rare 80s recording from the glorious mutant disco archives, reportedly recorded on earth and now freshly revamped by a secret detroit-cologne connection to sharp blasted musical encounters of the third kind. not as discoid as you might expect, this strictly limited (150 copies) mystical formula of mutant electronica and twisted technoid funk mixes up todays club floor reality with shock tactics and says fu** off! to any smash hit attitude that covers round the corner. the >twilite clone< is 100% pure catchy if derived electronic street funk that hits the roads for sure uncontrollably strange and highly danceable on the cutting edge of techno, house and dubstep.
support by ben klock, dj flush, adam weishaupt, estimulo, lester jones, claus bachor, migumatix, david langer, jeroen search, roland casper, blake baxter, buzz goree, derrick thompson, todd perinne, thomas barnett, chris baumann, tobias hewer, geo, jochen heib, markus worgull, murat tepeli and many others ...

out of the depth of beatsports soul, influenced by all apes on mother earth here it is - the third release of kassel based label bespmusic. >in apes we trust vol. i< is a classical v.a. and shows the spirit of the label and some of our freshest artists incl. a track of andomat 3000. his >ricky house< is a complex housetune with a lot of drive and funkiness. andomat is a class of its own and let it sound raw, the dominating claps are pushing and the vocal sniffets keep it always rollin - massive!

with the litany for a return ep, mri follows the course he has established with weakend polka and his third album black swan dance, enjoy and lose control! early support comes from matt john, d. diggler, jeremy p. caulfield, butane, marcel knopf, sean o neil

played by: richie hawtin, sis, robert dietz, laurent garnier, monika kruse, sasse, jimpster, motorcitysoul, brothers vibe, paco osuna... lets go for 2011! the third year of sonido records starts with with a special release - it is the first collaboration of the labelheads timos & paris liamis. the name says it: for the funky e.p. the track >for the funky< on catalogue number 11 is a funky groover with some very effective oldschool house and techno beats influenced by the early 90s. the track >hey hoe< is an extravagant sounding, funky dancefloor killer. it is produced in collaboration with the singer and songwriter julian smith from frankfurt. also the package includes a remix from the well known brontosaurus artists arto mwambé...... hoes lets get funky!

previously released on the third ear compilation >detroit beatdown vol. 2<, whasdat music breathes new life into this soulful piece of vocal house music. with pirahnahead on production duty and detroiter yaminah brock providing heartfelt vocals (written by the dynamic duo of pirahnahead & diviniti), this song has already been well-received by djs and dancefloors the world over.

as we are preparing for tom tragos new album, which is due early 20100, we close off toms voyage direct release with the third and final remix ep. this time up and coming amsterdam local dj and beat maker fs green comes up with two remixes, giving both tracks an surprising, new feel. while the more downtempo vibe of his remix of voyage direct wouldnt have been out of place on a beat dimensions release, his remix of lost in the streets goes uptempo and has a cross over dance floor potential. banging! it comes as a limited edition, green vinyl edition.

remain 010 - shot on purpose ep has arrived in time to mark the third anniversary of the label. boss axel karakasis, on top form, signs the three magnificent tracks included which have already been favoured by many djs worldwide, including the likes of umek, blah, blah, blah.. on the main side, blue ringed is one powerful track that delivers techno in its true brilliance. both axel and remain deserve big kudos for this track, as it cleverly combines full frontal samples, slamming workout and cuts filled with breakbeat-like motifs, opening up the doors to fresh, unconventional music. shot on purpose features a composition of killer bassline, hissing hats and electro-swept analogue sounds that is well functional and delivers even to the most demanding audiences. with broken on the remain side insane rolling techno and a haunting whistle melody make up a classic theme and a winner recipe for any headliner. an absolute must-have and a guaranteed favourite! early support by : umek, the advent, cristian varela, a paul and more

