hailing from the musical mecca of austin, texas, and following up their brilliant debut album from last year, which featured in our year end top 10, with this already hugely lauded sophomore effort. recorded by the band in their infamous studio/trailer, wailing fuzz guitars, soulful, yearning, emotive vocals, and one of the tightest rhythm sections going provide the currency in which this unique power trio explore their brilliant, unexpected and wide ranging musical ideas. an entirely original, sprawling combination of sixties rock touchstones, free form jazz jamming, and a defiantly post punk spirit, and all performed with a precision, and vibrant intensity not often found on record.

joker & ginz purple city quite simply put ? purple city is one of the biggest tunes you will hear in 2009, no fronting! being repped across the board by the biggest, pickiest names in the scene, hear is a rhythm that crosses boundaries effortlessly. think turbo charged g funk flavours, chunky square wave bendy bass and rolling carnival drums ? perfectly executed. rave funk ? served extra greeeezy!

whether he is travelling the world djing at some of the finest parties on the planet, or producing tracks that gain support from the cream of the worlds elite players, noir (a.k.a. rene kristensen) remains one of the industrys most respected and hard working individuals. already with over 10 years experience under his belt, noir got his debut with signings on more than 10 labels including toolroom records, data, juicy, oxyd records, deeplay, and warner. dj support: sebastien leger, chris lake, audiojack, funkagenda, jim rivers, mark knight, paul harris, grant nelson, paolo martini, wally lopez, atfc, daley padley, lucien foort, trophy twins, rhythm code, timo garcia, sarah main, roog, hardsoul etc...

the first new release from the legendary detroit techno label mechanisms industries since 2004! to start off this new partnership, we offer a very special remake 12inch project from germanys own cult heroes, obscurum. the project consists of remakes of the ultra rare definitive hard techno track dom, originally released on e-com recordings in 1997. obscurum first appeared on mechanisms industries with a ground breaking 12inch called subtle changes. catalog: m1978 and we are proud to release this new project. artist involved in the 12inch release include: exium: nheoma, planet rhythm. reeko: mental disorder, planet rhythm, emergence, and mechanisms industries owner, fanon flowers: warm up, numb.

nice price deal !!! released in 1992, its most popular versions were the ones by l.t.j. luca trevisi ( ltj xperience) and dj art. the tune has been a floorfiller all over the world, despite its downtempo rhythm. tamekas voice was in its early days, she then became famous thanks to living joy, reaching no.1 in the uk charts. this new treatment (the first one since 1992) is care of the mysterious super value team. check this out...

with electric rescue, the french dj d jedi, who is known all over paris, becomes a part of the cocoon family. he is connected with the development of techno in france already since the beginning of the nineties. despite being busy as a producer for commercials and soundtracks, he always finds some time to release exciting electronic music on imprints such as f comm, communique, elp media and paul nazcas label scandium, where he has released his debut album >el.ue< three years ago. with the two tracks on >the darkest star<, electric rescue succeeds in the daring feat of transforming the energy of rave tracks from the early nineties into the present time without producing an anachronistic impression. besides a tectonically shaking bass drum, the title track relies on the power of sound, a superlative of raw club energy with a twist of irony, which can set a surprising climax with a steadily rising noise level, even after almost ten minutes. >the devils dance< is grafting a comparably brute state-of-emergency techno in a somehow restrained way, rhythm-wise, but is no less effective with its distinctive acid sound effects. and who said that modern techno cant use the tradition of belgian rave-signal-floor-burners?

susu bobien has established herself as one of the signature voices in gospel house music over the last decade. already a widely recognized name in the often cluttered world of house music, susu has vocalled many a championed release across leading labels such as strictly rhythm, slip n slide, azuli, ffrr, nervous, jellybean û and of course nycs own soundmen on wax. this limited ep features 3 lovingly hand-picked (& re-mastered) tracks from the timeless catalogue of susus work on soundmen on wax. each one rightly labeled a classic, and featuring remixes from both sides of the pond, this is certain to become something of a collectors item û make sure you dont miss out

i got my own rhythm and i got my own bass, got my own kickers in my mer ce des... get fresh is the latest single from kid sister, an electro rap gem that manages to put a fresh twist on stunting thanks to kid sis catchy hooks and infinite lyrical charm - who else could shout out louboutins and dominos pizza in the same verse and make both sound equally fly? the tracks clever, thumping production comes courtesy of a trak and xxxchange, who team up to flip zzts indie techno hit lower state of consciousness into a hip hop tempo banger everyone can enjoy.

