second release in low rooms vinyl only series comes from jerome.c with remixes by hector and fabrizio maurizi.

crunchy beats, straight lines and likewise straight messages, distinguish these tracks, produced by bee low !! incl remix by ron flatter & groove rebels.. supported by claude von stroke, fergie, trevor jackson and trick & kubic

it s been nearly 15 years since this originally hit the shelves, which literally took the immersive atmospheric sound of echospace and brought it right to the floor. with cv313 s -sailingstars- the spirit continues as they go on to preach the gospel of deep with a rippling exercise in space and bass. a sort of slow motion movement in tone and 38 hz sub frequency which nearly verges on the disturbing, a sonic threshold quite hard to achieve in a vinyl cut. the power of repetition and subtle atmosphere are clearly demonstrated here by bringing the listener to an almost hypnotic state within its melodic spatial grooves. the b side offers two immense reductions, equally effective providing a low end throb, analog spirit and organic textures captured in zero gravity, it s like truly sailing among the stars. lovingly remastered and mixed down from the original analog 1/4- reel to reel tape, strictly limited to 300 copies for the world.

remastered 20th anniversary reissue on limited gold coloured vinyl, download code included.

remastered 20th anniversary reissue on regular black vinyl, download code included.

it s time for a fresh new release from the apollonia stable, and this time around we unveil four groovy gems from shonky and tolga fidan working together for the first time, giving us a winning combination and one which is sure to satisfy fans of both artists. the first track dynamo sets the tone for the ep, the bassline has a deadly groove, while playful effects dance around at the top end creating an immersive atmosphere. intergalactic vibes. after that comes bastille , which features a similarly jaunty rhythm with a variety of bleeps, chirps and twangs layered on top on each other to give the track its depth and character, while a menacing b-line does its dirty work in the low end.on the flip we get micro-ondes , a mysterious into the undiscovered lands of planet funk. you feel as though you ve been transported to another world, where warped creatures lurk, calling out for your attention. as for the bass, its rhythm is utterly contagious. finally americana completes the collection, maintaining the unusual use of sound prevalent throughout the ep it utilises a myriad distorted instruments. support in the low end comes via a tough, punchy bass riff.

on loop marks its third year with the volume 3 compilation curated by moxie, due for release this autumn. sampler 2 of 2 provides 4 tracks from the main compilation, featuring exclusive productions from throwing shade, sandboards, addison groove and fotomachine. compiled of music from artists she continues to support on her bi-weekly nts show, moxies selection know-how is apparent throughout. throwing shade kicks off the a side of sampler 3.2, laying down celestial melodics and a dark low-end on ‘floors, before new zealand duo sandboards provide pad- drive top ‘miss brimstone dub. addison grooves jazz-soaked chugger ‘soma opens the b side, leaving fotomachine to close proceedings with hazy groove-filled cut ‘ibidun. with 2016s volume 2 gathering support from names like gilles peterson, benji b and annie mac - this years release is set to meet a similar reception. in addition to moxies label, the on loop party series has just celebrated its 1st birthday with korne?l kovacs and lk at on loops london home the pickle factory. the on loop family has been growing all year, with moxie inviting guests like avalon emerson, damiano von erckert, alexander nut and many many more, to over 20 parties at venues like manchesters soup kitchen, edinburghs sneaky petes and lyons le sucre. with more parties to be announced this year, an ade showcase lined up, and a festival stage curation under her belt - moxies on loop imprint is set to continue on its upward trajectory.