wall of death. the third single of make the girl dance is set up. set up as the inevitable episode iii of the most anticipated electro trilogy ever rocking its own small planet for the last two years. the same tiny world first devastated by an unparalleled earthquake, the massive hit single “baby baby baby” and its amazing 15 million internet video viewing – frances most seen video in 2009. the home straight before the album release due for the beginning of 2011: make the girl dance is once again showing its teeth, ready to bite and to tear to shreds the dance floors with this new single already remixed by the cyberpunkers, stereoheroes and the killers rabbits

ninja tune records have kindly allowed aus music to release some of sideshows deep, intensely dubbed-out interpretations of the latest fink album sort of revolution, the critically acclaimed international singer-songwriters third album for the legendary stable. on the vinyl we have the two sideshow rubs of the albums lead singles. sort of dubolution (a dub of the albums title track), comes as a classic sideshow live dub epic, drenched in fink?s signature vocals alongside an earth-moving bass line. follower dub it all (an edit of finkssee it all) is a stabbier, angular take on the original reminiscent of scubas recent late-night masterpieces.

the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

no stranger to straight up, tracky techno - the cuts on adam marshall’s third cynosure release are pure evidence of his familiarity with the genre. >searching< on side a is the slick, dj-friendly, jacker - reminiscent of detroits early sound. a relentless, but never tiring, deep analog bass sequence backed with marshalls signature grooves are the recipe here. killer just about sums it up. on the flip, >jamming the unit< is another tracky workout designed for the long-mix, followed by the kick-less basic channel-influenced builder, entitled >champion<. a perfect weapon in any techno set. yes, another timeless, ace of an ep - packed with mix appeal from adam marshall… order now!

cessas third release on their missing link sounds imprint is another typical blend of styles that evades characterization. having recieved massivee support from the likes of mary anne hobbs, laurent garnier, sbtrkt, geiom, mr scruff, and top a & r man ross allen amongst others, cessa return with their strongest release to date. >recon< sounds like a blend of the best of good looking/ promised land-era d & b with more immediate 2 step/dubstep sensibilities that produces a great mix of rolling beats and a melodic soundscape. recon was given the sbtrkt treatment on an earlier mls release and returns here in its fine original form. >down & out< opens with an eerie acoustic double bass intro that descends into an upright synth-led floor filler, while still maintaining cessas love of restless arrangements and beat programming that strays away from the usual.

for his third release on dont be afraid semtek brings a rolling acid house vibe with remixes from neville watson, justin harris and isa gt.
the original builds from trademark uk bleeps and analogue drums into a wigged out discoid groove. neville watson takes you far up into the aether with a hypnotic hymn to the night, justin harris produces a dark and driving techno dub, and isa gt refashions an early semtek track >key< into a bara house banger equally at home in croydon as in her native columbia.

the third and final part of our coloured vinyl trilogy comes again as a limited edition and handnumbred. this time nick solÉ (mojuba) drops three classic us deep house flavoured tunes. on the a side the musical journey is called >earth< – steadily flowing and evolving and sometimes even getting lost in its melodies and harmonies while it keeps pushing forward with its hint of dub technoish spices. on the flip we have >beautiful day< which seems to be the perfect soundtrack for a long long sunny summer day or morning. imagine the sun rising above some trees on the horizon and this track played out loud after a long dark night. finally we have >you are my life< as a bonus track to finish of our trilogy! its dedicated to bring some colour, joy and friendliness into your life or set! this time the artwork has been done by cialex, who is the man behind the flyers of famous >golden pudel club< in hamburg and the groove release parties in horst krzbrg

the third release from one records, comes from one half of the backbone to the project, subb-an, one the uks finest young talents who delivers an anthemic package with >soul skool<. >soul skool< is unapologetically gripping, opening with moody atmospheric keys before settling into an iconic bassline, and teasing with the vintage sounds of early house vocals and rasping brass instruments. this is the distinctly vivacious sound of subb-an, matched with an equally alluring shaun reeves remix.

