berlin based enough! music present the 9th release „crispy lips“ from eveline fink. after a short break she offer us two elegant tracks with the name „ crispy lips and backflash“. the great musical attitude, passion and the smooth flaver are the hallmark of eveline fink. this time we are so happy with a fabulous remix from daniel stefanik, (moon harbour, cocoon,). enjoy!

the one and only eric sneo graces phobiq for the first time with this three-track journey into sleek, chrome-plated techno. the title track has been surgically arranged so that the cavernous percussion and spacious effects can take over the whole track with their immersing strength. the grinding drums in combination with the hypnotic, filtered riff running throughout the track kick things up a notch and ensure maximum overdrive. on *stanch*, snappy drums provide the backdrop for otherworldly hi-hats to pound away while the focus shifts to the immense rhythm section and percussive mayhem. as expected, an apocalyptic breakdown ensues and all hell proceeds to break loose. *interleaved* picks up from there and seals the ep with classic chords that mutate over time together with more sonic manipulation, which ultimately serves as an exhibition of effortless mastery.

new ep by point g. for break session. vinyl only

it s been a long, long time since coyu produced an ep full of original tracks for his beloved kitty label. september of 2013 was the last party groovers from him. through all these months our mastercat has released several eps on cocoon recordings, snatch! records, noir music, bedrock records and some edits and original tracks with ramiro lopez and edu imbernon that have been released on suara. finally, we have our mastercat alone with two oustanding cuts. in my mind is a dark techno track with a break that it will literally blow your head up... balls , however, is a very housey and summery cut that will definetely break your hips because of the instantly recognisable vocals and the killer darbuka rhythm. enjoy this is 100% coyu!

after 14 years of close collaboration tony allen stopped working with fela anikulapo kuti. after breaking from the band during the gigs at berlins festival in 1978, tony allen returned to lagos to start working on new compositions. his independence inspired him to break-away from his regular routine of putting 2 tracks on every single album

limited repress of this huge classic album!

to rack & ruin comes thundering your way slap bang in time for summer courtesy of our italian disco brother in arms dj rocca and his compardre n2b. the usual high standard of sounds are as present as ever on the 6th instalment of our edits and reworks imprint. get up hits you with a rolling bassline that brims with plenty of pant flapping groove & wah wah guitar licks before that ever so familiar vocal kicks in for a full on reggae disco workout. weird safari certainly lives up to its name - a stripped back, dark & almost techno sound, alongside tinkering percussion and spaced out wild animal noises surely make for a weird safari. dubby pino has you from the off, all the foot stamping & money shaking elements are present - hooky guitar, fat bass loop, infectious percussion, soulful vocal licks and a gorgeous little piano break. mr rossi’s backpain starts off by getting the award for the best song title we’ve ever had on rack & ruin, but as well as that it’s in the proper groovy dance floor tackle category with a bassline & guitar that commands your respect and then when the 4/4 kicks in at 1 min, well just have a listen.

weightausands music is born out of the crash between expectations and daily praxis. a dub-infused, non linear array of data in which memories, obsessions, in the shape of sound pieces borrowed from friends and collected from the most various sound sources (even cannibalizing dance music power cliches such as the amen break), are arranged to enter a psychic cage system set to take advantage of their raging power. the resulting tracks sound like jungle rave hits echoing from outside time. side b contains a doomy aquarian remix of by morkeblå, and a remix by concrete cave inhabitant heith of an unreleased track, produced with no previous listening of the original.

second release on the fresh italian imprint universal consequence is coming from the hamburg duo silky raven and features 6 special tracks produced as a session in early 2013 and will show us their eclectic and intelligent idea of electronic entertainment. jakob seidensticker & henrik raabe who are also part of the well known project wareika will break new ground as silky raven with more focus on the dancefloor!

quality collection of 80s soul duo collins & collins finest moments all loud pressed on 12 inch vinyl. with the original 7 inches changing hands for ridiculous money, grab this chance to get your hands on all these amazing tracks on one 12 inch.

