in celebration of the labels emergence within the industry, steyoyoke has put together a special remix ep to be released on the evening of its rst anniversary party. the ep is made up of ve remixes from some of the industries most talented djs and producers and testifys the labels recognition

transparent vinyl. part 2 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.

one more heavy hitter on credo, and this time we could even say two tracks that form an ep as strond as the so far most sold credo-release from 2007 - bullet in your heart. the name tells already some connection to australia and indeed the basic idea came up during alex tour down under in fall 2012 where he played three cities within three days and a total of 9h playtime for which he travelled 64h in total. sydney acid is the main track of the ep, no doubt and hard to describe. it is a pure, driven technotrack with a fierce, no blubby, but very powerful acid bassline aiming at riots on the dancefloor. melbourne dub tells exactly what the track is all about and by the way featuring the sound of the local traffic lights that made alex thinking about creating some tracks related to it.

prolific dutch producer roel funcken has established himself an agile, meticulous sonic craftsman whose output has consistently been as accessible as it has innovative. most recently, he opened for flying lotus and tipper during his last us tour. as half of the group funckarma, he has recorded for esteemed labels including skam, ad noiseam, arcola (warp), isophlux, marguerita, and others. for mercury retrograde, his first release on schematic, funken taps into textures reminiscent of the mid 90s drum n base sub genre tech step, the lush downtempo of bristol, and hans zimmer’s soundtrack work. this latest release adds to the ever evolving, rich, and inspired catalog of funcken.

4lux is proud to serve you the sounds of italian deep house pioneer enrico mantini. this twelve cleverly combines two of mantinis most sought-after classics

inspired in the past but rearranged in the future.this reference on drivecom is a tribute for all those sequential electronic music and synth pioneers mainly coming from the 70s. most of the tracks were recorded on the fly playing synths and keyboards in live mode specially for this production... and here we present aeon.

inspired in the past but rearranged in the future. this reference on drivecom is a tribute for all those sequential electronic music and synth pioneers mainly coming from the 70s. most of the tracks were recorded on the fly playing synths and keyboards in live mode specially for this production... and here we present aeon.

kopf artefakt intensely boosting underground club music, founded and established by robert feedmann in early 2012 is a platform for his continuing flow of ideas and creativity, that releases deep, techno and pure tech-house feeling. showcasing some of the most established producers on the planet as well as fresh upcoming talent, we focus on delivering pure quality that resonates for years to come. each release is prepared with care and finesse because each track has its own story to tell.

azimuth ep showcases this producers fresh take on electronic music across a range of tempos. dmarc cantu remixes the eps most dancefloor-friendly track, azimuth, lending it a deeper and more brooding edge. alis is the new project from italo-bulgarian londoner, sabina plamenova (formerly subeena). this new pseudonym reflects a more personal and vocal-lead endeavour, in her own words, not just a music about music approach but also an outlet for her own personality. a big name for 2013 and beyond.

spencer parkers work them records reflects his uncluttered attitude to electronic music. regular vinyl shopping to unearth and delight in non-digital gems, energetic tracks from the deepest house to the most ardent techno, all focussed on one thing: the dancefloor. for its fifth release, he has captured one of his current favourites to bring their wide-ranging and organic sounds to the table: pittsburgh track authority.
the trios first and brilliant ep in 2013 follows twelves on argot and uzuri, and is a neat representation of the expansive borders of parkers own record box, taking in the spectrum from driving, bleepy techno to nervous, shuffling bass-driven house.

hidden recordings introduces its largest and most ambitious project to date – the debut full length artist album of mike wall. mikes history with the label and his rapidly expanding profile has led to this joyous moment. the break-through german talent seamlessly sows nine originals full of over- arching musical motifs: mood, balance, and character – there is a sense of depth and sophistication that underlies mikes unique sound of grime and toughness.

the new saft04 effort is a very well put together 12inch release with 3 of the most promising producers of the moment cut on one slice of ferm wax!

