on his second ep for myself recordings, erell ranson returns with some new results of his recent studio work. >where the clouds are< shows his true colors, dark, deep techno with a solid detroit-esque feel to it.paul macs remix is more traditionally structured and floor friendly. he pushes the pulsating drive of the original to a maximum, to create a deep club track that will fill the floors all over the globe.deep detroit techno is fast becoming one of the trademarks of myself recordings.

gerard hanson hails from the unlikely environments of dallas, texas usa. his music has influences from derrick may, stefan robbers, red planet and carl craig.. he released his first 12inch in 1995 on matrix / detroit. after that he released on labels like tektite recordings, down low, ai records, frustrated funk, frantic flowers and aw recordings. he is very careful about sharing his music with the rest of the world. in the last decade he only used the aliases convextion and e.r.p. (event related potential). e.r.p is an electro-edged moniker....

an exciting new imprint from this former warp artist who has decided to operate under the unknown >raz< pseudonym to let the music do the talking, and this is without doubt a future classic ! state of the art modern techno folks, sounding as if it was forged in detroit and finished in berlin two beautiful tracks to kick-start this most promising of electronic music labels with a real seasoned pro at the helm audiophile mastering and limited edition vinyl only runs

advanced underwater electronics by dj stingray. known for his collaborations with drexciya (as the official drexciyan dj), and also know for his works with carl craig (on retroactive and planet e as urban tribe) and his collabs with old time friends moodymann and more of the detroit house producers. this is some deep almost industrial electro techno from the motor city and stingray presents another double pack (after his release on richard james rephlex label recently) with some raw, no nonsens dark shit from a dark (and some say doomed) city!!

todd bodine demonstrates with this ep once again extraordenary taste and skills. after a very successfull excursion on claude van strokes mothership label and his activities as a heavily booked live-act and dj he presents on >unexpected life-form< two brilliant tracks, that seem to burst with their energy. todd bodine apparently has gained a lot of experience how to bunch the impact on both the dancefloor and the musical side and how to turn the result into a wall of sound. and hes doing it by following his own unique style. on the a-side >calypso< captivates you right after a few seconds with its pulsating sequences and a subtle growing energy-level from break to break. developing a drive which wont miss its impact on any floor. >snakeskin< on the flip is homogeneously build around shimmering melody-sequences which create the energy of this track, while the bassline below pulsates warm and deep. sounds like: detroit without kitsch. or like a cross between matthew johnson, robert hood and fabrice lig. to put it in other words: a typical todd bodine release in the best sense. allready a true highlight in the highgradecatalogue in 20

from deep ambient to detroit dub tech

a tribut to the detroit and the chicago sound with an italian touch, together with the excellent remix from cabanne this record is a sure shot !!

instrumental underground hiphop straight outta detroit, distributed via ur/submerge.

beretta grey presents the second record by detroit duo >reference< a.k.a. luke hess & brian kage.. >reference vs. vol 1<, consists of collaboration with other key beretta grey artists ryan crosson and seth troxler. each song was carefully developed by all artists simultaneously. sessions were held at interstellar studios in detroit with all artists present. the initial musical concepts were recorded and written. next, the songs were sent back and forth until the finished product was agreed upon by all parties. in this fashion, the music created provides the character and soul of each artist, but fused together in a way that creates a more detailed account. one perspective alone does not capture the whole story. in this release, a feeling is captured by four artists, giving the listener a bigger picture, which helps to better capture the concepts of sound as it relates to a moment in time

classic detroit electro techno genre by combining beats and melodies with a unique groove to create a burst of colour and rhythmic energy.. this brings us the soulful and funk filled ways of agorias vision of music..

ziemlich lässiger detroit sounds mit den sexy vocals von blake baxter auf der a side !! die flipside kommt acidic old skool daher

after the first release >girasole<, the next output is >tulipano<, a brillant ep composed by krakatoa and sten, the new young talent artist from turin! two different tracks created at border between house and detroit techno, with deep bass and pumping kicks, both characterized by saxophone and trumpet live recorded sounds

excellet spooky dark detroit infected tracks

knochentrockener & harter techno mit detroit / chicago anleihen...

low low is a source of the unexpected: robotic and dark electro disco meets leftfield chicago house and detroit techno, his sound is brought to life using this heritage and its ancient techniques.

it is a task that detroit native aaron-carl has done consistently since 1996. as one of detroits most in-demand producers, his signature sound crosses genres -- from soulful, gospel-infused house, to the dirtiest ghettotech anthems. aaron-carl is hailed as a powerhouse in detroits electronic music scene. with a discography to die for, he has remixed some of the motor citys biggest names – underground resistance, scan 7, aux 88 & kelli hand, as well as international artists like chicago house legend dajae, icelandic techno stars gus gus, and african jazz great manu dibango, to name a few. as a vocalist, aaron-carl showcases a broad range. from the haunting chill of >crucified< and >sky< to the seductive whispers of >down< and >21 positions<, to soul-stirring shouts of >alright< and >my house< ac prides himself in not just making records, but classics. his >let me tell you something about house music< acapella (appropriately titled >the word<) is one of todays most sampled house vocals, while >down< is still a staple in the clubs – for more than a decade after its release.

