almost a year after their best-selling second ep, the anonymous bandits crumbs return to the fray, with another perfectly planned and executed smash & grab although delivering a mysterious & scantily clad 12- is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand it s undercover time again, and we re sworn to secrecy, of course...but two of the regular collaborators have engaged in a serious bit of one upmanship having landed this diverse haul, let s take a look inside as we move from a completely overhauled musicbox classic, flipped and re-pitched for 21st century floors. followed up by a totally irresistible modern afro-disco workout with more than a few sonic surprises thrown in turn over for a lost, cosmic gem with no end of additional sparkle, coupled with a a twice-baked & loose jointed rhythm and bass workout that really slams. a dj s delight, then, to be mixed up or played raw this one will be gone in the blink of an eye, but treasured for much longer

juan sanchez delivers his first single on the raw sounding drumcode limited with two monster sounding tracks. both tracks represent the gritty, tough side of the drumcode spectrum and deliver two peak time tracks that will finish a dancefloor off. using filtering hats, low end rumbles and outlandish beeps, juan sanchez encapsulates the sound of drumcode limited.

the 2nd part of the 4 part split (schleiben) series welcomes rising stars of the experimental end of modern electronica, with warsaws the phantom and glagow s sad city bringing a lush, fourth world ambience to erb002.

with this release, villa abo (frak) departs from the home planet of borft to create friendship over different systems together with kontra-musik. via twisted machine funk and a grand space opera of analogue synths, villa abo will askew the eternity. the steady pounding of drums and hearts through the galaxy makes you want to keep your 1970:s x-wing ready for battle between doomsday and now, but in the end we ll all dance together under a starry sky filled with debris from exploding death stars.

12 inch vinyl with magazine and individual artwork item

repress 2015
heres the pitch: ask six of chicagos finest exponents of bumping house and pitched down disco cuts to contribute some of their finest works, blend them all together and present in the appropriate space either side of two 12 inch slabs. whats the end product? the rather hot looking chicago service from the amsterdam label lumberjacks in hell which features a merry cast of the citys finest in gene hunt, rahaan, jamie 3:26, cratebug, hugo h and boogie nite across two hot plates.

the kestrel (turmfalke) will rise in spring 2015, starting the new label by matthias springer with focus on physical media. the philosophy behind is to invite friends to this special cross-over concept. every artist presents an original in combination with remixing eachother. in the end 4 tracks on one release, no special genre is preset, everything can happen. frank hellmond is the special guest on the first turmfalke release, bringing in his unique deephouse flavour that features some pretty nice vocals from snowflake, while matthias is turning it into a combination of dub and acid ... but just have a listen.

sk_eleven is a new imprint focused on releasing original tracks from setaoc mass, uk. this venture will showcase old and new material with a view for quality, classy dance floor techno in its purest form.
setaoc mass - codes ep derives from where he spent most of his life, in and around manchester. the first release on sk_eleven showcases his style and love for tripped out melodies and driving low end. always adding the light to the dark in his productions.

more heat from kms. another rarity this time from dionne circa 1994. focusing on the deeper end of detroit s spectrum this features mixes from stacey pullen, brian hall, alton m and the deep house classic d pac dub of feel da rain. released in full conjunction with kevin saunderson / kms records. fully remastered for 2015.

there was a time at the end of the eighties in which virtuous japanese musicians were forced to use just a few kilobytes to arrange the music of the videogames of the 8 bit era. despite the limitations of the early days of the digital music, the evocative power of their composition has remained unchallenged.

kicking off with acid-soaked stepper x da05 sees the uk imprint continue to explore the darker recesses of the dancefloor. a bottom end as deep as you like combines with razor sharp percussion on this basement techno workout. the sound design of black science (version) warps the bleep techno blueprint into a swaggering half time roller before black science itself arrives. this dramatic piece merges tense, millsian atmospherics with stratospheric strings to create a timeless piece of expansive sci-fi techno. the filth ridden debris, a bottom-heavy groove for those of a serious disposition, rounds off another killer four track salvo of techno futurism from this on-point label.