vinyl only! played by move d
for this beginning of the year caramelo has picked up for you some fresh sounds coming from his labels boss kosme and his new talent from the followed scene of vienna: perrez. this 3rd ep has many influences as it is the spirit of the label. *love sensation* from perrez sounds like a house anthem, a very groovy track with this never-ending piano and the fabulous voice of lh! his 2nd track *de l ame* is made with all his vibrations and his emotions for music, straight to the danceflloor with this funky bass and deep elements and of course: what a rhythm! on the flip, the lyons most wanted dj and producer kosme show here his house and dub sides. you can feel the beauty of kosmes house dub on *bonobo house* with also those synths used to bring this track on the heaven! *bear with a beard* is a house track with a touch of indus groove and a rhythm who made you slave of it!

dinamuzac clues you in: 19 minutes of psychedelic lunacy in one piece on side a named *sanctionism*, two atmospherically diverging electro/breakbeat-tracks processing a variety of tonal influences from the 1980s on side b! all designed with the most trashy analogue and low fidelity sounds possible to create something beyond common sense - this is *lo-fi twinkle* by dinamoe!

myk derill (knotweed, reform, etc.) is one of the most interesting dub-techno artists! here he offers two great tracks of high quality and class. never hard but never soft. the release is completed by a fantastic remix signed by markus suckut (figure spc, sckt,etc.)his remix is a clear reference to the atmosphere of the past, with his usual class! another good step for fluxus records.

five releases in and ramon tapias say what? imprint has impressed and strengthened with each and every single, all of which have come from the label boss himself, seeing him turn out some of the most heavily supported house tracks of the past year!

in the realm of electronic music australia isnt down under anymore but rather up there: so many fresh new producers pop up now and bell towers - aka melbourne resident roman wafers and one half of the bamboo musik dj team - proves himself one of the most promising ambassadors with his debut on internasjonal.

the latest offering from the balearica imprint featuring more top quality sun-kissed gems. first up is derrick harriots *black skin blue eyed boys*, a fantastic reggae disco cover version of the equals classic originally released on the mega rare *acid rock* lp back in 1982. following this bomb is the funky party killer, david lampells *iranian groove*. the flip side features the exceptionally hard to come by 12 inch version of *praise jah* by trinidadian singer oluko imo that captivates with its predominant funk bassline and inventive keys. finally, we have amadeos hugely in-demand *memories*, a spacey balearic disco groover that has been popping up on many djs most wanted lists ever since it was one of the standouts of harveys brilliant *sarcastic disco mix*. wonderful stuff!

his album debut - timez are weird these days was one the most exciting releases of 2011, shortly after, the trinidad born us rapper and producer appeared on the biggest music- and lifestyle magazines including spin, the nme, rolling stone, billboard, vogue, maxim, village voice, gq

wrong state recordings is seen as one of the labels to closely watch out for in 2013.no doubt it will be referred to in the international arena given its high qualityreleases of some of the most exclusive deep and organic sounds of tech-house.

young belgian producer locked groove (aka tim van de meutter) cements an increasingly central role in the hotflush family fold with the release of the two part heritage ep. since his debut on the label, tim has propagated what he himself has termed 100% house and techno, combining elements of the big room, the deep and moody and straight up four-to-the-floor both into the space of a single track, and across the length of an ep. taking a marked step on from last years rooted and keep it simple eps, heritage pursues a joining of musical dots between and beyond classic house and techno, from the kerri chandler-esque house of *wear it well* through the epic landscaping of *lost* to *dream within a dream* blade runner beach party. in this collection, the young producer delivers two sets of three outstanding, genre-straddling tracks that further help to bolster hotflushs legacy as one of the most forward-thinking labels operating in 2013.

as the london & berlin based somethinksounds imprint approaches a tenth release since its inception in 2010 we have learnt that although you can never be too sure of what they are going to serve up next, you can be sure its going to be of the highest quality. whether it be unearthing exquisitely produced idm by lucky paul, future house sounds from rising stars such as eliphino and ossie (black orange juice) or straight up club bangers by some of the biggest hitters in the game (gadi mizrahi of wolf + lamb), this time they deliver what could be one of the most infectious vocal drops of 2012 on artifacts sensational double a-side the way it do/we trapped.