the third and last part of the outstanding 2010 compilation 12inch series celebrating one decade of dial records. pigon open the single with an awesomly deep and reduced techno mover. newcomer john roberts continues what he started with his work on laid and john dalys feel label: lovely house music with a touch real instrument music. another highlight of the jubilee compilation is the ultradeep >new heaven & earth< by christian naujoks, who presents his very first house tune. the 12inch series ends with the star of the moment pantha du prince who just released his third album. another pure love issue!

von spar is an artist collective from germany consisting of sebastian blume, jan philipp janzen, phillip tielsch and christopher marquez. the cologne-berlin quartet serves up a veritable ear-worm as an amuse bouche prior to their third album >foreigner<, which will be released at the end of may 2010 on italic recordings. the four deliver a rousing anthem enriched with a krauty disco groove and soulful close-harmony vocals for all of those late-night culture-vultures, oddballs and mother-in-laws nightmares propping up the bars at the discotheques of this world.

matt flores recent/upcoming releases on labels like compost black, combination, third ear and of course farside put him in the focus of the worldwide house circle. actually >tempted< was produced by matt with the concept of an album in mind. even more glad that he has been assured by the idea that the track has to be out on 12inch vinyl. heartfelt, kickin and deep, >tempted< might be one of the greatest tunes that ever saw the light out of matt flores metaworld universe. get caught by the beautiful harmonies and the demanding groove

sweatshops third release rolls on in with two hot, old-school-vibed productions from joel alter! swedish-berliner alter turns in two fresh, yet raw, cuts that are perfect for the winter club season, and a special edit from label boss savas pascalidis also features. lead cut soul clap is a heavy metal bass weapon for the house or techno floors. pure adrenal action is on hand from the outset, where joels sub-assured kick and ravey, filthy organ riff works the groove. direct and straight to the point, its a strong, forward leaning tool that is sure to get the fires burning in early 2010. savas pascalidis also re-works soul clap with his own edited version, working the 909 into overtime and turning up the intensity even higher! classic and tough chicago vibes all the way!

as record number #64 systematic brings you dimitri s already second release for the label, called “snickerz”. taking us on an emotional journey once more, we are treated to an international collection of sounds and influences. we are transported deep into the wild by the raw, earth-moving drums and bird calls. emotional strings, make way for the beautifully simple but wonderfully effective flute line as the drama builds once more. simply stunning and rare these days! first up on the remixes is the ibiza residing dane, nima gorji. retaining the drive and power of the original, nima creates an equally emotive and mystical reworking. italian tribal beat specialist and timo mass co-producer santos adds an extra helping of power to the drums. a darker, techier, yet still percussive edge, is bolstered by a host of tooling sounds and effects, to deliver a third impressive option on the original. in the box of: laurent garnier, richie hawtin, martin landsky, ben watt, christian smith, gorge, technasia, gregor tresher, arnaud le texier, stephan bodzin, andré galuzzi and many more

big with: mandy, pete tong, thomas schumacher, anthony collins...
even well after its may release, damian lazaruss superb debut album, >smoke the monster out<, is still ringing in the ears of those who anticipated one of dance musics most colorful personalities debut album. his third single features two mixes of one of the albums most infamous tracks, >diamond in the dark<. these two mixes - by mr. lazarus himself and dop - keep the diamond out all night, way past its bedtime, and carousing on until the morning light.

as the third single released in anticipation of scott hansen’s long-awaited full-length as tycho, “coastal brake” may be the best yet—a sweet slice of dream-beat that glides over the ocean surface like a high-speed waverider. “coastal brake”’s vintage synthesizers set the pointillistic scene, blipping and popping around a near-balearic rhythm like melancholy drops in a river, rising and falling and building to a shimmering climax. it’s not quite dance music—more like tycho’s soft-focus take on the escapist beauty of house music. the single’s three remixes do the original ample justice. danish producer (and syntaks collaborator) manual takes “coastal brake” at half-time and shoots it full of feedback, bringing a scorched-earth weight to the proceedings, while hatchback’s “cosmic caviar dub version” turns down the contrast and places the song in a cave full of drugged-out pianos. lusine hacks up “coastal brake” and repurposes the bits for his own stutter-stepping, downbeat funk. listen closely, and you’ll hear shards of “coastal brake” sparkling in between the beats. limited edition (1000 copies) of tychos >coastal brake< on 180 gram vinyl including alternate artwork poster. tycho is the music project of san francisco artist and producer scott hansen. as tycho, hansen blends swirling melodies into vaguely triumphant arcs that crisscross between stuttering beats and vocal samples, creating rolling sonic landscapes that extend into the horizon. known in the design world as iso50, hansen is famed for his bucolic, sun-drenched design style, which serves as a backdrop and mirror for his musical output.

