inspired by his long stay in new york, marc romboy releases this surprising jazzy single in collaboration together with his mate dimitri andreas. >talking all that jazz< is an outstanding piece of house music combined with warm and organic sound samples live recorded by a jazz combo. an awesome bonus track is the remix patrick lindsey & m.in have done. both have just caused a massive stir with their fantastic remix of radio slaves >orchestrating maneuvers in the dark<, one of the most innovative tracks in 2009

the ep features the first official release of the title track (now properly mixed and mastered, with a shouted hook from izza kizza) as well as a hyperactive juke remix of crookers anthem knobbers by dj gant man, and two incredible takes on the follow-up cudi collab embrace the martian courtesy of uk beat maestro seiji.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

in japanese niwa means garden. the concept of what an album should be is really taken seriously here. with >niwa< what you open your ears and emotions to isnt just another loose bundle of tracks. all the single stories, element by element, are constantly fusing together into a greater whole. this is rippertons world. he draws on all the influences that have journeyed with him as a passionate musician on life’s long and winding road. influences far beyond dark booming warehouse parties abound, and are just as likely to conjure up vivid images of dewy lausanne sunsets. folk tinged downbeat experiments peacefully co-exist with delicious jazz blueprints and sublime ambient soundscapes, sitting in harmony with deeply hypnotic house grooves.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

played by: gary beck, matthias schaffauser, alexi delano, hawtin, spektre, citizen kain, dave ellesmere, anderson noise, ahmet sendil, erphun, audiojack, pierre deutschmann and many others!
andrea romas debut on frequenza records with a pumping and funking all the way 3-tracker! the release features a devasting alex d elia & nihil young remix! a not to miss beast for the box!

another fresh release from nublu. on the a side, in flagranti adds their own signature disco funk sound using a very catchy saxophone hook, making this a killer remix that is sure to light up the dancefloor. on the flip, i:cube delivers a classic deep cosmic techno remix. the 12 inch also includes two original tracks by the trio (whose bass player who also plays with sun ra arkestra) that encompasses jazz, indie and dance all at once, a sound that nublu is known for. the music is taken from the bands latest album release >peace now<.

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

with >my name is acid< and >all in<, immersion delivers two acid anthems like back in the days. free the frogs!

double 12inch compilation sampler!! originally released in 2000!

the yore captain returns to his own yore imprint on the labels 21st release. shadow city presents different visions of funky house grooves. the a sides the y theme gets deeply moving with a funky house pulse before stoking the fire with the addition of speaking voices (trippingly intoning the q&a what are we doing this for? and the music), a move which single-handedly jumpstarts the track. after the voices appear, the grooves intensity escalates and plunges deeper, its gyroscopic house swing becoming more dizzying and torrential with each passing bar before coming to an acidy storming end. in its opening moments, shadow city opts for a deeper and more serenading vibe by comparison, but thats traded in for a slinkier attack at the three-minute mark that grows progressively more ferocious as the track makes its drastic upwards ascent. a trippin dangerous murder weapon to say the least. watch your heads! the b sides b2 track, mumbai dweller keeps the focus primarily on the bottom end, specifically a strutting tribal-house funk groove thats dragged even deeper by a throbbing bass undertow, adding dark chords to it, giving this ep a darker feeling towards the end. to sum it all up: this is raw house music at its best!

8 tracks of pure hardcore madness!!

the every day fight deep in the inner side of danjel esperanza is such a big antagonism. but its not only in himself, its his life, destiny and his music which he really lives out on his musically diary. and now with his first album ever!
no better place can it be than his label backdoor beauty to describe all the opposed feelings. the album contains nine very deep and soulful songs. deep bubbling pumpin basslines combined with spiritual singing vocals, instruments like violins, flutes, guitars and many more! all recorded together with sounds from outside which gives the unique athmospheric dubby touch and far horizons and it feels at the end like a very hypnotic trip.
inspired and influenced from so many music styles he found his own way in electronical acoustic sounding music to describe the antagonism in danjel esperanzas life and the world...which is like one happy eye and one sad eye....

