>charecters< tom trago and awanto3 (aka steven de peven, one half of rednose distrikt) team up again for their alfabet project. two heavy and funky chicago loving house tracks that will put a >spell< on you! t.i.p.! this series is all about warm and dusty house music. it will run for 13 two track singles, totaling 26 tracks. each track representing a letter. >chicago thank you< is a homage to the city of chicago and its music. the infectious groove sucks you in straight away, the added funk half way keeps you moving. it sticks! more dirt on the other side, which contains the 10 minute plus >waus music<. this track demands you to listen to waus music (house music) all night long. its been doing some serious dancefloor damage around the globe already. great follow up to the first alfabet release

underground french icon chris carrier gets to his deepest acid house influences to deliver this last e.p on catwash records. >1000 reasons< is a bone rattling track based on infamous 303 bassline and old school beat, a good reason to get on the dancefloor and dance. then, >liquid harmony< is more about deep and groovy mood, a sensual track with his 303 version that is more about acid, definitely dedicated to the dancefloor. finally, the dj w!ld remix is, as his last releases, a groovy and sexy track, usefull tool to make the dancefloor wet.

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

barraca music returns to the dancefloor once more with the man like negru

ramrod is a rebell on the dancefloor and on the decks! known for his guitar and rock based productions he brings us 4 tracks with strong songcharacter in his rebell-rave style. he is also known for his great dj sets together with syntax error as the die bomclikks (german pronounciation) dj team. another new record which can be used to bring the dancelfoor up to the boiling point.

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

so addictive: the title says it all. this housey tune builds up with layers of digital swirls powered by a kickass beat. chopped up disco-feel vocal snippets create the dancefloor vibe of ?club lasers meet glitter ball?. we?re hooked but be warned - you?ll never get enough. starstruck: a cocktail of electro chord harmonies with a delicious shot of catchy oohs give this groove something to slam too. it?s disco audio waves roll up on the funky shores of vocal snippets with just enough white-crested synths to give this housey number dance-driven pleasures.

2nd techno shot from new french label jaygone music, and further step to bring you 4 heavy tracks for heavy sound systems. a-side includes groovy loop + fat saw synth in a dancefloor killer, and b-side is actually a 50% detroit hybrid. dont even have to choose, thanks 4 tracks vinyl

lowkey & kardinal are undoubtedly the most excited french techno duo at the moment. their groove is incomparable. they provide us once again a fat electro techno, with pumping beats. b-side stands 2 banging remixes from al core (micropoint) under his new electro pseudonym hartigan, and disturbed traxx. a very dancefloor 12 inch !

the newest installment in night slugs vinyl-only nswl series is dedicated to >liberation front<, a track taken from egyptrixx debut lp >bible eyes<, released on ns earlier this year. without a doubt the albums biggest dancefloor cut, >liberation front is built to work best in huge rooms, stirring thousands of people at a time into a frenzy. on the a side, the original track is taken on by dj mike q, a stalwart of the vogue / ballroom club scene of his native new jersey. mike delivers an incredibly raw and stripped down remix of >liberation front<, re-working egyptrixxs unique sound design into a matrix of hard kicks, runway percussion and the of course the ballroom genres masters at work-sampling dramatic ha snare. an uncompromising rhythm track, this is club music at its most direct. as a bonus, the a side also features an edit of mike qs remix by bok bok, re-arranging the track and adding a tuff acid bassline to bring that soundsytem weight ns is known for. meanwhile keeping djs happy, the b side is dedicated to the original mix of >liberation front< in its full seven-minute glory.

this time mr raoul k not only wants you to dance - he wants you to go crazy on the dancefloor. in his well known way he crafts a relentless groover that sends everyone on the floor into the higher state of concsciousness called trance. he layers track upon track and builds a solid grooving base…. for the balafon. a handmade percussion instrument not unlike a marimba that gives guinean music its characteristic flavor. the vocal loop on top draws you deep into the vortex of nested percussion, african melodies und thick baselines. thistrack will never let you go - like moebius band. its main theme will stay in your head for a very long time. it will shake your hips after you left the dancefloor. and it will escort you on your way home after youve left the club. maybe it even serves as a lullaby after a long night out. already tested by Âme with stunning results.