the new year starts for raum with the second single by two of our key artists teaming up again, namely christian burkhardt and sascha dive. the a side is produced by sascha alone and is definately standing out from his more house related productions of the last months. halfway is a true peak time monster that already got deck sharks nervous throughout the end of last summer in a few sets of djs like ricardo villalobos or raresh for example just to name the most important ones.

vae victis cant hide their love and passion for raw house and techno. on this 5th release there is another fine selection of hybrids between styles perfectly expressing their love for genre bending music. durant exsists out of a small collective of producers with main roles for steve murphy, die roh and lucretio. the dove ultimatum, a 4 tracks ep of punchy analogue electronic music! on the a-side lay general motors and at ten, 2 broken beat electro techno tracks a la drexciya showing the hardest and most experimental side of the project. while on the flip the trio bring things on a housier field, though staying loyal to the a-side vibe by delivering 2 dark and obsessive raw house tracks.

get the curse music 013 features oliver ho aka raudive, one half of duo the eyes in the heat. widely acclaimed for his vicious minimal techno grooves, raudives been on an machine funk bend and crafted two tracks which are as robust as they are potent. true to the gtcm philosophy, distinctions between vintage and modern, old school and new school, mind melting and bodily stimulation are brilliantly blurred. neither house, techno, ebm or synth punk, these tracks move in their own circles. the same can be said for the xenogears remix, miles away from the tired templates used and abused by most producers. fuck genres, lets dance.

mikals *spiritual* is inspired by the sounds of classic metalheadz. a relaxed atmosphere soon gives way to a thunderous kick drum and warped bass. it is easy to hear how this vinyl cut has been hammering clubs across the world.on the flip continues utopias desire to push for consistent quality. rido performs his remix duties of *the chant* most admirably. dream-inducing atmospherics introduce this one, lulling us as the break builds up from the back of the mix into a climatic drop of beat and bass weight combined with the most meaty bass stab for the turnaround soldiers. dj support from andy c, friction, goldie, break and many distinguished others.

chicagos kate simko is one of recent years usas most accomplished electronic music talents a genuine music love who commands equal respect behind the decks, the mixing desk and the keyboard.

with releases under a range of pseudonyms (orpheus, sir leon greg, nite vision) and support for his previous explorations of depth coming from the likes of john heckle, dj deep, aroy dee, chicago skyway and steffi to name but a few, once again perseus traxx unashamedly shows his nature on this release. thoughts, feelings and emotions are by far the most important influences on music, and capturing moments then translating into a musical form he once again documents the more personal elements of his life, taking you deep. perseus weaves a rich tapestry of emotions and desires using heavily weighted bass tones and skipping percussion that thread together with expansive strings and pads. these are married with more detailed melodies and modulated tones that shimmer in and out of the psyche as he uses analogue boxes and their warmth like a loom. this collection of music ranges from the deep and dreamy, to total transcendence within steady dance floor rhythms clothed in a warm yet spacious fabric of sound. deep house, sometimes with a real sense of urgency that juxtaposes with it is inherent flights of fancy.

without army nor rhetoric, dying & barakat are proposing nothing but the ethereal conviction of their senses. floating musical matter, strangely ligatured, convicciòn pours its complex epigenesis, reveals its wefts, searching for its most authentic form, loosing languages, only surrounding its audience towards its curious euphonia. a bizarre composition altering our perception, reaching each mans tempers, inviting into its chinks every sonic metamorphosis: from its aerials peels, oxidized by mtds industrial catabasis, from its chaotic progression, engorged into jeroen searchs inebriant loops, from its blueish layers thicken by mattias fridells cavernous tribal grain. supported by the kind sympathies of: eric cloutier, lee holman, thomas hessler, ben gibson, albert van abbe, philippe petit

