sfx recordings is back with a third vinyl fully dedicated to fat tech house groove! noon delivering us four new tracks exclusively on vinyl. those tracks are a mix up of different style, some more deeper and melodic and other more focus on fat rolling bass line, they have all a real value for each moment of the parties keeping the theme trademark sound of noon. a must to have for the summer, just get it and rock it!

my little dog welcomes the 2014 summer with another solid vvaa ep. the first track comes from the skilled hands of the chilean producer rodrigo laffertt. *punta de flecha* is a sweat, groovy and dark trip, seasoned with a deep and elegant spanish voice. a serious candidate for this summer house hit in the best open airs.
supported by reboot, marco carola, maya jane coles, booka shade, john selway, stacey pullen, mihalis safras, hermanez, jay west, martinez, d- formation, toni rios, hanne & lore, andre butano, david duriez, vanilla ace, tony thomas, oscar l and many more!

of course, there is a story behind every release, and this ligovskoi debut on dement3d goes back to one of their first live performances in paris, back in 2011, organized by our cousin label silicate : a group of artists - including dscrd - were invited to recompose an ambient soundtrack on the movie outland by peter hyams. ligovskois live performance was absolute magic, and their intense and powerful sound signature - with moving infra-thin melodies, ethereal noises, and deep bass foundations - was already sounding perfect.

this release contains an album of 12 tracks, with a remix from hitechsoul. acid european influences combined to detroit techno with continuous dance melodies. orlando voorn experimental and innovative music strikes again!

200 copies only! after great original *criminal stuff ep*, io (mulen) backs with remixes ep includes amazing version from artreform label owner joss, swiss tech-house producer dachshund and berlin-based producer rick bull aka deepchild.

a careful work, a well illustrated journey, where the four cardinal points are 4 originals marked by a bass line sound that seems to come from a tb 303 just dusted off by a deposit of mr. ikutaro kakehashi .

unique blend of dubbed out ambient & footworkin leftfield drum & bass (download included).

unique blend of dubbed out ambient & footworkin leftfield drum & bass (download included).

unique blend of dubbed out ambient & footworkin leftfield drum & bass (download included).

a1 - rework of a 1979 classic jammer, soulful & melodic. a2 - 80s boogie classic rework, monster bass. b1 - a heavy roy ayers rework. b2 - perfect to smash a dance floor with, of the leroy burgess vein.

back in the day, there was one artist that stood out in the underground, this person was admired and respected worldwide, his cuts we re played from paris, london, nyc to chicago & back again, he was - olivier portal aka playin 4 the city. this year, 2014 - playin 4 the city is back, 3 brand new tracks released on the deeply respected us label - plastik people. side a delivers two soulful edged tracks with a reprise at the start of a1 which keeps the roots of p4tc from back in the day - both tracks include live bass by slikk tim. side b *good groove* is a black & white track, it has the feel of the early bouge & shuffle track that came out on olivier s straight up label, deep & groovy elements, 16 bit samples & keeping it four to the floor. good groove is sure to be a classic, one for the true heads & the p4tc collective.

editorial delivers once again a value packed 4 track vinyl release- enlisting some top talents. joshua heath bring his bass guitar to australia to join forces with the ever prolific deep house dons random soul. together, they freak out a boogie influenced funk original in *girls, girls, girls* perfect for a late night house party to get the hands in the air. frances cosmic players create a winner with *get it right* soaring synths lead the way , and they also prove there is still a right way to use a vocoder. flip the transparent vinyl over for a lush mid tempo burner from uks matt hughes. dialing the tempo back , but not leaving any emotion on the table ... finally, bg baarregaard hits the nail on the head with a juxtaposition of classic house sound and a distinct new school ethic.

following in the footsteps of enigmatic sonic machine ten walls, few nolder is the next artist to grace the catalogue of the fresh and bold boso imprint. clouds is an emotionally charged trip across four driving electronic cuts, as powerful and original as you might expect from an artist who cut his teeth on planet mu, few nolder takes the listener through deep channels of wobbly bass, epic synth lines, kinetic percs and ethereal soundscapes cut through with driving basslines

frozen border turns violent with this massive, industrial-noise ep by mysterious artist oxcure. acoustic claustrophobia while drowning in dark metal sounds and a powerful heavy bass remix by violet poison.