veleno viola is the continuation of violet poison records after the end of violetshaped project. keeping the continuity with the concept started with vpn, veleno viola differentiates itself for a more diy and post – punk and less dance approach, with the use of vocal elements, strongly influenced by the industrial 80s, the minimal-wave, ebm minimalist and cyberpunk of the early 90s in a fetish and s & m context. *absence generator*, the first release, is characterized by an abnormal sound, hybrid, dirty and suffering. pressing on solid white marbled vinyl.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd37 broadway kiss showcases the hair-split-contrast in our disco genre. 4 songs so good, they all deserve equal attention, pontchartrain delivers, lifesaver, an immaculate distillation of house and disco fused, buffed and polished. on the inside, osmose has bottled pure disco fire with broadway kiss, a perfect party starter for any warehouse with disco leanings.
flipping to the aa, seasoned jock, derek kaye has reworked holding on and in the process landed it (and a few others!) in greg wilsons top edits of 2014 chart. by now, you must know that we are very fond of a bit of cheese in our whiskey… rulefinn sidesteps the usual elements of la biondas i got your number to focus on the slick guitar, while retaining the vocals until the end for optimal impact.
after listening to this ep, you will feel like you have been kissed all over.

resin kicks off 2015 in monstrous style by introducing perth drug legend to the front line. the demented project of liam robertson, one half of the mighty clouds. with the broxden burners ep on west end communications and a remix on canadas turbo recordings, resin is very excited to introduce clubbers guide to craigie, a session of dark sludgy scottish techno.

strictly rhythm continues its revitalised run of release with i love you from newcomer obas nenor, with remixes coming from andres and luke solomon. i love you intoxicates from its very first beat, an idiosyncratic house cut that wears its disco and soul influences very much on its sleeve. driven by poignant strings and a heartfelt vocal, it breathes nostalgic life into any room in which it is played. the andres remix beefs up the bottom end, with cosmic synths and a wandering bassline transforming the cut from poignant to powerful. solomons body edit further takes the track into dancefloor territory, with sharp percussion and an urgent groove making the track fully suitable for peaktime club play

for their third release, jaunt> records returns to the guiding hand of its founders, blackhall & bookless. the label has made a well documented great start to life - and jr003 continues in a similarly enchanting vein. getting us underway on the differences ep is straightener. a techno bomb with lashings of low end bass frequencies, it saunters about with an uncompromising swagger thatll tear up the dancefloor.

san francisco producer charlie yin has made quite a name for himself turning bedroom beats into dance floor staples as giraffage. his beloved r&b remixes and vibe-laden solo tracks have won early praise from pitchfork, the fader, xlr8r and other tastemakers, all while he seals the deal live with lush, bass-driven performances at low end theory, boiler room and gigs around the globe. we are happy to have him join the fools gold fam. limited pressing on multi-color vinyl.

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

new killer album by oliver huntemann

the globally trendsetting house and techno family that is visionquest now turns to a new pairing of sonny fodera & gene farris for their debut ep on the label. entitled ‘we work it’, the two-track affair comes with a remix by visionquest man lee curtiss. australian sonny fodera has been at the sharp end of the dance music scene for years now, clocking up huge hits both solo and with green velvet aka cajmere, releasing albums such as afterparties & aeroplanes and appearing on cajual, defected, suara and many more top labels. gene farris, of course, is a chicago house legend who has been active since the nineties, runs his own farris wheel label and has released close to one hundred definitive eps on relief, soma and many others. up first, ‘we work it’ is a lithe ritual of house funk with bent synths and slick mid tempo drums. a spoken word vocal snippet muses on the intake of various substances and the drums roll on infectiously below. it’s sure to be a standout anthem in the months to come given that vocal line and the spiritualness of the keys all around only adds to the effect. the first remix comes from lee curtiss. this one is a much quicker and more peak time bit of tech house with textured, dynamic bass and plenty of drum fills. it’s an involved, more cosmic and tense take on the original, that will build great pressure on the dance floor. all in all this is another on point package from visionquest that will get played far and wide

