rsd release, 7 inch vinyl in picture sleeve

dinked centre with picture sleeve

the vfmm is pleased to announce the arrival of its newest members -castillano&wenninger-.this talented, prolific cologne-based duo takes electronic music production to the next level.by developing a very own and unique angle on house music, -castillano&wenninger- succeed in reshaping the body of contemporary dance music.this extraordinary output contains 4 tracks, all showing the duo s musical resolve.-app_party-, -brexit-, -new feel- and -intercontinental- are perfectly designed to experience a wide range of emotions, without staying in monotonous clubbing contexts.having said that, the vfmm leaves the final judgment entirely with the audience

perfekter sound für den festival-sommer und vinyl-vorbote fürs kommende album. erscheint inklusive downloadcode.

big electro classic by freestyle !!!

2lp 140g opaque bone, wide-spine lp sleeve, printed inners, sticker

limited pressing on clear double vinyl, housed in a gatefold sleeve.

funk & jazz vibes from soopasoul.

cologne based duo twcor doesn’t hold back on “the alpha incident”. four heavy tunes tailor-made to wreck any dancefloor. pressing on clear vinyl.

this fourth vinyl is divided in 2 parts, the first one collects the recording that begun, a viracocha, used to thank the nazca people. his cargo cultois a record, a journey, a chapter narrated through 2 original songs that are completed by 2 remixes, the first one by the magic viracocha el búho, and the second by viracochas klik & frik

originally released in 1972, “it’s just begun” set the tone for the jimmy castor bunch’s success through an effective and distinctive mix of funk, pop hooks, social commentary, and gonzo comedy. the album also helped the group score a million-selling crossover hit single with “troglodyte”. in the united states the track peaked at #6 in the billboard hot 100. it was a million seller by june 1972 and received a gold disc award from the riaa.
pressing on 180 gram audiophile vinyl.

concentric rhythms is the new extended player from dj guy, the cardiff born producer who, despite being heavily involved in the electronic music scene since the early 90s, has only really begun to open up his vast archive of productions to the masses.

george k, dj and producer, born in 1981, based in milan. his first steps in music date back a long time, when he began taking an interest in mixing and scratching techniques. his roots are hip hop and reggae, but in a short time thanks to breakbeat (rockit - herbie hancock) he abandoned that sound for experimentations in electronic music: techno was love at first listen, detroit and acid above all. with the passing of time he has begun to dedicate himself as much as possible to productions using synth and drum machine. now he has begun his new venture as owner/manager of his label fu.me where he will focus his work on promoting new and old sounds - without forgetting his roots - offering bad and dirty sounds .

played by zip (perlon)
karat is delighted with this new single by seuil. we have been watching this guy attentively in his progression and we are glad to finally find him on karat while his production skills have reached a ripe condition. we guess his rise has just begun so watch him carefully in the near future. the two tracks of the record, in different ways, are close to karats spirit, deep, funkyand abstract enough to be used as a floorfiller or at home for a precise listening.
>sub boogie drama< is a jazzy atmosphere with an elegant restraint, even if you can feel the real swing in it.
>ketalgine network< offers a true inner odyssey, deep, sensual, funky and exquisitely oppressive.

disco classics , back on vinyl

incl finest broken beat journey rework by mathew jonson

the balkan body music wave has begun.

round 3 from label boss bdk who returns to his own label for some fun uplifting disco bangers!

schwarzes doppelvinyl im gatefold mit marketing-sticker

expanded reissue of the 2007 ozzy osbourne album. pressed on 150 gram black double vinyl, housed in a gatefold sleeve.

ultra raw elektro tracks! bam

the new album from a winged victory for the sullen on black heavyweight vinyl. comes in a gatefold sleeve with download code included.

3rd lp of barrington levy

anyone who has followed the dj sets of adam beyer or dutch ally bart skils, would be familiar with the stirring vocal and thundering impact of your mind . while the track begun as a tool, the reactions when tested out were so momentous they decided to turn it into a full track. together they teamed up to add more percussion, snares and a rolling acid line to complete its transformation. the result? one of 2018 s most powerful techno weapons highlighting time warp, awakenings and ultra music festival, to name just a few.

the second release in no bad days’ sister imprint no bad edits comes from montréal upstart unknown mobile, who first caught our ear with a lovely debut on asl singles club. here, he looks to the 1980s for inspiration, channeling that decade’s confidence and colour with three shimmering reworks. the a-side’s “dream state” matches its namesake, evoking a busy fourth world market scene, with pipes, bells and flutes chiming away in happy harmony.
on the flip, “programmer” is a slab of excitable and effects-slathered fusion funk, as if a computer has sprung to life and begun to dance. the 12” wraps with “valerian slip”, where unknown mobile folds the strands of silk from a free-form windham hill deep cut into a new shape, every bit as smooth as the original but with a nagging groove to underpin it.

the collected double vinyl album contains a selection of the songs from level 42 s earlier years of -starchild- up until -tracie- and -take a look-. these tracks, specially remastered for vinyl, are exciting, standing the test of time, delivered by a timeless band.
180 gram double vinyl, housed in a gatefold sleeve including a 4 page insert/booklet with extensive liner notes and photos.

