ansatz der maschine is back with his 5th album! frontman mathijs bertel went to the greenhouse studios in reykjavik, iceland where he worked together with producer valgeir sigurdsson sophia amman, will samson and colin h. van eeckhout provide vocals

cristian marras kicks off his rebels conspiracy with remix support from makaton and blush response.

supported by the black madonna, ivan smagghe, william djoko

last spotted on correspondants fourth annual collection, jennifer cardini and noura labbani return to yovavs majestic slice of cold wave theatre running wave and develop its universe on their ever-bubbling dischi autunno imprint. still as epic and dramatic as it ever was, its narrative is now galvanised by a typically dynamic edit from gerd janson (who also remixed yovavs last single on correspondant), three originals and one remix. railroad is an animated chip-like adventure with layers of leads cleverly interlaced around the lolloping lofi kicks file detective plays the consummate creeper as a slinky metallic beat suddenly melts into a sleazy, sneaky lead that keeps peeping over its shoulder space work closes the show on a cosmic high with such a strong emotional pull it could make sabres of paradise blush while brassica add crucial footnotes with uptempo breakbeat remix so elastic and euphoric it could flex a bicep or two. stunning, immersive and truly singular no one is doing it like yovav right now.

sonic groove records presents the advent of a new strain of contemporary techno for 2018 and advancing electronic music culture further into the future with this release. this is a document of the convergence and alliance of two distinct artistic visions, that of veteran and pioneer thomas p heckmann under his drax moniker and current dedicated activist blush response. the results of this cutting edge collaboration are pure dance floor revelations of the infectious and mind expanding kind. four cryptic transmissions initiating a sequence of combined sonic dna output. this is an interpretation of techno rooted in radical experimentation and upgraded to the next level with compelling innovation. side a initiates the drama with mysterious analog machine signals of both purist and experimental dark techno that are composed of elements crafted at the molecular level. side b continues with intensity delivering more of the combined audio expression of the artists. the intense coded communication weaves through in waves of perfectly balanced synthesis that is reinforced with heavy percussion and complex intertwined and engaging rhythms. a new key to other dimensions in sound. essential

for our second release we may introduce the rotterdam-based beatmaker the soul pilot. he is known for his funky, soulful and beats heavy productions. for les cidres he created two summer tunes lawless and craving showing more of his repertoire. lifting off with lawless. in this hot, sweet, bassy piece of sexyness, being true to his name he shows his passion for vocalizing himself - letting you blush and sweat with him in this heat. the journey continues with craving - with this funkiness blowing through your hair, body and soul. a summer must have!

in the woods there is a bird, his song stops you and makes you blush. (à) and finally, whenever you are hungry and thirsty, theres someone who chases you away (arthur rimbaud) in the woods there is a birdà is both an ongoing sound and publication project by olaf nicolai, published as a contribution to documenta 14 and the documenta 14 radio program. it is based on archival sound material extracted from radio reports, employing radio as a source (rather than a medium of transmission): background sounds of demonstrations, riots, rallies, originally recorded for radio stations all over the world, are used as source material for this soundtrack composed of these various ambiences. the real sounds are defined by a lack of reference that is usually added by the auditive or written indices that surround and date them. the affiliated artist book in the woods there is a birdà reflects not only the process of detaching, mixing, referencing and re-referencing in a visual essay. it also offers for this new composition an index and frames the recorded sounds by presenting a list of the places and dates the events. the artist book in the woods there is a birdàis published by koenig books.

featuring samot / pearl / blush response / exaltics remixes.
after more than 5 years releasing exclusively their own material on their own label and with 12 ep released since nowadays there, nx1 use now the cultivated experience through this years to launch nexe records, a new platform with which they open to release other related artists and collaborations that will rule the label.

berlin based arttu has been dropping his dusty fat beats across numerous techno labels including philpot, clone and 4lux for a few years but it was 2016’s track ‘hoodies’ on arttu’s own imprint cyblo that caught the attention of accidental label boss matthew herbert (and which remains firmly in herbert’s record bag). arttu was invited onto the accidental jnr roster and has delivered a chunk of techno with so much swing it made donkey kong blush. arttu takes the most simple of jazz bass hooks and loops across a rigid kick, it’s when those hats kick in that the groove goes fucking wild. the presence of us native roberto q ingram on vocals brings a full detroit gangster flavour to the party. initially arttu and roberto had an idea to record a simple and sweaty track with roberto on the mic and arttu at the control of some dusty old machines. the result, ‘bass trakk’ is exactly that: roberto dropping lyrics over a raw beat and a massive bassline. the ep is rounded off with a deep bit of techno ‘debris’ with all the trappings of the darkest hour of a berlin winter in which it was recorded.