taking a few steps off it’s usual housy path, metereze presents a fresh new face and a more techno approach to dance music. it is melodie that signs the 4th installment and he is taking it deep into the realms of acid with 3 tracks that not only go well together but they are all meant to make you move in a big way.
acid sunday is as acidic as the name suggests it but in the end it’s the most poetic of the 3. the subtle pads are kinda dreamy but the 303 sounds make it super driving. on the same side we have rhythmico which is dark, percussive and powerful. subtle background bleeps complete the wandering synth that comes and goes but never really seems to go away.
housed on side b justa is a techno monster in its own right. sonically very close to the other two, this is by far the darkest track on this ep. and probably the strongest. techno infused house you may call it or whatever, this is the kind of track that puts you on a serious move whenever, wherever.

more bucharest warehouse sound coming soon! support from among others: james zabiela

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. tender buttons, das dritte braodcast studioalbum aus 2005.

1xlp metal-coated silver sleeve + black inner sleeve + mp3 included. following on from a & b, c is the end to the trilogy.

a spiralling maze of echoing bleeps and blips, booming low-end and warped orchestral flourishes dominate tokens latest offering. we welcome tadeo.

kelli hand returns with more gold from the acacia records vaults. 3 more tracks of pure deepness from the first lady of detroit. this elusive ep has been tough to track down in the past, and we are proud to make it available again, re-mastered, re-pressed and re-released in conjunction with kelli and acacia records detroit. sounds raw & analog

all-day/night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its’ brand new label, six d.o.g.s records in the end of 2014. it’s second release under the gilda series, which focuses on contemporary, club-oriented electronic music, is glacial’s “entropy ep”.

next up on editorial limited wax 12 we have the deep end 5 top quality mid-tempo deep-house groovers to get it done right! featuring newcomers to editorial: mossa and buzz compass, and returning contributors in sunner soul, stephane deschezeaux and loz goddard.

nice price deal !!! marking the first output of cymasonic s offshot vinyl-only label and collabaration with subwax distribution, the balder ep is a two-hundred copy, hand stamped entry into the world of cymawax. there s no better way to start than with four quality tracks of hot and crunchy norwegian techno with soul by trulz & robin, under their new moniker for otherworldly machine sounds: ksmisk. the duo from oslo have been a force in norway s electronic music scene for over two decades, but their current project is set to bend and exceed all expectations. the title track makes full use of spacial effects to create the kind of landscape deserving of the cavernous exchange of industrial rooms or the breathing walls of smaller sweatboxes. its energetic arpeggiation carries the driving, raw bass line home. less linear and more neurotic, -jonson- squelches its way into existence. next, -water- is as fluid as the name suggests, using deep, delayed dub chords to sustain listeners during its eight minute life. finally, the release ends on -tehjerk- which is full of electricity, heavily charged with distortion and powerful drums before opening up into a euphoric waterfall of melodies. it s fitting that this chronicle should end up pressed onto wax, a monument to the physical launch of cymawax and trulz & robin presenting ksmisk.

emotional rescue is proud to reissue one of germany s best - if most underrated - bands. as the krautrock explosion of the 1970s came to an end, a new collective was formed from the embers of the 1970s explosion of experimention and openness.

emotional rescue is proud to reissue one of germanys best - if most underrated - bands. as the krautrock explosion of the 1970s came to an end, a new collective was formed from the embers of the 1970s explosion of experimention and openness

emotional rescue is proud to reissue one of germanys best - if most underrated - bands. as the krautrock explosion of the 1970s came to an end, a new collective was formed from the embers of the 1970s explosion of experimention and openness.

here, you re going to get into a serious classy bunch of tracks, where melodies interlace with round beats and basslines. the wood lesty s voice will enter your brain and will never leave it. the cherry on the cake (already rather tasty) is vid reconstruction mix: a little 15 minutes diamond where he settles gradually his talent, involving the famous voice of the original mix with a compulsion of claps to end in second part of the remix with angelic choirs deserving of the most beautiful opera...
support: raresh tini faster anthea ada kaleh...