after a run of successful mixtapes over the last fve years, self provoked released his debut album triangles on october 28, 2016. production has been supplied by la natives nobody, kenny segal, louden, big game huntaz and daddy kev.
hailing from the los angeles county region of san fernando valley, self provoked’s music career has been elevating through his crew on a high note, building on 70.000+ subscribers over his streaming channels and opening up for hip hop legends such as bone thugs ‘n harmony, talib kweli and dilated peoples. triangles is the summation of his endurance and discipline as an mc, running through unique wordplay and imagery over the 43+ minutes of the entire album.
every line of triangles opens up the most honest of windows into self provoked’s thinking process and the beats ride through west coast tinged ?avors of the darkest and brightest sides. the frst track to premiere from triangles was launched this summer, galvanizing his perspective on the realities of society with the nick rodriguez directed music video “supposedly.” bringing in 150.000+ plays in the last few months, “supposedly” was produced by long time working associate of provoked’s, louden.
triangles was recorded, mixed and mastered by low end theory co-founders nobody and daddy kev at the cosmic zoo.

after kicking things off with sean thomas’ (cop envy) the weigh, sydney’s outer time inner space return with a collaborative ep from jon watts, the kind-hearted, go-to sound engineer of the sydney club and experimental music scene and otis label owner, hugh burridge (aka hubert clarke jr). as resident djs for otis’ sweet echoes parties and guests for some of sydney’s more open-minded club promoters, jon & hugh have developed their own style of warm up set, largely unrestrained by genre. another view is just an extension of this open approach to club music. there’s an obvious ode to bukem’s good looking records, a lopsided mpc jam that could have been written by a drunk ron trent, a club roller with uk broken beat at it’s heart and a spaced out, dream-scape dub from melbourne mate, rings around saturn (dan white) to round out the ep. the common thread, they’re keeping it deep.

henry thomas low key 45 on raptown records has until now been a featured in the record boxes of deep boogie and two step dj s who know the deal, it s now time for it to spread its fm synth wings to bigger dancefloors. what more do you want, a solid two sider that only slipped through ebay a few times on the cheap as people did not know it, managed to bag one of those myself and with some help from a good friend track henry down, alive, well and looking forward to his music getting a revival.

its always a big moment when we welcome a new project into the watergate catalog and this time is no exception. for our next release we would like to introduce two newcomers to the label. both cle and eva be have been at the cutting edge of house music culture for well over a decade and their work as solo artists spans an esteemed list of some of the most highly regarded imprints from sonar kollektiv to poker flat, but it was only recently the two formed loyoto. after a stunning debut on marco resmanns upon you label,we were thrilled to release their follow up on watergate entitled lonely young tourist. over the course of three tracks the duo traverse an array of timeless aesthetics infected with a dub narrative they have fittingly christened starsprangled dubmosphere. from the twisted, low slung vibe on sheijk to the surging intoxication of 3 balls and the timeless fusing of classic dub and modern perspective on feel the bumpin, loyoto have constructed an exquisite ride into their sonic universe and we think you will agree. welcome to the crew loyoto!

anopolis are a collective of four thessaloniki based producers coming together for their second release on lower parts. three tracks of electro acid tinged techno with some serious drum machine tinkering. also comes backed with an incredible hieroglyphic being remix!

pablo marco comes back to the label pushing out >crossing the river ep< as the seventh reference of lths catalogue. the artwork was painted by the young maestro from colombia, santiago ayerbe. all 4 tracks have been played over and over and they work for the dancefloor everytime. better to discover it by yourself.

bereits auf ihrem selbstbetitelten debüt hatten the hundred in the hand ihre lieblingseinflüsse von electro bis wave-pop verarbeitet und dabei eine beeindruckende anzahl von hits zustande gebracht.

its always been about the bass. climb to the dark side of modern pop as you enter the fractured, hypnotic, dance of tristesse contemporaine. 2nd album is ready, its coming soon this year in sept. from record makers.

gtcm is back for a very special debut release by parisian artist low jack. at the crossroads between avant-garde techno-funk and a mischievous take on the sound of yesterday, low jacks clockmacker beats are channeled through a radiesthesia pendulum and the effects are akin to vertigo-inducing opiates of the strongest persuasion.
in addition to the three outstanding originals, this release contains gerds very first remix as geeeman. the wait has been long since his acclaimed releases on clone and he has delivered an irresistible remix geared towards dancefloor explosion that must not be missed.