dogmatik return with a brand new ep from one of the imprints leadinglights, maya jane coles. coles previous releases sick panda and the low key ep have seen her garnering support from the likes of thomas schumacher, audiofly, ivan smagghe and king roc whilst her band she is danger is hotly tipped as one to watch. on the remix we have afrilounges take on the track colours. the german trio, who have recorded for connaisseur, poker flat and 8bit, turn in a superb slice of tech house with a tight rhythm section and subtle building sonic layers.

following the success of his last lp, chronicles of never, and his recent track jedwab on nick curlys 8bit imprint, marcin czubala makes his return to mobilee with mezcalinna. continuing his string of exceptional releases bearing his unmistakable signature marksùslinky, undulating grooves full of bizarre twists and turns that ceaselessly continue to surprise the listenerùmezcalinna is comprised of two tracks whose continuities only serve to highlight the ways in which they differentiate themselves from and act as complements to one another. day 1 begins with a heavy bass line echoed by a stuttering percussive beat that guides the rhythm until the vocal chants and kick drum drop. accented by occasional drum fills and cymbal crashes, the track reaches its climax with the entrance of a lone piano chord that, despite its initially alienating presence, ultimately serves as a means of melding and unifying the tracks constituent components. if day 1 is an early morning track, day 2 provides its counterpart as a nighttime dance floor stormer with a darker sound and haunting, reverb-laced vocals. also beginning with a splattering of percussion but taking a decidedly somber turn with dissonant synthesizer stabs and an eerie vocal loop that shadows the track from beginning to end, rhythm and creative use of contorted vocals lead the way as this track zigzags in a way that only marcin czubala can make music do

so inagawa first release compiled >deep house part 1- mixed by harley & muscle< compilation. japanese underground label >relaxine< will proudly announce deep tech house track >ride ep< that is second release coming from murakami(poker flat/dessous/morris audio)! ryos career started as dj, on the base of influence by the oldschool hiphop, house, techno, and rock. as soon as he was inspired by alternative sounds like analog synthesizer and old rhythm machines, he began to devote to produce electronic music. his sound contains experimental minimal and cutting edge house music. crosstown labelowner damian lazarus has picked him up and supported to releae ‘the lizard’ as the name of p.a.n on revelone which is sublabel of crosstown in 2006. ‘groove master’ daniel bell has played ‘the lizard’ in his mix cd and it has brought him deserved recognition as bona-fide new talent. steve bug, who runs poker flat and house line labe dessous, dropped ryo’s “my soul rise monument” to best album best kept secrets ” on dessous in 2007. he has became the first artist to be played 2 tracks on the fabric mix cd series steve bug mixes fabric 37 and it was great achievement for him. he has been releasing rise on dessous, down the sky on poker flat and lovin ep on morris audio since then.

limited re-issue on 180 gram vinyl.
great compilation of marlena shaws jazzy soul work that spans her years at chess/cadet, blue note, and columbia, 16 tracks on 2 lps including her most sampled songs *woman of the ghetto* and *california soul*.

huuge club banger!! strictly rhythm license!!

release yourself series continues with #8, ep2 and more unreleased and first time on vinyl tracks, compiled by the one and only roger sanchez!

if we ever called it a classic…this is what we meant . after releasing one of the best artist album of the last years on carl craigs planet e label, kenny larkin joins now forces with one of the most influential artists of the recent times shlomi aber, and his acclaimed label be as one imprint. shlomi aber and legendary detroit pioneer kenny larkin are two artists that needs no introduction to the techno crowds. while the first one is recognized as one of the most forward thinking artists of the recent years, the other one is responsible for releasing some of the finest pieces of electronic music ever produced. sketches ep comes with 2 different versions of the same track, both having old school vibes reminiscent of the days when house and techno went hands in hands. kennys version is a superbly produced slice of techno, with an amazing drums progression in a typical larkin style sustaining a hypnotic lead pattern, all conjuring together to take the dancefloor into a 10 minutes long, deep and mind tripping tour. label boss shlomi aber, takes a different approach by putting out a tougher version, a loopy phat bassline and a jazzy rhythm with snare hits makes this tune a funkier techno shuffle a pure classic to come, already supported by basically everyone, from the detroit old school guys to the recent house and techno leaders

