here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions this one is bound bound to be caned by all the usual players!

embi music presents the next limited vinyl. with the new embi artist vorosh from russia, we do not shoot with live ammunition but with really good music. warm beats with a mixture of dub and deep tech the artist anton voroshilov is developing his entire musical strength

dj tools. dj beats. stickered disco bag.

eep emotional techno full of warm chords and analogue basslines merged with cool beats to get that special fitzpatrick vibe. music for dancefloors and living rooms at the same time, charismatic and dynamic!

4-cut ep from new yorks engineer to the stars, phil moffa. his first solo effort arrives in the form of an impeccably produced strain of airy, melody-driven techno that doubles as dance-floor-destroyer. *elevation* comes with a set of bonus beats, and *eno-ugh* is coupled with a live reverb recital recorded in the concert hall at the conservatory of music at purchase college where moffa is a professor of studio production. limited to 400 copies, vinyl only.

melbourne talent mos howieson makes his solo 12 inch debut with two heavy diverse originals, backed with remix trips from marco shuttle, eerie boss and recent time to express killer, plus berceuse heroique and macro artist, l estasi dell oro. kemuri beats with abrasive movements engulfing the listener, while bastion soothes with bukem-esque grace and weight. mr. shuttle drives the title track into hyperspace with a steady modular pulse. bastions rising melody is chopped to a galloping groove to the cosmos.

italian producer my dry wet mess, aka giovanni civitenga, is a name that has resonated in the world of left field/beats since its exciting fledgling years. though his father is the bass player for ennio morricones orchestra and a studio guitarist on numerous italian records, from a young age gio was drawn towards hip hop. at the age of 14 his father gave him a sampler and an atari, his beatmaking experiments grew boundless. having released albums on daedleus magical properties imprint and flying lotus brainfeeder, it is a great pleasure for fine grains to present his debut vinyl release – the *laptop lapdance ep*. it comes equipped with remixes from ikonika, dam mantle & auntie flo.

detuned pianos, rough house beats and soulful vocal cuts makes doing your duty a deep, club oriented track with a classic feel. borrowed identitys beautiful remix conserves the original essence of the track and adds stabby techno elements and a punchy bassline, turning into a perfect peak-time tune for the rougher sets. pressure points is a dark, introspective track with a funky bassline that is suitable for the dancefloor, octo octa creates a deeper, smoother alternative to the original.

our ninth release, hans ep, consisting of four steady beats, will compile our debut collaboration with young, amsterdam-based producer levi verspeek. hatching along for the ride is vadim svoboda, bringing a solid remix to the table. vinyl only, 180 gram.

kerri chandler classic from 1993. it doesn t get much better than this... the 4 daye mix is an absolute killer!!! officially re issued in conjunction with king street sounds and re mastered for 2014.

following his track on the frutas sueltas compilation ep, cape readies himself to release an astonishing first vinyl ep. our co-label boss delivers a 3 track ep with a high dose of old school beats and a delightful futuristic touch.
limited to 200 copies, supported by: d julz, jimpster, ralph lawson, sasse, raresh, eats everything, pezzner, davide squillace and more.

limited to 300 hand numbered copies on white vinyl. ct-his second release is made of a brilliant 4 tracks ep enriched with detroit boogie, future beats and bouncy house flavours.

limited 2014 repress
next up on sudden drop we have dutch native and member of eshu (along with ivano tetelepta) roger gerressen supplying the luscious beats. >faithful< is a spritely groove with elements of dub techno and tech-house with its lush chords and forward leaning percussion really giving the track a sense of pace. flip-sides >put that record on< delves deeper with a headier combination of deep bass and spoken >put that record..< refrain.

the last few years has seen a series of well received releases from rhythmic theory, the anonymous techno producer lurking in the shadows of the bristol music scene. *endless forms* is their second release for idle hands and follows on from where the previous ep *legacy of the lost* left off. the title track delves deeper into the sonic realms of classic jungle and comes up for air sounding like dub techno. a weighty bass line propels things along, whilst a sci-fi voice intones the title. this one is a sound system rocker. *tales of dystopia* brings to mind early nineties uk techno with its haunting synths, swung beats and deadly bass line. rhythmic theory is killing it at the moment, expect more to come.

