crystal is a live band from tokyo also known as sunao maruyama altogether influence by yoko ono, depeche mode, human league, cristina or art of noise, and you can surely tell listening to their productions. here they grant us with a 5 tracks ep on french famous institubes inprint filled with fm synths, machine drums from the past, and analog tools...

after 2 successful eps and massive remixes for metronomy and whomadewho its now time for more discodeine vinyl action. this third ep called tom select is definitly dedicated to the dancefloor... frankly, the track speaks for itself but if you need some influences lets say smith n hack/lfo/frankie bones... but you should know by now that discodeine is only sounding like discodeine right? the remixes are provided by some people that we admire for a long time: la horse (danton eeprom & ivan smagghe) and joakim. la horse provided a trippy remix, with live drums, electronic wizzardy and insanely beautiful pop harmonies while joakim is more on that nasty techno vibe we all love.

jose nunez, palmrich and harry choo choo romero bang the drums like there is no tomorrow!

next in fergies awesome series of remixes comes his classic break out track. here it gets reworked on the b side by the superb echomen. the remix itself is a twisted, swinging bomb with its knarling synths, white noise, catchy stab and driving drums. on the a side we see jus phil and christian hoff do the original justice with a very bass heavy driving feel and spacey synths and percussion. 2 great remixes.

new 3 track re edit ep from community service. this time with tracks from around the globe. i gotta is a caribbean disco cut without the steel drums but with fela kuti style guitar. walken is a 70s disco rock cut from the land down under and gotse is an eastern bloc midtempo synth chugger.

we are very happy to announce the return of luis radio & raffa from last years smash the mood back to the seasons limited imprint! this record picks right up where the mood left off, dirty synth stabs and drums to rock any dance floor you play it to... also in collaboration on the project this time around is the up and coming new star on the underground circuit tony loreto. the madness continues...

big with gregor tresher nick warren, milton jackson, anthony pappa, michel de hey, oliver klein, monoroom, luciano esse, patrick lindsey,.. with the first circle music compilation the world of circle the label presented itself as a community of artists, as a family, that proclaimed continuous movement, pure power and brilliant soundscapes in various styles which have these three attributes in common. with the new circle compilation the mechanic side of nature, now released as compilation ep series, the dualism of nature and life is represented in the mechanic character of electronic music art. by that it is possible to give the issue of circle music the face of its music: reflecting life consequently with electronic music and digital sound poems in all its facets. on the second part robert babicz, noise artistry, onionz and ralph sliwinski are presenting their tracks.

pit spector started composing music in reggae and jazz bands, playing guitar and piano. he shortly discovered electronic music, following his bro steps ark, who gave him a sampler in one hand, a herbert record in the other. fascinated by this kind of composing, he founded antislash together with john merrick and charlie not fonk. the group is performing extremely punchy and improvised livesets accross europe. pit spector also writes music and sounds for avas verden, a more theatrical and noisy show, influenced by rita mitsuko, herbert and steve reich. in his first 12inch, on minibar, he offers a 4 tracker. its a unique sound and groove experience, with antislash remix. its about clicks, drums, voice, kicks… exactly as we like em. he takes this opportunity to thank again ark for passing on his love for music and dance

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

deadmau5 returns once again to his own mau5trap label with two huge tracks catbread & word problems. catbread is a huge mau5 track with trademark drums and a huge, sick bassline that has to be heard loud. great melodies and harmonics make this a definite future mau5 classic. word problems has a real classic chicago vibe will deep acid undertones and bumpy rhythms. this is the darker side of the mau5

benoit franquet opens his catalogue with a beautiful but moody composition of progressive melodic layers. the way is enriched in distilled clarity, which flows effortlessly through stimulating arpeggios and cinematic envelopes, which despite their tranquil breathing and filtering, are aimed at the heart of the dance floor. pole folder?s continuous tight programmed drums both flutter and drive under sprinkles of inspiring atmospheres from start to finish!