hotflush unveils its second release of 2015 in the form of a collaborative single between label mainstay locked groove and ascendant italian duo mind against. with both acts coming off the back of triumphant finishes to 2014 the success of locked groove s huge enigma ep and mind against s surge into #33 position in resident advisor s 2014 dj poll - elysium / pulsar marks the first time the producers have collaborated. the end result combines locked grooves punchy, dancefloor-ready aesthestic and the emotionally resonant melodics that mind against have made their signature since breaking through with life and death in 2013

repress 2015
its been a long and lonely winter and it took ursl quite some time huntingdown its next new wild child - but at last, here he is, mr. krink and his fourdark, deep and minimal tracks all packed onto ursls forthcoming ep. andthat shall not be all - our dear friend and fellow music addict david dorad will release his first rmx on ursl shortly thereafter. no worries though, this will not be the end of the (ursl) story .. so, watch out and keep your eyes open!

kangaroo skull is the solo project of rohan rebeiro - drummer of renowned australian trio my disco. heavily percussive and rhythmically complex, kangaroo skull meticulously pieces together soundscapes within max msp, with an end result that conceals in its raw simplicity the intensity of the process. with multiple tours outside australia already behind him, australian dancefloors have been keenly awaiting a first release. palace of nothing is his much-anticipated debut - four tracks that convey a sophistication far beyond what could be expected from such a new producer.

marc romboy is finally back with a brand new solo twelve inch and this time he releases the traxx elgur and nasa which have already been featured at the legendary boiler room sao paulo show with stephan bodzin at the end of 2014. both traxx do display the classical romboy typical moog synth lines and remarkable arpeggios as we know and appreciate them. this 12inch is part 1 of a three-part-series which will be released during the year. attention: once again collectors item, special coloured vinyl!

nice price deal !!! the very first release of the new >somos< imprint curated by alejandro mosso. a label intended to enlarge the family and serve as a platform for related artists who share similar aesthetics. expanding the mosso label manifesto into a larger community. ! joachim holm, a young talented and skilled producer from trondheim (norway), wrote some unique and mesmerising wooden melodies which became the foundations of these two songs. alejandro added some extra production and a beautiful record came to life. ! tre rytme, the rhythmic version, focuses on the main melodic motif while adding an intense and pulsating beat. morphing slowly but firmly into a club burner. a spring optimistic piece ready to add a spark of life into any dancefloor. ! tre melodi is the soft and mellow version. a 12 minutes ride of polyrythmic, repetitive and hypnotic riffs, recalling american classic minimalism in an innocent and playful manner. take the time to listen until the end, it promises to be a comforting experience.

celebrated and mercury-nominated uk duo rae & christian released their first new material for ten years in 2013 on night time stories/late night tales after spending the last decade meditating in a buddhist monastery in swindon. this year the label commissioned a series of remixes from mercury rising and mang dynasty (aka ray mang & bill brewster) take on favourite game featuring rising star of the swindon buddhist circuit jake emlyn. mang dynasty focus on gita langley s backing vocal hooks adding a chorus piano motif and stretch things out into an epic nine minute plus main version aimed squarely at the dancefloor (and afghanistan). jake emlyns more aurally-pleasing melodic parts are utilised towards the end taking things up another level to a happy finish. initial reactions have been so strong it seemed rude not to slip out a 12inch on mangled, home of the hits!

for the 1st time the official remastered reissue of the original 1985 recording. 350 limited copies, under license of expanded music srl italy.
kirlian camera are one of the pioneers of the italian electronic scene. active since 1979 under the name suicide commando, the band changed name in 1980 releasing the first demo-tape dawn and the self-titled mini-album in late 1981. the early records contain a mix of synth pop and new wave/dance songs, while towards the end of the 1980s kirlian cameras music became darker, turning into electro-gothic sound. nearly every release since then has explored different fields, from industrial to ambient and trip-hop.

stranger days are here and the italian maestro has returned with two new soundtracks for the dance­floor apocalypse. the world is soon to end, lory d will be its last man standing. early warnings from ben ufo, joy orbison, kema and tale of us.