the mantis leaps out of the mist along a the rocks up to the eyes of the mountain spirit. ghostly collages mix with sub bass rhythms. yellow herb ambient.

ltd 2014 repress

boskas british funk museum article no. 808 (barn 013) was a track that just had to be released on green vinyl, one of the finest examples of norwegian neofuturistic anglofilia ever and still very much a staple of our dj sets. were no dummies at barnhus hq, so of course we’ve been planning a full boska release on the label ever since we put out bfman808 back in 2013. almost exactly one year in the making then, santa cruz ep arrives. four slices of that fresh, clean, bass-heavy and totally melancholic scando-house we know you love.

another debut on pro-tez records in the limited 300 copies pressing series. the koett & wellbeck three track ep is effortlessly smooth and grooving cuts ranging from emotional square bass and pads move in 5, a detroit-dedicated beatdown filtered piano business in queensboro bridge, and a really classy late night shake down entitled selected time.

seven years after his last lp on alpha house, argentinas franco cinelli has finished his next full length, all frequencies, due for release on esperanza in may 2014. over the course of the last 15 years, cinelli has released countless eps on labels like bass culture, airdrop and ilian tape and has proven himself to be a master of the groove, be it a house, techno or disco infected one. this new album encapsulates all that and channels his decades of musical experience into one album that has the dance floor as a common denominator.

stomping drum & bass

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions this one is bound bound to be caned by all the usual players!

following their remix of moodtrap last year, we welcome audiojack to tsuba with two of their distinctive bass lead house tracks backed with a killer cosmic mix from running backs lauer.

the first of two remix eps for max coopers debut album human - this one with maxs own extended version of sunset track supine, rodriguez jrs deeper house take on the same track, lusines incredible rough rework of woven ancestry, and jack dixons abrasive uk bass version of automaton.

supported by andreas henneberg, hanne & lore, acid pauli, animal trainer, mollono.bass, richie hawtin, sam divine, bara bröst, agent!, andrew grant, franco bianco, chris fortier, ryan dupree, bastian schuster, vanilla ace, daniel bortz, king unique, marco fender, stanny franssen

brooklyn-based producer & 1/2 of the mister saturday night duo offers a saber-toothed, bass-heavy take on techno with an unexpected tender side. flip for a trance-like stomper sporting stirring strings.

italian producer my dry wet mess, aka giovanni civitenga, is a name that has resonated in the world of left field/beats since its exciting fledgling years. though his father is the bass player for ennio morricones orchestra and a studio guitarist on numerous italian records, from a young age gio was drawn towards hip hop. at the age of 14 his father gave him a sampler and an atari, his beatmaking experiments grew boundless. having released albums on daedleus magical properties imprint and flying lotus brainfeeder, it is a great pleasure for fine grains to present his debut vinyl release – the *laptop lapdance ep*. it comes equipped with remixes from ikonika, dam mantle & auntie flo.

180 gramm doppel-vinyl im klappcover, downloadcode und booklet inklusive.
-hard believer- wurde in 17 tagen im legendären sound factory studio in hollywood aufgenommen, erneut in zusammenarbeit mit produzent billy bush (garbage, beck, foster the people). urban, bluesy und lebendig ist das album eine meisterhafte sammlung von songs eines künstlers auf dem gipfel seiner kreativen energie. -we wanted to go deeper this time, and be more ambitious with the music to move the sound forward without losing touch of where we’re from.- (fin greenall) nachdem fink von ninja tune unter vertrag genommen wurde, sich vom gefragten club dj und electronic-produzenten zum songschreiber für acts wie amy winehouse, john legend oder professor green mauserte, bestieg er selbst die bühnen dieser welt mit seinen bandkollegen guy whittaker und tim thornton um seine eigenen songs zu spielen und verbuchte für seine live-qualitäten, als auch seine ersten vier studioalben, allseits das lob der kritiker und fans. sein neues album -hard believer- erscheint auf greenalls frisch gegründetem label r coup d in zusammenarbeit mit ninja tune. fink sind fin greenall (vocals/guitar) zusammen mit tim thornton (drums/guitar) und guy whittaker (bass).