every year hundreds of thousands of dance records are being made and released. with the output from dance producers at an all-time high and with so many records crossing over it takes something a bit special to break-through from underground groover to worldwide mover. 2010 is the year of >sidney samson – riverside (lets go!)< on data records.
the facts above dont lie, this isnt just a dance record, its a dancefloor phenomenon and theres good reason for the comparisons with >day & night< by kid cudi vs. crookers and fedde le grands infamous >put your hands up for detroit<. its got exactly the same appeal and has had exactly the same effect, i.e. unstoppable support and praise from the coolest underground djs all the way up to the global superstar djs and via every european summer holiday resort. sidney samson is a name you simply cannot ignore right now.

dollar mambo is a fantasizing. his name is taken from the title of paul leducs film. a movie realized in panama where you find no dialogues but only music and dance to narrate the story. like in the seven dollar album, all tracks have an authentic south colour and are built, not like a film but in a way where everyone can easily imagine a sketch. all tunes are about dancing, intensity, surprising and finally a great tribute to musicians. youll find a lot of sampled instruments from massive percussion, trombone, trumpet, voice (soleil) to guitar, gitarone (gringo) and marimba (wonderful)... like a dream this album is born for those who are searching for something different, illuminating and deeply happy

charity compilation part 2 with tracks by martin eyerer, ds (daniel steinberg), tube & berger, format b! the dance music scene frequently uses african influenced music and rhythm. sampling vocals and percussions of african origin often help djs to achieve huge success with their tracks. meanwhile the political situation throughout the world is reaching an ever-growing imbalance from which the poorest are made to suffer. especially in africa, children have it very hard. they are growing up in an environment that offers poor resources and are exposed to a life of inhuman circumstances. no education, no medical care and worst of all, not enough to eat. in order to support these children and to aid their fight against poverty, the charity project >it began in africa< was set up by juliet sikora and tube & berger. together with other artists from the dance music scene they want to help raise money for the organization the african childrens choir. in cooperation with the african childrens choir, 18 artists made their own interpretations of the original songs from the african childrens choir. all profits made from the sale of this compilation will be donated to the choir and their further projects, i.e. building schemes, the founding of nurseries, and schools to help children get away from a life on the streets. >with this project we sincerely hope to be able to support the children of africa and empower them so that one day they will be able to help themselves.<

charity compilation part 1 with tracks by timo mass & santos, kean sandreas and namito! the dance music scene frequently uses african influenced music and rhythm. sampling vocals and percussions of african origin often help djs to achieve huge success with their tracks. meanwhile the political situation throughout the world is reaching an ever-growing imbalance from which the poorest are made to suffer. especially in africa, children have it very hard. they are growing up in an environment that offers poor resources and are exposed to a life of inhuman circumstances. no education, no medical care and worst of all, not enough to eat. in order to support these children and to aid their fight against poverty, the charity project >it began in africa< was set up by juliet sikora and tube & berger. together with other artists from the dance music scene they want to help raise money for the organization the african childrens choir. in cooperation with the african childrens choir, 18 artists made their own interpretations of the original songs from the african childrens choir. all profits made from the sale of this compilation will be donated to the choir and their further projects, i.e. building schemes, the founding of nurseries, and schools to help children get away from a life on the streets. >with this project we sincerely hope to be able to support the children of africa and empower them so that one day they will be able to help themselves>.

after the well received all creation 12s delsin records drops yotokos >wet ink<. yotoko are shifty & domu (jcr, 2000black, archive). yotoko stands for a perfect fusion between broken beat, techno and soul.
their album is not about breaking barriers, but it is their own little twisted version of what they call techno. for yotoko techno can be heard in everything, so as such it is all techno. domu and shifty are influenced by lots of different stuff, soul, jazz, disco, hip hop, techno, some old break beat, new broken stuff.. as well 20 pence mad charity shop finds.. the album is about yotoko making music they think is cool and realizing that all this music is the same no matter what the bpm or groove.
domu started as sonar circle for 4 heros reinforced label. later on active as domu for labels as archive and 2000 black and together with archive label boss volcov for the jcr-label with their album as rima. shifty is domus longtime comrade, making his first musical public appearance as yotoko. the albums artwork will be done by amsterdams machine, who already took care of the kindred spirits releases.

dave lee is back with his better days series under the name of alternative car park 4 of the finest disco licks extended / re arranged & re worked as only mr lee can

already big support from all the usual suspects!!

rotterdam records is proud to present the official nightmare (indoor) 2009 anthem!