audio phreaks new signing archie cane has been causing some seriously big waves on the dubstep circuit of late and when you hear his music, you will understand exactly why. a recent upload from ukf that is a collaboration with dream has really got people talking!here is his first vinyl release to date and boy does it pack a punch! >kill everything< on the a side is a all out, in your face bass monster! gritty and technical low frequencies make up the production with heavy beats slicing through the track. 2 tunes that compliment the release very well. dont miss out, i m like you, very limited press on this one.

this 7 inch record released by lo fi funk records contains two skweee tracks which are going deeper in the main lines that this artist has been developing in previous productions. poly july is low tempo track with vibrant synth lines built over a minimalist rnb drums base, resulting in an hipnotic beat with pure funky flashes. moon braggin is full of huge sub bass waves, typical of the new club music and crazy, doubled tempo percussion tracks which forms a mental song, with an epic atmosphere made with floatting oriental synthesizers tunes.

the first release will be with the new kid in town: ghost mutt. this young producer from brighton (uk) is linked as resident artist to the people of donky pitch with other residents like boss kite and slugabed. his sound can be, if we try to genre-ize it, defined as a mash-up of hiphop beats mixed with dubstep, covered with glitches, funky tweaks, purple flares and dirty basses. he has been sharing line-ups with tokimonsta, slugabed, blue daisy, boss kite, coco bryce and bass clef.

already played by many electro djs and now finally available in a very limited 2x 12inch handstamped package: the lady ultimate album by duracel. his sound has been described as: >daft punk with a twist.< >dark, but funky with influences of kraftwerk, air and the tuss. this is minimal electro. essential!< only 250 copies worldwide. guaranteed no repress

after his immense 2006 hit with his mix for mias song entitled >anz der moleküle<, which could be found in the playlists of nearly all the top djs and also on compilations such as >ministry of sound – annua< bee-low is releasing on some of the most successful and renowned german labels of electronic music: karateklub( >navajo ep<), polo records, combination records and did rmxs for harthouse, amused records and big city beats recordings,... especially the bee-low remix for the a+b release >horizon< on big city beats recordings charted in the german club charts (dcc) and caught the eye of markus gardeweg the a&r at kontor records!

this is the mood of bee-lows latest strike for youthful everybody. famous >mia - tanz der molekÜle< remixer bee-low clevery mixes opposing forms and styles, marked by an a priori romanticism. on logo-side, his buddys groove rebels drop their very view of >lost<, with cool dry lines, a casual lived-in look and a broad order to dance. the job is rounded off by craft music artist markus lange, excogitating some fresh life to >lost<: sometimes battered, crumpled

slamming electrohouse remake of this huge fugees classic... incl groove rebels remix

the long a-side is reserved for bülent gürler and his project bee-low. >the hidden noise< is a neo-detroit-screw of the plus 8-hawtin school in a very popular plank of the minimal-rave. a track like evolution. antonelli digs, as >random aficionado<, a handful of melodies deep under a rave that is hardly recognizable as such one. he removed the snare completely in favor of a more effective feeling of the song. that s the way deep-house should sound and the way you always imagined it. no frowst, no references, just clear warm water. martin hirsch, alias deer, lived in devon (uk) for a long time and was an immediate neighbor of lee norris, also known as norken or metamatics. recently, the two of them have revived the connaisseur label neo ouija and that will surely do good for the cultural environment. and they have decided to start a long-ranging cooperation in terms of producing records. an outcome is >beyond the breeze<, a piece of house music whose title couldn t be more precise... sasse, giles smith, jeff milligan, laurent garnier

chris corsano is a new york-based drummer who has been active at the intersections of collective improvisation, free jazz, avant-rock, and experimental music since the late 1990’s.

ltd. col. 2lp: (senffarbenes 2lp vinyl in deluxe gatefold hülle. inklusive doppelseitig bedrucktem kunstposter)

