celebrating 20 years of la casa encendida cultural center in madrid. limited edition clear blue vinyl. includes insert with texts in english and spanish.
nice price deal !!! behind the artistic guise m.p. sound project we find massimo padovani, a famous dj & producer who has been working in the most important clubs of the italian riviera (rimini & riccione) for many years. he is representing us one of his most important tracks of the past in a 2009 version, dancefloor impact is granted!
real deep house from qalomota records. while our planet is being endangered by ourmodern societies, this record will take you to the roots of humanity, when mankind was at the mercy of natur already played & supported by the big boys dj fudge, jephté guillaume, brian tappert,greg gauthier, gilles peterson, rainer truby, ron carrol, miguel migs, markus enochson, & much more
das album traegt den passenden titel >history of modern< und andy mccluskey selbst sagt,es sei das beste album seit dem omd-klassiker >architecture and morality< und wenige werden dem widersprechen koennen.produziert wurde >history of modern< von omd und gemixt von mike crossey, einem der angesagtesten produzenten englands (arctic monkeys/blood red shoes/razorlight)
“birth of the anti-christ” features the first studio performances of one of the world’s greatest performers, marilyn manson with his band the spooky kids. recorded in 1990.
during all my years as an active musician in different constellations i have also worked continuously with my own material. a kind of unrestricted flow of creativity that has given birth to a lot of different expressions. so listening to this album is a journey through many phases in my life. v.v.v.v.v is an album with a sound world like a kaleidoscope of moods and melodies flowing between silky kraut pop and distorted synths. claesons takes on his debut album out experiments desire and lets his kraut background form the basis and tops with modern electronic sound
nach ersten eps auf luckyme, der gründung seines astro nautico-labels und kollabos mit kelela und flatbush zombies, liefert der brooklyner produzent sam obey (obey city) sein debütalbum ab, das sich zwischen trip und peaktime-party bewegt und wie guter progressive jazz wirkt: elegant, smooth, cool, seriös, expansiv, experimentierfreudig, warm. dabei bewirkt obey als dj und leidenschaftlicher plattensammler, dass positive noise eine starke verankerung in pulsierenden, rhythmischen stilelementen des 1970 /1980 er disco & funk besitzt.
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