despite only a few releases, the electronic deep house sound of vibraphone records and the production team behind it had a major impact on the international 1990s dance scene. the original 90s vinyl are now considered precious collectors items. revitalized by an increasingly new young audience interest this label has reached a cult status and it is now been re-launched via juno records. produced by the true underground sound of rome team all the tracks included in this rereleased are characterized by a heavenly atmosphere and a cinematic sound. this 2x12inch ep contains the analog re-mastered version of the original 6 tracks first released in 1992 plus 2 new bonus tracks.

denis kaznacheev is better known as one half of the russian duo easy changes. hes also the co-founder of nervmusic. he advocates a very organic and powerful minimal techno and makes use of his modular system on his own and unique way. denis cooks a mix of emotions to your ears and to the floor. waiting for his visa application between siberia and moscow hes been doing some music for us and we love it. he offered to bring us on its journey with brilliant textures and a superb sounding ep.

this release captures kicks, rhythms, and snares�only to drag them kicking and screaming into a metallic underworld. in j. tijn�s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a�s �kanon v.i.p.� a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on �mor� before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn�s roots are. �shy� lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

shaw cuts enters the site of crime with its first release called �have sword, will travel�. the ep includes 4 techno assassins � two tracks by the label founder himself lachriz, who introduces his shaolin moniker �farron� and 2 remixes by the argentinian boxer jonas kopp. �equinox� opens the slaughter with shaking break-beat punches in combination with atmospheric pads surrounding the drum jabs. ti lung would have been pleased. the track �apo-g� comes in sly and chases the enemy with dirty drums and menacing distorted sound spheres that will morph the bad guys into dead guys � throwing star style. the b-side gets taken over all the way by jonas kopp, who brings up two different remixes of �equinox� that can easily cut off the rival�s extremities like a sharp guillotine. and the carnage just begun

for centuries, young wild boars have been denied of their right to gather freely and fall in love. their military based rituals were designated to reinforce twisted ethical principles in the minds of the followers and were the only social interaction allowed. a group of young infidels finally stopped fighting the urge and created a new ritual based on dancing, called lambada. this spiritual journey awoke the suppressed spirit of the wild boar and revealed the sincerely beautiful nature of this noble animal. sadly, lambada soon became known as the forbidden dance and all its partakers were persecuted. to this day, lambada remains an underground ritual and the legalize lambada crew is on a quest to revive it by throwing disco parties and pressing undercover vinyl. true infidels in the likes of riccio and mikeburns are sending us the first manifest!

official re-issue of larry heards the housefactors project!another one of his classics!raw and relentless tracks that went so far from any electronic dance music from that period that to date this is still recognized as larry heards signature sound. with his mr fingers and fingers inc. projects going towards club use, this and his gherkin jerks showed another side of him maybe a darker side,but for sure a more raw and different side with music that sounds as if it came from another planet.jacking tracks that to date only larry heard have made like this. many producers have been inspired or tried imitate his sound with all good intentions, but still, gherkin jerks and the housefactors are some of the most unique projects in house music history. play it loud originally came out in 1988 (!) on black market records. and how cool is it to see an official re-issue on the original label by the original guys who did this almost 25 years ago!eternal respect to larry heard and a big thanks to black market records for making this important record available again.

studio 11 london second release by darko v hits home with two stunning snappy house bombs that have both been killing dancefloors for selected djs over the past six months. 2nd nature serves up a driven percusssion lead beat that s augumented with weaving pads and snarling effects.whilst on the flip mr pink rolls along with a bumpin bassline and snappy beats

finally hydergine joins the knotweed records family! hydergine (aka roberto corizzo) is a techno producer from southern italy. he is best known for producing raw dub techno, and has come up with a string of fantastic releases in the last 3 years on labels such as separate skills and ranges.we have been talking to each other since the early days of knotweed records, trying to find the right tracks for the label. roberto approached us at the beginning of the year with some tracks that were a bit -different- than his usual productions: he was experimenting, and we liked it a lot. that s how the gamma experiments e.p. was born.the a side of the gamma experiments e.p. is a heavy atmospheric techno bomb. both tracks on the b side have more an acid feeling to them, incorporating weird arps, rawness and pad trips.enjoy the ride!

the second solo album from the killers front man brendon flowers as 12 inch vinyl in gatefold sleeve.