modularz label owner developer presents his first lp, sold in three parts as a, b & c. the title named *in pure form* is a real wealth of work that developer has been creating over the last year. its a fairly large catalog of music focusing on raw rhythms, strong tools and powerful funk fueled techno. we do advise that this is not your average concept album with ambient and break beat type pieces that the market is flooded with - but instead a more straight to the point no filler type of lp. this is a massive selection of functional tracks direct from the developer factory of techno. already a huge amount of support and positive feedback received on this release from the global heavyweights currently playing a selected amount of tracks from this killer release

modularz label owner developer presents his first lp, sold in three parts as a, b & c. the title named *in pure form* is a real wealth of work that developer has been creating over the last year. its a fairly large catalog of music focusing on raw rhythms, strong tools and powerful funk fueled techno. we do advise that this is not your average concept album with ambient and break beat type pieces that the market is flooded with - but instead a more straight to the point no filler type of lp. this is a massive selection of functional tracks direct from the developer factory of techno. already a huge amount of support and positive feedback received on this release from the global heavyweights currently playing a selected amount of tracks from this killer release.
pressing on transparent, slightly marbled vinyl.

modularz label owner developer presents his first lp, sold in three parts as a, b & c. the title named *in pure form* is a real wealth of work that developer has been creating over the last year. its a fairly large catalog of music focusing on raw rhythms, strong tools and powerful funk fueled techno. we do advise that this is not your average concept album with ambient and break beat type pieces that the market is flooded with - but instead a more straight to the point no filler type of lp. this is a massive selection of functional tracks direct from the developer factory of techno. already a huge amount of support and positive feedback received on this release from the global heavyweights currently playing a selected amount of tracks from this killer release.

kenneth christiansen & dennis bøg presents pattern repeat part 7. after a litle break pattern repeat is back with a new ep. this time pattern repeat delievers 2 very powerfull techno tracks with heavy chords and dubby elements. kenneth is also running the labels echocord and echocord colour, and dennis is known from his baum label, and his resoe releases. its still all about dub-techno but with a heavy metallic sound that defines the project pattern repeat. this one will be in red coloured vinyl. both tracks will be perfect for the peaktime hour.

back in february 2013, shortly after their impressive first release as a label, music is love launched a double va entitled lovebox: an 8 track double-vinyl release that included tracks from 8 talented up-and-coming producers on their roster. by innovatively previewing the producers in this way, the label laid the foundations for what listeners could expect for each artists subsequent eps. the artists who released on it were not hyped up flavours of the month, but rather emerging talents who sat perfectly with the labels musical ethos - quality and original underground house with a contemporary, dynamic feel. since the va, the label have gone from strength to strength and have firmly established themselves as one of the most brightest house labels around in the uk.

merachka is a new artist from detroit who produces detroit techno, minimal techno, and tech house. merachkas original version of >undergroov< is a throwback to the classic sound of detroit techno. >a minimal break down< and >zniper< are banging minimal techno tracks. terrence parkers remix of >undergroov< is a tech house monster! support from djs like dvs1, terrence parker.

from the executive producer chez damier come a special edition release marking the 20th anniversary of balance and prescription records. side a. the mission: lavida (life) is a project and group from switzerland that was produce by chez damier and italian producer demetrio giannice, the track is deep with choped vocals of chez and chaka khan, very chord driven with a jazzy feel as the break of the track. a2. is a young group of french producers from paris called siler & dima , thomas zander with track called: inappropriate, a deep driven track with spoken words , more minimal and was inspired by some of ron and chez early works, this is for sure new school and very club friendly. side b is a remastered version of the rare prescription underground mix of ron trent and chez damier s classic --the choice-- this is one of the dance classics that helped shaped a new underground sound for the club, with ripping synth, raw snares and high strings, this 20 year old track hold up as well as a track made today.

after a lengthy break mark henning returns with his new label swing and four on-point tracks. *stash house* kicks things off with a crisply produced groove with snatched male vocals and rounded bass keeping the swing high. *exit acid* ups the energy levels with an acidic tinged b-line proving a grimier feel whilst flip sides *james hughes blues* is all about the breakdown, a neat synth line and huge bass tones lending it a more anthemic edge. lastly *the horror* opts for a lower key ride, fuller male vocal imbuing the track with a sleazier feeling.