3 tracks of devastatingly powerful techno, w/huge tribal drums, old-school basslines & corrosive, industrial textures!!! for fans!!!

djs classic mastercut is a brand new label focused on releasing original material from timeless artists. our releases will be only for djs / limited edition / color vinyl and no promos. for this 3rd release, we bring you the best of the best & obviously the rarest 12 inches around! a side comes up with the great >scrappy - freeze< originally released in 1988 and for the first time the legendary limelight extended mix available (more than 8 mn of pure acid madness), this is the mix that was heavily played by the original chicago masters back in those days & if you need a record to bang a party, this is the right one. a cornerstone for todays timeless djs, even rvng intl aka tim sweeney compiled it in 2005.on b1, we have the infamous >pleasure zone - fantasy<, all about drums, acid & insane vocals from 1988. b2, >hercules - lost in the groove< done in 1987 by the wonderfull marshall jefferson, all about drums, claps and some timeless vocals circa chicago in the late 80s. this is almost a gospel track!

played by: ricardo villalobos, sebo k, brothers vibe, loco dice, dj deep (deeply rooted), karotte, nick curly and more... !!after the last fantastic release on fumalab we now make a stop in southern america – to be precise: in santiago de chile. there is a lot going on in chiles electronic music scene and dj felipe valenzuela is one of the agitators of the night in santiago de chile with one foot in latin america and the other one in the old continent. he is a fresh, young, and talented producer. we will hear a lot from him in the future … he took piano lessons for a long time and his first producer steps started in 1995. felipe is a dj since 2002. he organized small underground parties in santiago de chile shortly after he travelled to europe, especially spain. from this experience, great alliances have been created with bookings and excellent agencies. >alicante< is a spherical and hypnotic track which takes you on a journey through chile. there are spoken words in combination with a dreamy chorus and typical sounds from latin america. alicante evolved from a team work as rockit-f. this is felipe valenzuela together with fernanda diaz. >dive< is a percussive, mental track with sound snatches ranked together with a very special feeling. its a long trip – call it a lesson into rhythm and drums. the music kicks you discreet the whole time. >dive< emerged from collaborating with felipe venegas. hes also known from releases on immigrant

dan curtin is back and banging drums!

beautiful melodies and tough drums - gavin boyce represents west coast deephouse in full effect. full support from the likes of fish go deep, kaskade, nacho marco, dj rork, ross couch, dj heather, nick holder, murray richardson, kirby, inland knights, giom, kelvin k, darren nugent, atnarko, halo, asad rizvi, jay tripwire, luke mckeehan & many more.

the debut record of ritmolider kaleidoscope is a traditional studio work with live performance and classic analog sound. being in the era of nu disco and re edits the author has tried to find his own way of making music based on traditional methods of performance. and hes got a beautiful symbiosis of instrumental improvisations and electronic melodiousness. at the begining of the record theres a superb remix by the beat broker - deep, groovy synth disco, highly recomended for dancefloor! the second track is a journey into obscure psychedelic funk with lots of improvisations and atmospheric tunes....a pity so sweet percussions are added so late. b2 tonight at the discotheque will carry you away by the real soviet disco vibe. a beautiful arp solo softly flowing through amazing effects and acoustic drums focused on free played funky basslines. the original version of kaleidoscope is also a very interesting one. a mood of this composition is changed all the time. the first seconds of the track you hear a tender melodic solo which makes you feel calm and relaxed, then you get the groove coming from an agressive arpeggio and dinamic percussion. soon this feeling gets interrupted with a sudden slap bass impromtu playing together with a synthy accompaniment, and it turns into another feeling, and so on... this really reminds of kaleidoscope effect!

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

incl solomun remix !! as we venture into the future of house music, we find certain styles taking definitive direction. one of europe’s hottest producers, tiger stripes, has been at the helm and leader of tech & electronic dance music. he lays a new foundation over >voyage<, a recent release found on his safari lp released in 2007. two new re-interpretations, solomun main and lost version of this single will be released with more of his signature sound, pumping drums, jabbing synths, rolling over a bouncing bassline with string flows atop breathing new life into an already vibrant track. tune in and hear what we mean.

get digital is off to a blazing start after the release of the mini hit >kaskazi< from simon baker and jamie jones and the well received travelling the world ep from the fresh and talented mac neumann. now we are proud to invite the veteran thomas schumacher who has produced with elektrochemie & dj t. and recorded for legendary labels such as bush, gigolo, get physical and his own spielzeug schallplatten. schumacher is a true producers producer and we are sure these two distinctive orchestrations are sure to love up the dance every time. >hot< is something that would come to mind if one heard the word >picanha<, in passing. and without a doubt the main track >picanha< is hotter than a stolen jalapeño in july. precisely layered percussion, meticulously situated effects and drums tuned with minutiae detail are the backbone of this track, but the groove comes courtesy of the schumacher brass orchestra.