dj raw sugar is a native of berlin, but has done a 6 year stint in new zealand and now resides in perth. his productions are deep and raw house beats mixed with jazz, boogie, disco, funk and soul. over the years he has put out music via other peoples labels like gazeebo international, midnight riot and ism, but is now taking matters into his own hands via love sexy records - a label he has just started. the debut release kicks off with a piece from the man himself! it s a sweet and sultry slice of disco. inkswel, also australian based, takes up remix duty taking the track in a more club-ready direction. slow goodness all over!

after dropping the hammer with blunt instruments killer hold back ep, dungeon meat are back again debuting on their own label with the brain mincing lose your mind ep. both sides deliver big swings of their mighty axe and hit hard with their signature sound of meaty beats & beefy basslines. aimed straight at the dance floor, it s obvious both the tracks have the intention to crack some skulls and spill some brains. already road tested individually by tristan da cunha and brawther at their d.j gigs & their dungeon meat live show, the reactions have shown that both of these tracks hit the chest and do the damage. also included are two -tools- so the creative djs out there can get busy in the mix and give their sets a little meat injection. pressed on 180g vinyl with embossed company sleeve dressed to impress with the trademark dungeon meat artwork

the album is featuring their production as well as compositions. with instrumentations by tenor and beats procured from the vintage gear of jori hulkkonen in his turku studio, alppihouz by willis, the album has a warm feeling and yet sufficiently exciting for the electronic house heads. there are plenty of string pads, flutes and flute pads, etc to prick up your ears. cola&jimmu once again capture the genuine, old school sound.

frigio records are extremely proud to add one of spains premier electronic artists to its roster. for more than ten years boris divider has been crafting machine music, carving frigid beats and lush melodies for semantica, satamile and his own drivecom imprint.

kosme compares his art to sailing, wandering from one island to the next in an incessant and utopian pursuit of sonic truth. like all explorers with merit, his voyage is driven by more than mere travel, it is driven by the simple pleasure of discovery. the encounters along the way have shaped and will continue to him and his art. it has become imperative to keep a log of these changes. cosmic ad is the logbook, an honest self portrayal of his musical evolution, without fabrication or pretense. too often electronic music is subjected to the damaging opinions of others and categorized in a movement or a trend, choking the freshness out of the sound. cosmic ad provides the platform for him to present his music to the public the way he wants to, when he wants to, his artistic adventure is out there for all who want to witness. a concise account of his creative energy, a unique platform for a unique artist who searches nothing except discovering new landscapes and inspiration.

leao is the house alter ego of respected tech producer robotneedsoil. here he supplies two killer house tracks that are given the remix treatment by two of the industries current favourites, kindimmer & jacob b. the ep lifts off with the original mix of drop that and wastes no time getting down to business. tough beats and throbbing bass meets cool stabs and vocal stabs urging you to -take your body back-. the jacob b remix of the same track is ruthless. taking no prisoners with a sub heavy mix that never veers from dance floor destruction. the b-side kicks off with leao s second original offering. this is house with heavy footwear. something more stomps, elbows and swings it s way through an intricately placed web of percussion. kindimmer s alien remix subtly uses elements of the original while at the same time segueing into new territory. its deep and eerie, soulful and moody. all the things that have made the berlin based greek one of the most sought after remixers in europe

the second release from dnaut is *sketches of a circuit* by craig sherrad. in the past, sherrad has worked on labels such as transmat. this ep kicks off with *we got extasy* - a solid 4/4 with stormy clouds over alien life forms. *hot pockets* is a clubby groove with fractured melodies and glassy lines. *energize* featuring riot baby, is a hip hop inspired, dusty beat with vocals. rough and sexy. *mercury electric* has bouncy beats, with a grubby bass line and layered synths. *sketches of a circuit* is a soupy bit of ambiance with sporadic gently tumbling drums, blissful chords and the slightest ripples of percussion.