the mojuba sublabel moves on to the next realm of music after delivering with sven weisemann - xine one of the most surprising and acclaimed albums of 2009. so now its the turn for goldwill. some of you might know these incredible talented guys from their first releases on liebedetail, musik gewinnt freunde, wasnotwas or einmaleins. so what can we say about this release, if you liked jc freaks you will love the sound of goldwill! its that magic combination of sounding fresh and not forgetting about the traditional old school feel at the same time, which makes the tracks so special! so check out the convincing tunes and keep in mind: the future looks golden!

nice price deal !!! beaumont steps up for the next release on hotflush, with his >never love me ep<. the young scottish producer michael rintoul created a slice of hypnotic r&b dream pop on last years >blush reponse ep<. it was described by inimitable brighton-based blog 20jazzfunkgreats as having produced, >by a strike of genius and inspiration<, the authentic soundtrack to >a really cool z-series 80s thriller<. this time round, the vocal work on the title track is reduced to a barely intelligible processed warble, which provides the scaffolding that supports the sparse drums, synth washes and plucked melody. >uptown< begins with carpenter-esque keys of dread, but is quickly drenched in a warm shower of shimmering keys that tussles with the shuffling half-beat. the >rendez-vouz< could be on mars, cosmic winds billowing, until a snaking bassline throbs into sight, beaumonts impeccably programmed drums playing off against the tense synths. star crossd lovers indeed upon the eps closer, >verona beach<, the tidal back and forth grounding, the sound of the sun setting on a miami vice beach, but disturbed into syncopated sense.

the new album of toulouse based producer verset zero: a scary and tortured release with black metal influences. the original tracks are accompanied by three remixes (blush response, violet poison and huren).

strongly 1990s ebm rooted, noise & industrial sound scapes incorporating, blinding, techno aiming remix set. limited edition of 500 copies.

the second part of the collection by perc, furfriend, scalameriya, blush response, vsk, kastil, yaporigami & oleka that showcases exclusive tracks in variety of techno styles compiled to form a perfect unit.

500 copies, 12 inch 180g, hand stamped, individually numbered records, single press only

the bombtists are back with another ep full of dark & driving techno

two years ago i played at studio 9 in vilnius, lithuania. the following day i missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend linus, who took me to the contemporary art centre. it was there i spotted a book named ‘rojus’, that linus told me translated as ‘paradise’. the word and striking cover of the book stuck in my mind. a few days after returning home, i turned on to a national geographic documentary named ‘designed to dance’, explaining the courtship rituals of birds of paradise. as i watched, i jokingly began drawing similarities between these birds’ attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. this gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these birds of paradise and their habitat. thus, rojus. leon vynehall 2016

ebm & synth-wave derived goth-techno banger

nice price deal !!! manchester s techno alchemist and master of the roland tr-808, the enigmatic mr.raw, debuting mancdetroit 12” on win or loose records straight outta toronto ca! long term nightclub shaman on the northwest of england circuit, raw served time in rotterdam s early 90s gabba circles before returning back to manchester to twist brain s n bodies with his wild blend of freestyle techno. raw s witnessed trends in production go from hardware to soft and back again but he s never strayed from a solid rack mount set up based solely around the tr-808. with a few added choice fx processors raw s style is loose n live and captures a pure spirit rarely exercised by today s pacified youth. -perseus dance- sounds like the kind of shit the great ron hardy would jam on, with two copies, for hours. inflicting a sherm-stick flavored mind-blast to the floor that may have indeed caused the good man to blush, we find percolating 808 percussion woven together with a mystic, fizzing lead line and twangy analogue artifacts. darkside acid dragged wailing and whining from rusholmes drains. flip and we have -hard on-: a twisted x-rated porno horror jam. raw s rapid-fire double-speed drum loops firing away while a plethora of abhorrent vox and coital sounds converge onto the track. a total wrecking ball of filth and hellish distortion which just smolders away in the basement of some sadistic nightclub like a rotten but highly intoxicating fungus ready to switch on any passing freaks.

the original motion picture soundtrack to ridley scotts science fiction masterpiece *blade runner*, pressed on 180g vinyl and housed in gatefold sleeve.

helsinkis lauri saine is the storyteller for this, the third chapter of fools & fables. pleasingly his irresistible releases dont come along all that often, but when they do, they justifiably make serious waves. small remedies, takes us on a journey to a side of saine we seldom see. first things first, blush cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. casual wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. the tropical breeze blows free through leisure song too, as we begin to get the impression finland might actually be a small pacific island.

californian modular synthesizer and audio equipment producter tiptop audio is proud to introduce a new project for 2015: tiptop audio records. in the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. this trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack). tiptop audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets. tiptop audio records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective. these are the artists who inspire the tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).

comb eh brush eh crimp eh, oil eh mess eh spoil eh. comb eh brrush eh crimp eh. oil eh mmess eh spoil eh. spoil ehh. spoil eh spooil duhmove to me likure practising urecooos like a ringneckd dove! wind and coil, bend and twist, swells with water, smoothes with oil, now its morning and ive been thinking like allll night, its perfectly natural. take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a cherry pick a tissue, my hair its black climb up eh. lean out the window climb up eh

va aka jamie lloyd, session victim, johannes albert, reverend g, kim brown, quarion, mr. beatnick, iron curtis, robert oh!