oniris returns with new ep on astropolis records. this 4-track maxi includes a gregor tresher remix and has been composed with the same ingredients that made his the fame of the producer: a melodic techno and a smooth universe in which groove accents coexist with more obscure sounds.

following up his appearance on part 4 of our strength in numbers compilation, we are ecstatic to present some fresh material from no other than dj slip. a name that has been on the tongue of anyone entrenched in the us techno scene since the early 90�s, dj slip has entranced audiences for years with his brilliantly bizarre take on sonics. remix duties this time around come from berghain resident dj and all around musical powerhouse, answer code request.

darkness breeds darkness. since the beginning of time, the secret quest has always been how to simulate this blackness. vent explores the dark side of things, guided by the fearless stephanie sykes lighting the way. a complimentary reinterpretation from dasha rush is shedding new light on stephanie�s visions. with this installment, vent is more than pleased to display a different take on techno, both deeply atmospheric and danceable.

ready for some modern acid? after he has been traveling through club land for a considerable amount of time with his extreme pumping live performances, etcher left issued his first black gold sound imprint in 2014. o.k. we have to admit that his excellent first release polytom dusk (released at abstract acid) convinced us right away. therefore we are very pleased to present with corrosive days a marvelous acid-bass 4-tracker.
pressing on translucent, yellow marbled vinyl.

finale sessions founder michael zucker steps into the limelight with his first full ep for the label in the five years it has been running. zucker has of course featured on a handful of split releases from finale but he doesn t waste any of the space afforded here with a quartet of superb and varied productions. leading the way, techno track his spirit bristles with life and percussive energy whilst inner city peace will likely raise some interested eyebrows in west london thanks to its killer broken beat programming. face down, zucker dips into his personal archives for an unreleased and rather crisp remix of introspective and jenifa mayanja hookup when the rain comes down whilst the wonderfully named spiritual graffiti ends the release on a high note

it�s not often that a breakthrough producer manages to cause major hype after just one release but when that artist is from the uk, putting out a brilliant ep on moodymann�s mahogani music, you start to realize how it happened in dan shake�s case. now its time for dan to build on this incredible start and from the way things are looking it�s safe to say it�s all going in the right direction. another rising star from the uk is wolf music regular medlar who has been making serious waves the last 5 years. remixes for the likes of glenn astro and disclosure have all helped put him in the spotlight and his debut lp sleep from 2013 delivered in spades. so when the news that these two were joining forces for a collaborative project reached us here at d.o.g we wanted in on the action.

jesse siminski otherwise known by his dj name heartthrob and as label boss of imprint isnisnt, returns with a fierce 4 track ep of jacking modern acid funk. heartthrob has been producing for over a decade and his innate ability to create cutting edge and propulsive techno grooves has kept him busy with a touring schedule that takes him across the globe, as well as a new party series named after the label. pressing on pink coloured & marbled vinyl.

italian records strikes again with another retro-futuristic step through its kult 80s catalog. in the late 70s gaznevada has been one of the most relevant italian punk-wave band coming to light from italian underground scene. in 1982 with i.c. love affair gaznevada moved from post-punk to new-wave pop electronic, this tune is, without any doubt, considered as a proto-house disco, an anthem on the most important clubs all over the world. for this special 2015 release italian records included in the package reconstructions by i-robots and giangi cappai, the already well know munk edit and finally & officially the david depino edit

no vinyl of any manu chao album has been available on sale for ages. all studio & live albums are back on double vinyl in gatefold sleeve including cd.

evan caminitis slow but steady progression towards electronic music from sand-swept guitar drone mirrors the pace of the music he makes. it has been measured, each move well-considered and clearly intentional. caminiti has immersed himself in electronic production on meridian, creating organic sounds through his machines, patching sounds that recall the brassy resonance of horns and hazy choral clusters. synthesizers hiss and crackle under layers of reverb and fog. sounds undulate and implode in upon themselves, with bursts of noise dropping in and out to create shadows of rhythm. caminitis electronic systems do not run autonomously - the sounds heard on meridian required real-time human interaction to bring them to life, and that human touch is essential to the mysterious atmosphere he produces on this new album.

the audio-cassette that will change your world! non-concessive creative energy against the common lack of new ideas and thrown away idealism for easy money! - so it says on the cover of the cassette from where these tracks have been taken. we make this statement ours and press this synthesized madness on vinyl. to enhance all your excessive behavior, play it very loud.

