we are pleased to present with * black hole* by meta.83 the work of a consequent defender of the art of analogue production. the soon available track * black hole* by the liebe*detail co-founder jinxed us from the very first moment and it was clear to us, that we d like to add a number of top-class remixes beside the original. for this we were able to win no one else then the tobias and borrowed identity (after his recent release on pastamusik * crack in the box ep*). the powerful acid bassline in the original version as well as in the gravity version creates from the very first moment a hypnotic undertow which seems to keep increasing throughout the track. its masterfully celebrated how to generate effective hits by carefully chosen elements and canny used effects. tobias also devote the focus in his interpretation on the acid aspect � but with more dynamics and with a higher beat frequency which will make every techno-djs heart beat faster. when carefully set tones are fading in and out this version gets a brilliant final touch. the remix of borrowed identity sounds in its structure more dirty and rough and though at the same time very fragile. a wonderful gem in pure culture drifting towards a black hole ..... perfect.

throwing rave parties since 2011, the bp collective has been founded with the objective of bringing a new breath to the french underground techno scene. in the bp tag und nacht� parties the visual universe tends to merge with the sound. each of the two stages has something different to tell: tag for the open air, nacht for the dark and smoky room. this project is based on the belief that the story told by sound depends on the visual atmosphere in which it is played. indeed this very first ep is built between those two atmospheres, the 4 tracks of the ep could be played in any of the two scenes tag or nacht with a totally different impact on the audience. on the tag stage, both of the tracks are colorful, atmospheric and dynamic whereas on the nacht stage, they become dark, trippy and powerful. this record is the first release of the two artists x1000 on the a side and vidock on the b side. both of them are part of the bp collective since the beginning, they draw their influences from the 90s detroit and belgium techno and trance scene. its difficult not to think about artists like the martian, model 500, robert leiner or the whole r&s label while listening to these 4 tracks.

the anticipated second release from los angeles/seattle imprint slumdiscs comes in the form of a 12 inch from two artists who have each had a prolific year, refining their respective takes on dark electronics. side a features three tracks from italian producer morkebla (where to now?/reckno). he utilizes ethereal synths to create vast, mind expanding soundscapes just as suited for club use as they are for deep meditation. side b is provided by portland artist best available technology (astro:dynamics/working nights). contained within is an experiment in variations and reductions that rewards close listeners with a glimpse into the slow decay of self-contained sonic ecosystems. *go slumming* marks the first full length collaboration between the two artists and showcases the best of their respective styles.

alongside fellow members of berlins janus collective, recently behind nights at berghain and corsica studios, m.e.s.h. is known for his futurist approach to club dynamics and production. on piteous gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. standard club syncopation is twisted by sliding tempos, cut and paste time signatures, and indeterminate pacing. its sound design and compositions are ornate, even courtly, with neo- feudal moods offset by the recurrence of hydraulic hiss and flanger

alongside fellow members of berlins janus collective, recently behind nights at berghain and corsica studios, m.e.s.h. is known for his futurist approach to club dynamics and production. on piteous gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. standard club syncopation is twisted by sliding tempos, cut and paste time signatures, and indeterminate pacing. its sound design and compositions are ornate, even courtly, with neo-feudal moods offset by the recurrence of hydraulic hiss and flanger. the vinyl lp includes a download code for the full album.

limited edition of 200 copies on black vinyl.
in this most recent phase, the intercontinental duo progress into new territory on four tracks that dwell in minimalism. atmospheric white noise and resonant synthesizer sequences combine together with spatial awareness and repetitions that build structures progressively. primal, slow and pulsing sounds give way to dynamic peaks. these tracks were recorded in the same session as the recent �el temps no passa� release on the philadelphia imprint white denim making it a perfect follow-up.

featured: four bona fide artists, accomplished and historically rooted deeply in the underground. drivetrain (detroit, usa) � take your time�a grove which the dance floor simply cannot deny. derrick thompson unleashes a bewitching bass line atop a relentlessly galvanizing drum track. flavorful female vocal samples raise the energy to maximum capacity. black jack (aberdeen, scotland) � �the earth grid��moving just a little deeper, the melody of rich chords and pads guide the constant pulsating bass with effeminate whispers chanting through the occasional twisting synth refrain. fbk (columbus, usa) � �his brief moment of clarity��boosting the tempo just a tad, a herculean debut production which intelligently punches and stabs dynamic waves of rhythmic sound patterns of perpetual electronic motion. rob belleville (soest, netherlands) � brightened horizon�a first offering on soiree records, spontaneously spotlighting late night ambiance. percussions swing to the bounce of the bass riff as the keyboards chime the infectious theme. -rooted and grounded deep-