this latest single from disaszt is the third in a series of five to be taken from >shadow & lightning<, and delivers two of the dirtiest slices of dancefloor d&b you will hear all year. both tracks here are collaborations, >try me again< sees disaszt link with high maintenance a recent signing to shimons audio porn label, while >ultimate win< sees him join forces with regular studio buddies and fellow austrians kos & tenchu.

fearless tearout zomby dubstep tracks from 2methylbulbe1ol where extremely heavy beats, massive bombing synthlines, futuristic and sci-fi ambiences are mixing with a clinically clean production! following his split 12 inch with niveau zero on ruff and an excellent release on the label komod.o dragon, 2methyl… joins again the ruff roster with this time a powerful solo ep. guaranteed to destroy any dancefloor!

tube10 returns with their 10th release already and their not mucking about! usas own don distal is stepping up with the ever epic >apple bottom< is it juke? no! is it house? no! is it dubstep? hell no! apple bottom is a hybrid tune is there ever was one ... this one smashes the dancefloor and leaves the crowd begging for more. with its juicy form and rave like edits its obvious that distal is no one day fly. with releases set for pinchs tectonic label and sindens grizzly you will know what to expect from this guy.
flip it over for >space graffiti< another piece of interstellar vandalism. this time distal shows what he is worth on a more dubby side. dont underestimate this one as this will pound any speaker system to bits with its firm deep bassline. let the tribal beats pick you up and put you down wherever you want to!

with the toughness of detroit house and the weirdness of chicago acid, scotch absolutely destroys all the dancefloors! richie hawtin newcomer allì borèm jumps headfirst into digital-age hedonism, with these two reduced, swinging cuts that have all the abandon and humour of a late night lock-in. this gentleman hails from rome, where he cut his teeth in recording studios across the city and as a dj has been responsible for plenty of discoteca mischief. expect these two playful, bleepy, bouncing tracks to give you much joy on the dancefloor.

originally born in the south of england into a musically gifted family, mark reeve received the major order to be a dj and to play electronic dance music when he moved to the rhein-main area in 1998. mark is now known today as a non stop dj and producer , as an artist he has now had his most important releases on cult label defected with with düsseldorf-based tapesh, solo on traumschallplatten (sep 2011), for monique musique or neurotraxx - marks tracks are always a mixture between dancefloor moovers including groovy rhythms and big baselines. in his cocoon debut, reeve presents himself in all his stylistic bandwidth: >daybreak< combines a highly-functional tribal bass pumping station with such mighty dub chords that make the sun shine even in in the most remote corner of the club, while >morning on mars< gives priority to the hypnotic effect of percussion. mark reeve is definitely a name to remember in 2011!

following steffis debut long-player >yours & mine<, the story continues with three special remixes, each re-interpreting a key track, courtesy of staffan lindberg, lone and the analogue cops. swedish newcomer staffan lindberg, already promoter and dj on the malmö/stockholm scene, is a recent favourite of steffi for his tracky, fresh house sound. this hypnotic, rave- tinged mix of >yours< weaves an intricate tale for the dancefloor - nothing is rushed as the classic elements have so much room to shine in his fluid arrangement. recent r&s signing lone is becoming well known for his warbling strings, wandering melodies and glissening old school flavours. this remix is no exception and sees him work the chicago-vibed >arms< into a magical cosmic future-acid trip. berlin based duo the analogue cops aka marieu and lucretio have brought the house down many a time with their stomping live shows in the capitals clubs and warehouses. their pumping remix of >you own my mind< is tight, middly and uncompromising - a perfect example of the rough, tripped-out house vibe they live and breathe.

cosmo vitelli, i’m a cliché’s founder and head, heard the voice of our unruly feet after taking us on a long car journey with botox. night dogs is his first solo ep in a long time. and he’s back to the dancefloor with an unexpectedly nervous pace.

