fourth chapter of the label, signed by carlo zanelli. ep run six tracks, three for each side, ranging from deep house to electro and back. childhood, a warm house piece opens a side, whereas an electronish track called patient x will follow. on the flip side, space 2000, an hypnotic dance floor oriented tune, opens the triptych and the ep is closed by sunrise, a melodic 90ish idm track.

weekend circuit stride on with the second part of p.e.a.r.l.s desolation ep welcoming francois x, reeko, i/y and jeff rushin to this series of remixes, servicing the generation with every bit of expansive energy techno music has to offer.

vent adds yet again new sonic influences to its palette, this time owing thanks to its main curator tolga baklacioglu. with this release, we are pleased to add more than just a sprinkle of industrial and ebm influences to the catalogue of records we are proud to say is the sound of vent. to make things even better, one of more interesting techno producers as of late, and also sweden’s favourite son - daniel andréasson - wanted to lend us a hand to really bring the point home with this record. laden heavy with distortion, this release goes further than one can call the lofi sound - instead the thought is taken to its logical conclusion: distortion is as much an element in its own right as time, space and velocity.

listen & unite! superb recordings presents the brand new ep >mdma< by london based producer & dj by the name of „reformed society“ aka harsh puri. harsh definitely has an affinity for drones and this can be heard on all 3 productions. theres something about drones that is so hypnotic whether its played on its own or like on here in combination with raw techno and house. hope you can feel it too! the tracks are mastered by cgb from dubplates & mastering berlin. print designed by tessa de ceuninck.

complementing their eponymous party series, luv shack records have brought together a group of new and regular artists for their first *shack your body* compilation. with an array of nine choice cuts, this compilation offers just the right blend of laid back chuggers, disco stompers and more aggressive house tracks that have made their label nights so popular.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

here & now recordings are proud to present the companion release to ambient jazz ensembles debut album in the shape of *suite shop reworks : electronica, deep house & disco* - a 15 track collection of upbeat, dancefloor and electronic versions of the chilled orchestral originals.
dj support gilles peterson, rob da bank (bestival / bbc radio 1), osunlade, ashley beedle (x-press 2), bill brewster, quinton scott (strut records), severino panzetta (horse meat disco), chris coco, nemone (bbc 6 music), dk (solid steel, ninja tune)

(180 gr) black spuma are fabrizio mammarella & phillip lauer. both have a history of quality releases on great labels: running back, beats in space, permanent vacation and our very own international feel. house music for house people.

celebrating 10 years because music with this voyage across french cosmic and electronic avantgarde from 1970 to 1980. limited deluxe edition double vinyl plus cd in replika gatefold sleeve.

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

this collection will appeal to fans of the synth/vocoder work and unmistakable razor sharp production of gina x performance as well as fans of left-field synth heavy prog and disco (a more rock based moroder if you will). specially remastered for this vinyl reissue. presented on high-quality 180gram colored vinyl.

embryonic ep by columbus, oh artist titonton is brought back to the forefront exactly 20 years after its original release on metamorphic recordings. 4 tracks of that warm and deep midwest techno like nobody else can do it. titonton s totally unique style has definitely withstood the test of time, and like most music created independently of trends it will always sound fresh. we re living in the times that this music was created for and later on down the road when space djs play these cuts from the orbital terrace, it will be for their times too. out of print since the initial pressing it has now been remastered from the original studio tapes for optimum sound quality.

west end kicks off its new series of disco boogie essentials. 4 dancefloor killers from boogies golden age. volume 1 sees debbie trustys searchin for some lovin, bombers lets dance, ednah holts serious, sirius space party and the twisted dub mix of stone s girl i like the way you move.

finefood records has done it again! this 100% swiss release is by the duo thomas t & anish and is their second on the up and coming label. this track blasts through the dance-osphere and boogies on through hypnotizing space, mastering the filter to produce a very cocooned trance. lulling the dance floor into dancing with them on the moon, enticing, deep yet always dangerous.

