freak out when it starts at zero again"

sven dohse is back to knock you off your feet with two more magnificent tracks. crusher means to break your bones not with violence, but force-wise. this dry bassline just pretends to be tame – like the whole ensemble does in the beginning. but initial conditions change persistently until you awake twirling in a gloomy moment of house. so compulsive it stinks. so offhand it hurts. so self-evident it makes you wanna scream. way after midnight weaver uplifts out of a sentiment of infinity. warm layers of sound come floating above an abyss hardly indicated. time barely scratches the surface of this pocket epic telling you on and on again: tomorrow never comes

the two amsterdam based djs and producers onno & rocco mundo present their newest release on the lmr imprint.insanity defense:as the track leads in with some raw bass lines the summerish synths take the overhand and gets your head at a big partyon the beach.with influences from old school trance and progressive this track is just 100% nostalgic and can expect many support from a very wide range of djs.classified insanity:then its time for some more house action on the b side.this track begins with a smooth build up, followed by some grindin basslines.and just like in isanity defense theres also a summerish break here.

after the huge cross-over hit impressed here comes the next single by solee. different again combines the fresh sounds of electro with a nice melancholic and trancy melody. the huge slowly building hell of a break will leave your crowd with their hands in the air…for sure! on the flip you will find a superb hypnotic minimal remix by voltique, who already released on get physical, gigolo and love triangle. last but not least there is a remix by newcomer pascal vert with a nice laid-back appeal

huge crossover anthem here hip hop, funk and break beats in a cool coop this is a great package of mixes that will appeal to several kinds of djs

big hit! stunning minimal techno from berlins underground producer scene! the subdub label owner and berlin based techno activists heinrichs & hirtenfellner, have already released numerous tracks and remixes on labels like lordag, supdub, tonkonsum, römer and freshly squeezed: karateklub! violet rain on the a-side is a deep groovin’ track with melancholic atmosphere rounded up with an amazing pumping bassline. on the flip drop to the warm ground is a funky and intense track accented with bleepy textures. for peak time play, no question about it! “under the water surface” starts with a smooth beat combined with nice melodic elements. but after the break: a dirty and pushing bassline rolls over the whole track - the monster awakes and send the dancing crowd to the moon and back! amazing 3-track ep - buy or die!

i dont have much to say about the dahlbacks. jesper is one of my best friends, even though he is a serious pain in the ass. john made 6 records in the time it took you to read this sentence....and he just turned 11. every once in a while they take about 40minutes out of their hectic schedule (john stops making records...to make a record, while jesper take s a break from the grueling demands of being a condo association manager) to make a record for turbo. in all honesty i think they give me the tracks they forgot about..... cuz you know if they really loved them they would keep them for their own lame labels. so, instead i leave you with the music. 3 tracks that prove again that somehow, against all odds, when you put cousins in a studio they bring out the best in each other. jespers maverick genius and time-honed wisdom tempers johns youthful passion and naive exuberance.. while johns youngbrain redefines the game and reenergizes the old master. the two cousins locked in a dance that continually blurs the lines between student and teacher, a sonic sibling rivalry a musical match with one clear winner ....you!!

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

der hit vom diesjährigen thai- break! sven väth im sonnenaufgang am strand . ein muss..

after a simply sublime 3 years with the success of his labels pryda, pryda friends and mouseville and the phenomenal recent success of prydz vs floyd - proper education which was a smash hit worldwide, eric prydz firmly establishes his position as the market leader with this new double a side release on pryda. eric has been busy in the studio recently making a wealth of exciting new material. as with all the pryda releases there is a firm emphasis on making devastating dancefloor tracks with key hooklines and melodies. the a side rymd has been the biggest track in recent eric prydz, john digweed and nic fanciulli sets for some time now starting with its cool drum intro and building effortlessly with cool synths, clever edits and crashes until the intense siren twists up in the break and hits back hard and simply blows the dancefloor to pieces! on the flip side armed is a more laidback classy affair that jon digweed has been opening all of his recent dj sets with. it starts with a nice swirling intro and then the filtered drums and chords arrive and it drops into a fat bassline driven groove. the strings later on add a sublime atmospheric to this already crisp track. this is yet another perfectly balanced release from without a doubt the most consistent dance producer around right now. expect universal dj support! a must purchase

in the last year freestyle man aka sasse has been busy remixing, producing (under his numerous aliases) and running moodmusic among other things. so its with some surprise and happiness we present a new freestyle man release on sunday music. the a-side >this side< chugs along with a monster deep bassline, quirky keys and some low key effects, keeping the tension on hi-alert on this 10 minute journey of afro-funk. the b-side >vortex< builds up with effected percussion and live bass, its growing with neat synth stabs and atmospheric strings til the break drops and lifts the track to another dimension.