repress 2014 ... after the 2am/fm release, next up in the 10inch series on mos_deep is a solo-project of d marc cantu. d marc delivers two surprisingly melodic, sexy and hypnotizing housetracks. >set free< opens with a hard-hitting flanged bass-sound and a devastating kick and slowly evolves into a dreamy and atmospheric track full of mystery. >tonight< is a hypnotic and haunting latenight-dancefloor track, combining long stretched melodic stabs, an ultra-deep bassline and d marcs whispering vocals taking you down deep in the uncanny and eery underworld of his soul

old school electro from phil klein (aka bass junkie) and matt whitehead (perc traxx, dont)under their comon name model citizens. totally classic and well done insane driver! b-side brings also the good electro oldschool feeling. and to finish the ep, get a good funky electro bass sound! maximum pleasure! superb ep bringing a fat soundproduction.

kerri chandler classic from 1993. it doesn t get much better than this... the 4 daye mix is an absolute killer!!! officially re issued in conjunction with king street sounds and re mastered for 2014.

welcome vinyl reissue of the rare and in-demand boogie classic *summer groove* by the joneses. originally released in 1981 on tiny us label good records, the 12 inch features the full eight and a half minute long moving on version of this magnificent soulful disco burner. big on the uks jazz-funk scene at the time as well as in the us, this super-cool grooving track still fills floors today with its soaring strings and vocals, hi-voltage guitars and pumping heavy bass. essential summer party jam - dont miss!

traumer aka romain reynaud has been plugging away of late with a string of fresh material surfacing in 2014, much of which has seen the blossoming producer pick up support from the likes of mr.g, franck roger, and doc martin to name but a few. here we see romain join the roster of loco dices desolat imprint. across the double pack we see traumer skilfully explore a range of styles, opening cut hoodlum eases us in nicely with a bass-driven, funk-infused groove fuelled by jazzy melodies and gritty drum sounds.

bass heay house music

limited 2014 repress
next up on sudden drop we have dutch native and member of eshu (along with ivano tetelepta) roger gerressen supplying the luscious beats. >faithful< is a spritely groove with elements of dub techno and tech-house with its lush chords and forward leaning percussion really giving the track a sense of pace. flip-sides >put that record on< delves deeper with a headier combination of deep bass and spoken >put that record..< refrain.

the last few years has seen a series of well received releases from rhythmic theory, the anonymous techno producer lurking in the shadows of the bristol music scene. *endless forms* is their second release for idle hands and follows on from where the previous ep *legacy of the lost* left off. the title track delves deeper into the sonic realms of classic jungle and comes up for air sounding like dub techno. a weighty bass line propels things along, whilst a sci-fi voice intones the title. this one is a sound system rocker. *tales of dystopia* brings to mind early nineties uk techno with its haunting synths, swung beats and deadly bass line. rhythmic theory is killing it at the moment, expect more to come.

belgiums thomas moon has made his own sound in electronic music. playing in his career in more than 15 countries in 5 different projects, he now produced for the first time a solo album with his new project.

dj gregory with his point g alias teams up with the martinez brothers for a serious raw action featuring filsonk s delirium what s the point is the result of the boys hanging out in paris including a main mix, two dubs and a raw accapella what s the point has all the tools to drop the madness. it s about beat, wired bass and repetitive vibe on a too raw for u tip. first release of ever lasting love, this new label on the block is a new platform handed by gregory for all kinds of collabs and goodies

superb 12” reissue featuring three of trinidadian soul legend billy ocean’s greatest dancefloor tracks from the early 80s. side a features the six and half minute special disco version of ‘stay the night’ - a bass-heavy grooving funk monster with punchy horns and billy’s smooth vocals over the top. flip over for big frankie knuckles play ‘nights (feel like getting down)’, a pedigree jazz-funk cut often considered one of his finest. and last but not least is the long 12” version of the massive disco classic and studio 54 staple ‘are you ready’. with every track a guaranteed floorfiller, don’t miss this chance to own them all on one loud-pressed 12”.

slamming and techno remix from this huge drum & bass remix

after the highly anticipated release of his third studio album decay, efdemin presents the first part of a remix series featuring his favourite producers. bristols underground hero asusu inflates the reduced album opener some kind of up and down yes with deepest bass and beautiful scapes to the max in a true photek-style. last years control by staffan linzatti was one of the favourite constants to be played in every efdemin or lawrence set. luckily his version of solaris is another epic hymn here with futuristic enhancements of the third kind.the most extraordinary piece on decay versions part 1 is the borderland states rework of parallaxis. efdemins studio-mate john gürtler recorded that beauty with adding acoustic instruments only and sounds like a meeting of moondog with wim mertens.