nice price deal !!! what happens far away from pointless party spots, boring student clubs, werder bremen and the smelly station forecourt full of piss, in this beautiful, grey city next to the river? more than before, we checked the musical output of the town, listened to recordings from friends and dug the archive. back to the origin of our intention � having a platform for all the artists who surround us in our dynamic environment and structures. for the five year anniversary of zckr records: a journey through warehouses, rehearsal rooms, workshops and studios of people who create the art we appreciate and who let us look to the future with a great sense of enthusiasm.

as an artist earl is first and foremost a digger and a selector, crafting sets that meander through the realms of soul, boogie, house and far-flung rarities but his ear and aptitude for knowing what the dance floor wants is seamlessly translated to his dynamic output as a producer. this time around the ever-impressive earl jeffers launches his own imprint, melange, with a groove-laden three-track ep the goose earl delivers a lucid dreamlike cut for the new original in the package, bridge street groove, which sit harmoniously alongside the critically acclaimed re-presses of the goose and let it out to form another blistering collection from the welsh native

hailing from toulouse, french trio signs have already carved themselves out an interesting niche within the nu-skool neuro scene, stamping their unique output into the publics consciousness with big releases on red light records, bad taste recordings and c4c recordings. their beats are sparse and militant with each drum hit afforded the space to dominate the audio spectrum, with pauses and moments of silence, delicately programmed into the dna of the drum tracks, playing big part in the groove s forward momentum, propelling the riddims forward and creating a dynamically powerful and compelling backbone for the rugged, tough basslines to shine.

third dilated records release is coming from romanian octave who delivers two dynamics and hypnotics tunes for the worldwide afterhours dance floors

it s fair to say khijda s debut ep on especial was one of the highlights of the label to date. mustafa - in original form and remixed to distraction by timothy j fairplay - became the soundtrack for many a summer party, while abul was perfect for those deeper late night afters. ... played by jonny 5, dj sofa, ali renault, gitchell moore, the legendary 1979 orchestra, dynamicron (los grandes/our nights), jack pattern, lurid music

klik records is proud to welcome a new addition to its roster, 9west. the 9west project made its first steps back in 1998 in thessaloniki, greece, by two music lovers above all, tikis and george. they both love the deeper side of things with many jazz and soul elements, maintaining a raw and kicking sound. their free of crippling nostalgia music wins you over with consistency, tension, and dynamics as well as a sensibility, one would usually expect from house music. 9west pursues an unexacting fusion of quantum jumps and tradition - including effortless melodies and hook lines.

the globally trendsetting house and techno family that is visionquest now turns to a new pairing of sonny fodera & gene farris for their debut ep on the label. entitled �we work it�, the two-track affair comes with a remix by visionquest man lee curtiss. australian sonny fodera has been at the sharp end of the dance music scene for years now, clocking up huge hits both solo and with green velvet aka cajmere, releasing albums such as afterparties & aeroplanes and appearing on cajual, defected, suara and many more top labels. gene farris, of course, is a chicago house legend who has been active since the nineties, runs his own farris wheel label and has released close to one hundred definitive eps on relief, soma and many others. up first, �we work it� is a lithe ritual of house funk with bent synths and slick mid tempo drums. a spoken word vocal snippet muses on the intake of various substances and the drums roll on infectiously below. it�s sure to be a standout anthem in the months to come given that vocal line and the spiritualness of the keys all around only adds to the effect. the first remix comes from lee curtiss. this one is a much quicker and more peak time bit of tech house with textured, dynamic bass and plenty of drum fills. it�s an involved, more cosmic and tense take on the original, that will build great pressure on the dance floor. all in all this is another on point package from visionquest that will get played far and wide

scuba s musical biography has been a story of constant change. over the past eleven years, his music has zigzagged through bass, techno and house, at times dark and contemplative, at others bright and anthemic. a look at his discography bears out this creative restlessness: from the shadowy rhythms of a mutual antipathy and triangulation, through the soaring melodies of personality and the cardinal -adrenalin- ep. claustrophobia is more than just the next phase in this development�it s a culmination of everything that s come so far. as its name implies, the record is tense and inward-looking, but it s also rich and dynamic, nimbly moving through a panorama of moods and styles. rhythms expand and contract from one song to the next, textural passages give way to shimmering strands of melody, found sounds and field recordings breathe life into ambient sketches. the album is modern and understated throughout, but also touched with something unrestrained: the exhilarating energy of classic rave.

paranoid dancer remixed is the next exploratory techno sound trip from the young berlin label. the special remix edition vinyl release navigates through a range of minimalist ideas, analog grit and tight dynamics with dark, raw and imposing remixes from alexander kowalski, petter b, ray kajioka, mario berger and patrik carrera.