digitalism presents their zdarlight original reworks and the compelling erol alkan edit of jupiter room. the mash up is devastating, let there be terrorlight now !there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to.digitalism initial release on kitsuné remains their best known: zdarlight. the heavy dance tune, with its acidic undercarriage, lilting guitar line and stratospheric climax, is distinctive enough.the parnoid asteroid mix presented here is the beauty behind the club beast, a full effect rework driving you through an emotional break while keeping your feet moving.then the basement trash tryout mix si explicitly underground for all you punks, digitalism recorded live with guitars !jupiter room edited by erol alkan : two breaks, a monster is born ! huge effect with a simple idea, thank you erol, for another compelling electronic record. there has not been an electronic act with the potential to cross over on such a scale since daft punk and the chemical brothers. it s been a long wait!their forthcoming new single pogo from their first album, entitled idealism, will be released on may 7th

after a long break, reinhard voigt is finally back . and yes folks, the wait was absolutly worth it !!

album of the masterhead eric sneo. techno, pure and genuine. a longplayer, full packed with driving technoid music, every title a precise combination of sound and statement

for the second part of this very special project surgeon sent parts from as yet unfinished tracks to carefully selected remixers to get their interpretations uninfluenced by the final finished tracks. the record opens with the deep, moody interpretation >bad hands< followed by a powerful, dense, aggressive mix from robert henke aka monolake

first in series,ep one starts out with an edit by darshan jesrani of an 80s disco jam stripped down and reworked for optimum dance floor bounce. path is an obscure break which has become a favorite of danny krivit, xpress 2s diesel and others. side b features an afro disco obscurity called run which has been reworked by kane into an uptempo fela at the disco vibe with heavy reverb kind of in an early idjut/u star vein. the ep closes with um spam. culled from several japanese sources, a sweet balearic vibe pervades throughout the track

big with: damian lazarus, kiki, jimpster, ripperton, p.toile, m.monday daso franke, a fellow well known not only for his fantastic releases on mbf and connaisseur, but also for his furious live-sets, sets out to bring the noise again. after having been inspired by the nerdy world of old-schoolish adventure games for his last release, he uses the dissolute world of absinthe as an afflatus this time. he takes us to a land where alluring little green fairies buzz around and people cut their ears off under absinthe’s massively woozy influence. thujon: the impact of well-made absinthe depends on its concentration of thujon. it can best be described as a kind of heightened clarity of mind and vision. and this is what this track is all about - 100% thujon! louche is the name of the cloudy effect you achieve by adding water to spirits, which contain anise, like absinthe does. this track starts with a low-key groove, which forces up to a mental dance affaire, including a genuine rocking daso-esque break

classic re-issue from 1995 by carl craig with amazing future detroit music and a nice kenny larkin remix

its a remix by jean-michel that had been chosen for a remix compilation contributing its profit to uinicef. nice electro break beat tune with trippy breakdowns and an otherwordly pop-feel to it and a shuffle mix featuring bjÖrk on the flip!

great movin dubby break monster with raggae influences on the a-side and a more drum n bass flavoured tune on the other side

if someone had to describe the sixth release from pascal feos album >synaptic< with one word, >bassline< would be the one that fits. the a side >ausklang< is dominated by a sawtooth >bassline< which modulates more and more to reach her climax shortly before the break. the b page >stargazer< begins with a techno groove to change later by a charmingly lascivious >bassline< into a nice floating tune. as a bonus we have on b2 a nice >acid bassline< , which reminds of that man from the >jackcity<, regarding to the title > mr f <.