90s happy hardcore sampler incl dj paul elstak & charly lownoise wonderful days

indie store edition - clear vinyl ! 70s rock

picnic remixes from huerco s, newworldaquarium, ura, jr chaparro (city 2 st giga), ben bondy, the humble bee and more!

dub at its best. 180g! primary colours secondary series returns for 2021 with the ninja of the deep, the minimal, the dark, lurking in the shadows. with honour we present altone. altone has been on our radar for quite some time now, following his progress with releases on fellow dub labels etui, greyscale, hello strange, ranges, spclnch, apnea and cold tear. we were presented with these cuts of dub over a year ago, waiting for the right opportunity to release these weapons upon the world, a world ready for change, thought, progress and understanding. altone presents three cuts of pure deep dub. altone presents effuse, slight pain and grain. choosing the right person to do justice with a remix was a difficult process. we scoured the planet to find the right producer to compliment and do honor to the beautiful original that is effuse. a man no stranger to our family, we welcome upwellings for his debut on primary colours. upwellings remix takes the elements of the original and fuses them together with a hypnotic, low end driven masterpiece. a track for the early mornings, among the late night warriors. 2021 is the start of a new chapter and primary colours is pleased to be back presenting tunes of depth and feeling to the new world. expect more.

tape with mp3 download. if you tune into charlie bones on nts then you will know this. it s been getting played daily. close pal of rubadub, partials pigeon steve, launches his seated music label with a tape release of his dads demos from 1986. essential for fans of lo-fi 80 s scottish music a la jozef k, robert rental and more mainstream synth pop.

triple vinyl release, packed to the brim with dr. dre instrumentals.

double vinyl release, packed to the brim with dr. dre instrumentals.

33 years after it s first release rick clarke s street soul simmerdown on local records, love with a stranger gets a much welcomed official reissue, remastered from the original tapes. check the dub! just peep that og artwork to get a taste of how this one s about to go down. written and produced by john collins, known for producing the specials - ghost town , love with a stranger perfectly encapsulates that 80s street soul sound. distinctly soulful, synthy slow jams, heavy on the bass with a touch of the low-slung, lovers rock vibrations about them. rick clarke s sultry sweet nothings weave their way irresistibly through this five minute gem, but for those that want to provide their own rendition over the top, the dub has been affectionately cut to the flip.

it s time again for us to welcome another first timer to the second state roster: rocko garoni. having been label manager of sisyphon, in-house imprint of the acclaimed sisyphos club in berlin, garoni is no stranger to curating high quality records, and this time he gets to be curator of his own stunning detection ep. jumping in head first, detection , mischievous number that is equal parts vicious and cunning as it is sensual and inviting. provocative female whispers float over a beat sure to slay any crowd, any time. switching gears, garoni heads into houser territories on phaseful , where glimmers of classic house artifacts are scattered like flickering shimmers over an energetic drum illustration. coming up next is tragedy . it s low slung drums, vast spanning bass and sinister vocal declarations make it an ideal ambassador for the dark mysterious nights. wrapping up the ep is a huge rework of detection by regal, who churns out a burner by cranking up the tempo and tension with crisp drums and an undeniable classic rave leads sure to make the forefathers of techno proud. if it keeps up like this, we expect much more big things in the future from rocko garoni!

...comes with an inlay
umeko ando (1932-2004) was a folk singer from japan. she was a representative of the ainu culture on the hokkaido island in the north of japan. “ihunke” is her first album which was recorded with the ainu musician and dub producer oki kano in 2000. it was released on cd in japan only and is finally available on vinyl (2lp + linernotes, dl included). “ihunke” is following last year’s single “iuta upopo” pingipung 58, incl. m.rux remix which had been received with overwhelming enthusiasm and was quickly sold out. the 16 ainu songs on “ihunke” are delicate, natural gems. they are built on oki kano’s tonkori patterns (a 5-string harp), over which umeko ando develops her repetitive, mantric vocals, often in a call-response manner. oki kano is one of very few professional tonkori players who performs worldwide with his oki dub ainu band. the songs possess a mystical energy – when crows call accurately with ando’s brittle voice in the first song, it seems like natural powers join in with her music. her voice sounds like animals of the sky and the forest. oki kano: “it was a lot of fun to record with umeko ando. many ainu hesitate to break from tradition - if umeko hadn’t been so flexible to work with the younger generation and recording technology, this album would never have happened. our sessions were intense, and we were proud and happy about making such beautiful music.” upcoming in autumn: remixes of “ihunke” by tolouse lowtrax, m.rux, dj ground, el buho mark peters, gama, andi otto, and dreems. historical background: only recently (in 2008) have the ainu officially been acknowledged as indigenous people who are culturally independent from japan. this record is an example of how their music has been passed on through generations in the underground ainu communities while it was oppressed by the japanese hegemony. it deserves a huge audience. follow kompakt