hervorragender 3 tracker mit frischem house von deep / detroit und zur phunky disco zurück... oberamtlich

amazing detroit tech phunk infected remixes by laurent garnier & kabale und liebe

mit >ask the dust< ist den briten ein ganz grosser wurf gelungen. housiger detroit techno im individuellen soundgewand und mit einem guten gespür für dramaturgie. >talking to yo< kommt vordergründig deep daher geht aber auf halber strecke in die vollen...

more detroit styled killer elektro

directly from detroit by shawn rudiman

vince watson der bereits eine ansehnliche liste von vÖs auf seinen konto hat (planet e, delsin, f communication), haut hier zwei klassische detroit-techno tracks mit Überlänge raus. perkussiv, hypnotisch & emotional

spooky dubby minimal detroit infected techno... full support by: luciano, tiefschwarz, jerome sydenham, stephan bodzin, pig & dan, len faki, adam beyer...

gigolo man with 2 new spacin detroit trax.. incl string version

excellent stomping detroit techno with soul... against all da new hypes in these days... very special and very unique d1 recordings style... pure classic in the making

excellent split ep with cool detroit techno cuts from thomas barnett aka nude photo (transmat, detroit) and eammon doyle (d1 recordings, uk)

excellent hypnotic detroit house at it best... soulful, disco flavoured and still made 4 rocking the crowd

great dark detroit techno roller

great groovin ep by detroit based josh surma !! incl stare 5 (bryan zentz) remix

after the success of the beautiful and sultry ‚move with me‘ on poker flat 97, alongside patrick chardronnet‘s blissfully deep ‚days like these‘, david durango is back with three mesmerising tracks on dessous. like a dark, empty night made warm by the pure, reviving light of day, ‚striptease‘ is an epic tale of love and resolution. skipping, light percussion flourishes are joined by memorable chord phases that wash through and over the senses. a tender and sincere detroit style breakdown is then skillfully danced out with teasing, climactic moments of tension. ‚human‘ is by comparison a lighter journey, as durango trusts his rhythmic instincts and pulls out some fresh and airy hypnotising synth stutters and a rich palette of spacious percussion. neo-chicago stlye, ‚japanese revenge‘ is a faster paced deep-down groover that works chugging organ stabs and jacking beats along with glorious room-filling bending synth glides. it‘s a versatile track that sums up durango‘s unmistakable talent for creating an atmosphere and a celebratory, old-school vs new school vibe. durango‘s skilled, un-rushed style is the key here, and leads to three very unique dancefloor excursions, each with their own directions, moods and tingling electronic atmospheres.

class71 return to the constantly in-form four:twenty following the diamond door/seaphone 12 debut which won fans of just about every decent house dj around, and what a follow up it is! alba adriatica is a 13 minute excursion in to detroit flavoured house and is as subtle as it is memorable. a rounded bassline provides the movement while delicate, dubby fx create a hypnotic vibe which underpins a blissful live saxophone and rising keys. the summer is not over yet. always being attentive to djs needs, four:twenty have also included a dub for the saxo-phobes and if that wasnt enough, they bring in the legendary move d for further mixes. with a back catalogue which includes celebrated labels such as modern love, uzuri, city centre offices and liebe*detail, move d is the toast of underground house music and has delivered a vocal and dub mix of impeccable standards. utilising the fm bass and bringing the chords up in the mix, mr. d (as nobody calls him) creates a densely layed percussive dub mix which provides a perfect kickless track for creative djing while his vox mix adds both kick and some sparse but beautiful vocal touches. this is another winner from a label which continually searches out fresh talent and is more than worthy of your attention

after a run of releases from more established artists, ed dmxs breakin records takes a step into the unknown with the debut single from norwegian jørgen indal , aka impakt . with a classic feel throughout, this ep runs the gamut of breakin styles from crisp electro, through to smooth spacey acid, through to drexciya-style techno-funk. indal is a young producer from trondheim who creates a wide variety of electronic music using ancient analogue machines and modern software instruments. you can hear detroit and cornish influences through the ep all polished up with impakts glacial sheen. tight uncluttered production from this new scandinavian talent, and dynamic mastering courtesy of matt ‘golden ears colton (planet mu, sandwell district, rekids, 20:20 vision) ensures that this release will cut through in any set

myself recordings is proud to present the 1st release. >sense of our life ep< will be feature new materials from label owner himself, erell ranson. his music can be easily describe as deep detroit techno and electro. erell expresses his personnal vision of deepness and soul. and myself recordings is very happy to present you a remix by arne weinberg, courtesy of aw-recordings, styrax and matrix detroit.you can expect melodies, soul and melancholy

solid tech 3 track ep with cool detroit influences something great to work with in the clubs

big with: josh wink, gregor tresher, agnès, jimpster, djulz, alex attias, brothers vibe, sebo k, 2020vision, 3channels, lauhaus, davide squillace, nic fianculli,... simon flower, who since his first release on curl curl left his mark with productions on poker flat, moon harbour and recently railyard, now releases his second 12 on curl curl: still here, still there. while residing a world away on the idyllic isles of new zealand, here he makes a heavy nod to the detroit of the early 90s. he mixes it with his own deep hypnotic style, resulting in a release which sounds uncoventional yet combines the multi-layered repetition of an almost timeless techno style. the key to flowers unique sound is the influence from his well-honed and organic live set, which has lead to growing bookings across europe. both parts of still here, still there match funk and dancefloor pressure, and have been integrel to his live set for years.