tracks from the father-son duos debut album big strick and from generation next. from start to finish, smooth and heavy chords rain down from the gospels of house with fiery bass lines and thundering kick drums.

after a lengthy break mark henning returns with his new label swing and four on-point tracks. *stash house* kicks things off with a crisply produced groove with snatched male vocals and rounded bass keeping the swing high. *exit acid* ups the energy levels with an acidic tinged b-line proving a grimier feel whilst flip sides *james hughes blues* is all about the breakdown, a neat synth line and huge bass tones lending it a more anthemic edge. lastly *the horror* opts for a lower key ride, fuller male vocal imbuing the track with a sleazier feeling.

the album astral traveling by innerspace halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. in terms of human understanding, the universe is infinite which makes any scenario one can think of possible. with this in mind, astral traveling was composed and explores the deepness of creativity as innerspace halflife reaches down to pull out sounds using various techniques. the story begins with teardrop from nebula 1122+22. straight from a far away point in space which can serve as the beginning or end of a journey.

leao is the house alter ego of respected tech producer robotneedsoil. here he supplies two killer house tracks that are given the remix treatment by two of the industries current favourites, kindimmer & jacob b. the ep lifts off with the original mix of drop that and wastes no time getting down to business. tough beats and throbbing bass meets cool stabs and vocal stabs urging you to -take your body back-. the jacob b remix of the same track is ruthless. taking no prisoners with a sub heavy mix that never veers from dance floor destruction. the b-side kicks off with leao s second original offering. this is house with heavy footwear. something more stomps, elbows and swings it s way through an intricately placed web of percussion. kindimmer s alien remix subtly uses elements of the original while at the same time segueing into new territory. its deep and eerie, soulful and moody. all the things that have made the berlin based greek one of the most sought after remixers in europe

dnaut is a brand new label launching with an ep from the mysterious collective mdec - music dance every chance. the first track *the treasure* is a spangled fusion of synths that variously rasp to shine, while the percussions lend a rough feel. the rubbery drums and bass line of *riz jungle* harks back to old school chicago. *hero* is a predatory, creeping and crawling house grove with a whispered voice to add yet more intrigue. *desire* featuring hayley blackman is a little more playful- rooted drums underpin elastic, swaggering percussive lines and a little disco dazzle is hiding in the subtle synth patterns. *glisten feathers* feat billy love closes the ep heartfelt style with a breathy male vocal. shimmering synths, lingering pads and tinkling pianos add color to the killer vocal.

the second release from dnaut is *sketches of a circuit* by craig sherrad. in the past, sherrad has worked on labels such as transmat. this ep kicks off with *we got extasy* - a solid 4/4 with stormy clouds over alien life forms. *hot pockets* is a clubby groove with fractured melodies and glassy lines. *energize* featuring riot baby, is a hip hop inspired, dusty beat with vocals. rough and sexy. *mercury electric* has bouncy beats, with a grubby bass line and layered synths. *sketches of a circuit* is a soupy bit of ambiance with sporadic gently tumbling drums, blissful chords and the slightest ripples of percussion.

after a twisted, introduction full of warped vocals and shifting percussion, villain builds into a track designed to kill the rave. dropping into a wall of contorted, metallic bass and vicious drums, minor rain switches things up throughout, maintaining interest - as well as that infectious groove. on the flipside, main core shifts gears with a pulsing, submerged bass driving things forward. combining elements of tribal beats, programmed drums and a stuttering rhythm, main core is a great example of future funk musics ability to put out groundbreaking, forward-thinking music.

next up on creme organization is gavin guthrie aka tx connect with a searing double album of analogue tracks aimed at the dancefloor. it follows dallas man guthries excellent outings on dixon avenue basement jams, l.i.e.s. and other efforts on bad mums club and again showcases his classic midwest style run through with plenty of acid goodness

huge support from: marco carola, richie hawtin, riva starr, gorge, sossa, mihai popoviciu, stacey pullen and many more... suro records is pleased to presents it s new release -be quiet- an explosive tech house loaded with a powerful bass line and a great percussion that make virtually impossible to honour the name of this excellent piece. the side b contain a deep twist with a dark atmosphere wonderfully remixed by el mundo, half of famous dutch duo - el mundo & satori- needs no introduction, his magnificent remixing skills have brought an exquisite track that will spread this amazing sound all summer long.