harlem s legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints queen constance was operated by one peter brown, a truly colossal figure in nyc s music scene, it s catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. high fidelity will be the first in a series of queen constance rarities to be reissued, an extremely rare and coveted record that can change hands on the second hand market for big big money, avoid those low rent bootlegs that are out there and cop this fully licensed repress. the group s self-titled sole long-player is a fantastic 6 track set of gritty, soulful and uplifting funky disco with a diy edge. not too much is known about the artists themselves, or even when the record was performed, recorded or released but it certainly sounds like a group who knew their craft inside out. the energy is high across the record and the group sound like they re on fire, just check the outrageously funkified magic carpet and you ll see what we mean. amazing. the whole project has that enchanting lo-fi, back-street feel to it in terms of production and the mind boggles as to how such a record would have come off had it been recorded at a motown or any other big studio, but no matter as this release is perfect the way it is, an essential piece of street-level nyc disco straight from the underground.

one of our humble imprint s closest allies and a longstanding pillar of philadelphia s electronic music community, billy werner has been a constant presence in the booth at parties throughout the northeast corridor since 1998. we debuted his m//r alias in 2014 with the gathering response data 12- . since he s been busy bringing the grit to points beyond the city of brotherly love, putting in work for the likes of detailssound, l.i.e.s. and jackdept. most recently, he turned out a remix of karen gwyer s -why does your father look so nervous- for the rembo remixes on don t be afraid, as well as another for chaperone s -grit neglect- on the aforementioned snapbackbalaclava ep. written, recorded, and mixed over a period of 15 months, among the methods is in no small part a reflection of the affinities and sensibilities billy holds as both selector and producer. referencing a variety of influences from jazz to dub to electro, the album s allure stems from his deft ability to recontextualize those genres disparate aspects into a familiar–yet fiercely idiosyncratic–musical context. the end result is at once wildly fractured and precision-focused as among the methods finds its own seductive rhythm within a matrix of dub echoes and modulated low-end. it s heady ground,to be sure,as well as the most declarative aesthetic statement fromm//r to date. presented without further comment. the music is the message

phonica records welcomes spanish producer extraordinaire pional to it’s main label with the ‘xme / one night stand’ 12”. pional is miguel barros and the madrid based musician has been producing for over a decade. with a string of well received solo releases on hivern discs, permanent vacation, young turks and counter, remixing the likes of the xx, chairlift, the rapture, prins thomas and john talabot (who he also co-wrote the incredible ‘fin’ album ender ‘so will be now...’ with) as well as djing around the world, pional has been keeping very busy indeed. for his phonica release he has produced two versions of two very special tracks. on the a-side, ‘xme’ is a melancholic and uplifting electronic excursion with delicate flourishes of it’s synthesised melody becoming a real ear-worm throughout its six and a half minutes. the slower and more foreboding ‘quiet ceremony’ reinterpretation takes the same melody in a darker direction. on the other side, ‘one night stand’ is a bumping, stripped back and moody club track with ghostly vocals floating above metallic pads rising to a release of energy and emotion. the ‘slow drumapella’ lowers the tempo and alters the feel of the track, reducing its elements to a bare-bones drum track with the vocal, fx and pads eventually coming to the fore.

