zwo! are tony blunt and ivan murias, producers and owners of the mighty thump elektroniks label. their brand new ep >you and others< is due to be released on dpress industries later in april 2007. they present their most melodic but and most danceable face, creating 2 tantalising tracks of deep detroit techno. djinxx (electronic resistance, sahkatek) appears on the remix with an amazing groovy version of the track >static refill< full support from laurent garnier, fabrice lig, kosmas epsilon, pablo bolivar, dj 3000, ur, hernan cattaneo, funk d void

exciting news from the re-activated hairy claw label that has been lying dormant for a while. as you know, bears shouldnt be taken for granted when sleeping and this one has awaken to devastating effect. laj & quakerman have been dormant (remember what we said about sleeping bears?!) since 2002 and many fans of their tracks on fiasco and the idjut boys u-star will be very excited to hear of thismonster on hairy claw. two tracks entitled >vinyl frontier< and >lust in space< are sure to get plays from the widest spectrum of djs while keeping their old fanbase intact. live drum rhythms, bleeps, moody synths and latino marracas…i can see this freakin out alot of bunnies! its a space party for future bears on a mission to jack. raj gupta (for it is he) has released under several guises for labels as respected as nuphonic, session, noid, r&s, strutt, mr bongo…the list goes on… we will tell you more nearer release date but for now… grrrr!!!!! roooaaarrgghhh!!

dogs on crack are one of the newest to the uk punk core techno scene but they come with more of a bite than most. formed out of the mould and ill feelings of an old rundown flat in wandsworth housing estate dogs on crack started putting there grubby little fingers on to the much loved german sound schranz. with there first release supported by the shranz demon himself frank kvitta mad dogs & englishman is set to tare up all the dirty hell holes near you

bomb alert! peaktime pressure all the way! house music is dead is another unbelievable track the beats are tough but groovy, and dark electronic synths rise through the mix before the haunting main hook rears its head. think trentemoller meets fedde le grand.this track is buzzing everywhere & has just been picked up by a leading uk label for a forthcoming release!

the freemasons return with this massive 2 tracker nothing but a heartache is a peaktime discohouse affair with strong female vocals flip over for an electro infected tv rock & dirty south remix for love on my mind

the cooperation between lindstrom and solale (aka isabel/christabelle) started in 2003 with the release of >music (in my mind)< as the second 12inch on feedelity. now finally they ve decided to do some more music together. this first single from the album that they re currently working on is a slow disco-number based on a 5 minute vocaljam (first-take is always best take…) together with a fat bass-arpeggio and some simple guitars/keys here and there. the lyrics doesnt necessarily pretend to be anything more than a >practise<, but is nevertheless quite good we think ! on the flip-side there s an amazing dub-workout that s given us from a friend that doesnt wanna reveal his identity

floating minimal techno for the dancefloor - support by ivan smagghe, laurent garnier, kiki.

looking back to a great year, we find david k from the freak n chic posse being one of the most successful newcomers in 2006. freak n chic stands for a kicking mix of techno and acid sounds, which are blended with some house. dj friendly, very danceable but still demanding, with elements of deep house and minimal house…whereas >tender and sugar< seems straighter, darker and more minimal, and the fat but simple beat is the driving element, >mayann< comes along with strong reerences to >Âme< and its synth sounds remind of >rej< or productions of >pasta boys< from italy

nice price deal !!! been around on white label for a few months, but now getting an official release. dj delicious needs no further introduction with his current dancefloor smasher same man john dahlbeck completes the package with his huggotron remix

d stephanie and philippo team up again for a fine set that mixes broken beats, soulful vocals and enticing melodies. freedom fighter will certainly become a crowd pleaser at parties, but the winner is c mon and give it a floorfiller for the clubs and the party anthem for the after summer of 2006

inc. mikael stavöstrand rmx sunset diskos – the deep and funky minimal techno label from mikael stavöstrand. presents it second release with a four tracker from our man in los angeles. a bit different from what you usually hear from this guy but for sure funky and chrunchy. starts off with a minimal, deep and clever melodic piece >its in the eyes< , evolving as slowly as it should .. into the next step with a bit deeper touch >in charge<. the flip side continues with >about to be< pushing the groove to the max before we find mikael stavöstrand taking >in charge< forward into deep minimal techno terrains including lots of small crunchy rythms , deep vocals and a serious groove. apendics.shuffle – aka. kenneth james gibson, a man of many personas. keeping up with him can be a time consuming, yet rewarding venture into sound