die wild beasts veröffentlichen ihre zweite single aus dem aktuellen album -present tense- mit drei hochwertigen remixversionen als limitierte whitelabel 12inch. die midtempo-nummer entwickelt sich nach ruhigem beginn zu einer regelrechten hymne, die vom treibenden beat zusammengehalten wird und exemplarisch für das wohlbekannte gefühl aus zärtlichkeit, extrovertiertheit und perkussivem drive steht, das die wild beats seit jeher repräsentieren. trotzdem verpassen sie nicht die gelegenheit, sich auch auf diesem song weiterzuentwickeln. am stärksten wird dies wohl durch die parts deutlich, die zum mitsingen einladen und so -a simple beautiful truth- quasi zu einem selbstläufer bei live-performances machen. neben der albumversion des songs finden sich auf der whitelabel 12inch remixes von lone, darum und east indie youth!

after a twisted, introduction full of warped vocals and shifting percussion, villain builds into a track designed to kill the rave. dropping into a wall of contorted, metallic bass and vicious drums, minor rain switches things up throughout, maintaining interest - as well as that infectious groove. on the flipside, main core shifts gears with a pulsing, submerged bass driving things forward. combining elements of tribal beats, programmed drums and a stuttering rhythm, main core is a great example of future funk musics ability to put out groundbreaking, forward-thinking music.

sacred geometry, complex polyrhythms and clean sound design all collide in the work of manchester outfit, akkord. with their critically acclaimed, self-titled debut album charting high in 2014s end of year lists, akkord are not resting on their success, and are already planning their next assault with this new body of work. hth020 consists of four tracks of much darker, moodier sounds, pairing monumental low-end frequencies with surgically precise production. the whole ep is centred around clammy, ominous atmospheres, underpinned by stomping beats and descending basslines, placing greater emphasis on the space in-between, and textured over with a doomsday ambience. the music that akkord create never strays out of their own minimalistic and direct approach to techno, but from there, and beyond, they touch on an ever-evolving variety of styles, which gradually drive us in front of an overwhelming and riveting soundscape. hth020 comes pressed on 180g grey vinyl, cut and mastered by matt colton at alchemy, with de-bossed artwork and a postcard insert.

the name of his track is called saxojazzy, as you can imagine it has some influences of saxophone with groovy and sexy beats followed by a tight synth. overall a very impressive creation made by lui young.

westbalkonia sind marc depulse und boe van berg. kein eigentlich, kein hätte, wäre oder könnte - das heute ist schöner als gestern . westbalkonia s neue gleichnamige ep besteht aus vier deepen house-tracks, die durch die schöne stimme von bandmitglied alex, flächen und beats von marc und handeingespielter gitarre von adrian für ein frisches hörerlebnis sorgen. kein eigentlich, sondern ein unbedingt, wenn ihr auf sommerfrischen house für die stunden nach und vor der peaktime steht.

reform is the first work by stave. the album is an exercise in precision and spacialization, with isolated electronics and icy beats producing a grisaille of vaporized metals. tracks move from disembodied murk and blunted pulses to sustained forcefulness. touch points include techno, ambient and industrial predecessors, all bent gravitationally towards a dark, cold and unsettling soundworld.
the vinyl lp includes a download code for the full album.

unreleased tracks by the chicago master ...
ron maney also known as dj skull lived in the southside of chicago (il, usa). his musical career started during the summer of 1986, while recovering from a broken bone. during the following years he homed his craft, djing first at basement parties, building his reputation to go on to larger events such as, loft and hotel parties, and eventually the infamous music box and power plant clubs. at the age of fifteen ron shopped his first demo at trax records. there he first met chicago s legendary dj ron hardy, working as a&r for trax records. two years, and a new alias later (dj skull) later while at the power plant, chicago s own steve poindexter heard a dj playing one of rons tracks, and met ron. steve was now a&r at saber records and invited ron to release some tracks. so in october of 1991 dj skull s first record -n.r.g. music- was released. in 1993, he released the ep -the stomping grounds- on djax-up-beats, which was more noted than the first one. over the years that followed dj skull released lots of ep s on several labels. he has become well-respected producer and dj in the techno industry

woodsmen & lady log takes a new step into the future with this dynamic and impressive 12 ep from anders wasserfall. this norwegian producer has reached status as a solid and qualitative music maker with fine releases on greta cottage workshop among others. his music on w&ll004 is no exception, on this piece of vinyl you find impressive skills, jazzy moods and bouncing beats in a pleasurable blend. dont miss.
limited edition of 300 handnumbered copies.