1991 classic house tracks

the fourth and final sampler for the way of the samurai represents the full stylistic diversity of the label samurai music. hobzee & zyon base were asked to design a tune specifically for this project and when 1000 paper cranes arrived in the inbox it was obvious they had a very firm grasp on the sound the label was looking for. fluid, gliding vibes and a subtle sexy vocal ease the tune into its rhythm. the breaks and bass provide a step reminiscent of photek to the eastern sonics that unwind themselves around the rhythm.

beeing together in the studio for a while - here s the results: take me to mabayi features a nine minute ecstating ride - accentuated by a pulsating, hypnotic, rhythmic and gradually building melody and compelling breakdown. 100% sure with ricardo villalobos, loco dice, mathias kaden. la trutruka - golden version combine emotive slackin house beats with synthesizer washes and constant, rolling rhythmic underlay, straight and right down to the last detail with the la trutruka riff - for those who knows and some vocal samples. these are three small dissertations that connect rhythm based house-paced hills with modern dance music and experiments with synthetic song structures

first extract of his forthcoming album alone, words in a bottle sits right where we like to sit: at the border between house and techno. it s got the funk, the rhythm, the tribal beats and bassline that make you move. and its got the techno soul too. it s got the devil inside, but still feeds your mind with atmospheric waves of deepness. on the flipside, rodriguez jr., one half of french techno celebrities the youngsters, delivers the kind of remix you usually dream of but are never sure you re gonna get. it s a funky dark techno affair, with a killer hook.

a killer clubby groove from steve marshall û the kind that reminds us of the best indie singles from the late 70s disco years! steve plays alto sax here over a strutting, high stepping rhythm thats got plenty of warm touches û really glowing with a sense of soul thats great, and touched by some female chorus vocals that are very much in a philly mode! the disco mix is great û even more upbeat and extended than the 45 groove. in the country is a great bit of club jazz û smooth and sweet, but still with a snakey flute line in the middle û almost like some lost bobbi humphrey track from her epic years. do what you will is another chorus vocal number û and you are the world features some laidback mellow flute.

here comes the third and final part of afu artists remixing afu artists and it s a very nice round up to the first remix series on afu limited! butch s great second release on afu limited gets a very high class remix treatment by none other than thomas p. heckmann himself and the man who likes to whop, gabriel ananda!! heckmann reworked butch s dancefloor killer of 2009 dark fader and pushed the level more than a bit higher with it s deep driving bassline and the ever growing tension and building of the vibe! sure thing this will be heard at peak time at outdoor and indoor parties this summer! ananda chose the excellent nomad track and delivered a very atmospheric and groovy/dubby version, peppered by his own unique style of rhythm and driving force! the man behind such classics as miracle whop, doppelwhipper on platzhirsch and many others surely knows how to bring his skills to life and to make this remix a sure classic again!

who the hell are bleep district i hear you ask? well for those of you who havent heard their awsome debut on replay records they are matt powell a founding dj of the legendary quadrant soundsystem and the inappropriately nicknamed matt rhythm who rumour has it spends his spare time pressing random buttons as one half of deep house anti-heroes rhythm plate. coming straight out of leftfield, bleep district have exploded onto the deep house scene like a musical gas leak. their quirky, chunky, dancefloor orientated beats causing serious damage on dancefloors and working mens clubs around the counrty. these two devout christians and still practising altar boys have decided to continue the religious theme of the bleep of faith ep on the highly respected winding road and titled their debut for ornate music… end days ep. revelations (rapture rub) kicks of the ep with a clearly deluded shaun ryderesque gentleman professing his faith over a big moody analogue bass and detroit style stabs on a track that would make the staunchest non believers begging for absolution! and on revelations (pillar of salt dub) they take things nice and deep for those more reflective moments in the evening.

