rising label releases its second ep with an original track by victor martinez, another artist from the agency, that gives life to this record and gets completed by remixes from oscar mulero, ness and adriana lopez. the original track by victor, -anything called dead consumerism”, is all about visceral and obscure techno with broken rhythms and high levels of hypnotism. following, we can find oscar mulero’s remix, a version that suggests another groove but maintains the essence of the original making it a serious and effective weapon. on the b side we can find ness’ remix, a track that captures you since the beginning. deep, elastic and elegant at the same time where hypnotism reigns and this few characteristics of the italian producer. adriana lopez closes the ep with a more percussive and energetic version. fine techno that catches you from the first beat, a perfect track as a dj.

confidently striding into his third musical decade, luke solomons influence stretches far and wide across a scene that has been embedded in his dna since the early 90s. now harnessing that wealth of experience and unmatched passion for music, solomon presents his next undertaking, positioning himself as the dj/shop assistant/curator you always dreamt about

super rare california sunshine soul, limite to 1000 numbered copies! this lp is the perfect combination of crossover and modern soul filled with strong black male group harmonies and funky instrumentation, a recording to savor the palette of soul and funk collectors across the board. this release isnt just about the vocalists but also the variety of talented musicians and unique instrumentation involved in creating this timeless testament to west coast african-american consciousness of the late 70s and early 80s.

produced by kasper marott mastered by scape km trax1 is kasper marotts debut ep and the second installment on horse on horse. dancing is important and something that has been apart of human life since prehistoric times. horse on horse is all about promoting good music and dancing

what can we say about redondo they delivered the huge track, love too deep, earlier this year... so this new ep is just another hot hot wax!

sometimes it is best to let the music do the talking, this is one of those occasions. local talks 46th release comes from exciting debutant sameed. little did we know about sameed before we got the four tracks for this 12 inch, for all we know it could be your neighbour. quick-firing the release is spend, functional as a set highlight with its dubby chords, vocal snippets and a wonky bassline. included on the b-side is a dub that will work perfect as a dj tool for those who want to go a little bit deeper. showcasing sameeds sense for keeping things stripped down and sweaty, still is a dirty exercise in acid witchcraft while getyoself can best be described as a delicately raw rhythm with dark textures.

i d been thinking about starting a label for a few years but it never really seemed like it could work. nowadays there is more coherence in my productions it seems like the right time. i will be releasing music from other artists as well my own stuff - underground house, techno and the rest, stuff with darkness and sexiness. hopefully it is music that will speak to (somebodys) heart as well as their feet. the first release is called no splice no playback and it is two tracks of house music. vinny (flamingo) is a basement thing, suckle (twenties) works in warehouses too. thanks for reading. -mosca

chewed up and spat out the other side of the uks acid house scene, neville watson was bitten hard by the house music bug and has not looked back since. his brand of deep, raw and jacking house has been released on labels like clone, dissident, rush hour and creme organisation. neville says: i kind of like music that sounds like it is all about to start falling apart at any given moment. there is plenty of clean music that i do like but as a rule i like it rough.
pressing on heavyweight 180 gram vinyl with sleeve drawing by craig richards.

after theremynts lp space control – a journey into electronic music offered by jan richard & eva peel, the trip goes on with this new ep talking about human and robot love, one of theremynts favourite theme (rachel rosen - on the first album was inspired from philip k.dick *do androids dream of electric sheep* aka blade runner).

ltd 2014 repress
treat me bad ep is all about dry vodka and round the block house party.. a minimal funkster that will for sure dry out the bar.. as if this wouldn t be enough, monsieur cabanne has also put his hands in dirt, bringing us a marvelous remix of the flagship track.. yeah, treat us bad ! you gotta spin this deep impact groovy minimal trick.. nn

2014 repress !!
after his highly acclaimed remix of phil kierans >empty vessels< one of the most prolific and inventive producers in the current electronic music scene returns to electric deluxe: gary beck with an ep of his own, >egoist ep<. created sometime last year during a dark and stormy night in glasgow, the track with the promising title >egoist< was at first about to be forgotten. at some point >egoist< ended up in speedy j<s hands, who immediately decided to play it, >egoist< proved its name, ripping apart every dance floor every time it got dropped.