*bapteme de l air* keeps the pressure up throughout as it steadily rolls out its sharpened kick and thick, propulsive snare before reaching its rattling, mechanical apogee. *ready pour le tour* unfurls behind off-kilter clicks, tightly swung hats and sax stabs while astute dynamics build a rich and cavernous atmosphere. the disco tinged *plein les mirettes* sets a rousing warm-up tone from the off with a dense kick and clap pinning down flecks of crowd chatter and shimmering metallic signals before dana ruhs spectral revision of ready pour le tour casts a murky glow over the original, blooming until its close with thickening strings and addictive knocks and claps.

limited nice price action
massive french styled disco infected remix by dynamic rockers, flip for an electro approach by fred pellichero

the new studio 14 release untitled remixes is a vinyl that collects three of the most dynamic artists in electronic music delving into tracks from david att forthcoming untlitled release.also contains a remake of david att to his own track untlited 7. sleeparchive, takaaki itoh and iori remixes emerge as brilliant and emotional diferent versions of the original tracks.

tanzlife & kammerton drop *those family affairs* ep on silence in metropolis this september, with martin aquino and sam haas remixes in tow. the washing dc-based imprint silence in metropolis returns this summer with a dynamic four-track offering from tanzlife & kammerton. despite its relatively fresh start the label welcomes the pair to an ever-burgeoning roster to sit beside names such as funkdamentalist, dale howard and more recently jmf following his popular *point to yourself* ep that dropped back in may.
early support from: dj sneak, doc martin, stacey pullen, french express, dirty channels, claudio coccoluto, kellerkind, andrew grant, jorge savoretti, kirby, diskjokke, zombie disco squad, nils noa, julian sandre, manooz, brother s vibe, javier carballo, ricardo miranda + more.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

bleeping sauce is the new live band project from esteemed minus and items&things duo click box who have teamed up with the highly talented eli iwasa & marcos taga. presented here is a new ep from them on meant that showcases their dynamic sound, it comes with three original tracks and a remix by remote.

body function and vatican shadow have combined forces on > games have rules< for hospital productions, simultaneously stripping back each producers more prevalent production elements - the dancefloor-focused techno structures of function, the experimental cassette-roots of vatican shadow - to create an album of dynamic electronic ambient music, equal parts rhythmic and atmospheric.

pig & dans elevate label is going from strength to strength in 2014 with a series of stunning releases. if you are familiar with pig&dans work, then you know that they produce and play music that is far from linear. they are always looking to push the envelope with genre-bending music and a devotion to creating something special that gets right under your skin and elevates the spirit. pig&dans attention to detail is a mark of their creative excellence. having created a trio of dynamic techno grooves, they give each track its own distinctive identity. whether they do twitchy (sandstorm), full-scale onslaught (power), or transcendent beauty (there is no turning back), they always do it with unrivalled style and panache. it would be hard to find another duo whose creative juices flow so freely right now. what they have is a very special meeting of minds that is being cherished and developed to ever-greater heights as the years tick by, leaving the future of techno in very safe hands indeed.

the second chapter for bizarro group zanzibar chanel, the yin-yang collaboration of agitated force zac segbedzi aka imhotep and cooled out louis cl. raw nrg captured on the fly in melbourne, the sequence of these diy productions reflect their dynamic equilibrium. on the a-side, drunk at the jazz club lays down some lo-tech disco with submerged symphonic keys and the squelching demented valentine one question. flip the record donald duck invades the elevating chicago melodies of flying high - mustnt evolves pure evil extraterrestrial funk (shout outs to dungeon master possee).

stunningly beautiful double-pack from och for autoreply music s 20th release. following on from output on renowned labels like pal sl, trelik, bass culture he returns to autoreply with seven tracks of playable perfection. by focusing on stripped-back percussive grooves, sparse 909 drum-programming and ultra fine-tuned dynamics he certainly proves with tracks -samarkand sulci- and -snarecrow- that the original jackin house/techno sound will always have plenty of life and soul. -don t fight it- is an 8.5 minute acid builder featuring haunting vocals and crisp synths whilst the bass driven dub of -enceladus- wouldn t be complete without live delays and distorted pianos. check out -morning glory- for a surprise contender for this years balearic soundtrack or -c ring- for ultimate warmth. tracks for every situation and not to be missed!