pangaea (aka kevin mcauley) is one-third of hessle audio alongside ben ufo and pearson sound - a label and dj collective which has been operating since 2007. the third release on his own hadal imprint is another 4-track ep of techno mutations, indebted to both the lineage of uk soundsystem culture and us/european dance music.

waehlscheibe is back: the swiss label keeps on doing what it does best and releases another truly deep and dubby house record. this time its japanese artist takuya morita known for his releases on morris / audio and adjunct who pleases with soft pads and chords, rich delays and ultra low basses. all four tracks on this record are strictly instrumental and oscillate nicely between deep house and techno. moreover, they cover a wide range of moods suitable for playing at various times of the night. the >placid sunset ep< comes with a special 2nd version of the title track which has been reconstructed and stripped down by s&ro and alessandro crimi from waehlscheibe. as always all tracks have been mastered by above smoke at the hole of dub studio.

for the past few years, young denmark vessey has been releasing a series of albums, both as a leader of carious groups and as a sideman in various others, which definitely mark him as one of the most exciting young players in music. vessey�s last album prior to this (2013�s cult classic) employed scud one for the rhythm section. vessey, in his own playing suggest that he may be forging a link between the new mainstream and prior innovations. it is to vessey�s credit that this album achieves a surprising degree of unity. there is little of the haphazard feeling that too often arrends blowing sessions by pick-up bands. it would be easier to mistake this for a group which works regularly. part of that is simply because vessey is a part of the new mainstream, the part that is seeking beyond the accepted common language to find ways of extending it. the rest is because of vessey�s unusual talent.

slowmotion is born from a collaboration between hakim murphy and vince noog. noog has been rocking more on the techno tip over the years with releases on his label, but when the collaboration took place, beat-down feels appeared causing some house jams to develop. the ep is called beats from lugdunum, but why? lugdunum is the old school name for lyon and the surrounding areas, and these tunes were conceptualized, composed, and beated right there.

the opilec music label has once again cooked up a very special new project for its next ep: *dirty talk* is a remake of the classic 80s italo disco, proto-house tune by klein & m.b.o. and has been produced by label boss i-robots.

pure badness all over this 1979 jamaican disco-funk odyssey! king sporty should be no stranger to those of you with a keen ear for esoteric underground disco sounds, his tracks have been getting serious play by top shelf, discerning jocks since the 1970 s & his konduko label has dropped many a left-field bomb on unsuspecting dance floors! fire keep on burning is one such bomb, an lp crammed full of unstoppable stripped back island sounds, too many killer cuts to mention but just check out the og version of get on down for starters! an essential & extremely rare record & one that deserves a spot in any self respecting disco lovers collection. %100 heat on here, party jams from start to finish, let s go to the disco!

after kicking off their label in style with burnski s your love backed up by remixes from trus me and steve o sullivan, constant sound use their second release to showcase a pair of up and coming producers from newcastle., a scott & richard rowell. mrs j has been burning a hole in burnski s bag for some time now, waiting for the right opportunity to get unleashed on the public good and proper. the quality of the production belies the youth of the pair behind this addictive, bumping tech-house cut, although years spent as residents for the jaunt parties in newcastle and london have undoubtedly fed into the quality of their sound.

frits wentink launches his new label bobby donny with �live fast, dwayne young�. bobby donny has been set up to primarily feature frits wentink�s own tracks, but focusing on the wonkier, more lo-fi house edge of his sound. the emphasis will be on tracks that are hardware jams on rhodes, juno 60 or mpc, then structured later. frits wentink has already garnered a huge fanbase for his quirky, innovative and characterful house music on a number of forward thinking labels like wolfskuil, 2020vision, heist and wolf with his recent debut album, �rarely pure, never simple� on the latter, gaining much critical acclaim.

the mission to balance the playing field of the electronic music scene advances with the fourth release on sound warrior recordings, a label run by jenifa mayanja of bu� mako recordings and dakini9 of plan b recordings. the mission of sound warrior recordings is to promote and release music exclusively by female electronic music producers. �gwarrior tones�h features berlin�fs singer/songwriter/producer daniela la luz, who has released extensively on rawax and housewax, french label owner and ultradeep producer whim�ee, who�fs been seen on trojan horse records, night drive music and abstract/culture, and sound warrior co�bosses jenifa mayanja and dakini9. this ep features four deep cuts for the dance floor, all created by female producers who have been working in the industry for over 40 years collectively! yet they remain largely under the radar. with sound warrior recordings, we hope to correct the extreme imbalance of men and women performers in the house and techno underground.