this music encompasses two worlds, lives in between territories - between techno and noise, the far end of a darkened club and a dreaming mind’s afterthoughts. very earthly and deeply rooted, it sometimes appears fragmented, full of sonic embroideries, full of sonic dirt, even. like two universes colliding, imploding one on the other, giving birth to a new space, without boundaries or restraints. something to dance to, on a spaceship. sergie rezza is the musical meeting of romain poncet and dj deep.

here comes the final chapter in androids three laws trilogy vinyl series. in this third part, the label elegantly moves away from its past and makes way for new theme, new sounds, and new breed of artists that have been closely representing this label for the past year.

razor-n-tape welcomes chicago native chrissy into the disco fold with an ep that gets down and dirty in all the right places. as a journey through various underground dance sounds, this record covers some serious ground - from uptempo space disco, to slow-chugging 70s r&b, and even an official edit of a dance mania housey freak-fest on rag tyme s fix it man. jump on it!

mink & shoes is a gooey drip of murky low slung slinky disco, falling somewhere in between smokey retro futurism and hazy desolation. it s a seductively squiggling romp through the outer reaches of the cosmos sky-crawlingly atmospheric, slow-motion dance floor abstraction for acid heads and space cadets. with navid izadis intoxicating vocals its quite something, and comes in three flavours: dub, radio and original.

hessismore are a 7 person musicans collective based in new york and copenhagen around musical mastermind mikkel hess. they released their gomma debut ep last july. strange, beautiful music from outta space. balinese marimbas, african drums, spooky voices - great new music. now here come the remixes. dimitri from paris did an effective, supersexy disco stomper. keeping a lot from the original version. the crazy voices, the punk funk feel, the moody, new wave atmopshere. but now its a club bomb. then williamsburgs hidden underground star lorne dune reworked the other song. in a more edgy, distorted way. beautiful. then you have a version by munichs pollyester. the former bass player of munk now has gone solo. she does this kind of naive, early 80ies, powerdisco you could hear at clubs like the loft oder dj harvey playing. orgastic hardcore disco rock

slouch music concentrates on dance music delivered below 120 bpm, giving space to the sounds and allowing the music to breath. created and produced by an unknown london duo, the label encompasses everything from house and techno, to balearic and new wave - just as long as its slow!

new artist daniel wainwright brings his psychedelic vibrations to is it balearic? doing it is a slow motion sleazy trip into the acid house. swirling vocals and psyched out guitars melt into chuggy acid beats and effects. coyote up the tempo a touch and strip back the whole track on their remix. dubby vocal samples and muted guitar groove along to an acidic finale. the second remix is a real thing of beauty from mushrooms project. keeping the same slow tempo and adding space and texture with mellow guitars and extra sitar. a subtlely developing tribal workout. groovy man.

first ep of hamburg-based psychedelic voodoohop dada-pop superduo for doumen records. on+brr are known for releases on felix kubins gagarin records, martin hossbach label, hafenschlamm/freiheit&roosen as well as for their more than intense live performances in places like berghain, nation of gondwana, fusion, golden pudel etc. and last but not least for their kraniche b.d. elbbrücken club, which is fueling the scene in hamburg with their very own take on how a performance space should be like for more than two years now already and it might well be the most crazy & cozy place you will find in hamburg right now. to round everything off nicely, artwork was done by cheap art pioneer and close on+brr friend patrick farzar. a must have to show off at your next afterhour gig as well as to impress your artist friends when having them over for tea

jose rico launches the le disque record stores project: ambiwa records, a label dedicated to abstract house music. * declaration of intent ep* is a collection of songs with a history, 4 pieces of his life talking about hypocrisy referred to poverty, the trivialisation of music as money source, the days in the studio with ron trent, and the night music-workers. beyond any related stories, here you can find all the jose ricos music standards: impossible mpc percussion patterns, black keys, vocal textures, distorted kicks and tons of suspence and tension. this just means… music for the most demanding dancefloors and open minds. as it could not be otherwise, masterd by jose rico.