already played by richie hawtin, karotte, sven väth and magda! tattoorecs is label with a very simple concept. the tracks released dont have titles, they have tattoos. tattoos are the ultimate dedication of love. wether its a name, a symbol or a number tattoos are there because they are important to the owner. they dont have to be beautiful or elegant, and they dont have a meaning to anyone but the owner. some people seek acceptance and follow the mainstream with their body art. some people push the limit and reinvent what a tattoo can be some people stay true, and go old school with their tattoos thats why tattoos and music are so alike. these tracks are a part of us. we have created them with our hearts. .

knackig frische minimal electronic tracks

there s a serious new scene forming around playtime records. mike monday, king roc, cass and mangan, the insignificant others, claude von stroke, david duriez and big daddy are spitting out a new house / electro hybrid that s not commercial but works bigtime on every floor. dj support from: fergie, erol alkan, tom neville, mike monday, king roc.

its time to bring you the second release on this exciting new label. this time we move cross-country from the frozen north east of england home of mooncat, to the north west rainy city that is manchester, for more quality house music with great vocals. headz are two of the city s finest chararacters, dave muirhead & studio-partner kev carroll. big with danny tenaglia, dj vibe, deep dish, hector romero, satoshi tomiie wally lopez

spookiger techno mit einer menge feingefühl & einem formvollendeten groove. da braucht's auch keinen luciano remix mehr

this ep winds through a broad mixture of styles - from instrumental hip-hop to moodymann-esque jazz house, and rolling tech-house - showing vincenzo's versatility as a producer…and a healthy open-minded attitude to music. vincenzo ragone is a resident of barcelona. he lives in the same building as both techno lord cristian vogel, and a former a-ha producer….but his own music belongs somewhere in the middle of these two extremes.

slamming deep jazzy vocal house

house, funky grooving house tune, with a well known bassline,lots of filteraction and nice female and male vocals

yes.. it took more than a while.. but finally.. here is chan n mikes no.10 and beside 3 rocking tunes by mr. forshaw himself you'll get remixes by tsr, bob brown & je:5 ,i mean, you cant ask for more… and theres now way well write our arses off, as you definitly know what to expect!!

limitiert auf 500 stück !! keine nachpressung !!!!! bootleg..

the dose berlin's lectronic answer to for those about to rock serve a new 4 tracker so tightly programmed and intense sounding it s propably the most mature fumakilla to date, maybe one of the german records this year. their best moments remind of a meltdown between rockers hifi and an up to date green velvet but this time they take it even further

back in stock.. limited 7inch, with a different versions to the regular 12inch

nice price

2018 repress !! minimalism and monotony but always fascinating, the basic channel sound moves every fan of futuristic music. no understanding of berlin techno can forgo this revelatory music. this treatment from scion draws out these beloved sounds, laying down an extended mix that strikes from the core of tresor s unmistakeable identity.

(digipak / 4 page booklet) poignant, aggressive, but yet serene sound track created by jeff mills for and then there was light - a japanese film directed by tatsushi omori based on the novel hikari by shion miura.

atmospheric and ambient dub master yagya serves up stars and dust, his seventh full length album and second on delsin. it finds the icelandic artist perfectly pair melody and minimalism to create ten more tender tracks that will sooth both body and mind with a range of very real emotions. electronic but organic, it is another complete work that encourages you to lay back and get lost in sumptuous sound.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

teenage jesus and the jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out lower manhattan. the mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself lydia lunch.

deep, growling static contracts and contracts to a point, pumping out new sounds like solar flares. the pings of a high keyed synth rush by like stars. for harrington, what begins as one ends in many places-every sound is infinite.

a multitasker, a one-man army, a chameleon: simply put, markus wormstorm is a phenomenon.