light on his feet but not afraid to throw a punch when required, robin ordell rustles up three insouciant but meaty groovers for his second discobar release. auguste iii stretches languorously across the a-side, skippy hats cutting through the rolling, bass groove in his now unmistakeable style. lost in misty byways goes for a more sprightly walk in the park, but its nonchalance becomes increasingly threatened by dissonant voices and faulty background circuitry. finally, the sauntering bass on chelbergerho gives momentum to atmospherics that inhabit the border between dark and light harmony, never quite resolving but always pushing forwards into the morning sunshine. for robin ordell and discobar, the summer has definitely begun.

astraea is a prime example of the ambition on ephemerals third album egg tooth , fusing together simple repetitive motifs a la steve reich in a constantly evolving and building mesh of sonic textures. the band are now moving forward with some hand-picked remixes to be released alongside the original on 12- vinyl. laolu is fast becoming the go-to remixer in serious house circles with his incredible remix of dele sosimi afrobeat orchestra on innervisions. spanish producer begun is known for an innate ability to create sublime heartfelt electronic music. his approach has seen him remix the likes of bastille and given him a platform to regularly perform live across the globe. ephemerals have recently featured on the hit single by kungs - i feel so bad astraea support: dj support : gilles peterson, danny tenaglia, dennis ferrer, richy ahmed, tensnake, horse meat disco, jody wisternoff, toyboy & robin, paolo mojo, eagles & butterflies, hector romero, eelke kleijn, sabb, james teej, andy daniell, yotto, wanklemutt, dario d attis, mano le tough, nic fanciulli, kid kenobi, doc scott, qdup, marc hype, nutritious

light in the attic reissues their impossible to find 1969 album, originally out on third world recordings ! 5 on kurt cobains top 50 favorite albums. philosophy of the world is a collection of garage rock tunes that balanced charm and discordance in equal measure. in 1968, three sisters from fremont, new hampshire strapped on their instruments and declared themselves the shaggs. at that moment begun a peculiar tale that would last far beyond the groups five-year run. dot, betty and helen (and occasionally rachel, the fourth sister) played in the group on the insistence of their father, austin wiggin jr., who was convinced they were going to be big. years earlier, austins mother gave him a palm reading, predicting that her son would marry a strawberry blonde woman, that he would have two sons after his mother died, and that his daughters would form a popular music outfit. the first two became reality, so austin was certain the third would follow suit.

zuhören, genießen, glücklich sein: die wiedervereinigung des jahres. die vinyl-lp erscheint inklusive album-cd.

180gr vinyl, download code & poster ! from a festival to a feature to friendship, from techno to electronica to a band. in this manner towards twitter compatibility, one may describe eating snow s previous path, which has really just begun for douglas greed and mooryc, with only few characters. the two of them met in 2010 at a festival in poland, only shortly afterwards the joint tracks -pain- and -morning gloria- developed, which can be listened to on douglas greed s debut album krl. however, dougi and mooryc weren t just in tune with each other quickly, they also automatically arrived at a common sound despite their different musical roots, which ranges from sensual indietronica to powerful house right up to perfectly grooving pop moments.

berlin atonal is proud to pick up on a tradition begun in 1984 with the publication of two volumes of live recordings from the 1983 edition of the festival. those records bore witness to the most inventive, adventurous sounds of the festival, and therefore of their time, containing live bits from psychic tv, la loora and zev. berlin atonal vol. 3 carries this custom forward three decades with selections from four of the standout performances of berlin atonal 2014. of course cabaret voltaire’s lauded and historical ?rst show in over 20 years is featured, richard h kirk’s no-nostalgia and machinery driven set ?rmly putting the cabaret voltaire project in a future-facing direction. miles whittakers surprising and muscular live performance also contributes a cut, as does festival favourite fis with his characteristically lumpy, textural soundscapes.

shaw cuts enters the site of crime with its first release called ‘have sword, will travel’. the ep includes 4 techno assassins – two tracks by the label founder himself lachriz, who introduces his shaolin moniker ‘farron’ and 2 remixes by the argentinian boxer jonas kopp. ‘equinox’ opens the slaughter with shaking break-beat punches in combination with atmospheric pads surrounding the drum jabs. ti lung would have been pleased. the track ‘apo-g’ comes in sly and chases the enemy with dirty drums and menacing distorted sound spheres that will morph the bad guys into dead guys – throwing star style. the b-side gets taken over all the way by jonas kopp, who brings up two different remixes of ‘equinox’ that can easily cut off the rival’s extremities like a sharp guillotine. and the carnage just begun

its the yeark trax from gunma japan. mazar is an impressice code synth sound with a female voice synth mixed in. durga mata is future acid sound. this mazar remix is by tevo howard, chicagos latest house music expert. chemdog gives a dubby impressions, and maintains the expression using a filter. a track that gives us the feeling that something has begun.