nico purman is back for his third instalment on the marching band in the sky that we call our vakant home. purmans sound continues to evolve, covering truly large distances with every release. since his robostrobe inspired earlier vakant works tuesday ep (va017) and euphrasia ep (va025), nico drops 3 large-and-very-much-in-charge space jazz masterpieces that he fermented in what sounds like a midnineties new york house basement.

fresh outa detroit comes the first release on beretta music sub label beretta red. a four track compilation featuring respected artists arthur oskan, third ear and kanzleramts dennis desantis, and label head honcho brian kage. bear trax ep vol 1 is a collection of luscious detroit inspired techno jams aimed firmly at the dancefloor. strictly limited to 200 copies, and if thats not enough comes on appropriately enough tasty red vinyl. it also comes with a code to download all tracks free in digital format... which we presume must be for the girlfriends ipod.

due to the long awaited cd compilation release and suddenly its morning smallville comes up with a third 12inch issue. the labels darling sven tasnadi, also known from his releases on ornaments, poker flat, cargo, oh!yeah! and liebe*detail, lightens up the dancefloor with a bright sparkling groover- new villalobosish moves with a deep emotional fill on the a-side. on the flipside we welcome the highly talented newcomer christopher rau to the smallville label-roster. christopher is a friend who hangs out at smallville record store in hamburg a lot. with friends he runs the hamburg/ munich based label dérive and delighted us and everyone with his ne travaillez jamais track earlier this year. for his debut on smallville christopher creates a reduced seductive track, subtly growing to total sweetness on the floor. and suddenly its morning… a w&p by sven tasnadi b w&p by christopher rau

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

prepare for something different… french label minimum syndicat is back again with its mad retro-futuristic sound, after two eps playlisted by dr motte (founder of the love parade), dave clarke, max durante or boris divider… special guest on this third release: jim bones aka kenny kramp, figure of the london illegal parties underworld since the early nineties, known for his productions on cult labels like acardipane records (pcp), last tomorrow, rave frontier... he is here for a blissful cut of euro-rave sound driven by ecstatic dark piano, delivering a vibe which is both euphoric and menacing. the 3 other tracks see minimum syndicat...

nice price deal !!! viennese producer tenchu is no greenhorn, no newcomer prodigy. instead the 27 year old is one of austrias finest having earned his stripes many times over in the countrys prolific drum n bass scene. one half of producer duo dubfiction, tenchu graces the third release of nascent label dub:iouz records with two of his latest tunes. a side motivational poster is nothing short of a killer dance floor stomper defining the labels identity. aa side used to be, especially under the skilful treatment of non other than hotflush recordings owner scuba, listeners bear witness to another genre central dubtastic idm tune.

the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!

a: dj ss & dubzero - this is the future: the track starts with a tense energizing build up, incorporating futuristic samples and sounds with a pulsing industrial feeling bass. the tempo builds up to a sharp climax and drops with force guaranteeing chaos on any dancefloor.
b: rollz - solid state: a new face at the formation records camp, rollz s debut track was hand picked by dj ss as a must for the album project. this track kicks off with a dark and eerie feel, building slowly to the chime of bells and echoing bass before dropping with intense punch that will take your breath away.
c: influx uk - stay on this channel: after a recent break from production influx uk returns on top form bringing with him the third track of the two-part release. stay on this channel has all the feel of previous influx smashers, a slow rhythmic snare guides the track as it builds with a jagged edge before dropping with shaking fluid samples and an earth moving bassline
d: generator & dj ss - killa: this track delivers exactly as its name promises. a melodic wobbling chord builds gradually to the sounds of a distant vocal sample, and intense climbing bass, which all combine and drop with sheer vengeance. expect to slay the masses when this tune is pulled out of the bag.