33-10-3402 is a code name for nenad markovic, an imaginative and limitless musician and producer from belgrade, serbia. this release is the second in a trilogy of opium den and whore-house inspired singles entitled mecanica. iii33 features a disorienting vocal, that repeats as if caught in a psychedelic cycle your mind cannot break, accompanied by stuttering percussive elements and metallic textures. cool down is a post-apocalyptic drum circle that keeps your groove alert as it moves between accent placement and eventually builds into a full force bad acid trip. be careful with this record.

alextrem acid fruit opens on a beautyfull 175 bpm banger, bringing a superb turning point after the break... twisting tune ! the second track gives 186 bpm acid progressive harfloor track. b-side opens on a 166 bpm old kickaz psychedelic and melodious, dark acid. ep finishes with a 167 bpm acid tune, carrying a long brealk intro turning 4/4... gambling acid waves.

adonis >were rocking down the house< are issued and remastered for 2014. released in conjunction with trax in original 1986 artwork.

catalognumber 23 – what else is to say? while we are feeling the spirit of william s. burroughs blessing this very vinyl-enigma, &me went particularly mysterious ways to transcend the category - dance track - for this one. the meditation through bass had been the major discipline of some of his latest cuts, but what you will find on this a-side, one could certainly call the perfection of somnambulistic peaktime-fever. the way he is kneading the lower frequencies, how he is channeling the expansion and decay of bass must inevitably lead to some aroused moaning. good vocal-selection, for that matter! then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season. * locust* on b comes in with some smoothly looped e-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. but then again: rolling bass barrels like a signature and a defence breaking build up thats ensued by liberating pressure compensation in mighty breaks. two demonstrations of understated and sophisticated peaktime-emphasis, so to say. or differently put: a flawless double-a-side.

played by :owen jay (battibatti/minuendo/uq), dubbyman (deep explorer music), ernie (minuendo recordings), the7notes, james ornate, monsieur cedric (serie limitee), jesus gonsev, och, brad peterson, djp, russ gabriel

the concept of dusk notes is to cater to both the dancefloor and the introspective listener. founded by cory james, an nyc local and one half of brooklyn techno duo point break, and soramimi, a more experimentally inclined producer, the label aims to focus on the spectral and the subconscious.

hailing from sunny los angeles, plastic love records kicks off our first release with an ep from label co-boss jimmy maheras. maheras made his debut in 2011 with his space jam ep on the crosstown rebels edit sub-label, rebellion. since then he s released remixes and singles on strainjjur, riff raff, supernature, and left d. maheras s two original tracks showcase his depth with the man from another place being squarely aimed at the big room dance floor and the second track, arecibo, bringing a little kraftwerkesque funk. we ve commissioned timothy j fairplay (crimes of the future) and cottam (aus music / ruff draft) for two very unique remixes. fairplay crunches down the original melody and throws it over the famed amen break to give tmfap a hands in air late night feel while cottam s remix brings the dreamy melody closer to acid with storming late night kick ready to knock down a wall.

two years after his last ep terra incognita, poisson chat is back on pcm for a very special and personal record. wave memory, a mini album gathering six waves recorded throughout 2013, after the break-up of an important love story. this record is his diary, recounting his own experience about a meaningless, dark period in life.

nice price deal !!! limited re-release. west norwood cassette libarary aka bob bhamra, one half of data 70, presents the debut release on wncl recordings. >what it is< hangs techno stabs sub bas, old scook bleeps and a shuffling break around a dubstep tempo. brackles on remix duties, stylishly takes essential elements of the original and shifts the tempo to provide another one of his genre bending productions a psychedelic space jam thats broken enough for any dancefloor. support from ben ufo, headhunter, kid kameleon, 2562 martin kemp, pangea, shortstuff,untold, boomnoise, mary anne hobbs.

after a long break of releasing music on eintakts sublabel * rare* we are happy to present the comeback with the new rare vinyl, produced by bendejo. the things you do ep combines tracks with a chordy deephouse mood and classical, maybe even a bit experimental ideas. the splendid voice of irina radovic, who benne met at a recording of her band at university rounds up the house vibes and gives tracks for the dance floor (things you do, dont care) whilst dubidu and ecpecially autumn afternoon make you feel rather dreamy, still having the house groove going on.

acid night keeps on quatting the 303 new generation. and goes to mr from rehkold and tomeen. in italy. for 4 4-tracker opening on an psychedelic hard tribe 170 bpm grower. then begins a 150 bpm hard techno acid hanging-on track. b-side opens with a break acid digger, carrying a 70s synth ambiance in the backward. finally, the last tune returns back to the 170 bpm wiith a cool story of acid waves searching the digging possible way

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint.

inspired by the rhythmic sounds of the industrial machines that soundtrack quirkes day. limited to 500 units.

body music: an extended edit of an utterly genius chicago classic.
slight disorder: edit of talking heads *pull up the roots* with an extended break. sure to make the temperature raise on any avant garde retro house party.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint

irishman john daly takes a rare break from his one track label and delivers his magic to the tanstaafl planets imprint. floating house and spacey techno on the b-side that seamlessly merge daly and tanstaafls aesthetics, while the a-side delivers a pulse raising new fusion of jacking swing and dubby synths. john daly cant do much wrong!