ultra knites continue their fine form and unleash the second installmant of the knite grooves series. this time round, sem marini is handed the a side while mike sharon welcomes vocalist karina junker for b side duties. there is no need for us to describe the tracks in words, that s what the player above is for. into the fourth release on the label and many have begun to describe this labels output as perfect, knite grooves vol. 2 is certainly no exception.

on its first release, orioni makes its debut on 12inch with four tracks made in argentina. with jonas kopp, luis ruiz, mental resonance, and matt saderlan. this ep comes packed with four dancefloor weapons: jonas kopp with >mandelbrot<, contributes with a massive pounding rhythm full of atmospheres, with his classic groove based on solid kicks and hypnotic vibes, jonas presents full drum action around the percussion and sequences. for the a2 >triplets< is a track with a catchy 303 bass-line and roland drums programmed by luis ruiz. its acid classic signature comes with the task of bringing back that old school techno sound , whose roots had got lost in time. in the other side, mental resonance: >birth of omega century< has that fresh detroit techno style, and is ready to energize dance-floors with the groove of the 909 and hypnotic synthesizers. at least but not last, matt saderlan with >kids dist days<, destructive, corrosive and distorted letal weapon for acid lovers. no need to check your volume leds, yes, it is that banging. orioni has begun!

second release from wildheart recordings - theo parrishs new london-based label. epic, spiritualised jazz-funk from the los angeleno — collaborator of gifted and blessed — astutely revived by theo parrish. dego and akwasi mensah wig out with tp on the fuel-injected, flip-side overhaul, propelling the tune left of mo wax and into the light.

litd nice price action
4 tracks to celebrate disco volante birthday party. a side you will find midnight express and relative depth new bomb. cafè des artistes a deep jazzy disco-house track with cosmic influences. sare havlicek remixed in chicago house mode the piano, and a electronic bass that makes the track very elegant on the b side our first release in 2009, where disco volante s adventure has begun, the first single of disco volantes boss cloned in vatican with disco volante space disco killer track with afro percussion and italo atmospheres, and midnight express remix that rebuilds the track in a massive electro disco mode with cosmic atmospheres

it has always been one of my dreams reunite the old group of friends i met in the basement of rome and with whom i have begun the journey towards this adventure. today i am very happy to present this work made in collaboration with one of my closest friends and with whom i shared for long time studios, music, ideas, techniques and the mutual love for a good italian cuisine. i sincerely believe that donato dozzy does not need any introduction.

breaking crowns with their smooth, synth-struck melodies since launching in 2012, jack fell down are making some serious waves on the deep house scene right now. with four tracks in total, this ep shows the duo at their most extensive and comprehensive. boasting the distinctive confident laziness of vocalist stee downes throughout, across the ep you will drift away to a whole new world on the deep, dubby title track, you will bump and grind to the 2 bears-style *no way* and you will lie back and receive a full mind massage from *just begun*. jack fell down ... and the vibes came tumbling after.

m1 sessions presents chips n chittlins vol. 1, featuring the talents of paul randolph and his timeless world view of musical influence. the full album previously released in limited numbers on cd will be released in two volumes on 12 inch. this project offers a 2 step garage sound blended with house and r&b. randolph has only begun to leave a magical legacy of sound behind him as his trail blazes light years in all directions of the universe.

now is the time for aitor etxebarria, better known as el_txef_a to expose his innermost feelings, as hes already begun to on releases from labels like hypercolour,suol and wazi wazi.this time,he is undoubtedly on his best of form.aitor, born and raised in the basque country,is in that group of artists sparingly measuring their output,always searching for the new, aiming for high quality instead of constant,monotonous releases. after years of dedicated work,el_txef_a announces his debut album slow dancing in a burning room. el_txef_a stands for a specific and complex sound signature. his primary concern to develop a sound that people can identify with as well as just simply enjoy freely.continuing in the bilbao tradition, he is building a base of pure sampled sounds with studio sessions, live musicians and vocals to complement his production. collaborations with vocalist bisconti and hannot supplies added depth to tracks like rise and fall,and previous single lovely minds or save the world.a true milestone in this young basque artists career, we are proud to present the fruits of his labours, slow dancing in a burning room.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

the producer behind these mind-blowing slabs of heavyweight disco-funk perfection was one jp source, an exile from the geordie ibiza (that will be blackpool) and geordie mecca (erm, newcastle) now living out in the sticks in the states, far from home. the eps title, >get your bearings<, is reference to his struggles to come to terms with his new surroundings.
three tracks, all tried and tested, all disco dynamite. since he sent us these killer edits, jp source has begun to pick up interest elsewhere. he recently released an excellent ep of original material on audio parallax and has material forthcoming on edit, zzr and art star records. we reckon he has got a big future. all the more reason to >get your bearings< and dive into his bedmo disco debut…

with friends and cohorts like these, you can’t be sad for long. after the longest and best-ever and final closing, the saddest, best-ever and most personal record on the bar25 label is here. as pure dumb numerical luck would have it, it is – naturally – the 25th release. and, we’re almost proud to say, it’s strictly family business. the closing record speaks more to the spirit of the bar than any words, spoken or written, ever could. every track unique yet well-rounded, somewhere between universal and personal. awash with emotion, as though the sound machines had begun to breathe.