in spring of 2006, jackpot began to fester in a stockholm apartment. without fresh air or natural light, the group developed its uniquely mutant strain of italo disco mixed with early 80s body music aided only by the sickly blue rays of late night tv. while the jackhammer rhythms of their music were proliferating in stockholm, jackpot dove into the deepest recesses of the electronic dance music psyche for the most primal of all rhythmic impulses - their own unmistakable sound - the sound of western culture falling apart in a blaze of shudders and hiccups. as late night sci fi reruns colored the room, jackpot also picked and chose amongst the psychotic debris of previous eras - the movies of kenneth anger, the music of suicide, velvet underground and bruce haack, the words of william s burroughs. and then they added the junkiest element of all - themselves. after two critically acclaimed records, the third chapter of the jackpot saga is about to be told. its called greased lightning (also features remix work from such talents as in flagranti and rory phillips). you hear that beat? thats them knocking on your door.

soweso records is here with their third release! after 2 very succesful releases itÆs now time for the romanian ali nasser to show us whatÆs up! ali has made a name for himself with his unique techhouse sound and ra ep is the cherry on top. three very diverse and well produced tracks, a stomping remix by newly signed viva artist leon plus a digital exclusive bonus remix by our newest amsterdam talent tom ruijg. early support by: lauhaus, kabale und liebe, shinedoe, karotte, matthias tanzman, dubfire, 2000 and one, dÆjulz, markus fix, ilario alicante and many moreà

dfa complete the set of black meteoric star tracks onto vinyl with >dreamcatcher/dawn< on the third and final 12 from the album. gavin russom has created a unique tribute to the early days of synth and drum machine experimentation with this project, inhabiting the spirits of everyone from giorgio moroder to ron hardy with hypnotically brilliant effects. >dreamcatcher< is another undiluted jam at 120bpm, sounding like a lo-fi moroder tripout with gorgeous arpeggiations swirling in a pool of shallow resonant tape hiss. >dawn< on the flip is the slowest track on the album, a sub 100bpm psyched electro-soul groove with cracking handclaps and an uncompromisingly lo-fi attitude. dead cool.

the third 12 inch in this essential edit series sees greg wilson reference his past as a disco dj in the late 70s and, subsequently, electro-funk pioneer of the early 80s. going way back to his golden guinea days, ruff wrap revitalizes a hidden gem from 1977 by lady love. this version of casey & finchs infectious miami groover, wrap your arms around me, was a record that, although never issued in the uk, was a particular club favourite on merseyside - its local popularity very much down to one of wilsons influences, terry lennaine, who championed the track on his weekly specialist soul show, keep on truckin. moving on 6 years to 1983, ruff rapp re-arranges the seminal west coast rap cut bad times (i cant stand it) by captain rapp, which was a monster tune on the black scene during the electro-funk era, having initially featured at wilsons club nights back then, legend and the hacienda in manchester, plus wigan pier. focusing on the social problems of the time, the subject matter of the lyric certainly translates to the current credit crunch climate. the crew behind >bad times< included jam & lewis and rich cason, whilst kimberly balls excellent vocal sets the whole thing off

after mondkopf and 33hz, here is the fool house third ep : deloreans ayrton senna, somewhere between phoenix, the though alliance and air france, coming with a remix by john talabot, the latest revelation on the excellent permanent vacation label. delorean is an unheard scenario in popular music. 4 barcelonans, free as air, high on o2. gradually moving away from a more hardcore scene they are now ready to embrace a kind of techno that youd play with guitars. they did just that with their 3rd ep into the plateau which was well received in a cross-over underground scene- well before the electro-something ideas and the 80s references became the clichÚs of an overcoded era. in 2008, delorean got stuck into in the remix business working on tracks for mystery jets, big pink and glasser. for now delorean are focused on developing a new type of indie pop and judging by the early support from pitchfork, fader or xl8r this band are ones to watch. its with the greatest pride that fool house welcomes them, for a length of 4 songs, just like a holiday