danilo schneider and the hypnotic sound of his production pour mes amis is brouqades opener for the summer and comes with full support of tim xavier, butane, timo maas ... the elegant housy sound of >lecole< signals a post-winter, head-totoe thaw, with hook-lines and snatches of vocals glinting thru smart beats like the fi rst rays of spring. the buck remix is likewise summer-bound, catapulting shimmering fi ll-ins and a straight bass that are right on target! >sabliere< steps up with a clear beat, wakes up a bass-line and pushes ahead with percussion at its fl anks while horns and vocals swell, and fill-ins try with all their might to tame the rampant groove! yet steady and undeterred, the song keeps its eyes on the mainline: to shiver the speakers and hold the dancefloor hostage

after >echo life< and >night impact< mirror peoples third release >reaction!/odyssey< is out now on social disco clubs hands of time label. this 12 inch reinforces rui maias ability in crossing over his trademark synth skills with his love for emotional and melodic dancefloor movements. both tracks fuse recognizable patterns and intriguing ones where the cold teutonic meets far-eastern harmonies in a cool piano induced crescendo. as for the two remixes, tiago miranda provides a buzzing hypnotic >zawa dub< of >reaction!< and jacques renault a rhythmical stomping >odyssey< version

if you will permit me to get a little honors english on yall, classical scholar sir richard livingstone once stated that >our danger is not too few, but too many options ... to be puzzled by innumerable alternatives.< say what? well, take flo ridas predicament on new david guetta single where dem girls at: upon stepping into the club, so many fly females catch his eye simultaneously that he finds himself incapable of deciding where to begin. as hes struggling to resolve this deadlock over the veteran djs stark synths and four-on-the-floor percussion, an especially alluring specimen swoops in to make the decision for him - not only is she gonna kick it with him, but shell bring her equally fly friends along for the ride. playing the woman in question, young money heavy-hitter nicki minaj attacks the beat as only she can, dropping what may well be her most off-the-wall guest 16 since monster. so, readers, this dancefloor-scorcher + remixes on this vinyl will whet your appetite for more body-moving bangers, no doubt about that

>going on< from geeks & gaz is a deep 140bpm roller with rich synth swells and grainy disembodied vocals which lend a washed-out melancholy air, while a limber 2step house rhythm propels a truly transporting five minutes of eyes-closed burial-esque low end groove, making for a track that will hit equal targets on the dancefloor and in the headphones. daily delivers >untitled<, an old-school uk garage-inspired track which comes to life with a slow rising synth line underpinned by a sparse beat, before breaking brightly open into a scene of high pitched buzzing keys and some seriously complex percussive intricacies, rapid on the conga skins and hard down on the blunted kick drum. for further triple-win value, hype west london producer jack dixon offers a jaw-dropping refix of >going on<, massaging the original into a sensuously twisted uk funky / garage hybrid shape, introducing dramatic synth lines, hypnotic vocal stabs, and a hightened detail in the beat programming which somehow increases the tunes club-tooled precision while simultaneously enhancing its wistful and reflective mood.

his debut four track ep highlights his individual approach to song writing with the gorgeous, deep and moody >i am machinery<, a fitting title for a track where the human voice integrates seamlessly into the analogue electronics of the machines. >pointers’ changes the mood and aims at the dancefloor, with strings and synths fully indebted to detroit techno, but with a constant human touch from his jazzy scat cutting in and out of the heavy groove. >some days< has the biggest sound on the ep with multiple vocal tracks layering over the crisp drums and pulsating synths. hes combined his keen ear for melody and a firm grasp of the dancefloor for this track, making it many djs favourite on the ep due to a club friendly structure, yet striking originality. >set myself on fire< closes the ep at a mellow tempo, and can easily hypnotise the listener with its repetitive vocals, haunting whistles and sleazy beats. this is only for the beginning for debukas, these four tracks are just an introduction to one of the finest talents from the uk electronic underground

smallpeople member dionne aka just von ahlefeld debuts on his co-owned smallville label! entering the smalville record shop in hamburg city on a rainy afternoon you would find co-owner dionne to be working on some arrangement of his tracks. the room fills up with that unique kind of deepness and beauty we already know from dionnes works as a part of smallpeople. after releases on jus eds underground quality, the dial sublabel laid, new deephouse imprint tersiptone and his own smallville label dionne is back on the planet with a heavenly 3 track ep to spread sweetness and love on the dancefloor.

