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*Bapteme de L air* keeps the pressure up throughout as it steadily rolls out its sharpened kick and thick, propulsive snare before reaching its rattling, mechanical apogee. *Ready pour le Tour* unfurls behind off-kilter clicks, tightly swung hats and sax stabs while astute dynamics build a rich and cavernous atmosphere. The Disco tinged *Plein les Mirettes* sets a rousing warm-up tone from the off with a dense kick and clap pinning down flecks of crowd chatter and shimmering metallic signals before Dana Ruhs spectral revision of Ready pour le Tour casts a murky glow over the original, blooming until its close with thickening strings and addictive knocks and claps.