timeless surgeon tech with remixes by autechre & disinvectant

after a short break sven brede aka toxic twin is back at the club with this huge ep called >zima< !! its really a pusher on the floor, melodic and groovin at the same time.. incl namito remix

this is it! you like it or dont like it! as you ll all know, infamous dutch producers dj zki & dobre are behind the jark prongo guise and they did it again! and they are probably again far ahead with this monster!based on a phat ass break beat and oldskool hip hop rhymes that doesn

next 12inch from the french cocoon artist ! >boul de nerf< is a peak time dancefloor track, with an atmospherique beginning, a big length with talking between bass and freaky lfo synthé. after 6 minutes the strange co2 break came before a second time for the dance floor...>boul de neige< deep acid track, for the aerial moment, straight line with a house rhythm section.... >boul de gum< minimal with something as chicago, big strange ballade for drunken lover s couple...

finest detroit influenced minimal techno tracks produced by bjoern stolpmann from onitor/kailash/tongut! incl. ivo >he s a dancing machine< deutschmann remix! >since i began to be< is a huge techno stomper with deep freakin sounds. after a little break bjoern show s us his interpretation of acoustic weapons for the dancefloor! ivo deutschmann (one of the tracks from his first ep on karateklub was signed by minus for magda s mix compilation) did a great remix-job of the main song. on the flipside you will find two excellent and beautyfull rocking tracks but more minimal. karateklub welcomes bjoern stolpmann!...played by delon & dalcan (boxer), electric indigo, karotte, markus lange (craft , pocketgame), prins thomas

dj support: chloe, james flavour, sven dohse.. !! what is control launches with a driving beat, followed by a dark vocalsample with a touch of malevolence, the pair shapes a distinct sound which should distinguish it from the mountain of minimal tracks out there. it s creepy, has an edge and there s enough vitality to keep hips moving on the floor with its funky bassline. >not my enemy< on the b-sides is a bit deeper and reduced. weird synth-lines and spooky vocal shreds are marking the break, before the track ignites with cascading snthesizer triplets. manic

alex bau has succeeded in creating a truly awesome brand with the credo imprint. the first 3 relases have all been extremely highly acclaimed and have been working extremely well on the techno floors across the world. this release again is truly cutting edge with the a side being a distorted bass heavy techno monster with its heavy rumbling bass and very cool 3/4 drum rhythm. on the flip we are treated to another blistering cut as this time the influence is old school elctro with its rolling break groove and heavyweight bass and synth sounds.

vancouver collides with brooklyn. male model machine break out with two acid electro techhouse tracks. sinister 4/4 electro techhouse and grimy acid abound from black vans latest recruits. features remixes in a minimal techno vein by berlins chopstick and the uks cheshire catz

marcus layton dub & club and martin eyere & namitp & kosheen dj mix. excellent break beat/ electro house tune!

david keno has a growing reputaion as a fantastic producer. his own keno imprint started off in fantastic fashion with its first release and highly acclaimed someone else remix. this release follows in in fine style with a fine two tracker from the main man himself. the main a side track is a killer as it starts with its shuffled drum groove and tidy synth bassline. the track then builds ominously with its menacing strings before the big synth break makes the track complete. the flip side is also a worthy addition with its funky groove and cool percussion

serious funk going on here! a well balanced mix of new comers and established artists gettin together to throw down some funk blacksoul teams up with newcomer musical globe for a slice of disco heaven that is all about a wicked break. sleazy mcqueen drops a funk bomb on us, chopping up the samples just right and then killin it with that ol school rap. fabio bacchini is channeling chicago via italy and works a classic sample to death on freakin jazz. tom collins is back and with a vengeance with a classic spettro mixed track with a quirky spoken word over the top for good measure

concrete dj s are a new force that we have added to the hardsignal imprint. there are team of 4 people who are making some of the most incredible hard techno. their track tengu that we have here has a nice firm kick with a great sub bass. we welcome patrick dsp and dj pauze back to hardsignal. coming back from great repercussions from their huge release on fine audio 45, patrick and pauze have created a nice techno stomper for us with a little bit of a different twist. great kick and bassline with a sample that is super catchy. we are proud to announce the return of primal to our label. he has taken a bit of a break off while in the studio recording some of his newest material