m.a.n.d.y. and matthew dear lit up new york city in 2010, with their buddies club night, and - as m.a.n.d.e.a.r. - with their own urban dancefloor myth, the unreleased track >buddies<. the cut fused deep hypnotism with dancefloor abandon, swirling sheen hints of disco and an infectious sing-along hook. by keeping it close to their chests for months on end, m.a.n.d.e.a.r. drove anticipation into fever pitch, and >buddies< finally burst out of the gate in october as the opener of thomas schumachers 8 years get physical music compilation. now, >buddies< is fully realized with reworks from some of the best in the business - m.a.n.d.y., radio slave, smash tv and siopis. philipp jung and patrick bodmer make >buddies< over into a sleek late night beast with their m.a.n.d.y. remix

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

here comes the new echocord colour. after some big releases with luke hess, mike dehnert and sebastien san here comes the new one which is a split ep of the copenhagen heroes mikkel metal & resoe. after his latest 12 inch on echocord, mikkel metal again shows us his more techno-side of his universe, with this killer peaktime bomb, and still with his own unique deep sound. after his resent album on echocord, resoe here presents a more dancefloor-orientated track, for the fans of dettmann/klock, shed, sandwell district and pattern repeat.

in the impressive flow of new talent in 2011 on fokuz recordings we already had the pleasure to present the sound of brother, command strange and intelligent manners among others. the next flavour of the funky liquid melting pot called fokuz recordings goes by the name donnie dubson. berlin based irishman donnie o sullivan aka donnie dubson started releasing his funky rollers on have a break and influenza media and already featured on fokuz on the chronicles of the deep lp together with stunna back in 2007. the grapefruit / battlecat release on influenza media in 2009 got him a lot of attention and is still heard in dj sets today. now its 2011 and fokuz presents the beautiful debut album of donnie dubson! his sound can be described as refreshing and original liquid drum n bass with a touch of the well known atmospheric drum n bass vibes from the mid 0s. his basslines are the unique sellingpoint as well as his ability to create an organic feel in the music thats only done by the few who truly understand what liquid drum n bass is all about. pleasuring both critical listeners and the dancefloor audience this album is a perfect overview of the sound fokuz stands for. a great example of how music can be time-less in this decade of fast moving consumer goods.

big with: adam beyer: >..summer anthem!< , joseph capriati, samuel l session, davide squillace, danny howells, sian, karotte, laurent garnier, joel mull, marco bailey, sebrok, gregor tresher, diesel, alan fitzpatrick, ... with barely a breath after dmb004 comes another exclusive release from alexander kowalskis new label damage music berlin. the 1 inch >random pleasure< is the work of swiss electronic music dj, composer and producer david durango. in his numerous releases (pokerflat & mescene records) durango balances between deep and dark grooves to melodious and quirky dub vibes: here he oscillates between both levels. starting with the title track, the structure reveals consciously tight and multi-layered percussive hooks under the blanket of a substantial, dreamy bassline. the addition of a subtle, melancholic vocal sample ensures hypnotic effect. >ambivalus< walks right into a rather old school vibe, gathering strength with ever-increasing, spiraling keyboard stabs reminiscent of earlier rave eloquence that compels certain dancefloor revelry. the flip side sees the title track remixed by kowalski who treats the matter with his vivacious bite, stretching the voice, injecting a warbled fuzz bass and after a sublime break, enlarges the work to infectious dance dimensions. respected frankfurt artist patrick lindsey (terminal m & funkwelle) remixes the track additionally: he dissects the vocals, keeping the bass and keyboards minimally tight and sharply symmetric for a very mesmerizing treatment.

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

first vinyl record for this new techno label. dark, hypnotic, a modern techno. the original track is signed by a new artist, but with clear ideas: darkcell aka adriano giliberti, he creates a journey of sounds that come from far away, rhythms that never stops, with devastating and anxious atmosphere. the remix of markus suckut (stroboscopic artefacts, figure spc, etc..) is in his style, sounds that go up very slowly, everything seems to come out from under the ground and a series of clap you wake up from hypnosis. in the remix of octave (nachtstrom schallplatten, etc..) sounds are more open and the rhythm is more definite, its hypnotic but his style always goes to the techno dancefloor. the first release: you already understand the high level of techno!