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

already supported the likes of richard earnshaw, andre harris, jevne and jask. share it now gets a total re work from dance maestro jay j. he kicks his mixes into overdrive, creating a set of jumpy, bass driven floor killers that pack a relentless groove.

rinder & lewis: anger - considered one of the most abstract production teams of the disco era, this cut was taken from their >seven deadly sins< album (very rare!). never released on 12inch inch, this cut was a music box fave! not much to edit, just give it a dj friendlier drum intro. a great cut for a disco or a deep house set!mighty clouds of joy: time - one of my favorite edits! taken from their >its time< album. even thought this song was produced by dave crawford, the philly sound played a big part in it (thanks to norman harris on guitar & earl young on drums). the song was originally recorded in 2 parts, so i combined them with a little bit of dub. yes, you can give praise and boogie at the same time!

adam beyer continues his strive onwards and upwards with this new 2 track killer from fellow swede - hardcell. both tracks are devastating with the a side - only being a bass heavy driving bomb that peaks and builds effortlessly. on the flip we have neo acid whcih as the title suggests has a rather menacing dirty acidic lead pattern underpinned by slamming drums. another winner from one of the scenes best labels.!

formed in 1997 by philipp albrecht (guitar), rene albrecht (drums) and christoph lenz (bass) - singer christian erne entered the band in 2000. since he left plenty enuff in 2007 philipp albrecht and jessica sigfalk took the micro power. plenty enuff have been experimenting with sounds from the sixties for almost ten years. starting off with a traditional type of ska they soon switched to a dark blend of roots reggae. their large amount of shows already brought them to the jazz festival of montreux this year.

omanko is the only word that is unmentionable in japanese media and public speech. its also the next single from catz n dogz - a strange hybird of cinematic swells, quirky natural drums and popping guitar plucks. its unorthodox groove builds relentlessly, anchored by a shouting chorus and warm bass bubbles that swell from the depths like some massive ancient sea creature. they take their time building to the climax, finishing the track with late-entering keyboard theme that quickly swirls into a frenzy. perfect for tipping that peaktime crowd over the edge! the italoboyz remix completely remolds the groove to fit their distinctive vision, seamlessly integrating shards from the original into their tension-fuelled agenda. breakdowns of varying sizes dominate the sonic landscape, as their annihilating kick plays hide and seek with the strings throughout the track. finally, all the elements are reunited by the echo-drenched vocal line and percussive baritone sax stabs – a satisfying finale to this latenight masterpiece.

after the huge moonbeam >flickering ray< , move recordings continues with this amazing release from the new single to come out of end-jy. the logo side track «demons » combining sublime slamming baseline and a killer kick. is an angry club stormer in their known electrotechno fashion. a jacking track that is guaranteed to make the club bump. as if this wasnt enough on the flip side « heat » pick up the pace with an amazing pumping groove, perfectly to rock the dancefloor. with a huge dirty bass and killer drums which will be played as a peak time weapon by djs across many genres..

after 17 years of working together, tejada & leviste are back in the studio again putting their modular synths to good work. m tracks (m as in modular) features 4 analog workouts in varying styles. m track 1 features a melodic deep, yet driving track reminiscent of the duos best known work. m track 2 and 3 showcase a trackier sound focusing on basic elements while m track 4 turns in a much more experimental direction. the approach to this ep was a very fun, hands on process. analog sequencers are used to drive the various modular synths and their components. this process allowed for a more organic feel as the unstable electronics change over time as well as the manual changing of parameters over time. systems used include doepfer and frostwave sequencers, and modular systems consisting of cwejman, doepfer, harvestman and bananalogue modules. analog drum machines aided in the rhythms, however m track 3 was generated from pure modular hardware including the drums.

adam beyers drumcode label has had a hugely productive year with a stream of consistently good material. he has now raided the archives for this new 2 track killer on his truesoul imprint. here we have 2 tracks from adam himself with the a side pattern 5 being a large bass driven bomb with big drums, a catchy vocal refrain and superb complimentary pads

after the big success of our first release on outils du connaisseur, we present the second strike, this time by afrilounge-member liapin. basila is his the first solo release, and all the more an impressive one: two deep and slamming house-tunes, basic but concurrently fond of nitty-gritty. according our outils philosophy these two tracks are genuine strippeddown house cuts for maximum floor impact. basila – a massive, slapping bass, rolling drums and shreds of guitar sounds are the dominating trademarks of this track. once the compelling groove catches you, the hypnotizing vocal in the break will inevitably bewitch you. this is one for both body and soul. black mamba features a bassline so corporal, you almost inclined to give it a social security number.