here on part 4 we have the rather wonderful isolée remix of manuel turs most of this moment, switch in his finest hour with get on downz and jimpster under his audiomontage guise with the little known but highly revered track the darkness

following the release of *everything hits*, his debut album for rush hour recordings, this eps three tracks are among the most unique and charming expressions of policys already eccentric aesthetic. let the title track prowl through soundsystems, stabbed with cavernous horns and dogged by the most infectious woodblock in recent memory. employ the ebullient *walk up* to add some fizz with dizzy organ riffs and jaunty brass notes. or perhaps conjure a reflective mood with the tensely plucked bass lines, bittersweet melodies, and live percussion of *thick nostalgia*.

born and raised in the kalakuta republic and having witnessed music from the four corners of the world, the kalakuta soul system has put up its own and long overdue music label to reach out with inspiring gems they had held secret for a long time. bringing finely selected releases from the most respected producers and djs, the kalakuta soul system meticulously discusses the content of each and every tracklist leaving the headquarter of their kalakuta republic. the first release on kalakuta soul records comes from the elementary spine of the kalakuta soul system that goes under the name cuttlefish & asparagus, a vital combination of vinyl collectors and meticulous sound engineers that have worked for almost 20 years on inspiring cuts and rough jams. all tracks are produced with a single aluminum fork and a ceramic pasta dish.

there has been much speculation about the significance of the mayan system of timekeeping. many researchers on the subject have verified that the mayan long count calendar, which is only one of several advanced timekeeping tools devised by the mayan people, comes to an end on december 21, 2012, with no real clear explanation as to what exactly that signifies. this musical offering is not meant to speculate on the meaning of this date. instead, it serves as a tribute to one of the most astronomically, mathematically and architecturally advanced civilizations in the history of planet earth. each track is a tribute to one of the many mayan spiritual sites known to date.

sampler 1 brings us one of the most sought after tunes of the year, joy orbison and boddikas >mercy< has been given the vip treatment by boddika and its been doing damage on dance-floors world-wide since its inception.on the flip, kassem mosse brings his exclusive flavour back to the nonplus camp with >broken patterns<, a mesmeric journey through evolving melodies and drum programming.

germanys no.1 electro project the exaltics (bunker / creme / solar one) joins trust for a special ep: >muted world< shows the project at its most original, pairing subaquatic electro and electronica with acid touches and epic synths. bristol hotshot kamikaze space programme (decarhythm) supplies a sharp and hard hitting, afx-inspired rework!

nice price deal !!! two years after the first vinyl release in 2010, other heights is proud to announce the tenth vinyl release, which will be as 3 seperate eps. the first ep introduces 3 new individuals: gaust, pehr genlogue and kretipleti. gaust, a new face in the belgian techno-scene, and pehr genlogue and kretipleti from sweden. the most familiar face will be unbalance, who delivers the closing track for this northern & truly oustanding techno ep.

incl. matthew styles remixes! its with great pleasure that we welcome franck roger with his debut tsuba release dont u know. franck is one of house musics most revered names with a production career that amoungst others spans releases on desolat, circus company and his own real tone imprint. dont u know centers around a vibey chicago bassline & tripped out distorted vocal. for the remix matthew styles, one of our favourite producers, gives two versions, a jackin club mix and a deeper dub.

good things come to those that wait, that rings true of this, the most anticipated release on vitalik to date. the jedi house ep has been a while in the making and on listening you can immediately hear why. each high hat, each snare, each kick is meticulously crafted.
dj support: ashley beedle / jimmy edgar / andre lodemann / ralph lawson and many more.