clone v2.0! clone back in its new form.. a series of specialized series dedicated to different functionalities, emotions and styles of electronic music. the clone loft series will be releasing more traditional house and ny influenced disco for the smaller and more intimate club settings. first of reggie dokes with probably his best release so far! a-side is a dirty but massive house track that goes down very well in any house set! at first notice this might be the main track... which most likely it is for more peak-time use... but actually our favorite is the fierce i wear the mask track on the flipside. this track has a nice jumpy beat, very light... but such a balanced rhythm that it will grab one for sure. on top it has layers of strings and a bouncy bassline and very staccato keys... and everything is so well balanced, so sensitive that it really gives us goosebumps all over! it reminds even to some derrick may tracks where he managed to make his songs emotional and fragile with the same kind of timbre and hidden energy (but then less 909 orientated and such...) it has that force, that gentle force of magic that frees that inner energy, that inner power that makes you wanna dance. what a stunning track and what a strong release by mr dokes. essential!

abusing our soft side for dub edgar 9000 gave us these compelling tracks.>play me minus three (patience vs. epiphany mix)< û what starts like a nicely arranged minimal tune bubbles and billows after a short pause up to a big ride on the acid-dub-ghost-train. at the latest when the decently deployed and gated french horn pad sets in on the second half you are completely lost. not for quick peep û but beware: danger of addiction of endless playing is definitely given.meanwhile the title >hook & bait< of the b-side rather reads like the basic principle of fishing. it really sounds like the classic principle of ambient à well almost, since in this case this ambient track is drifting along itself, underlined with a straight driving and floating rhythm fed by an earthly bassline.petri heil! (as we say in krauts-country)

great treaser for dj t.s next longplayer. hot reactions from oxia, dj hell, john selway, agoria, johnny d, anja schneider, luciano, many many other vinyl players

big with ken ishii, jeff samuel, kabale & liebe, sweetncandy, markus kavka and many more! karateklub recordings is presenting itself in top form with a powerful duo. >vast delight< is an unbeatable combination of womanly charm and a manly charismatic sense of rhythm. two creative heads unified in one release. an immeasurable delight

isobel sees a welcome return to steves tech house side. soaring synths and a heavy melodic hook are the order of the day here over a tight tech rhythm

2001 classic on the strictly rhythm split!!

mossa shows up with his third release on mos ferry prod. and he demonstrates again that his productions shouldnt be missing in any record case. the title and a1 track ransack holds some solid subs, a nice and kinky drum kit including a petit but also significant drive. right next to it comes the ransack remix by andomat 3000 that pushes the whole theme more towards a swinging and rocking house tune. on the flip dark love reveals - as the name implies - a dark & noisy track topped with a sonorous vocal that shouldnt be ignored. with toms and hats from the music electronics supply store b2 make the noise is an excellent example for controlled rhythm & sound that puts a perfect finishing touch to this release. we love to say: make the noise, please make the noise!

after 9 successful years and 36 releases on their label >festplatten<, the teichmann brothers are already unleashing their third release, transistor vamp, on their new artist label teichtracks. true to the motto of the tt-series this offspring of analogue machinery is also designated for the dancefloor. the title track is a 12 minute trip, an unstoppable modulating organism from the deepest depths that subtly and powerfully creeps forth. you smell the greasy oil of detroit, you inhale the dusty air of berlin and when you open your eyes, the next day has already begunà here, the past is just as present as the present. deja-vu? or did transistor vamp already infect you during one of the brothers many live sets? those who turn the record over will find, alongside a condensed 7 minute edit of the title track, another independent micro organism. micro is a game of rhythm and bass, reduced to the very essence of groove. a poker face of a track whose accumulative tension spans 6 minutes. like a balloon filled to bursting it knows how to stretch its limits and, without badding an eyelid, it waits for the explosion. minimal? of course! but here you can still hear the groan of the mixer and effects!

discotheques hymn! latinhouse rhythm and great groove.... a summer hit practically!

incredible atmospheric, midtempo vocal house track with bluesy piano chords, percussive rhythm and heartstopping vocals - very much in the vein of theo parrish. two great, more uptempo dubs on the flip by scott ferguson and keith kemp. strongest ferris park release!