a nasa satellite has confirmed the ancestral tradition of the -music of the spheres-, that celestial bodies emit harmonic sounds. although the music of the spheres has led first to the notion of universal harmony and then symmetry, it has now been discovered that the sun s atmosphere actually emits ultrasonic sounds and interprets a score formed by waves that are about 300 times more severe than tones that can be captured the human ear. this time, orbe represents these sounds.

benedikt frey heads this latest offering from the batti batti label, teaming up with jonas.san for -girl from venus-, which pair the former s signature raw drums with the latter s outtakes of muted trumpet. complementing this, batti batti s own owen jay & melchior sultana lay down a typically deep atmospheric houser with a few twists and hidden melodies in the shape of title track tribal roots and the 12inch is further embellished by productions from debutant lars behrenroth and mexican duo romeo c & alhan g who have previously been featured on a digital batti batti release.

giant records is the new label from grant dell, a man that has been at the forefront of the tech-house scene for over 15 years and has amassed a truly enviable back catalogue of releases. giant s first release is from mark allister, whose skill for crafting a proper old school tech-house groove on -not going back- is more than matched by his talent for laying down vocals. complementing this original, jay tripwire turns in a self-styled marimba machine redux, whilst label head grant dell chooses to focus on allister s vocal for a remix that possesses keys that wouldn t sound out of place on a kraftwerk track. supported by mr g, doc martin, eddie richards, john digweed, richie hawtin

next up on titanic city, needs no introduction, nigel rogers aka perseus traxx has been a staple part on most record bags, a man dedicated to performance outside the box, has produced one of the greatest releases we will surely drop all year. some kind comments in our direction had to surly be returned with a request for a release and did he deliver. nigels first question was *what do you like* - *well we love your m>o>s, bunker, photic fields, snuff trax material*, he returned with a little bit of all. i am not gonna give the whole soaring pads, scraping percussive smears or the frenzied synth lines. this is perseus traxx he always delivers!! there is a rough and raw diy feel to this music that makes it jump out of the speakers and arrest your attention, as is always the case with titanic city.

limited deluxe edition of 250 handnumbered copies, including download code and surprise.
disco club is a groundbreaking 1978 ep of experimental electronic disco created by fvre and his collaborator under their tongue-in-cheek aliases joachim sherylee and junior claristidge. the aphex twin-backed rephlex label notably reworked a handful of disco club tracks in 2004, however this is the first ever reissue of the ep in its complete, originally intended sequence. so synonymous is fvres career with this release, he continues to perform internationally as black devil disco club today. an impossibly rare piece, this edition has been treated to a remaster from the original tapes by fvre himself.

the new wave of dutch brutalist techno. ekman and drvg cvltvre have been forging a sound steeped in bunkers nihilism and dystopia but also very much their own. ekman drops two piping hot tracks that blend distorted machines with hypnotic melodies and drvg cvltvre drops a prolonged 15 minute workout in uvb static and communications, propelled by a heavy beat and a 303!

while the drama continues and we keep fighting the demons of our daily struggle,.. a man from another place locked himself down in a black lodge, conceiving new material to share with the world. 214 isnt just a number, its music from an extradimensional place, high up the north bend mountains. frequencies coming from a red room, filled with electronic circuitry parallel connected to our inner soul. lyle at dawn is chris romans third offering for the frustrated funk familia. setting the pace for more to come, as we connect to the shipwrec multiverse for a full album release to follow shortly after this mind bending ep. you have been warned

eddy & dus are long standing and highly respected croatian dj and production duo eddy ramich and zvonimir dusper. theyve been responsible for many classic remixes on labels such as compost, especial and schema but after a long hiatus were happy to say the boys are back, on their best form yet and now we can present to you the mighty a from b.

friendship reflected through machines. beyond belief ep is composed by lmml owns diogo magalhaes & alexander einetter aka old dog. this piece unites self-recorded sounds, analogue machines & modular recordings into a more experimental take on electronic music. organically grown by time, vision and their friendship. side b, created by cezar lazar (understand) & cristi cons (amphia), presents their own interpretation of ruten moshi. cezar has always been true to himself & a great inspiration to us. creating a new collaboration with cristi cons, part of an avantgarde classical/electronic music generation.