vinyl only release ! limited edition to 500 copies (all numbered) !!!! first two tracks with dark and spooky flavours. flipside fits perfect to all moodymann lovers... pure deep detroit disco madness

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

full artwork sleeves. electronic / dubstep label kinnego records started by boxcutter out of northern ireland is back! after the success of the first release (by boxcutter himself) he introduces the masses to a producer named space dimension controller... the techno funk alias of 19 year old jack hamill. following on perfectly from boxcutter and kinnego fluxs a familiar sound on kgo001, it features 2 tracks of deep, loved up electro. equally inspired by both the tape warped soundtrack to garth merenghis darkplace and early aphex twin, jacks all analogue production gives his tracks a timeless sound thats a mile away from contemporary electro and house. the beats are low slung and funky, and the melodies are addictive and show a natural flair. on the love quadrant, a girl / boy vocal exchange sets the scene while the track builds momentum, before the whole thing spaces off on a sweet minimoog solo. on the flip, electropod 250 collision has a deep 808 pulse and flanged bass, topped off with detroit inspired melodies and blurred out reverbs.

supported by anthony collins, konrad black, ahmet sisman, richie hawtin, tony rodriguez, jeremy p. caulfield, someone else, pär grindvik, ivan smagghe! the disordered emperor strikes back! after the fulminate >moody londoner ep< on stock5 and some amazing releases on dumb unit and thema, cesare vs disorder delivers the 10th release of stock5! it had to be the twisted italian from london since he become a very close friend of the label and has so far all the qualities to celebrate the jubilee imprint!

two stunningly creative, and forward thinking tracks, encompassing the very best of house, techno and minimal, all woven together with a golden musical thread. support by anton pieete, thomas schumacher, troy pierce ,...

for the second cassius records and to carry on with the youth speed, trouble, cigarettes adventure we give you four remixes done by talented producers across europe from milano italy… reset! we met the three kids from reset! in magazinni generale while playing, their set was powerfull but also full of respect and influences from hip hop, soul and dance music in general, we finished our sets back to back and since this day love them their trouble mix could have been done by the jbs if they were still twenty something and into house music… it rocks and never stopsno use to present the music from radio slave, the big difference with a majority of other producers is that we both can recognise his tracks in a few bars only, also in the way it streches to crazy length and takes you in a trance that could have come directly from lagos in 1973 matt embrace the same philosophy we all cherish at cassius records the no boundarys way hes more than minimal, more than electro more than techno he stripped down ystc to the max and his remix played at the good time on a good system is a true chicagoan infused gem then after chaos

from the home of sensuous house music shelter records we are brought the record crazy love, featuring the african princess zap mama. what we get on this record is unrestricted house song by a full bodied eloquent vocalist. yes all the elements of house are here, deep bass, pianos, vibe, strings and much more. the heads will turn right to the spencer loveslap mix because of the steaming afrocentric percussion which is sliced between the house movements... this is made for the shelter, body & soul, warehouse alike

throughout the life of bbe very few djs have left a long last impression on our ethos - real music for real people. vincent williams is one of a few active djs today whose versatility and all round knowledge covers so much ground.

slamming 2 track 12 inch with legendary tracks... classic

limited classic house reworks of this well known anthems

>cancel< is duesseldorf based producer antonelli electr. 3rd ep for level records. while most producers arrange their tracks on laptops, using the latest software synthesizers and sequencers, antonelli choose to ban computers from his studio in order to concentrate on a production method which hasn’t change much since the early days of house music. all tree tracks are arranged and recorded live without any edits resulting in very pure record which a magical flow.

vinyl only release of this playmonster! we will manufacture 500 copies of this picture disc for planet earth. strictly limited. there will be no repressing of the picture disc!

turning and turning in the widening gyre
the falcon cannot hear the falconer,
things fall apart, the centre cannot hold,
mere anarchy is loosed upon the world,
the blood-dimmed tide is loosed, and everywhere
the ceremony of innocence is drowned,
the best lack all conviction, while the worst
are full of passionate intensity.

surely some revelation is at hand,
surely the second coming is at hand.

makaton on token: a secret form of punishment

nice price deal !!! 1975 is a slow build 2step workout with skittery beats and thumping sub that delivers in all the right places. think el b meets aphex twin under a tropical sky. ai nadia is a throbbing afro step monster. shuddering sub bass and chanted vocals collide to create something very special indeed.

more stuff from detroit finds it way to the world through amsterdams delsin records. so far they have released 2 ep on shakes frictional label. lately strand was very successful with their live performance at the demf 2001 together with anthony shake shakir. message 2 is filled with their soulful and funky techno. the tracks end up somewhere between shakes freestyle beats and cims soft electronic excursions. strings and gentle beats are all around, also going more uptempo and danceable. funky, deep soul techno tracks in good delsin tradition!

brilliant and smashing techhouse tribal tracks from dole&kom !