sydney-based dj/producer innerwestsoul joins forces with disco deviance and delivers a massive debut release on the imprint. blending crate digging sensibilities with seriously large, good time party vibes, he continues where he left off with his excellent evil woman/get up release on his own iws label earlier in the year. the live sound is a stomping main room disco cut that in style gives more than a nod to the early henry st sound and is an absolute dancefloor weapon. then flip over for yet another party popper, crown jewels, which is on the more electrofunk tip and packed full of yet more dancefloor moments. both tracks are lovingly edited and beautifully re-mastered for your absolute dj delight. enjoy the music!

gigolo welcomes rampa & re.you aboard to the roster for the double-whammy of feet and provoking, two beastly tracks designed to suck you onto the dancefloor like a swirling maelstrom of black tar!!

the croatian wonderboy tristy nesh is back on absolut freak records, with the famous elektro frau xenia beliayeva. they had already met on the >little hip molecular ep< (af05), with a successful remix by beliayeva. now they come together with >acting sane<, a sweet electro excursion through dusty fields. john lord fonda, the french sensation from vitalics label citizen records, is also back on absolut freak after having done the very first remix on af01. this time, he gives a new huge remix, with even more melancholy and an amazing break. just brilliant! then, the latvian producer max brannslokker (author of some masterpieces such as the incredible >lust< on salto recordings, or >transition< on boxon records) delivers a great funky-beat version with his special jazzy vibe. back side, nicolas chenard comes again with a powerful techno sound on a smashing remix. at last, tristy nesh offers a new demonstration of his unique dirty loud sound with >turkish bass<, a dancefloor killer with no concession. vinyl lovers can enjoy the artwork by falk klemm from the zonders with a pantone color on the cover. already supported by david carretta, donovans, da fresh, teenage mutants...

this release is strongly recommended. the first record of the enlightened wax series is a fine blend of incandescent house and techno tracks, flaring through the darkness of the night. all the tracks are written, mixed, and produced without the use of any software. light 1 (6.14) is like a ray coming from a distant star: it is slow building up on a wide bass body rising from atmospherical pads. a deep house jam with a touch of hi-tech jazz . light 2 (4.51) scatters raw beats in the urban skyline. an old school piano sample in addition to a aggressive bass line are the foundation of the track. its a breath-taking piece at the furthest boundaries between techno and house. on side b, the delightful journey continues with light 3 (5.34) an hymn to the glorious past of dance music. solid beats, ground shaking low frequencies, joyful voices, soulful piano chords call up the assembly for a return of the shining days. light 4 (6.06) fuses garage sounds and techno attitude. its massive dubby base breaks through sonic barriers. a dancefloor striker

after several years of burning down dancefloors and filling up dj-crates with his music, ron flatter finally comes up with his debut album >growth rings<! expect a double-vinyl with 8 tracks of pure dancefloor bliss, made for feet and heart alike.

first outing on sino by paris-based up-and-coming techno producer, zadig. >p8<, on the a, is a mindblowing dark dancefloor anthem, while >reflection n< on the b delivers a rather dubbier and melodic approach of zadig’s sound. all in all, >p8< is an ep to be hailed as a milestone in the sino catalog. dont miss it!

effortlessly balancing a will to experiment with an unwavering commitment to the founding spirit of house, hector is one of electronic musics most exciting up-and-comers. mixing up styles and moods, but always focused firmly on the dancefloor?s needs and desires, hector?s dj sets have energy, precision and most of all, soul, and the same can be said for his productions. with an impressive selection of high profile releases to his name, on labels such as 8bit, tsuba and 2020 vision, hector?s new release on mobilee shows he?s still got a lot to give

go disco! a call to all who fall in love with the song >sue is blue<. everything is focused on the slow, but swinging groove, including individual flashing fragments of the 20s. a dirty house music base drum pushes this track towards the dancefloor. the piece >offshore< takes you on a journey with its epic, modest and balanced mood, which turns out to be a dancefloor sensation. >teheran traffic< is speeding up the tempo. the b-side is determined by a powerful sound. just as the >far from here edit< by philipp wolgast works well in the club.

the well known theme from tv receives a total dancefloor overhaul!