talk about saving the best until last. if you thought that the first two parts of awanto 3s opel mantra trilogy were good, just wait until you hear part 3. it delivers a brilliantly breathless conclusion to what could well be one of the strongest debut albums of 2014. by now, you should know the script. amsterdam producer steven van hulle has previously shown glimpses of his musical talents, either with sporadic solo productions (see his superb 2010 debut on rush hour, for five), or alongside friends from the dutch scene (san proper, young marco and tom trago, in particular). opel mantra, a debut album split across three 12 inch singles (a cd version will follow later in the year), is his big reveal – our first chance to wallow in his unique and thrilling fusions of deep house, detroit techno and a multitude of vivid global influences.

raw waxes meets unperson for its second release: 2 vinyls, 4 techno tracks per vinyl, including remixes by perc, samuli kemppi, stanislav tolkachev and tomohiko sagae.
the second release supports unperson, who dont want to share with you any infos about bio or thought, just want to let you feel in his trip. stream of consciousness ep is his manifesto of driving industrial techno and for any kind of underground dancefloor. indeed raws stuff collected for this ep 4 artists who never look to what can sell or what is considered cool. they did amazing remixes understanding at the best what raw is looking for: no pussy techno, no easy techno.

legoteks newest release is all about the power of string melodies. each episode showcasing the finest in groovy anthems. the first two kick off strong and uplifting combining classic house tunes. on the flip side the listeners are invited to deeper and darker zones.

fantastic new pressing of lost trax classic ill never let you go by william s. re mastered for 2014 from original dat s and pressed nice and loud in original 1987 artwork. while the a side is a useful addition to your catalogue its all about the stunning b side instrumental mix. released in conjunction with trax / harmless.

spell pets backwards to get step. spell step forwards to find pets going back to basics. step is the new concept label from the founder of pets, catz n dogz, that highlights the rawest forms and root functions of quality club music. step finds the fundamental groove with under-the-radar house and techno that is isnt afraid to be rough around the edges. step is limited promo, zero hype, and all about the music. each new step will be released every three months on vinyl

french producer mome makes his 4lux debut with this jackin gang & gang ep. remixes come from alden tyrell & gerd and marquis hawkes.

without further ado, h+p would like to impress you with no eres tu. some of you may remember mamacita s guest appearance on auntie flos future rhythm machine? here we proudly present her debut release. weve sat on this record for so long that we ve often forgotten how great it actually is! amazing 80s chicago house via santiago, chile. one of the summer. we were concerned about anyone touching the flawless original, but argentinian, ana helder delivers a blinding job, at once retaining the best qualities of the og, whilst making it her own.

now available exclusive at decks. the artist formerly known as 19.454.18.5.25.5.18 and albert van abbe are the two guys for me when it comes to faceless quality music. have a listen to their nice remixes and you will know what i mean and like about their sound.

this is the first full e.p. release on fizical music from romanian cally (dumitru dragos gabriel). to cally, dance music is about living life , acting out all possible human emotions and feellings in to the music . great sounds arranged into improbable yet emotionally charged sound-scapes create a very special sound described in to the fizical sound. the tracks have an deepest feelings and a good melodic sequences . this e.p. represents a journey with different emotional feelings with a magnific sound in a unique shape. no more words are needed here , we let the music talk for us . enjoy !!!

quell has had an impressive run these past 6 years, having presented an impressive array of releases on premium labels like ibadan records, tsuba, cadenza, these days and 8bit. 2013 was about to be heavily marked by his debut lp on ibadan and few 12 inches on 2020vision recordings. now, in this early 2014 we are proud to welcome on board this great artist who provided us 3 monster tracks of pure rough house full of dubby elements, extreme grooves and vinyl sampled screams, be ready to smash the dancefloor!

high quality dj bag for round about 25x 12 inch vinyl

rubberboat rework as bag .. high quality dj bag for round about 25x 12inch records

high quality dj vinyl bag for round about 25 12 inch viynls, dimensions: width 39cm, height 33.5cm, depth 12cm

high quality bag for 12 inch vinyl (round about 25x)

high quality dj bag for round about 25x 12 inch vinyls

good recordbag with a good price. look for different nice colors too. for round about 20x 12 inch vinyls

12 inch backpack from magma, for round about 50 records

streetbag for 12 inch vinyls (round about 10-20x) with front 808 print

sequencias number 10 should give anyone unfamiliar with the label a good idea of what we are about. three very different artists have given us three very different tracks—collectively forming a sort of manifesto. experimentation, rhythm and reflection are all given equal weight on this record. as with everything we present, it is all in the service of expressing the flawed and the human.