the brooklyn based producer and white material records affiliate galcher lustwerk reemerges with a new imprint and four of his own deep, contorting house cuts with the parlay ep. fans of his 100% galcher promo mix will immediatedly recognize the tracks on this release, which have been remixed and calibrated for club play. the hazy but hard hitting production and laid back vocals are all here, with a bonus dub version of the title track.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd38 welcomes three newcomers to the whiskey disco roster, andy ash, jp source and vincenzo de bull & halve soul. they join alumni, rabo & snob, to present the disco darling ep. on the a side, andy ash adds his typical 909 vibes to the sliced and looped, chi-town influenced, you ve been found. in the inside, vdb & hs deconstruct and reconstruct cherry pie with acid tension and dub love. flip the platter for rabo & snobs darling, a showcase of what this duo does best, sample + analog synth jam. followed by the quirky rollergirl return. jp source offers a tool to keep the mid-set bouncing heavily, even at 107 bpm!

after his lana del rey remixes, solomun has been at it again, this time tackling tracks by uk band liu bei, and they come out on diynamics sister label 2diy4. of course, this summer he will return to take up his throne at pacha ibiza with his own solomun + 1 night, which will see the likes of dixon, sven väth, pachanga boys, dj tennis and many more all play on sunday nights. the vinyl ep includes a download code.

seb wildblood returns to the skint imprint as a follow up to his 2014, barcelona / blue colour ep. shadowed by his label mate apes, this release sees the two take on either side of the 10 inch with a familiar sound echoed by their church imprint. wildblood ignites the record with the bubbly and soothing concocton of noshi that fows seemingly under the vocals of phantasy afliate kelly lee owens. apes sits close on the fip side with a more club friendly ode to london, mortmer road. an eerie night time synth crawls through the suburban sounds of apes we ve been conditoned with since the up-rise of the church sound.

joe goddard just had to knock on that door. the wall of his recording studio had been pulsating with original analogue house jams for too long, dry ice practically sifting through the vents. behind that door was gentleman george t, and before long the two heads were nodding to obscure dat edits and 4th hand soul samples as george plundered a wealth of forgotten late 90s dats from of a box in the corner. true story. and now those dat edits, lovingly un-restored, are available for the first time on greco-roman, the record label, party and artist collective of whom hot chip s joe goddard is a founding member.

after 1 good year of hiatus & celebrating its 6th year in the game, room with a view is back in full effect with a very special 3 tracker by kyodai, a duo that has been gathering serious momentum after highly celebrated releases on local talk, exploited, freerange or pokerflat to name a few. the famous brother pair has proven to be working hard in the last years recording, remixing & touring extensively. reknown for their energitic live performances & to have deliver tracks & remixes that have been played by the who s who of the global house scene, kyodai have decided to choose rwav to deliver some very personal tracks. in 2013 already, they appeared on our label with the uplifting what you give that became on of the key tracks of the live sets of the last 2 years.

anakronik is the brainchild of andrey, one half of the audiotheque duo, who ve been involved in the scene for a while now albeit with discreet output. through anakronik their vision and ideas of timeless, spaceless music, that just is, will be revealed, starting off with their own, purpose-named, genesis debut single. the original version will see you through a mellow, heartfelt journey spanning the entire first side of the record. warm and discreet yet mufti-dimensional in it s drive and commitment, it s surely going to be a delight to dance to on any floor. the flip-side sees master of groove and mystery cristi cons doing what he does best, re imagining the original into a rolling sensual experience that will surely excite your senses and dancing feet throughout it s duration.

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version � complete with hard-hitting snares and growling bass � via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing � in other words, it s spring theory through and through.

it is our pleasure to welcome triptil to aku001 with the official release of his micro, minimal, techno ep. triptil embodies romania�s emerging talent, and he enraptured us with innovative track production and top-tier dj�ing. we are now excited to embark on this adventure with triptil, and the record�s associated artwork is an additional sensory indulgence for hungry ears and eager eyes. gloved in a sleeve screen-printed by hand, the center of the vinyl is made of copper. information related to the release has been engraved in the copper. that said, there are only 300 copies, limited to one copy per customer. a scarce treasure for a rare talent.

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

new imprint special edition launches in some style with a top release from the rather talented, emerging italian producer kiu d. this guy has been grabbing a lot of influential peoples attention recently and it is not surprising on this kind of devastating form. the man can produce and has a fine taste in music to match. pulling on influences from funk, disco and house music, he turns out 3 top class jams with super hi fidelity that are destined to set any dance floor on fire. definitely one to look out for and a great start for special edition!