pezzner is back with this, his third ep for freerange, following on from the almost here and other lover releases that kicked off his solo alter ego. he is now in demand for his remix skills with upcoming remixes including mike monday and mark farina for om, lusine for ghostly international and josh wink for shaboom. its easy to hear why he is being heralded as the man to rival dave taylors earlier house productions with his totally unique sound and floor friendly arrangements which guarantee peaktime plays from djs across the board - justin martin remix

2008 saw thomass busiest, and most successful year to date. having caught the ear of bpitch control boss ellen allien, february saw him release >ride on< on the label. >seduction< followed in june and july saw him rework ellens superb >out<. 2009 looks set for more of the same, and has lunched in the finest fashion with his third bpitch control release, januarys >somewhere around tristram< alongside quartz label manager and artist okain. which, brings us to todays release >offone<. three intelligently crafted and dazzlingly effective techno cuts, >offone<, >arp< and >watch yourself<, make this a serious contender for best techno release of the year to date. dark at times, brutal at others, yet all featuring a constant spine of parisian funk.

here it is !! the third in the phantom slasher limited edition edits series! this final instalment features the seriously in demand rework of weekend from the superb mix cd and exclusive new cut canvas another quality release from the ever on form idjut boys camp and another all ears sureshot! this is a one off pressing, it wont be repressed and is limited to an initial run when its gone, its gone for good!!

mobilee back to back vol. 3, compiled by miss jools, is inching its way to the release date but before then, active listeners can turn ears to the second exclusive vinyl teaser release with remixes from d julz and christian burkhardt. djulz of ovum, pokerflat and intacto records remixed gummihzs 2007 one-of-kind release and turned it into nothing short of a dance floor phenomenon. of course, nothing less could be expected from a man who has been around the world and back since 1992 playing in the most legendary clubs before the most legendary scensters. d julz certainly has the qualification and experience of what it takes to make a party a paaarty! christian burkhardt of oslo, raum…musik and remote area records took one of anjaschneiders more mellow and somber tunes from her spooky beyond the valley album, which ranked third in the charts of groove magazine, and give it a powerful face lift. the hard baseline and repetitive foot-stomping beat is exactly the kind of techno flair that burkhardt embodies in his music. mobilee back to back vol. 3, to be released march 2, 2009, combines a compilation of tracks and remixes produced by mobilees, remixed by other various artists and then mixed again by miss jools in a two-disc spectacular: cd1 is an unmixed selection of 2008 mobilee tracks, all handpicked by miss jools, while cd2 welcomes a list of her favorite producers to remix their picks of the mobilee pack with an additional miss jools spin. miss jools invited talents from the likes of cassy, tobias., nick curly, dinky, djulz, efdemin, christian burkhardt, vincenzo, sven tasnadi and solomun, extending the musical preference.

after the success of apple pips 1st release from martyn, we are back with another treat for music heads.. our 2nd release comes from brendon moeller aka beat pharmacy brendon. on the a-side under his real name, brendon has created an 127bpm big room classic, submerging the original elements under layers of delay and echo, deep but grooving…on the flip he dons his beat pharmacy guise, slows things down to 120bpm & spaces things out in fine style, utilising the originals abstract riff and resetting it in a really exciting new house tempo context.. with releases coming on rekids, third ear, & deep space and remixes for echospace and others coming up it looks like a great year for brendon and pips is proud to present this exciting clash of styles…