from the often indistinct morass of modern hip-hop comes something so singular as to merit special attention wrote the guardian about: brownstudys tell me more about bubble album, released on third ear in 2005. a most soulfully cerebral volume of no-pose wisdom. mojo wrote, musically: brownstudy evokes the clammy, distressed soul of sly stones riot, and the lush visions of 4 hero. life well lived is brownstudys new album. 11 songs (9 lyrical flows and 2 intrumentals).

for its inaugural release, spring theory has tapped san francisco producer avalon emerson for a three-track ep. its called church of somawhich, before you get any funny ideas about huxlean wonder drugs, is actually a reference to san franciscos industrial south of market district, which has been an epicenter for dance music since time immemorial. the record pays homage to her long nights spent dancing and djing in one particularly loved soma warehouse.

shadi megallaa, taimur agha and fahad haider are the 3 wise men behind the second ark of ashes self-titled release. untitled is the deeper cut on their debut 3 track ep, whereas eleven eleven and streets of hope are more big room oriented. ark to ashes is a record label conceived in brooklyn, realized in abu dhabi & fantasizes about the universe. it was founded in 2013 by shadi megallaa.

you can never go home is about the first time derek went to berghain. actually, it was his first time in berlin, may have been his second day only and after a certain point he had been there for quite a while. his friend didnt want to leave and she had the keys and on top of it only she knew where they lived, so he couldnt leave but eventually it turned out he didnt want to go home

beyond plastic is a mixtape in book format about artists and vinyl labels that press music on »black gold«. it does not only trace the various processes entailed in the making of a record – from sound-production to the pressing plant and beyond – but also seeks to depict the blood, sweat and tears that goes into it.
the book includes interviews and articles of 60hertz, smallville, liebe*detail, pingipung, acker records, decks.de, de:bug, giegling, brothers in love, dubplates & mastering, aim vinyl, fauxpas musik, oye records, ortloff, kann, rand muzik, uncanny valley, freude am tanzen and workshop.
– edited and designed by alex ketzer (www.alexketzer.com)
– 288 pages, format a5 (210 x 148 mm)
– 19 extensive interviews
– 250+ pictures (coloured & b/w)
– 300+ cross references, accessible via short urls
– including audio-cd with tracks by the interviewee
– printed by gallery print
– isbn 978-3-00-043687-1

vinyl only - limited edition 180 gram pressing! >reforming digital waves by simple & elegant music patterns< - a straightforward mission statement for a new imprint, and one whose understated, direct manner shows the music-centered focus of wavereform as we reveal our first release. the >new sky< ep is the production debut of a mysterious new russian talent known as ivanov, and about whom little is known past his reclusive buddhist existence and his background in guitar, which is clearly evident on the title track. underlain by rising and falling atmospheric washes and understated percussion, >new sky< is propelled by a funky, jazzy and clearly organic keyboard solo that closely approximates his familiar stringed instrument in texture, tone, and musical development. next up is minimal legend soulphiction, who masterfully beefs up the original with a fat, growling bassline and more aggressive, hard hitting drums and claps that take the dreamy mood of ivanovs track and transform it into something more cosmic and psychedelic while retaining its musicality. on the flip, a new tune entitled >deep< gets revisited by lucidflow label heads klartraum, who have recently shifted their digital imprint to vinyl. here they bring things towards the dubbier end of the spectrum with a slow-building track that goes from hazy beginnings to an ominous, dramatic breakdown and then into a harder grooving second half. taken together, these three tracks are an auspicious beginning for a new name and label, and in fulfilling the stated goals offer great promise of things to come.

the first release on our brazil 45s imprint. 1000 press, packaged in brazil 45s house bags.
*deixa eu dizer* is an absolute essential brazilian record, as sampled by marcelo d2 on one of our favourite brazilian hip hop records *desafabo*. the track features on her stunning album of the same name has never been released on 7 inch.
cizinhas track was originally released on rozenblit and has been a firm favourite of ours for a while, although we know nothing about the track.

here it is, the first release of god made us funky records. a four track split ep with 90s house taste, home cooked by donato capozziand antonio amilcare di benedetto. oooh, is an absolute chick magnet, no more worries about to many guys on the floor!

we’re really excited about this unusual ep from the unusually talented photomachine, his first outing on wicked bass. ‘black motorcycle’ a dark but deep number, measuredly working its way down into to a solid groove before it lifts its eyes skyward for a breakdown made up of delicate synthwork. ‘good news…bad dope’ is a more skittish cut, with its percussive elements laying low in the mix, whilst circling synths provide a menacing mood that juxtaposes itself with a well-placed vocal sample.