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

a solid three tracker of dubbed out, disco driven underground grooves pulling some sweet sounds out of their record collection, broken home bust out a nice mix of tech house grooves with dusty soul samples main cut two fancy mixes throbbing clicky y drums with slow building guitar licks and filtered samples, working a hot hypnotic dancefloor groove flip for some more funky flavors on flack track and the ultra deep afterhours cut on the low!! solid ep for the inland knights and swirl people fans

the mighty dfa return with ths new release that feels like bjork fronting the slits in no-wave heaven. a limited release in japan, the dfa licensed it and have turned it even more sideways than the original, replaying the drums and guitar and boy does this sound like bjork !!

>dis poesy of jah< is the 1st ep of krispaglia, french artist, fascinated by the athospheric sounds and abstract dub, we offer 4 tracks in these environments. one enters the a side with >the jah< a track dub house african roots with african voices and drums accompanied by sustained athmospheric synth to continue in these environments with >je prie pour vous< track gospel dub house or broken drum mixes and gospel sample voice and abstract synth. the b side leaves speak dub tinged with afro.

cool beat & sound toos for producers & djs !!

the second release of audio parish records comes from men in trees. men in trees is a new producer/dj- duo from germany. they provide us with with percussive and groovy house tunes. the first ep comes as a 2-tracker. >rita cala prada< on the flip starts with a massive groove, with pretty good drums and a crazy dialogue between three spanish people. than the track is growing up with a deep male vocal. >planet calypso< impresses with crunchy percussion and an uplifting bassline. funky horns and jazzy trompets filled this track with a balearic feeling… welcome to planet calypso! this is an ep with two funky tribal tracks that makes you curious.

an extremely tasty 4 tracker from the massively talented par grindvik. the a1 is a real killer with its rising synths and sledgehammer drums whereas the a2 is a perfect contrast with its slow intense minimal groove. the b1 again is a real floor burner with its driving groove and clever synth edits halfway. the record closes with a superb more minimal interpretation yet agin. drumcode again proves it is still one of the most cutting edge imprints around... limited backstock available

the long awaited trentemøller debut album - maybe one of the most anticipated independent albums of the year. trentemøller is one of the hottest artists on the electronic circuit - the man of the moment! a beautifully crafted, astonishing masterpiece, that will leave you breathless. the tracks form a story, almost like the soundtrack of a movie. it manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. an ever-changing kaleidoscope of colours and moods, -the last resort- without a doubt contains trentemøllers best work to date. although its an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even dj scratching to create a more organic feel

banging atmospheric breaks bizz with live drums and bass and this huuge synth riffs!!! massive...

slap - one of the most obscure and forward thinking acts from the early 80s meets the spearhead of today’s electronic music, ricardo villalobos. the originals are disturbingly brilliant electronic excursions, while villalobos’ jazz-fueled rework is one of the deepest mixes he has ever done. vivid drums are built around a driving bassline, aiming the track right at the floor. not to mention the rough claps! imagine miles davis’ “bitches brew” joined by throbbing gristle, playing “minimal techno” live. earlier this year macro unearthed namlook’s long lost “subharmonic atoms” featuring outstanding pépé bradock remixes. this continuation of the “prototypes” series is none less of a dream team. slap’s experimentalism just seems to be the right inspiration for ricardo villalobos, who takes it to a level of weirdness only he can achieve while retaining such danceability. essential!

after his latest release on joia sincerely yours which was played by david guetta, joachim garraud, axwell ..., roman salzger is back on the hot swedish joia rec. ! this time he delivers a big-room monster tune with a very catchy synth hook. the remixes are from avicci, sebastian drums & rolf dyman work machine remix!

nice price deal !!! hailing from japan free disco moved to london two years ago and brought with him an ear for deep music. already an accomplished composer, record collector and disco selector when he sent out a demo of his new recordings it wasnt just electric minds that took note but also new yorks rong music where he will release later this year.. the a side >psychedelic symmetry< is a fast paced track made for the dance floor. heavy bass through out which is bound to find favor with the house heads as well as the lovers of the nu disco sound. the b side >hippe can dance with boogie< leans towards the cosmic with a spacey sound accompanied by live bass and keys.for this project we have commissioned our first remix with stevie kotey. kotey chose to remix >hippe can dance with boogie< creating a spacey disco excursion. he has added live percussion, new drums and replayed the synths so the full treatment from one of todays finest remixers

this vinyl pack just gets progressively better with this subtle, sophisticated rich tapestry of melodic synth lines & sublime drums. ‘madhouse is already a favourite with the scenes heavy hitters. ‘sensei barks deep housey stabs combined with soulful chord progressions to make a this sexy dancefloor mover. funk dvoid & toby bearing no surprises here with yet another quality track. enter ‘six hours later - galactic textures & dubbed out chords make the finale of this bedrock series a hypnotising aural journey.