early support by jacques renault, jon sa trinxa, disco bloodbath, dj hendrix, bottin, more to follow... hell yeah recordingss sister disco label danny was a drag king is on a roll! italian dj/producer luminodiscos music stands out from the current stagnant re-edit game, his brilliant production skills are obviously influenced by the best of the past but aimed to original purposes. new single balerama is no exception, its a midtempo balearic journey, dreamy but chunky and funky enough to get your dancefloor locked into it. coffee mugs is an exclusive smokin bonus track on the vinyl edition. luminodisco is definetely here to stay, stay tuned for more. remixes: italian indietronica band tempelhof into a kind of basic channel mood provide a pure class tripped out electronic-house remix. austrian born, london living and universal dreamer giulio dj (is it balearic, elevator people) gets fully balearic adding some pure bliss vocals (courtesy of izzy)... one for sa trinxa beach...if you know what we mean

two tracks of dancefloor heat from melbourne underachievers - inverto! spaghetti western meets zorro on peyote with gunslinger, plus a laid-back version of metro areas super hit miura. limited edition single-sided 12, and the inverto album recorded live at the legendary toff in town band-room last year is coming soon too. btw did we already say that we became instant fans after invertos debut release with the chip e cover >its time to jack?<. try to cop a copy of that aswell!

mahori is one of those tunes. a hook and a bassline plus a killer rhythm. thats it! tailored to the dancefloor and heavily road tested by the labels artist collective. sano makes up a proper release between techno, house and chicago old school grooves. style rockets limited once again offers slightly more ruff straight forward techno house with groove & delicate rhythms. hand crafted tracks with a simple but sexy groove.
early support by: davide squillace, dubfire, dualton, butch, laurent garnier, dj emerson, madskillz, joris voorn, monika kruse, kaiserdisco, hanne & lore, nic fanciulli & many more

london-based thomas feriero, aka avatism, didnt buy his first vinyl when he was ten years old, nor was he born out of the love of two underground jazz musicians. he had an extremely dull and standard childhood and can barely play the drums. yet somehow, he is able to formulate techhouse tracks that are classy and artful while remaining dancefloor-functional.
supported by: ellen allien, dj wild, maceo plex / maetrik, tim green, butch, carlo lio, livio&roby, alex celler, kabale und liebe, daniel sanchez, beaner, chris tietjen, paco osuna, todd bodine, ray okpara, alexi delano, fabrizio maurizi, jonas kopp, gel abril, arnaud le texier and more ...

after 15 years of involvement in d&b, austrian promoter, dj, label boss and producer disaszt is about to step his already-illustrious career up a notch with the release of his debut album, >shadow & lightening<.
forthcoming on disaszts own label, the highly respected mainframe recordings, the album promises to be packed with the dancefloor-filling, filthy drum & bass sound for which austria and disaszt have become well known.
this single is the second of five from >shadow & lightening< and delivers two immense slices of filthy-yet-funky drum & bass that herald great things for the forthcoming album.

at the moment kid culture is without doubt one of the most exciting prospects to emerge from amsterdams fertile dance scene. he is the main dutch producer for the famous suara label led by dj coyu, kid has created the chance to shine on big labels like gruuv, yoshitoshi, sincopat, catwash and now bitten, the fresh new label runned by 2000 and one and sandy huner. this release features three funky tech-house tracks that deliver on any the dancefloor!

after the monster hit >1998< by taras van de voorde, ec is proud to present the long-awaited follow-up >the game<. >1998< was played to death by pete tong and everyone from luciano over agoria to sasha. tong even had it at #1 in his vest of 2010 list! we also add a smashing remix by santos, known for his dancefloor sure-shots on moon harbout, rockets & ponies, crosstown rebels & figure!

the long awaited new single taken from aeroplanes debut album >we cant fly<. >my enemy< is definitely the most dancefloor orientated track on there, but nevertheless we included a blinder of a remix package for you!
up first is rex the dog (kitsune, kompakt), who makes >my enemy< even more epic, or should we say arpeggiotic?! the legendary green velvet (cajual, relief, music man) on the other hand turns it into an unmatched rolling monster for the dancefloor. if thats the enemy, we wanna make it up!

yambee! is the first collaboration between dancefloor giants ashley beedle and yam who?. chemical love is an epic sampledelic jazz dancer with detroit overtones (think theo parrish or moodymann) thats sure to mash up any dance. natural off is a lysergic disco monster which gives a nod to the hard times we are living in. this will be the first of a series of yambee! 12inch platters that will be coming out on ashleys out hear audio imprint.