after a best-selling debut record, low budget family - an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation return, and how! king solomons mines from simple symmetry is quite a classic in the making - a deceptively simple workout that reminds of mid 80s boyd jarvis jams, but shot through with 21st century twists and turns, that amplify those tough drum machines, anthemic afro elements, chants and marimba riffing. add a truly dynamic arrangement and you have a dancefloor dynamite! it is disco royalty on the remix tip as soft rocks & brennan green step up. as expected, given the incredible ingredients, the two of them shine. soft rocks set up a classic euro flavoured afro-trance workout, utilising the parts against a far more electronic and unrelenting backdrop, building to a sweaty, strobe-lit finale. brennan green may be less than prolific these days, but he is dependable as ever here. working up a synth-soaked, prelude style dub, whose classic elements will work the floor from here to zanzibar�

delicious 12 pressing, mastered by scape, berlin, pressed by archer, detroit. limited run of 200 copies

holy ghost! are back in 2014 with 2 epic remixes, both sourced from the disco epicenter of norway and taken from their acclaimed sophomore lp dynamics.

a fresh voice in uk techno arrives on hotflush with a four-track debut that brandishes range and dynamics. unsullied atmospherics, large-scale techno, acid, dub and two-step comprise the story arc here disparate elements woven through by the coherence of a singular vision. this is auden.

next up from ndv, the world is in a tailspin, the days of rags to riches storys are gone, but that doesnt mean we cant have a feast. a beggars banquet if you like. mastered to tape hot and pressed to vinyl. the record is about the warmth, the dirt and the dynamics - the essence of house music.

young impetuousness joins old school wisdom to create the volume 2 of chinese laundry records, a minded and roland based ep from i.vy and solid state, who gave his old school touch to this release. a dynamic ep, british inspired, with a strong impact - both on the listener and on the dancefloor.

the fourth ep from raw waxes includes two tracks from the noisemaker, italian producer already on fire during the last years. both original tracks have got a delightful groovy soul, amplified by a dark arpeggio, which drives strong energy in stomach and legs of the listeners. the sounds he choses are captivating, dynamic, and push feelings to an high vitality. the deepness of the original tracks is perfectly interpreted by the remixers, who kept his mood and added a personal touch to it. on the a side, mike parker keeps a sinister atmosphere and beautifies it with noisy and raw sounds, which coherently distinguish his productions from many others. on the b side, haiku develops mostly the dance floor mood of the original track with an upbeat based production going through mind trip breaks and industrial pads, giving to the entire release a summer breathe.

the debut lp by quiltland on white vinyl, including a remix by 1991.

first release in a three part vinyl series for trusts 15th anniversary. exclusive tracks from vc-118a (mohlao / multicast dynamics), morphologys matti turunen, clatterbox and lok44, full color covers by dextro

woodsmen & lady log takes a new step into the future with this dynamic and impressive 12 ep from anders wasserfall. this norwegian producer has reached status as a solid and qualitative music maker with fine releases on greta cottage workshop among others. his music on w&ll004 is no exception, on this piece of vinyl you find impressive skills, jazzy moods and bouncing beats in a pleasurable blend. dont miss.
limited edition of 300 handnumbered copies.

five years on bbe is proud to present third installment in their trademark strange breaks & mr thing series. the double vinyl comes in gatefold sleeve, including a cd with the full mic by mr thing.

the unique and barnstorming trio from paris dop are back on the home turf of circus company with killer new single close up including remixes from catz n dogz, san proper. combining a dynamic groove with jaw�s unmistakable sultry drawl and a dreamy soundscape of deep chords and warm pads, the original mix is an addictive slice of vivid vocal house.

after releases on dont be afraid and astro:dynamics, as well as a contribution to fifth walls no person is an island v/a charity compilation, berlin-via-london producer alis returns to hound scales and divvorces fifth wall imprint with the apache ep. the a side is home to her two original productions: *apache*, a waterlogged, wind-blown journey through arcane, genre-bending techno, and *modus*, a more direct outing with an acid line that could take the paint off your mothers car. two sweltering reinterpretations of *apache*, one by brooklyn tunesmith ital and another by fellow fifth waller matrixxman, populate the b side.