mad mark is back with a strong and ambitious 4 track ep!! a high quality package which will satisfy every deejay. absolutely essential!!

big with: davide squillace, lee burridge, steve lawler, laurent garnier, ante perry,katotte,thomas schumacher, shinedoe..italys young odds label has been gathering a lot of support over the last few years with its string of quality tech inspired release featuring artists such as elia casetti orchestra, the dolphins, ajello, luke solomon and alex dolby. this time its the term of duo martin patino and enzo elia to step up with the release of their >metamorfosi di narciso ep<.enzo elias previous release for the likes of one louder berlin and mantra vibes have seen his standing as producer and dj grow at a rapid rate and teaming up with half pervvian partner martin patino.it seems the pair are determined to further make their mark with this outstanding ep of late nicht electronic club cuts.lead track >metamorfosi di narcisio< is a stripped minimal affair that draws you in from the opening bars.sparse and tight drums lay down the base for a slowly building intense track heavy aon percussion and full of a atmosphere despite its simple and spacey arrangement.

supported by: polder, m.a.n.d.y., lee burridge, laurent garnier, audiofly, mark henning, geddes, jeff samuel & ewan pearson, margaret dygas,..! tip fear of flying celebrate their 10th release with the mystically charged >mazo< ep from pawas being supported by lee burridge, laurent garnier, audiofly, ewan pearson, peace dvision. >mazo< ep is spontaneous, groovy and exotic. a package that dips in toes in diversity, flirting with an assortment of influences and marking the ability of pawas as an artist. the title track >mazo< has already been luring the attention of the big names, rattling out a kaleidoscope of drums. >disorder< is soothing and graceful, painting a landscape of dreamy sound.

over the last 4 years mouseville has seen eric prydz (under his cirez d moniker) deliver some truly landmark moments in music with tracks such as knockout and control freak really setting the bench mark for others to follow. here we have an equally devastating track only this time produced by paulo mojo and jim rivers - two producers whos starts have been very much on the rise over the last couple of years with both of them having produced killer tracks for labelks such as oosh, misfit and saw. the track is an absolute killer - a driving groover with its catchy vocal refrains, sharp drums and funky bassline. on the flip the eric prydz remix turns the original on its head with deep chords and pads creating a very moody yet powerful reinterpretation. big support from eric prydz, sebastian leger, john digweed, paulo mojo and steve angello

d. diggler aka andreas mügge is back ! this time not on planet vision but on pascals new label: level non zero. blessed with a father who is a jazz musician, andreas started to play the drums at the tender age of twelve, and joined his father in his jazz combo. soon he realized that his future is not to play in a band but to make his musical ideas become reality through the necessary midi equipment. his first release for raum...musik boogiemonster hit several dj charts, club charts and was played in heavy rotation on hr 3 xxl. so did the following releases. d.diggler s first album was released in april 2000 on cd and vinyl, its sound range varying from deep to technoid-slamming. since then he can look back on 45 releases and 20 remixes and is a dj + liveact who playes in the first league. on level non zero he shows us with three new traxs his variety: from „hypno-techno“ (drehmoment), over deep tech-house (deepdown), to dub-house (control). we remember the old raum...musik times...

british staples charles webster and swag contribute two dancefloor driven remixes of songs from the beautifully rich and downbeat debut album from australian producer peret mako. with his interpretation of >export< charles webster expertly weaves the vocals of tania bowra into a sensual nugget of 4am bliss, tried and tested on the future classic dancefloor by charles himself on his recent visit to australian shores. the flip shows swag in a bumpin and grindin state of mind with a jackin hip house groove, chunky drums and the deft musicality synonymous with their productions. ‘the devils in the detail album has won praise from media & djs alike with accolades coming in from allies such as henrik schwarz, slope, quarion, dirk rumpff … the usual suspects… for its deep musicality, layering and attention to detail. future classic are embracing the pro vinyl ideology of keeping the mp3 files offline until the vinyl sees light of day, so watch this space for dj feedback.