foto recordings goes all symbolic for their tenth release. keeping the numbers in symmetry the 2-track single from label boss ooft! is pressed on to 10- vinyl, and features one pitched-down & one pitched-up jam. lead track here for you summons some 70s soul vocals and layers new beats and synths underneath to create a pitch-down monster suitable for late nights and end-of-set moments. on the flip whistle time has more of a steady summer-house strut with disco samples rubbing up against some understated 303s to provide some terrace action over the warmer months ahead

played by steve lee, sleazy beats recordings, moonboots, coyote is it balearic?... <br >uber is the new label from the is it balearic..? camp. its aim to release the more of the more balearic music they have inn their vaults. first up are bonnie & klein. the duo behind bonnie & klein is greek pair george fountzoulas and thanasis skouzis who were were born and raised in nafpaktos, a beautiful hometown in greece. -beautiful city- is a low slung percussive groove with a slightly eastern feel with mediterranean strumming and delicate melodies and an unexpected sax solo. -carina- is a lighter more cinematic groove with a soft flute pattern and muted guitar all wrapped up in warm strings. mario pierro of raiders of the lost arp (rotla) fame remixes -beautiful city- creating an after sunset chugging balearic slo mo house track oozing class and subtlety.powerful stuff

after releases on john osbourne’s label tanstaafl bill youngman once again rips it off for killekill with our catalog number 019.from straight forward, hard hitting techno as in levitate he crosses over to the typical youngman style 2-step/techno hybrid as in magnetic. broken beats and playful me- oldies as in teardrop turns to solid are definitely not new to him, but the combi-nation of these two elements, as we find it here, definitely is. a beautiful masterpiece that works for the lonely hours as well as for the peaktime dancefloors.

another new signature on heavenly sweetness, the leftfield duet baron retif & concepcion perez. they already released 3 eps on musique large label and did remixes for laurent garnier or jacaranda muse, and produced some beats for french rapper roce or coeff.

back in stock - a 1994 house classic in 7 mixes on double vinyl.

2x12 inch + cd!! typischer moonbootica prime time partysound

2nd reference for the parisian based label. no name dropping here, just another side project of the man d.k. the house groove is served with rough percussion and and odd beats programming. strictly for the freakz.

phillip -the machine- lauer ist zurück! nach seinen releases auf running back und beats in space, sowie der wiederveröffentlichung seines brontosaurus-katalogs und seinen aktivitäten mit gerd janson als tuff city kids, fand lauer zeit, um endlich eine neue ep für permanent vacation fertigzustellen. drei nummern voller disco-melancholie und house-euphorie!

editions haighton are homespun edits of dusty curios by hotflush recordings jack haighton. the first instalment of a quarterly series takes its cues from the italian disco scene of the early 80s, reworking cyber peoples *void vision* into a hi-nrg burner fit for the early hours at a former power plant, and jm bands *computer monkey* into a loopy tool with frills.

after splitting a release with chicago skyway on the acclaimed #@&*! ep, the chicago producer isoke is back with his sleeves rolled up and coming out swingin with a massive, forward thinking sound on his how to seduce cyborgs ep. the title track is a deep, bangin, teched out anthem, perfect for both small or huge venues, followed by hard hitting bonus beats. the flip side features the boundary pushing, eighteen and a half minute long, hypnotic journey into sound that is aliyah part 1, 2, 3

ladies and gentleman, aliens and extraterrestrials, im:ltd finally make their 2014 come back with the intergalactic perspectives. rolling at 140 beats-per-lightyear, our cadet kantyze has knocked us into hyperspeed with a dubstep album that can only be described as from the deepest, bassiest, and funkiest quadrants of outer space. going where no producer has gone before, they have put together 12 tracks which would have the whole mos eisley cantina calling for rewinds and firing their blasters at the ceiling. one things for sure, you wont be phoning home - youll be calling your local record store for this one.