a collection of dance tracks inspired by some well-known / lesser known songs from various music eras of the past ranging from american soul to uk jazz-funk and early rave scene. guess what, these are not re-edits. these are more than just reworks. the tracks can be considered stand-alone new versions or remixes that were never out. just put the needle on the record and try to guess.

proper destroyer, is what somebody said and its probably the best description youll hear for this new syncom data release. syncom data teams up with finnish/dutch vocalist saara soini for rumpukone. inspired by me and my rhythm box from the 1982 film liquid sky, saara soini delivers a powerful vocal performance on razorsharp beats and acidic textures by syncom data.

young argentine artists franco & herman gonzalez give us a second lost in time vision of space and life. with the crazy circular melody of *basic variation*, the broken rythm of *encrypted sound* and the hard strike of *cyclic* they honor the underground way taken by prima luce records. the ep finish by a nice touch from 04lm who made a remix of *cyclic* and joins the project with his personal approach.

who better to inaugurate your label than andreas gehm? simple, no-one. glasgow’s schrodinger’s cat is sinking claws and teeth into vinyl with five tracks of blistering tb303 goodness from the cologne man. mr gehm is in fine form as he serves up a quintet of very different cuts. from the warbling wonderment of -blind eyes- to squawking darkness of -jak the floor-, this ep shows how talented this machine musician is. -can you hear me girl- is jilted lover, stalker house, beady eyes peering into misted windows material. the elec pt 1 hood is donned for the dirtiest track of the 12inch. grimy claps are further polluted by bending acid lines in a work overflowing with violence. out of the leftfield comes the finale. -systems go- throbs with rumbling rhythms, a bleeped melody keeping time as drum machines overheat and circuitry melts. mean as ever from andreas gehm. expect tears.

lim 250 vinyl only 180 gr!! one per customer

moving forward in time we find the alter ego known as anomaly facing a complex coded structure. reinterpreting it into rhythms of the hypnotic order & releasing the signals back into the deepest reaches of space beyond our known galaxy into what is known as the phantom zone.

andy toth (pubah, people mover) an in-demand engineer in the d, drops an unabashedly epic piece of outer space acid techno psychedelia. trent (vmax) adds a swinging acid track in a classic armando vein.

desert sky debuts for london s pal sl. having previously stepped up for assemble music and giegling he lays down two unique studies in unhurried rhythmatics, space and depth.be part of sets the mood with layers of living, seemingly breathing atmospherics eventually channeled into a bouncing kick with shuffling percussion and echoes of distant worlds. lets stay picks up the tempo with a sharper groove featuring persistent voices building tension and mystery as the track rolls on. long, playable cuts for adventurous djs not to be missed.

delusion men were here before time started to flow and it seems they will stretch out their existence way beyond doomsday which probably explains their archaic impulses reverberating in a foggy, lost future. what they deliver are pieces of straightforward punk plunged into disco depths, kraut derailment and swirling drum machine melancholia. if you are looking for retro-future dystopias with no space for healthy minded horizons, this is the thing for you. delusion men walked together since the inception of future nuggets, although for them the time will never come, we snatched their debut ep. it feels as if through them the old ones are channeling the last messages of hopelessness for dance floors and dining rooms.

helsinkis lauri saine is the storyteller for this, the third chapter of fools & fables. pleasingly his irresistible releases dont come along all that often, but when they do, they justifiably make serious waves. small remedies, takes us on a journey to a side of saine we seldom see. first things first, blush cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. casual wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. the tropical breeze blows free through leisure song too, as we begin to get the impression finland might actually be a small pacific island.

inside nomine is the much-anticipated debut album from nomine. released on tempa records, it finds the enigmatic producer travelling beyond his acclaimed, soundsystem-demolishing 12 inches to explore the deepest reaches of inner space. a reflection on the power of sound to reshape how we experience reality, it is a remarkable, immersive soundworld of a record — delicate and contemplative, fleet-footed yet overwhelmingly forceful.