british label innercity records made a flying start to life last year, with their v/a releases going down a treat with a slew of the scenes prime movers and shakers. for their latest release, the manchester based label does much the same again, as they compound their auspicious start to life courtesy of a four-tracker thats dripping in refined house-music textures.

vinyl only! super limited edition compilation from traveller. only 200 copies worldwide. dont sleep. imported from finland.

s3a at his best, definitely the best ep produced by the man, must have!

play it say it is a hot new label brought to you courtesy of seth troxler, and the first release is a one-side monster of a track by sharam (deep dish) and featuring manfred manns earth band. hot on the heels of deep dishs recently released club hit quincy, sharam releases tripi, a rib-rattling, earth-shaker destined to cause maximum dance floor pandemonium. an incessant dirty as hell synth line underpins the colossal driving force of this beast as the rhythm breaks down to the unearthly enchanting keyboard break courtesy of manfred manns earth band. tripi was endemic throughout wmc and expect to hear it everywhere this summer. already getting heavy support, tripi is destined for big things. seth has kicked off his new label in style. expect more floor fillers in this vain from other luminaires on play it say it this summer. and remember, when you play it, say it!

el_txef_a continues rolling out thoughtfully detailed productions after a brief break. 2 years ago was released his debut album and now the misterious boy from the basque country launches the single of what will be his second long play.

mono is back with a 4 tracker by leão aka robot needs oil who brings some classic house tunes to your ears. enjoy! early support from: nick curly, bunte bummler, chicks luv us, medeew, steffen deux, jan golly, toby t, andre lemont...

deepartsounds 5th release la ciudad interior ep was produced by deep explorer artist dubbyman!

limited acid night realese. uat kut invited do present his skills with analogic synthetizers, with 2 banging acid hardcore tunes on the a-side and... b-side... a 20 minutes long track, an hommage to klaus shulze, using old analogic synths for a long trip of old school new age acid ambient tune. a special issue on acid night to break all kind of formats and bring some poetry in the sery. enjoy!

in certain times special things reoccur. raydilla returns to his warm pulp home with a balanced 4-track ep. the title track the feeling is that signature raydilla sound that combines nice thick drums with a grooving bassline and some moody chords nicely sitting on top. the vocal sample comes in sporadically to finish it off.
this is a vinyl only release.

sun ep is the first release from label founder and cocoon artist julien bracht on his own label. the 2-track ep radiates a sense of confidence and motivation into a composition wherein the sound is expressed by the combination of melodic and hypnotic sounds, combined and inspired by the hardness of his break/techno beats.

ressurrecting the decrepit corpse of american music, the production #god# everyone has been waiting for to help break free from the mental slavery imposed on you by bullshit record labels and djs with no fucking clue.

if you have ever wondered what it would have sounded like if can grew up going to see ron hardy at the music box and then recorded an album together with francis bebey in the congo, the debut record from black deer may be just for you.
the work of prolific brooklynite william burnett, whose aliases include willie burns, grackle, speculator, galaxy toobin (with eliot lipp), pg&s (with jorge velez) and smackulator (with legowelt) is psychedelic in the truest sense of the world. sprawled across six tracks, burnett fuses various outsider loner genres unto one definitive vision quest all his own, that of the black deer.
limited edition of 400 copies with hand assembled black foiled museum board on silkscreened covers. features fold-out poster and stamped labels by artist marion guillet.

following his well received fabric mix comp in december 2013, ben sims returns to his own theory imprint with yet another ring release in the form of *reflection*, which features two original new tracks, a remix from rod and a vinyl exclusive. the eponymous opener is a strident, 909 + 707 driven affair that fuses overlapping, stereoscopic tones to a gently distorted and brutalist groove that sits somewhere between dance mania and detroit. *break glass* is the second original on offer and has been a heavily requested track for the past few months. the perfect partner to *reflection*, *break glass* is similarly overdriven but heavy on the sort of mechanical funk that sims does so well. rods version of *reflection* is a linear assault which ebbs and ows with purpose throughout a linear and intense arrangement while sims remix of *break glass* zeros in on bone rattling percussive aesthetics and vox samples, in much demand after featuring on his fabric mix cd.

groovin minimal tech house!rising british producer dale howard makes a triumphant return to audiojacks gruuv imprint this march with the damaged ep, backed with a remix from new yorks manik.