amsterdam based luuk van dijk is welcomed into the hot creations fold this july with his heavy-hitting parallax e.p. chicago production wizard dj skull is also on board to rework the b-side. title track parallax is set to cause a serious stir at festivals and clubs alike this summer. the smattering of high-hats elevate the track as the space-like beeps and blips add another facet. on the flip, dimension applies an ominous vocal stab as the bass rumbles — perfect for low ceiling basement raves. on the remix, dj skull adds a touch of chicago class via some softer vocals, dubby chords and a pounding bass. at the tender age of 22, luuk van dijk has been signed to acclaimed labels such as viva music, roush, food music, sanity and lost records. championed by stalwarts such as steve lawler and eats everything, he has taken his sound to some of the world’s most prestigious events. ron maney aka dj skull became known for being one of the first djs to play the new sound coming out of chicago, honing his craft at the infamous music box and power plant. releasing records since the early 90s, he later launched his own labels hypnotic tones and wax candy records. recent releases have appeared on chiwax, domina trxxx and mentha records.

nashville s dusty funkateers magic in threes return to rnt reserve with a triptych of low-strung grooves, each complimented by a superlative remix. chupa cabra, a sweet soulful joint, is reimagined as a devilishly pulsating and funky burner by rnt mainstays fouk on their remix. parisian patchworks takes the 70s-cop-show funk of work tapes straight to nigeria with a beautifully crafted highlife remix. finally there s come on down, reminiscent of classic donald byrd in the larry mizell days, which is beefed up and readied for the dance floor by analog wizard lay-far. a lovely package for listening, or bumping!
pressed on limited 12 inch blue vinyl and housed in the new reserve generic sleeve

originally released in 1991, this compilation of a-ha’s greatest hits is finally back on vinyl.

mike huckaby, bergqvist, dj sports, raam and lns remix ‘deep soundscapes’, takecha’s album recently released on sweden’s love potion. released in march, the album incorporates takeshi fukushima’s work between 1990 to 2013 and affirms why the producer is such a respected figure within japan’s electronic music scene. now his compositions have been remixed by some of house music’s best, featuring renditions from detroit’s mike huckaby, aniara’s henrik bergqvist, the elusive raam, firecracker and regelbau’s dj sports, as well as wania and freakout cult’s lns. mike huckaby inaugurates the release with his sultry take on ‘low sentiment’, blending deep synths with murmuring vocals to forge a proper deep house cut. bergqvist then remixes ‘rhodes deep’ creating a bouncy minimal cut incorporating the original’s scintillating melody alongside meandering percussion and twisted effects, making way into dj sports’ remix of ‘gradual atmosphere’ with its intricate breakbeat drums and dreamlike atmospherics. raam then reinvents ‘calm imagination’ taking it into subterranean territories complete with infectious keys, until lns ties it all together with her mesmerising beatless reimagining of ‘factory 141’.

lithuanian based label sodai started its journey in 2016, making it a label still in its infancy but making a big impression. owned by artist gardens of god, who started the label to create his own no limits platform for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and alex krell under their belt, they can announce the exciting debut from uk producer third son this april. ive been an admirer of gardens of gods music for a long time, when he asked me if i could do something for his imprint, i was more than thrilled! adds joseph. syncopes synths spread far and wide, making this a journey of a track, modulating and panning in and out, pushing and pulling along a percussive drive. his broad musical range can be felt in this mix, with its slightly hypnotic tones. irony has a punctuated low end, which creates a deep and dark groove. the synthetic elements in this track gain in attitude, on top of ambient pads, leading nicely into bach to close out the release. its driving and determined bass makes the backbone of the track, with a modulating hook line, along building and expanding frequency ranges. the whole package makes for a very strong first release from third son, and sodai are excited to be welcoming him to the family.

part of the orphans collection, available on its own for first time. newly remastered and pressed on 180 gram translucent blue vinyl, housed in a gatefold sleeve. record store day 2018 exclusive.