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

hail blk is a maltese collective record label founded by n.d. through its algorithmic resonance the label envisions to challenge and re-model the cognitive perception of time and self-consciousness. the first ep will consist of four raw and energetic tracks by hail blk, for the first self titled collective label.

for the duration of the event, which features residencies, installations, live performances, workshops, screenings and more, the vinyl factory has created the vinyl factory recording studio to provide a space for musicians and artists to experiment and improvise and has installed the vinyl factory press on-site to manufacture these recordings into vinyl editions. trevor jackson recorded this release in the vinyl factory recording studio as part of station to station. pressed on-site at the barbican centre for station to station july 2015.

powered by thick kick drum and of beat snare title track bang bang is the perfect treat for your summer floors, its then taken on its head for a deeper rework by sable sheep. the germans take strips bang bang to the bone. bass and beat.the imaginatively titled space wallabies rounds out the release and finds onno matching wobbling stabs, heavy groover with catchy vocal

smallville records celebrate their 10th anniversary with the 3rd and 4th part of the „ways series. it started in 2011 with twentyfour ways (smallville 24)- a various artists 4 track-12 with timeless music only. it continued in 2013 with smallville 35 (thirtyfive ways) same concept, but different artists.

uk funk connoisseur duke slammer takes the driving seat on the 303-fueled ‘bangkok skytrain’, with remixes from moscow based simple symmetry and returning artist tony g. inspired by tropical heat, bangkok skytrain utilises 303s, analogue drum machines and mixes in field recordings taken from an excursion to thailand. the result is a heady concoction of warm basslines and humid atmospheres, with a groove reminiscent of early 90’s melodic techno and a cheeky drum track that wouldn’t be out of place on a larry heard record. simple symmetry, the lipski brothers from moscow, slowly rebuild layers of the track like a locomotive building up momentum, and in typical style simple symmetry style finding the perfect vocal sample and pan pipes that help propels you into the foreign lands. before you know it the track is pumping at full chug! tony g’s take goes a bit further afield than the original. a dub rhythm sets the picture in outer-space. hihats stutters like cosmic dust rickashading off the nosecone of the space ship while longing strings take us deep into a distant nebular before the 303 bring the thousands of new galaxies into view. definitely music to listen to in the dark! look out for the secret dancefloor weapon ‘just drums’, an industrial drum machine workout for the freaks!

part 2 of editors kutz 005 pressed on purple vinyl feat cuts from jkriv / noodleman / riccio & emvee who round things off nicely. with edits and reworks on little known or impossible to find originals, and some beloved classics, this release covers various disco styles, keeping the right balance between the uptempo and low tempo vibes. limited repress act fast

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

key vinyl don their scouting caps once again for another split ep featuring fledgling and debuting talents. first up is the plant worker. this french dj and producer isn’t exactly new to the game, but as the plant worker he’s been slowly journeying down harder, rawer trajectories—as the name may suggest. with a trio of eps out already, “iota 001” and “iota 002” continues his exploration into purer techno forms with two cuts of deep, probing, loopy floor material. then on the flip, key vinyl unveil the first works from masked newcomer transient x4. “lost in perceptions” is a jangling sic fi trip to techno’s bleak and pitch-black periphery, whilst “ways to space” sends its cosmic theme off for a spell in the basement, coming out as a monstrous peak-time send off.

jamie lidell is a british vocalist, producer and warp recording artist with a string of intelligent, soulful electronic albums under his belt.a: new eyes b: seye wen... the vinyl factory has partnered american multi-media artist doug aitken and the barbican to bring his acclaimed station to station: a 30 day happening to the uk for a month-long. for the duration of the event, which features residencies, installations, live performances, workshops, screenings and more, the vinyl factory has created the vinyl factory recording studio to provide a space for musicians and artists to experiment and improvise and has installed the vinyl factory press on-site to manufacture these recordings into vinyl editions.