mysterious and most of all vinyl only whitelabels seem to be the call of the day. if they are as good as this one here i have no doubt - this trend will stay our fried. open produced bassy and sweat boxing, slamming chicago - detroit- chicago style house with great piano chord and slight pitched atmosphere. somehow between early chez n ron and roy davis , dj pierre, kerri, mood2 swing, nu groove, kot. now ive almost named them all. oops… . sinister but oh so sexy!

dewalta bietet eine umfangreiche mischung aus multikulturell, ausgebufften klängen und gezielten einflüssen der technomusik aus detroit. david hat dabei seine ganz eigene art die beweglichen beats zu programmieren. neben seiner arbeit als produzent ist dewalta auch als dj bekannt und seine tanzbaren, elektronischen songs vor allem in berlin sehr beliebt

detroitish and dubby electro trax

sexplosion, the new ep from lenfant terrible of sophisticated techno, seth troxler-here recording under his debauched alter ego sex trothler-is a complex, multifaceted, and yet decidedly horny affair. these are the sounds of doing unspeakable and anonymous things to girls in dark backrooms and being too confident to regret it the next day…the sounds of your favorite sexual memory transformed by your overactive fantasy life into scenes of utter perversion. the first track, jusyour, combines troxlers signature use of the classic, organic sounds of detroit house and techno with an avant-garde, fragmented, almost mournful sensibility. its a contemporary jack track as appropriate for a dark, seedy club as it is for an afterparty orgy on your friends broken futon. its almost as if music could yearn and sweat and think all at once. its followed by a brief vocal internude to remind you that being a good lover always means having enough of a sense of humor to laugh at other people laughing at yourself. think tinkertoys meets the wu-tang clans black shampoo. humor aside, the final track, face, utilizes airy percussion and deep, almost cinematic chords (reminiscent of troxlers remix for another precious youth, nicolaas jar on new yorks wolf+lamb label). its masterful and restrained use of processed vocals manages to leave behind so much of the pointless darkness that has plagued techno, whether minimal or otherwise. it builds slowly yet aggressively, like a hard, focused grind with someone you cant actually even really stand. this is music for people whose time at art school was spent getting naked and not hating themselves for it.

uncompromising underground techno tunes between genres like detroit and chicago acid-house .. ltd coloured vinyl

frantically fanatical ultradyne sounds with haunting lyrics on the title track... lardossen search squad is a track created in memory of the lost drexciyan... industrial dramatic detroit electro techno for those who know...!!

great detroit influenced tehno by christopher just / incl 5 useful loops

earlier kiko productions.. some detroit, chicago and industrial influences

supported by joris voorn, derrick may, lawrence, adam beyer. rolando s first material after leaving los hermanos and detroit, now dropping heavy things on amsterdam s primo techno label, delsin!

2 strong 10 minutes detroit dub space trax

motor citys new electronica talent joshua harrison presents with his strong debut release on psycho thrill recordings, four hot burnin as floor efficient slammin minimal tracks from detroit technos new school. this vinyl hits real house feet as well as techno heads and defines more like another tech-house biggie. ears, minds and hearts are opening for a fall of real electronic music

a deep mixture of raw funk, oldschool house, bass, more bass and some kind of a dubstep vibe... the title track pressin on goes straight on dirty bassline moves crossed by dedicated trumpet sounds while the second cluster funk got tricky clap programming and lives up to ones name. on the flip humongous and driftwood are not less funkier but both are with some kind of detroit house appeal and impressive minimal ruffness...

hey flavio, why are you so acid?? the just 20 years old guy is already showing lots of influence in his background! flavio diaz, young producer divided between naples and london, becomes part of the born pulsars in the techno music galaxy with amazing tracks! vitamin r and mister jetix reflect the evolution of the analytic trail groove , influenced by the minimal of detroit and the acid house of chicago before and london then, and marked by techno neapolitan school personal imprint. mister jetix is a real funky track, nominated to be a real floor killer, both in the original version that like the remix by the chairman of the house, markantonio. vitamin r is a real brand new vitamin discovered by flavio, that we wish to take at early morning to charge up and start again!

supported by dubfire, solee, markus kavka, toni rios, dubnitzky, laurent garnier and many more.. trendy electro sounds mixed with melancholic sounds affected by detroit