nice price deal !!! this second outing in the series of special remix 12s from lee perrys the mighty upsetter album finds tony moody boyz thorpe back at the controls, and this time hes brought his full kit of soundsystem tools along to the job. rocking the spot on an uptempo steppers rhythm, his fired up take on international broadcaster is a tight sprung burst of bogle energy, laying righteous claim to the ground where dancehalls brash excitement meets dubsteps plunging bass dynamics. awash with selectah sounds and mile long reverb delays swirling around a monster sub-bass undertow, an insistent funkin for jamaica beat drives the ride while a slick sing jay hook from lsk rotates to habit forming effect. with the added attraction of mr scratch and mr manuva doubling on abstract deejay instructions ? adjust your face... adjust your waist - the propulsive five minute sunsplash of international broadcaster will kick up dust in every yard where they do the reggae clap. no vocal version excursion on the backside ups the needles to red on the dubwise meter for extra soundboy satisfaction.

kyle hall graces us with another jazzy off kilter ear catching release, except this time hes not alone. kyle and four other young midwest musicians come together as bsmnt city anymle kontrol for the title track the perfekt sin, a real soul hitter. one of them is dorian fiddler son of heavy weight detroit producer amp fiddler, letting loose on live drums at age 17. love kontrol is an emotion steering eccentric groover thats sure to excite the senses with its elegant uplifting melodies. oatn out is a rhythm challenging avant garde dusty retarded joint that is a must listen to for the people who enjoy breaking the tempo and arent afraid to throw your average 4 on floor pocket out the window.

after a recent guest performance on seuil’s eklo label, michael melchner - the young producer and dj from nuremberg - is back with another stunning ep for cargo edition. melchner is the resident-dj of the ‘kiss klub“ party series at nuremberg’s famous club ‘die rakete’, and music aficionados will have had their eye on this up-and-coming artist for a while now. this time around michael melchner dishes up three top-notch house tracks for us. “you understand“ is techhouse at its best, where he deftly holds and rides that balance between deepness and the dancefloor. a continously forward-pushing bassline is combined with a mysterious vocal sample and restrained breaks. „wooob“ grabs you with its devastatingly simple rhythm, while the bassline cuts through with a high dose of funk. topping the track off we have a vocal loop that shows off michael’s affection to the musical beginnings of house. this ties in nicely with the ep closer »just a skip« which reminisces over the sound of chicago. profound melodies, skillfully arranged vocal samples and a whole heap of soul suggest that michael melchner may just have produced a modern house classic. so again, just like on his first ep for cargo edition in may last year, michael melchner has managed to paint a musical portrait combining the present and the past into one classic moment.

debut for nordic trax from rising french star kirby, dropping his most accomplished ep to date. with previous releases for tango, chillin, elevation, connected, motion, kolour & onethirty, and remixes for asad risvi among others, kirby is quickly make a name for himself. advance deejay support for this ep has been overwhelming, with rave reviews and support from the likes of fish go deepdefected, marlon d underground collective, strictly rhythm, dj harri subclub, nacho marco freerange, loudeast, kaskade ultra, giom bobby & klein, inland knights drop, lawnchair generals, dj diz and jay tripwire among many others.

paul carpenter is one of the upcoming djs having been very active both as a deejay and producer during these last years... here comes his new single which for sure will make you move the the rhythm of its beat!!

nrk - this second sampler contains the excellent >bubububadub< by mhm1, certainly one of the best tracks on the comp, with its cheeky vocal cut ups and bouncing beats, the deep house lushness of sirus 2001 remix of nick holders sultry vocal cut >inside your soul<, the dubby mini-funk of loco dices remix of Önur ozers >eclipse<, and man of the moment, mathias kadens remix of terrence dixon, in all its percussive tribal glory. a great 4 tracker, with a nice mix of deep and minimal to please most tastes. full press and radio campaign to be handles by dispersion pr. already confirmed are major features on loco dice in idj magazine (april front cover), dj magazine and mixmag, as well as special radio mixes and local in-store appearances.

yin yangs offshoot world series is very succesful so far repressenting all parts of the world. portugal rocked the dancefloors and just has been repressed due to high demands. dj mika is also a big boy in the scene and repressents bosnia. his style is known from labels like innervate, planet rhythm, and many many more. funky techno with an enormous drive bringing energy to the dancefloor. big!

vinyl exclusive release! no digital !!!story02 brings you more tales from the deepside that have no author attached to them and rather sound like deephouse traditionals secretly and orally passed down from one wise deephouse initiate to the next. free from superficial glitzy effects, showy noodling or even the slightest nod to the latest fad in clubland every single one of these 3 tracks is like a condensed version of what deephouse is about and revokes mystic memories of nights in dark, bassridden basements. >deepcut59< is a manifest not for minimalism but simplicity where only the slow swelling of a chord can make you burst with joy and just the addition of a hi-hat will stir you into action with new vigor. >on the way back< over on the b-side features a relentlessly pushing, driving rhythm with abstract, piercing piano chords scattered all over while the title of the closing >rhodes on drums< says it all: sweet wailing, rhodes musings on >love and happiness< for those blue hours in the morning. this story is an epic!