180 gramm vinyl! limited to 200 copies worldwide. >grounded in humanity< claims to be an output for the most instinctive aspect of the human species, which is certainly the most creative one and also the responsible for chaining these creatures to their own existence, preventing them to evolve from a more rational perspective.

limited copies! special entry 00x on the a made up sound label series and probably the most far out one yet. we honestly dont know how to describe this anymore, we do know it can cause mayhem on the floor – or freeze it entirely. go ahead.

manchesters hudd traxx imprint kicks off 2013 with a bang bringing you the omatsuri ep this january, a collaborative effort from spaniards javi bora and le vinyl.
javi bora and le vinyl have released music for reputable labels such as 2020 vision, off, robsoul, catwash and loco records. both producers maintain a heavy dj schedule on their home turf of spain and further afield, building their reputations as two of spains most prominent deep house artists. this record marks a milestone for hudd traxx as they reach their 40th release, its no surprise looking back that the label has such a highly praised reputation within the underground, having put out cuts from dj sneak, agnes, sascha dive, rick wade and rolando to name a few.

da soul revival classics vol 1 presents two gems from the tyree cooper canon and ensures the newly established chicago vinyl records operation launches in fine style. brandishing one of house musics most distinctive voices as well as an enviable discography and endlessly energetic style, coopers contribution to chicago house cannot be disputed. the label delve into coopers dancemania contributions on the a side, plucking out the b side bump of *kan i get high* which originally saw release on his 19997 future recooped 12 inch for the iconic imprint. flip over and coopers dedication to all the stars of chicago *tyz n da middle* gets a much needed airing having first appeared back in 1995 on quick release records.

parisian techno enfant terrible mondkopf makes a rare excursion away from his fast rising in paradisium imprint to deliver an ep for perc trax, a label that clearly shares mondkopfs love for the experimental, the industrial and the distorted. across these three tracks the french producer applies an overdriven, fuzz-heavy aesthetic to symphonic broken beat techno. think ancient methods or perc at their most uncompromising but then expanded in every direction heavier bass, sharper highs and an orchestral edge that is epic without ever coming across as contrived.

there is no doubt that daniel avery was one of 2012s most exciting djs and producers. a critically acclaimed fabric mix cd as well as the need electric and water jump eps gaining praise and plays from djs as diverse as ritchie hawtin, tiga, maya jane coles, soulwax, damian lazarus, skream, the chemical brothers, seth troxler and erol alkan, whose phantasy label is daniels home.

we are proud to say that the sampler for the magnificant the dark defender album is one of the most energetic outputs on the citrus label thusfar. these two tracks are already in high demand and will float around for a while after its releasedate. btk delivers some excellent remix work on the b side. on the a side you find heat one of the most slamming tracks on the album.

following on from the success of the way of the samurai 2 >code of honour< compilation, we have been persuaded by popular demand to release one more of the tracks from the compilation on vinyl. tokyo prose >raised by wolves< has proved to be the most popular selling digital track from the entire compilation so it is only fitting it gets immortalised to vinyl. >status anxiety< is a brand new track from tokyo prose that has been getting dj support across the full spectrum of dnb djs. once again proving his versatility, this release leaves the world waiting patiently for the debut tokyo prose lp in 2013. released on limited, hand stamped, multi coloured vinyl (transparent, red & black smokey marbled) in an edition of 250 only.

the first release of the new dutch label pinkman contains four great tracks from drvg cvltvre, formerly known as ra-x. his music is slow, doomy, with broken disco and house elements, focussing on on hypnotic repetition and percussion. most of the music is made with electronic means, but is rooted in an organic, percussive approach.

preternity is a vinyl that collects together four of the most dynamic artists in electronic music delving into tracks from dadubs forthcoming album ‘you are eternity. dadubs album positions itself as part of an eternity which is forever recurring and in this context lucy, lakker, rrose and kangding rays remixes emerge as parallel versions of the original tracks. revolving around the axis of ‘you are eternity the artists use analogue machines and digital devices to either encode or decode dadubs vision.

tough techno two track ep from hot collaboration. attemporal meets ness. att series producers throw it down.bass. “attemporal is maybe the most “in shape” spanish formation of the actual techno scene. since their label att series, and the releases in renowned labels like synewave, they warns us a very promising future.