the first vinyl release on abandoned audio, the new sub-label from 31337 records, ezekiel honig‘s ‘a film of string & wood‘ continues his form of refracted, geographically oriented, electroacoustics. sitting in a background of field recordings and incidental real-world objects, textured piano and horns act as cement for chunky, yet subdued rhythms that fall over themselves and snap back into place. warm, looming tonal progressions remain incredibly intimate and focused while retaining an expansiveness of space, a perfect metaphor for honig’s music on the whole – personal and specific while intersecting with something more universal. throughout its five tracks, ‘a film of string & wood‘ stretches and pulls its melodies, weaving them through each blocky snare, each bassy kick drum phrase, with a heart and mind that hearkens to a different time, memory-tinged with a nostalgia for a moment that is yet to pass. pressed on sturdy 180 gram vinyl and featuring artwork/design by ezekiel honig.

james ross is a guitarist and composer living in brooklyn, n.y. originally from pittsburgh, pa., he has studied guitar at the university of pittsburgh and the mannes college of music in new york city. he has studied sitar with pandit krishna bhatt, and north indian classical music and composition with la monte young and marian zazeela. a composer in a variety of genres, james has written music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of chinese lute). he has also performed and recorded electronic and improvised music. recent performances as a composer and performer on the electric guitar, laptop and other instruments include sets at the bell house, at the small beast at the delancey with percussionist joseph benzola, a performance with kyle bobby dunn at issue project room, at pianos with richard lainhart, at glasslands gallery with michael vincent waller, at goodbye blue monday with david beardsley, providing live music for katherine liberovskaya and ursula scherrer’s optosonic tea series at diapason gallery in brooklyn, with video artist alex carpenter at the tank in manhattan, and at damrosch park at lincoln center as part of the guitar ensemble for rhys chatham’s “a crimson grail.” a recording of the -crimson grail- performance was released on nonesuch records on sept. 14, 2010. as a classical guitarist, james has performed as a soloist and ensemble player throughout the northeastern united states. he received a solo recitalist fellowship in 1992 from the pennsylvania council on the arts and won the 1993 mannes college of music concerto competition, resulting in a performance of joaquin rodrigo’s “fantasia para gentilhombre,” at symphony space in new york city.

deluxe space box -limitiert auf 500 exemplare! die box enthält:
1x das komplette neue album mit 13 songs auf 2 lps (inkl. cd)
1x dvd *erdbeerbowle* (studio-küchenkonzert mit 4 exklusiven, neuen bonus-songs)
1x ufo / frisbee mit dem teenager vom mars - emblem
1x riesiges album-artwork poster in 120x60 cm
2x teenager vom mars - buttons

drei unter-bespaßte außerirdische, die seit jahren unerkannt in den körpern gewöhnlicher hamburger vorstädter leben. nun lassen sie eine raumdrohne fliegen, die ihr gleichnamiges neues studio-album abwirft. es ist ihr achtes. die 13 neuen songs handeln u.a. von der abrissbirne helene (alle hörn jetzt schlager), einer alien-zuwanderungsflut (zitat tvm: im all wissen es alle, ihr könnt fremde hier nicht leiden), der ewig nahenden apocalypse (das letzte lied auf der welt), der legalisierung von der liebe, einem beziehungspolitischen gegenmodell, dem ende des automobils (eure autos) und anderen visionen, die keine weltregierung mehr unter verschluss halten kann. als gäste treten in sprechrollen auf: kryptik joe (deichkind), felix brummer (kraftklub), mc fitti und fatoni.

the 5th offering of the label comes from la-based producer sage caswell. sleep quarters ep evokes the paradoxically rushed-yet-laidback duality of his hometown, it s a four-track release equally split between music for the dancefloor and music for dreaming. while the first two tracks strive to balance ambience and dancefloor appeal, the b-side is a total departure into ambient space, with immersive walls of sound and waves of delay