this is a textured soundscape energized by drums that might sound inspired from the influences of the past but are clearly crafted with sounds pulled from the future. from here we arrive at prisms, an interlude that at first seems relaxed until you realize that with just a combination of arpeggiated synths, percussive elements and noises plucked from the ether you are smack in the middle of a piece of music that somehow wraps its emotion around a moving image that moves you with it.

circlesquare aka jeremy shaw is back with his long-awaited second album >songs about dancing and drugs<.

wretch 32, real name jermaine scott, is one of the uks most loved mcs - from the underground up. from his early years in londons flourishing grime scene back in the early 00s, the tottenham-raised lyricist has always stood out from the crowd. his conscious and reflective bars, along with an extremely relaxed flow, made him a firm favourite on the uk hip hop circuit. much like tinie tempah, wretch 32 has proved that british mcs can reach the mainstream without selling their soul to pop. the first fruits of this crossover success were tasted in january 2011, when his single traktor broke into the domestic top five following an appearance on the bbc sound ofÉ list. and his second official single, unorthodox, fared even better, peaking at number two in april. so its clear that much has changed since his debut lp of 2008, wretchrospective - but has public recognition come at the expense of what marked wretch 32 out as such a talent in the first place? not at all - on the opening title-track, the rapper lets the listener know that its the same old wretch at work. over a drum-heavy hip hop beat he sets up the rest of the album well, advising everyone to fasten their seatbelts as he prepares to take them on a ride that they wont forget in a hurry. never be me finds wretch delving into his past, opening up about making certain decisions in life that got him to where he is today. featuring rnb newcomer angel on the hook, the track has an inspirational feel to it - all over another impressive, but this time more grime-influenced, beat. a true standout is anniversary, with alex mills on singing duties - its a love song, minus any cheese. then the album lurches into the electro-infused sanes the new mad - a glimpse into wretchs party lifestyle, with ladies and alcohol at the forefront of his attentions. and closer dont go just might be one of the tracks of the year.

incl. tracks from j dilla, dj jazzy jeff, larry gold, dj spinna and will.i.am and from legends such as pete rock and marley marl. in addition there were albums leftfield heavyweights king britt and madlib. last but not least the set included a session of unreleased poetry from american literary giants - allen ginsberg, peter orlovsky and greg corso whose well documented movement lent its name to the series.

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

it was 1975 and a mere 24 years since ike turner lit the blue touch paper on rock n roll with the incendiary rocket 88 , when a small independent record company emerged from a couple of second-hand record stores in london. it was just before the fuse was lit on another stage in the rock n roll story with the emergence of punk rock and chiswick records helped strike the match - commencing with the release of the count bishops speedball ep. with the same people at its head, the label evolved into ace records and they are proud to be celebrating their 30th anniversary in 2005. ace has become the leading in-depth catalogue company in the world and has issued a vast amount of the best and most important music released in the us from the time of that first ike turner recording to the launch of their own company. that crucial period forms the core of the extensive ace catalogue. they have often wandered off this central path, with excursions into world music, some home-made recordings of local acts and have investigated beat music from belfast to tokyo. but it is at the heart and soul of rock n roll that you will find ace putting out that wild and frantic, deep and romantic, funky and punky music that will sure nuff turn you on!

debut album from curv on vinyl vibes records ... after various successful 12inch releases on vinyl vibes, the label introduce their first artist album from curv. while in the past mixing organic and clubby elements, deeply rooted in soul and jazz, curv recently developed a stronger love for electronic music, splendidly reflected in this fantastic record. between here and nowhere is not just another electronic album as one might expect. it features a unique style of warm, analog sounding club music which makes perfect sense as a listening experience too. it would not be curv if jazz, funk and disco didnt feature, if he would not occationally mix the electronic beats with some natural sounding drums, the keyboards with some piano. but he is now putting all these things into an electronic context of house beats, naughty electro and even deep minimal. in between all of this you still find all those stunning little details that make his music curv-music in its very own & special way.

reissue , boot camp clik is an american hip-hop supergroup from brooklyn, new york city, which is composed of buckshot, smif-n-wessun, heltah skeltah, and o.g.c. , green & black splatter vinyl, limited to 300 copies.

sophomore album from the staples jr. singers.

hiphop / rap international