leena music is going on with a series of exquisite artists. after succesfull releases from catz n dogz, holger zilske, rodriguez jr. and dan curtin we proudly present a mindblowing ep from brendon moeller. this man is well know from his releases on third ear recordings and echocord and is in the business for more than ten years. listen to his new ep and you can hear ist. perfect tunes and perfect moods for a hot summer 2008

a third ep on trenton from theodor zox and his copenhagen grooves! >moodswinger< is a bit of a more house-y record but still with theodors recognizable touch, short sounds and shuffled beats. still theodor explores new corners of funkiness while making sure he gives you that bounce. its summer after all. on the >moodswinger< remix, reynolds re-interprets the track with different keys. as its his forte, reynold drops some cinematic shit in the middle before bringing back the funk hard. all that and he still manages to keep the track tight and solid. the 2 tracks on the inside are a bit more experimental and make that record a perfect tool for early, peak time and after hours sets. thanks for supporting us and keep it real

hot on the heels of the bestselling second edition in the limited series, the ppf boys dropped off this outstanding third ep in the sample pleasures trilogy!!! as always, they expertly reference classic, though less well known underground gems from the last days of disco to early forays into proto house. heavily influenced by the fertile early 80s period, when european disco and boogie sounds took us in a more electronic direction, and the kind of boundary pushing, energetic, funked up soundtrack ron hardy laid down in the music box, the popular peoples front have established a formidable reputation for making stand out modern club cuts...

allez allez are one of those early 80s hidden gems of the belgian new wave dance scene who shone so brightly for a few years (81 – 85) and then were gone – but not forgotten! based around the writing and production nucleus of brussels based kristiaan debusscher and nicolas fransolet a third dimension was added by american vocalist sarah osbourne and early hi tempo hits such as african queen, allez allez and shes stirring up became global club classics.

this is the 3rd release by brandon moeller on echochord, and still the releases are getting stronger and stronger. brendon is also known from his beat pharmacy and echologist projects, and he is also releasing on labels like third ear, earsuger jukebox and deep space media

baby dee is an internationally travelled singer, songwriter and performer. >safe inside the day< is her third album

lurifax aka peter visti is known for his love of balearic music. peter is now signed to eskimo recordings where his first ep >balearic love< was a favourite with djs such as todd terje, prins thomas and superstar dj tiga. following on from >balearic love<, mindless boogie released peter visti edits of >jolene<, which went on to be a balearic smash throughout the summer of 2007 and got playlisted by rob da bank on bbc radio one. now peter adopts a new guise as lurifax to drop his debut release for spacetalk records. >afro beach< takes the listener back to the glory days of the balearic scene of the late 80s and early 90s driven by a mellow groove and some choice recorder and accordion parts with hints of detroit in the bassline. on the flip, >need someone< is trademark peter visti, a languid mid-80s throbber that takes in a wonderful guitar solo. a worthy third release to follow on from the success of spacetalks first two releases from kaine and future beat alliance

deadset return to front room with their third single tick tock from their album keys open doors. deadset set the bar impressively high. based on a simple sample sound taken from a grandfather clock that stands in the hall way of the studio where most of the album was written, this track perfectly illustrates the organic house feel that defines the deadset sound.the a side is a perfect late night/early morning dance floor session on wax. made for dancing, its heavy bottom end works perfectly with the vocal elements and grandfather clock to create a truly memorable piece of audio.the b side features the tough stripped back dub efforts of none other than man of the moment and reigning title holder of worlds biggest deadset fan, jesse rose. effortlessly powerful and designed for the heads down, hip wigglers amongst you.is it any wonder that djs like jesse rose, laurent garnier, dj t and switch all put their hands up in class when asked if they re dead certain about deadset.

chicago is back with two amazing jacking and pumpin tunes on the third ostwind limited release. >i can even remember< is really a chicago anthem, all fans will love this for sure!! big debut by new ostwind artist lepetri. tuettchips is known from the first limited release >een< with his ear candy >earbeat<. here he teams up with production partner tom hoax and delivers a destroying electro peaktime weapon themed old school is cool !! support comes from, dj t., 3 channels, luna city express and gebr. teichmann