s.m.a.l.l and oleg poliakov are no strangers to the scene! s.m.a.l.l making his mark on labels catwash, esperanza, monique musique and his own imprint politics of dancing, oleg poliakov setting it off on the sthlmaudio, circus company and bass culture imprints, both combined bring forth that special something to their sound. these two dynamic talents unite as one bringing you this explosive track entitled *munkaroo*. munkaroos driving bass and guitar riffs set off with soulful vocal bits, will definitely enlighten the crowd setting them off to a frenzy! brothers vibe remix quirky samples and deep vibe keep the party groovin steady... a massive release from this dynamic duo!

bristol music has always stood strongest as an alternative to the lowest common denominator, and so it is with brstl as the label continues to provide a platform to previously undiscovered talent in the underbelly of the citys flourishing house scene. following lauded debuts from shanti celeste and jay l, the sixth installment in the series turns to another unknown in the shape of samuel. as with other releases on brstl, 006 is made up of two distinct halves. on the a-side, >numberuma< delivers machine driven house of a rugged and charming nature. the drums switch up with playful intent but largely centre around a forward-charging 4/4 pulse with a faint hint of tropical flavour rubbed into the groove. meanwhile the limber lead keys speak of sunnier days through a cracked lens while the accompanying chord swells intone an equally uplifting and nostalgic message. while from the outset the track may be wrought from simple ingredients, the dynamic interplay between the different elements belies the producers years. on the flip, >groove therapy< opts for a more esoteric approach made up of long, dreamy lead-ins full of distant pads and delicate percussion and transitions as smooth as silk. indeed this track makes a smart foil to >numberuma<, choosing to snake its way into the subconscious through delicate melodic content and an undulating beat rather than rambunctious rhythm. slow-release filters draw that aforementioned pad in before sending it out to sea once more, and all the while the stripped back drums tick out a hypnotic chant. once again a pair of unique tracks loaded with character prove brstl to be an essential outpost for the most creative 4/4 music emanating from the west country.

this is the first release of mexican/canadian label departures records done by up-and-coming artist mike khayata. the ep features 2 original tracks and 2 remixes, shivers is a deep, slow but very dynamic track that reflects the artists thoughts on the immediacy of things these days. its chord progression drives the track and captures your attention from the moment it starts and makes for a very introspective listening experience not necessarily designed for the dance floors

knapp zwei jahre nach der veröffentlichung des selbstbetitelten debütalbums melden sich nick millhiser und alex frankel aka holy ghost! mit neuen songs zurück. dabei zeigt *dynamics* deutlich, dass die beiden new yorker sehr an selbstbewusstsein gewonnen haben und ihre musikalische erfahrung, die sie über die jahre in form von single- oder ep-veröffentlichungen sowie zahlreichen remixes für z.b. mgmt, cut copy, moby, phoenix oder lcd soundsystem, gekonnt in die songs einfließen lassen. holy ghost! haben ihren extrem tanzbaren elektro-sound mit dem neuen album perfektioniert, sie kümmern sich nicht um etwaige trends und konzentrieren sich auf ihre stärke, einen sound zu kreieren, der sofort in mark und bein geht.
die 2x12 inch vinyl-lp kommt im klappcover, inklusive cd-version des albums.

following on from his dynamic debut lp on tectonic last year, civilization, and an excellent contribution to this years tectonic plates volume 4 in the form of *kerplunk*, distal returns with a solid 4 track ep that spans the full wide range of his production ability.

dumb disco ideas is a new song from the bands upcoming sophomore album, dynamics, which will be released this fall. dynamics will be the follow-up to the groups critically acclaimed self titled debut album which was released in 2011 and was hailed as a classic pop album by the los angeles times.

it is the collaboration we have all been waiting for! the careers of both catz n dogz and eats everything have been intrinsically linked since the polish duo debuted the incredible mr edible via his agenda-setting *entrance song* on pets in 2011. their relationship was compounded by dirtybird dynamics, both acts sitting on the fringes of house and techno, neither side shy of the rich taste of bass, the work of both eats everything and catz n dogz has always sat side-by-side� but never together. until now.
two instantly distinctive, unmissable originals. one killer remix. they say it is a dog eat dog world. well not anymore� welcome to the crazy world of catz eats dogz.

beware: must have release! three cuts of ballistically designed cutting edge dance music. one fast gritty experimental electro cut. the appointment program has been deepening its investigation on resonant frequencies and on the limits of groove dynamics