1995 classic by heather b(former housemate on mtvs real world series!!)!!

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

nice price deal !!! 1998 mixes!! babylon zoo is famous for his hit single spaceman which hit no.1 in 20 countries in 1996!!!!

the first release on brendons own imprint features 4 strong house tracks that possess all the groove and atmosphere necessary to keep heads bobbin and feet tappin. from the jazzy and disco-infused title track to the techier electro bounce of >phazed & confused<, this ep is solid all round. no filler here!

an absolute treat for all the detroit disco freaks from derrick may and carl craig! originally released in 1992 on spiritual records, >simply just a ventage< features the two legends looping, filtering and slicing the f*ck out of john roccas >i want to be real (farleys hothouse piano mix)<, while on the flipside youve got the disco house bomb >ventage (institutional mix)<, which uses the original sample from >no control< on designer music

the simply massive duck sauce gets a full release via data 1 sided but its all about this mix. disco house is back with a bang

nosferatu delivers a slamming release on enzyme records. this record contains 3 solo tracks by nosferatu and a collaboration between nosferatu & mad dog (traxtorm records). lack of existence is a melodic track which has been played by all the top jocks the last months. a huge floor filler with a great melody. its great to hear the personal elements of both producers in this track. intimidation is an energetic track with cool vocals and a very effective riff. bloodlust is the second melodic track on this release. nosferatu asked nikkita to record some vocals for this track. the result is a massive mainstream hardcore track with an amazing melody! this track is also heavily supported by many djs. the last track on this release is the original wolves of creation. a very slow, bumpy track with funny vocals and an amazing drive!

yore returns with yet another deep master piece. javier alvarez, a madrid based producer and proprietor (along with his younger brother dubbyman) of the underground label deep explorer music, brings his relaxed above smoke sound to the yore imprint. in the first of four warm and atmospheric mood pieces, awfully drapes dense synthetic winds over a deliciously grooving, bass prodded deep house pulse. get down does exactly that with five funky minutes of rhodes chords, disco hi hats, and synth swirls, a percolating bass line lends the track a propulsive charge, while crowd voices give the cut a party vibe. on the b sideÆs ôthe fixö javier scatters chopped fragments of the spoken line, i ve got a lot of shit to say and i cant say it all in one day, i cant say it all on one piece of tape, over a funk house groove, after which dubbyman offers variations on the theme in his remix of the track, dubbymans version digs deeper into the cuts bass science and warms the tunes slinky pulse with hand percussion and claps. old school in its embrace of classic house sounds, above smokes ep is tailor made for those who like their material laid back, groove centered, and funky.

today, krikors musical style has become more hybrid than ever, a personal synthesis of his musical obsessions : the fat groove and old drum machines of chicago house, the abstract sounds of minimal techno, the urge and energy of rock(abilly), the harshness of industrial music, the dark romantism of folk anti-heroes from the 60s and the forward thinking of grm lab rats (pierre schaeffer, pierre henry..). the result of this synthesis is a first album >land of truth< at last, after 10 years of waiting. its an intimate and ambitious album, bitter and sweet. 11 cinematic songs featuring the voices of krikor himself and also nicolas ker (from poni hoax) on >god will break it all< and >dogs on trial<, chloe (the french dj) on >everything fades< and chloe (the english punkette of battant) on >the times<.

support by karotte, 2000 and one, michel de hey, red robin, bart skils, gregor tresher and many others. the whole concept of bar27 existed in an empty basement in amsterdam. in spring 2006 a group of friends starts living together in wich soon seems to be one magic place. within a certain matter of time all ideas, styles, tastes and fantasies started melting together, having one thing left in common, passion for music. after a couple of infamous afterparty s in their very own intimate and very special basement, they decide to call their basement bar27.