labelboss steffi hooking up with long-time buddy and musical boy wonder dexter again! over 15 years ago they started the klakson label and the rest is history... sounding more fresh than ever steffi & dexter deliver 3 razor sharp dancefloor bombs that will unite dancefloors worldwide. all the elements are there: aquatic electro arpeggios, jacking 808 beats, bouncing analogue strings and basslines, all topped off with that euphoric detroit techno feel... fffresh release!

two proper argentinian gentlement sharing this black beauty side by side, doing what they do best, shuffled beats, jazzy rhythms and loopy vocals printed on the surface of this groovy yet minimalistic release for rationalism family.lost decade is pure breed. a focal view of south american beats

der sozusagen nomade matt karmil produziert und ist dj seit jahren unter vielen alias-namen in verschiedenen formen, aber hat nun den flow und den sound, der ihn in eine rosige zukunft schreiten laesst. releases auf tim sweeneys beats in space, der a lot to share 12inch (pnn06), die geheimnisvolle haf001 und nun sein debuet-album auf pnn (pnn07) werden ihr uebriges tun, dass 2014 ein sehr spannendes jahr für matt karmil sein wird.
die doppel-lp erscheint inklusive cd-version des albums.

played by sames (godzilla kebab), jacques renault, paul thornton (itch / dig deep), superbreak, martin haberland, cottam, sleazy beats recordings, adryiano

the moscow duo is back with the followup to well supported glenview debut 12inch. apes in the orange groove has super funky piano chords, analog drum machine beats and on the original mix add l samples from kito jempere on the b-side secret circuit do an acid tinged balearic remix

glasgow based mermaids have been quietly making waves since 2011 with an infectious blend of choppy edit-style punchers and slow morphing body music. the duo have already had releases on their own eponymous imprint as well as nonlocal out of canada, but made their biggest splash on ali oofts recent foto recordings sampler ep fours a crowd. their contribution >run with the night< easily stole the show on the release and made its way into many well respected record bags including roberto rodriguez, ben la desh, andy ash, martin hayes of rose records and the always on point sleazy beats gents. the tides are steadily turning in their favour and have carried them to young adults for their finest material yet.

after an astounding year for apollonia storming all corners of the earth, the three welcomed further success with a momentous fiesta at bpm to commence 2014. working the label in tandem, the list of pioneers featured thus far – point g, callisto and kerri chandler – is mighty impressive. jovonn is a name that sits naturally alongside them, the difference being that the forthcoming ep on apollonia is not a repress but juicy new productions. a highly respected international dj and producer hailing from brooklyn, jovonn made his mark within the underground house scene with classics such as >i cant make up my mind<, >garage shelter<, and the standout collaboration with dj deep >back in the dark<. an intrinsic inspiration to the apollonia trio, a personal relationship first formed at wmc miami last year. enjoying a production comeback following music on dogmatik and la vie en rose in 2013, talk of working with apollonia has fruitfully resulted in - the ep - . proving he can still produce a house bomb with ease, trippin is a jovonn future classic dripping in sexy hushed vocals, with a dub alternative that sticks to the tracks fundamentals. the march journeys forward into the deepness of dreamy synths, while the contagious beats lure you into a swinging metronome effect. in the words of jovonn, >its spiritual<.catch jovonn playing alongside apollonia at treehouse on 24th march, as part of this years wmc miami festivities

poolside miami offers a definitive collection of sun drenched beats & blissed out grooves, the ultimate accompaniment to long hot days by the pool. featuring 4 full-length tracks including zimmers sensational remix of moullinexs highly acclaimed to be clear, then delving into a deeper vibe with hot toddys killer rework of rhythm plate feat. frank h. carter iiis not like that.

the next release on contemporary scarecrow comes from chicago house legend boo williams. this double pack features 8 tracks of quality chicago house to complete another solid release on this rising australian label