>aurora< is a dubby rhythm track with a fantastic build up in dynamic. house influences are strong and capture a deep intense vibe . >sansula< is to a high degree made out of sounds that create a 3 dimensional sound and an organic and deep atmosphere

more 2009 killer edits by mr karizma, this time annihilating rhythm and strings of life

after the huge impact of part 2, which went straight to the highest position of pretty much all breaks charts bsd are back with their part 1 of the intoxikated muzik ep.

on the a-side , >brunhilde< the old bitch welcomes us, again completely drunken and swinging to rhythm with her frying pan. the second track is >hip hop chopsui< - a meal which can satiate 500 dance hungry hip swinging ravers without a problem. if you still dont have enough you turn around the record. for here >master mason< shows us, that b-sides can also display their cold-blooded lethal potential. should anyone against your expctation still sit at the bar, nip on his drink uninvolvedly and flirt with the barkeeper, >parcel< will finally make this grumbler let his bar stool stand there and mix into the dance willing crowd.

played by villalobos & raresh !! what a way to start off 2009, a very strong ep delivered from catwash aka chris carrier & dj w!ld with remix from lemos & kreon. groovabilisme (original) hits with its’ crafty tech-house stomp, killer kick, and fun tribal groove. a very interesting concept on this production, as the deep grounding rhythm is super floor filling, yet the space between gives it the perfect air for the huge sub that just rolls this cut to the top of the charts. a sure shot for all players. kreon’s mix stylizes with more jack then jack himself. his vox arrangements give his cut a pop, lock, and rock it knack for the true school dancer. this remix takes any spot in a set, it’s got the capability to kick it big or be slow & deep, depending on how a player wishes to pitch it- a brilliant & effective production. lemos rocks the bells a for main lead rhythm, an excellent perspective to make for a clever & diversity ep. his mix creates a driving hypnotic bender with enough thump & smack to keep the bells intact and still lead the floor into a seductive sound scape of a moving utopia.

2 highly sought after disco reworks by the one and only larry levan. this is one of those must have collectable eps bursting with rare & collectable material never released on vinyl before. limited eddition so act fast

phantasma one is the first 12?,, of our second compilation, featuring”clapper” by tobias. and efdemin s “hope”. we are astonished and thrilled this split ep doesn t even sound like one but is of beautiful consistence and adequacy. “clapper” hypnotizes from the first second with a straight forward percussion rhythm which curls inescapable upwards even in the mind of an inattentive listener, pushing ahead with classic machine drums driven with a both glaring and harsh attitude. the crystal surface of efdemin s “hope” is woven into a plait of swelling basses and enriched with extensive spins of snare rolls and precious carpets of highlighted chords which seems to rise out of the drums which carry the whole track with slick efficiency. without a doubt this vinyl will be in every record case for a long time. grab your copy as long as there are some.

the second release from merkur aka japasese embassy is coming. we can expect an exciting and unexpected 3 tracker which does not fit in any conventional category. gonno, tokyo based producer and dj, has graped everyones attetion with his outstanding “i don’t need competition (inkl. donnacho costello mix)” on beyond records in late winter 2008. for merkur he has designed the acid-revival track “desolation 303?,,. this track is build on a tricky chicago styled rhythm and an acid sequence which first comes slowly, later on developing an beautiful drive suitable on every dancefloor. berlin based japanese artist / label owner shingo suwa painted the tune “silver blue” with a lot of love for chords and melodic spins. maybe you can call it housemusic knocked down to a minimal attitude. “two of us” plays with warm synths on a solid base, slightly referring to the detroit deep house culture and impressing with an advanced but nevertheless solid groove

cool and kinky techno styles from a new producer joining the dissident family. lizard is a warped spoken vocal excursion with a super-punchy rhythm section and esmeralda comes on like classic italian elettro, all flying handclaps and classical motifs. both are dancefloor killers