out of rome, sofatalk soars high on this ep, feeling out the difference between a lifetime on earth or one really cool moment above it. the title track breathes and evolves via a series of flourishes on the playful side of things - this one is no beard stroker. cloudy soul keeps the optimism and front foot action rolling with an excursion slightly to the deeper end without ever fully taking the plunge. wrapping it up, on reflection is a tight little rhythm-box-driven number that takes you by surprise, transplanting you from the floor to the lower middle stratosphere without you realising. japanese producer 9dw then turns it into a hot stepper of its own, keeping the energy up there but differentiating the bounce.

the super disco edit team have pulled out all the stops on this super un-issued 1979 disco dancer from the stable of world renowned musician stu gardner. here he teams up with the beautiful ms irene cathaway to bring you a unique slice of disco madness. pulling away from too much disco cheese and sleaze mr gardner kills it with some organ work like no other disco ‘12! a 6 minute party jam, with those lovely disco drum breaks towards the end. but hold on, flip it over to get another lovely un-issued feel good track called he can ring my bell, dropping like an emotions out take!. so two previously un-issued tracks, in a 350grm customized disco sleeve, with inner. this is limited once again,with a no repress policy.

confused transmissions , numbers flying out from the outer space. lucent is the end of a lightning bolt. shimmering clouds over a human landscape. just a rhythmic bounce, suddenly, seems to give a sense to it all. a symphony of time-warps filled of bass drums. gravite and attic music owners bruno sacco & fabrizio lapiana, together to interpret their vision of light in techno key. two different visions but converging in this superb collector release 12inch transparent vinyl. darkness from forged machines in the flames of hell from which emerge from the dub vibes sharped kicks, hovering, metallic noises, while short sounds, mind, thats the gravite universe. lucent series will be 12inch clear transparent vinyl inside a pvc deluxe bag

it often said that all good things must come to an end, but it s especially satisfying when that end is a real high note. wed like to think thats the case with icee hot, as its five- year run as a party and a label is coming to a close this month, both with a 28­hour marathon goodbye event and with daddy issues, the latest ep from vin sol & matrixxman.

here at black acre, we are extremely excited about starting 2015 with a bang - a 12” from new sensation on the circuit, dan shake. he is the first artist outside of detroit to cut his teeth on moodymann’s mahogani music, winning plaudits here and across the atlantic for his catchy groove laden “3am jazz club- ep. now with much anticipation, the tony allen & fela kuti acolyte returns with two crunchy dilla-eque takes on soulful club music. * out of sight is a carefully constructed dance floor number packed with low-end theory and seductive vocal stabs. low-slung fuzzy bass swinging perfectly between ghost-horns and driving drums. traders ii, a collaboration with canadian based rennie foster, see’s dan’s dna marker driving kicks smashing acid atoms against a sharp live horn section bringing the ethereal jazz cat to the dance.

elektra release of charlotte gainsbourgs third studio album titled irm. the title is derived from m.r.i, which reflects the medical procedure charlotte had to go through after suffering a head injury in a water skiing accident in 2007. the album is charlottes most personal to date, and is produced by acclaimed grammy nominated artist/multi-instrumentalist beck. what started as a brief recording session between charlotte gainsbourg and beck ended up to be the body of work that is irm. over the course of a year and a half of writing and recording together, becks role grew to encompass all aspects of the creative process. he worked seamlessly with charlotte co writing the lyrics and produced and mixed the recording. (this is the first time he has ever been so involved in another artists work.)

tensal is the first guest artist of the ownlife imprint and opens the year 2015 with a piece of authentic techno in all its forms. four initiatic cuts that re-define the sonorous shades of this label. ritual i is a return to the rough sound of the late 90s, no concessions, pure effectivity for the beginning of the record. the a side is completed with the more hypnotic part of the ep. a deep track, dry and minimalist with the elements needed to create the mystical atmosphere which floods this reference. ritual iii is absolute energy. a constant and atmospheric progression is perfect to create an impact on the dancefloor, maintaining tension to the end. the last track opens the door of the emotional side of the artist and represents a contribution of light to ownlife. a cut of dusty textures and delay tones. a landscape of stabs with a flawless structure for smoky clubs with low light.

layered, progressive, modern electronic music with ethereal harmonics and a nod to analogue forefathers is a universal in john dalys musical cannon.