cottam is proud to present the first release on his new label, ruff draft. paul cottam came to wider attention with a series of limited edition blank-label 12s released from 2009 onwards, showcasing his production talents by re-working afro-beat, neo-soul, funk & hip-hop into deep house burners, but ruff draft is all about original tracks, and the first release sees three tracks from the man himself.

dr.motte s euphorhythm - acid4real(hardfloorremix) was recorded in 2010 / 2011 and planned to be released (with the originalversion and other remixes) on motte s label praxxiz but it was never published. dynamik bass system - robotmachine(hardfloorremix) was only released digital so far in 2011. 3 years later it s about time to manufacture a ltd. 200, continuously numbered and handstamped vinyl edition..

the sun ep is a collection of 4 outstanding tracks from artists that know a thing or two about genuine deepness. featuring ernie (minuendo /deep art sounds), natan h (ethereal sound/manmakemusic), brian james (unfocused) and owen jay & melchior sultana (moods & grooves/underground quality), bbr06 portrays the distinct batti batti sound taking the listener on a warm journey of different textures!

supported by: rhadoo, cassy, raresh, onur Özer, alex celler, zip, vera, dan ghenacia, kreon, michael melchner, seuil & dyed soundorom.
concealed sounds return with a new 12 for 2014. this time around we have invited our friends from mysteries sylphe label to remix the title track by martinez, and they delivered a monster! on the a side we find >consolidation (sylphe lydlos dub)<, were we are taken a true journey thru sound and rhythms for about 13 minutes. the remix kicks off in a kind of tracky way, with a strong focus on the irresistible groove laid down by holdie gawn & micawber. after the first small breaks and manipulations to the groove, we are introduced to some very trippy modular sound design. these sounds takes the lead of the remix and forms into small melodies in a very organic way. while you can still sense the ingredient from the original track, sylphe takes a slightly different directions and offers a good opposite to the original with their own special twist. the original version of >consolidations< is presented on the b side of this 12. its a dirty groove ridden track that goes on for well over 10 minutes, developing from a broken groove into a more danceable techno pieces, with its shattering metallic sounds, bubbly baselines, deep layers of sub rhythms and lush pad chords to give it some more atmosphere. two very different version of modern instalment in techno music. we hope you enjoy it as much as we do… and as always there is a special hidden track on this 12.

jbla came into being after julian jöckel (midnightopera) and stuart argabright (ike yard, black rain, o13) performed at a party in brussels on the 5th of oct. 2012 on invitation from bernardo risquez & michael langeder (different fountains). they all had met for the first time the year before through michael kreitz from meakusma when different fountains & o13 played concerts in eupen. after staying at different fountains studio the day after the brussels event they set up a rather improvised jam session. julian played synth on a yamaha dx7, bernardo worked the low frequencies on an old eminent organ while michael contributed machine sounds and took care of the live fx engineering. stuart put together some words and brought a beat to the occasion of the jam session at the df studio. during the short euro tour with ike yard, l.i.e.s label head ron morelli and artist svengalisghost came to the paris show and were talking with stuart about the streetwalkers of belleville, specifically the sad chinese hookers out on the street. combined with news about recent foxxconn workers suicides in china and witnessing altercations close to the air bnb where he stayed. the belleville ep are two cuts from that session with remixes from ron morelli + svengalisghost and vereker, pressed on translucent vinyl.

killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!
this is the standard pressing on black vinyl.

limited edition of 270 handnumbered copies on red vinyl.
killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!

home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep upfront released on vinyl-only terms and produced exclusively on analogue equipment. ogers re-tracing of his roots pays dividends too, and whats most striking about the labels debut outing, the simply-titled home invasion 02 ep, is how very different it sounds to vintage real tone planes. gone are the whimsical, celestial deep house hues so favoured by the latter, and in there place is a series of cuts that expertly toe the line between house and techno without resorting to generic soundscapes

nofitstate chalk up their 3rd release with the much talked about swedish duo mr. tophat and art alfie providing ‘vretis’, an elongated groove fit to bursting with tension thanks to its extended filtered intro. ‘locked groove’ provides the remix on the flip, opting for a more blissfully melodic approach for those early morning sessions whilst ’takelant’ rounds things off in fine style with a low down and dirty slice of machine-phunk.

hot on the heels of their inaugural release, athens nous imprint dishes up a 2nd taste of what to expect from their lovingly assembled stable of talents, this time in the form of a musical odyssey from the moon b camp.