after his sublime remix for hitsafes >let the acid out< on shaddocks first release, tin man makes a deadly return to shaddock records, delivering his most dancefloor oriented record to date. opening track >t_dd_t_rr_y< sees kicking beats with a genealogy harking back to finest chicago house, yet done with contagious feather-light energy of uk funky and a naughty bassline gliding perfectly between cheeky rave chords and their moody older brother. >s_mple_house< continues with this blindingly effective simplicity, dreamily muted chord stabs, rolling congas in ecstatic space over a warm round bass. on the flip on >aut_repeat<, crystalline synth shards coalesce in complex forms and continue in icey determination as the beat sneaks up underneath, propelling into an absolutely blistering workout. >djsn_k< rounds up on a perky high, an ebullient synthline with crunch and a punchy beat so frontal it might make you blush. rave bones akimbo – tin man steals the pure dance!

this exquisite disco roughie, paying homage to that sleazy, backroom-disco sound of the boys town gang and skatt bros., is the latest addition to the history clock canon. and ill wager that this is going to be the post-summer smash of the undergrounds counter-cultural disco scene. >cruiser< is a simple, bass loop that grinds and growls like an early weatherall-style groove, beneath some of the most x-rated sociolinguistics that would make even a sailor blush! on the b-side, relaxer is a punchy, proto-house instrumental that sounds like something somewhere between the very early releases on trax and one of those obscure 12? killer dub versions from a mid-80s, uk pop tune

limited edition clear vinyl , pressed only 333 copies !! this is your chance to own a few of the most hard rockin underground classics

this release is a very special one for us… indeed, roskow kretschmann has been for years one of the music makers that surprised us constantly and teased our appetite, displaying his rich musical background inside of projects like jazzanova, kosma or sygaire. the tracks selected by dairmount (after hours hanging out in roskows sound lab over the years) are genuinely outstanding in his entire discography. they sound like no others and reveal rare aspects of his >musical persona<. this is why they are representing perfectly our quest for >hybrid club music< crossing the lines of the original spirit of house & techno. the ep opens with the futuristic techno soul of the time is now. perfectly named, the tune fuses with class, dusty jazz samples, obscure soul vocals, juicy claps and overwhelming detroit techno keys. the result is a timeless club monster for the deepest moments. the second track that blasted us is mono:poly rightly shaped for audacious djs that enjoy to play >special< things. the track is supported by a solid programming as fellow beatmakers like mark pritchard, recloose or kenny dope originated in the 90s, mixed with biting analogue pressure, crazy batucada elements & a magic breakdown for all the lucky ones that will play it in the sunrise this summer. and last but not least, one of the label mavericks, marlow created a hell of a remix by delivering a 10 minutes techno epic that would make our detroit godfather c2 blush of satisfaction. thanks to all of them for the fantastic music

the soul mechanik brothers operating under their creative use name have taken a pair of stone cold underground club classics and extended and amended them for modern use. african frog charity is a cunning rework of the ridiculously rare 1985 tam tam pour l’ethiope’ track, a futuristic afrobeat throwdown featuring a collaborative artist list that would make any african music enthusiast blush >bounty girls< takes kid creole’s >annie< and manages to eek out the afro vibe from the calypso based ingredients of the original...

similar to naughty filthy mouthed teenagers – >homecoming< off the new single, is full of foul innuendoes and lyrics that would make serge gainsbourg blush. with its nonchalant and biting humour, >homecoming< is a 21st century >summer loving< set to a sleazy lo fi french pop backround , a wash with guitar hooks and soaring electro synth riffs. now released on kitsuné , the label that helped launch the careers of klaxons and crystal castles, the teenagers homecoming is set to be huge in clubs too. thanks to the monster it became under guns n bombs remix work : already a club hit from both sides of the atlantic. the parisian vibe is added by the young producers gentlemen drivers and nyc is bringing its filthy prog house vibe through passions synths

back in stock !! already greeted as the next big french thing, a s a dj, chloÚ plays a sensual style between deep-techno and electro-techhouse. as a producer, she grants us with a very seductive electro ep on a dark mood yet very sexy groove

two years ago i played at studio 9 in vilnius, lithuania. the following day i missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend linus, who took me to the contemporary art centre. it was there i spotted a book named ÔrojusÕ, that linus told me translated as ÔparadiseÕ. the word and striking cover of the book stuck in my mind. a few days after returning home, i turned on to a national geographic documentary named Ôdesigned to danceÕ, explaining the courtship rituals of birds of paradise. as i watched, i jokingly began drawing similarities between these birdsÕ attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. this gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these birds of paradise and their habitat. thus, rojus. leon vynehall 2016