def child debut for this talented production duo showcasing their take on techno with this captivating four tracker. combining layers of sensuous vocal sample wizardry, hypnotic percussive sequences and fleshy bass figures. >nuzzle fudge< is a dancefloor pleaser. taking the track even higher pheek serves up a spellbinding yet heady remix. flip for >peakle matter< with an explosive driving minimal re-version by winnipegs own ali khan

after a successful label launch with eps by tigerskin and spektre heimatmelodie now presents an all new artist, alfredo clonk. and this guy is one to watch as he has a completely original sound aesthetic, something which you can say of only very few artists. the a-side >doppelkorn< (a german high percent alcoholic drink) is a primetime mixture of driving 909 beats, whissping snaredrums and groovy sequences which spontaneously bring the slogan >rave is back!< to your mind. a bit deeper appears b1, >back to bombay<, a dark bass-synth on a techy percussion basement puts the dancers into a relaxed groove

round nine, and time for new talents. this new software release features our first four tracker . ezio is gonna be one of the next explosions in the scene. born and breed in belgium, from spanish parents he now lives in paris.for the making of his tracks he uses an old pentium 3 computer and a microkorg keyboard .just that. his classic piano training helps him to make sequences in real time and make complex harmonies on top of glitchy minimal tracks. soon he will relase on alex unders label cmyk via kompakt. this ep features the whole range of ezios sound, from straight danceable minimal jazzy beats to quiet and harmonic dubby techno.keep an eye on this guy its going to be big.

der aufregendste microcosm release seit einer weile. und das heisst schon was, denn die anderen waren ja keinesfalls schlecht. miskate rockt hier auf foundsound-weise ziemlich vielschichtig um die ecke aber trotzdem geradeaus. ihr wisst was ich meine, oder ?

this man needs no introdution. next quality hertz 4 tracker with more spectacular edits and mind blowing sequences..

a new face on the electronica romana imprint. riccardo signs his debut on e.r. with >voucher<, an exciting project of four tracks !! minimal, pumping, grooving sequences of sounds and rhythmical solutions. the flipside is really a minimal rocker !!

played by sébastien léger, tiga, hell. roman flügel, ata, ivan smagghe!! on this new stephan bodzin two tracker called >daytona beach<, playful sequences take turns with rave-ish bassmonsters and moddy synth action !!

the third enliven music release is based on minimal techno and contains propelling sequences and nicely rolling basslines. the raum and opossum artist >sweetn.candy< added a remix and round down this debut of >phony pinch<. there is a further youngster of elm doing a remix of operator, called >peedge<, the studio and live partner of phony pinch

1st track of new label available recordings. from 2 of the most promising new producers on the spanish electronic scene: victor magan and jason tregebov. thanks music is aimed directly at the dancefloor with base sequences and melodic pauses paving the

who are the rancho relaxo allstars? this cast of touring djs + musicians is led by abe duque, john selway, dietrich schoenemann, susanne brokesch, jason bpmf szostek and prozac. >cowboy< begins with adr series house rhythms. stacks of analog pulsations, basslines and sequences hover around the beats. quirky cowboy based vinyl manipulations add into the blender. back room house gem. >cajosisa< shows the true colors of rancho relaxo. ambient laced atmospheres intertwine right before the galloping bass hook appears. 808 electro madness takes over. the soft transitions like a rancho party

satoshi fumi is one of the most exciting producers from japan.. with his new maxi on forcetracks, he explores the field of house music again, somewhere between funky electro techhouse and moody detroit sound. satoshi adds energetic electro house grooves to sensual sequences accompanied by sweet strings.. perfect sounds for urban clubbing

after their first appearance last year with the amazing remix of ranco relaxo its now time for another action on mobilee. >august in paris< is a very smooth, emotive and timeless song. the female influence on this track is massive. >lies< seems to be influenced by the shady sides of life. a deep groove with lots of dark sequences, 100 percent pure hypnosis..

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

the synkope ep ushers in a new sound for mathias, one that is more full and less percussive than before yet also one that will not leave previous fans in the dark. taking his cue from his keen knowledge of the worlds dance floors, kaden translates this awareness straight on to vinyl without losing sight of todays complex sequences and sound structures. with the flood of faceless releases that threaten to sink even the most discerning record buyer theses days. there is a growing sense of urgency to make records that will remain classic and listenable even 10 years into the future. if you dont mind us saying we think this might just be one

here we present you a dose of love techno. in the shape of pelle buys. with complex surface compositions, deep bass constructs and intellegent melody sequences, mr. buys brews a audiophile emotional cocktail, with highest precision and intuition.

classic re-release from 1990 with sweet roland tb303 acid sequences drilling and tickling your mind !!

frankfurt based max wendling, who released so far records under the name paradroid on labels like mille plateaux, orac, overdrive, friends of tomorrow, goes on with the new force inc series. paradroid combines molecular sounds and splatter parts which intensify the grooves, that the sounds are at the end the groove themselves. the groves are earthy and deep and the music is moving forward like whirling sequences….

already played by sven väth since his last single -come on!- solely had good feedback from press and dj-mates like agoria (-i love this record-) & laurent garnier (-excellent-), good groove now presents -mind music-, his statement to techno evolution with a heavy kick & psychedelic sequences: -20 years ago, house came up... and techno, mind music... to blow your mind-, co-produced by markus löhr. flipside tracks -future disco remix- and loop -endless mind blower- again have been produced in cooperation with uwe giegler aka yapacc

techno virtuoso falko brocksieper and newcomer marc lansley with pawky assortment of oldschool beats, inciting organic sequences, and bizarre sound effects !! great for the dancefloor

a mix between low minimal wounded grooves and abstract melancholic sounds with groovy funky tech/house sequences. nhar always aims on the hypnotic moments in music and plays some tricks on your mind. listen carefully // nhar is a member of 22 crew and he worked already together with jennifer cardini & electric indigo...

two strong electro break beat tracks plus bonus pads and sequences !!

ultraphat minimal and bassheavy tracks withfiltered sequences & powerful drive

experimental album by glass museum

4th installment of soul jazzÕ deutsche elektronische musik compilation on double cd.

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

jo‹o paulo esteves da silva, m‡rio franco and samuel rohrer together combine all the qualities that are currently making this most classical chamber-music format of jazz so successful. intuitive understanding, transparent flows of communication between the musicians, their actions and reactions, soloistic sequences that continue the balanced flow of sounds, as well as musical culture and noblesse. this trio does not boast but trusts the spaces between the notes. yet its music develops a pull, gently insisting, that becomes ever more plausible

juan atkins and moritz von oswald Ð the two indispensable protagonists of the electric garden Ð plug back into the wilderness. transport Ð the new full length effort of the borderland collaborative project Ð brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not Ôon the gridÕ.
the detroit-berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. the result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.

on his debut album the host works in a spacey interzone, using vintage gear to create dramatic panoramas for the headphoned mind. he creates a unique suite of modern impressionistic sonics that tumble and waft in and out of the mix, earthed with strong melodies that take inspiration from net-age genres while never recalling them directly. throughout, he masters all the potentials of vintage synths, drum machines and reverbs, along with guitar and bass to explore a sound that sets him apart from producers working on computers, creating something much more band-like but rich with lively micro-detail.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

new york hip hop producer tony simon aka blockhead returns with his third and best instrumental album for ninja tune. blockhead has long made beautiful, emotive music based around the hip hop template, but on >the music scene< he elevates his craft to another level.