arriving at a fourth midnight riot label compilation in little over a year is no mean feat from yam who?s production operation, and the key to their success lies in the diversity of sounds you can include within the overarching theme of nocturnal grooves.
yam who? call on some respected names to contribute the next midnight riot 12 inch series, including caserta and indeed the boston based producer provides perhaps the best example of a nocturnal groove with his slow burning, beat down house cut >get down<.
the scandinavians the glue turn out their second cut from volume 4 with the uplifting, hypnotic disco burner pink ink which is receiving massive dj feedback.
again from another far-flung corner of the disco globe are the macedonians mosaik who smash it again for midnight riot with 2 much heaven a deep slinky moodymann inspired filtered loop classic. the final cut we bring you australias dj raw sugar with his strongest cut to date, sunroof top again another detroit inspired stone cold cosmic groover

tappa zukies super rare reggae dub-disco cut *freak* is now repackaged and repressed in an authentically designed sleeve - complete with throwback type and touches - the original sounds as relevant as ever.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

the vinyl only followup to their first ep and the cut they had on beard science #7. 3 tracks: the sleazy disco rock number sinned b/w the gospel tinged afro-stomper redeemed and feel alright with kraut rock drums & prog guitars. limited to 350 copies in a full pic sleeve done by myth paradise!

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

victor simonellis groove committee alias inspired much of the upbeat vocal house we hear today thanks to seminal releases on nu groove records in the early 90s. simonellis *i want you to know*, from the eponymous ep released in 91, enjoys a rerelease and remix overhaul on the upstart deep down slam label. inner senses knows the truth mix boosts the overall presence of simonellis original, by reinforcing the drums, hats and chords with deft touches of neoteric sound design, while deep down slam label-head washerman opts for cut up and interspersed vocals and loopy instrumentation in his mix. french house ball of fire kool vibe, turns up the heat - and punch - in his chord riffing remix, paying homage to a originator that has no doubt influenced his own productions.

four up-and-coming artists appear on shag edits volume 2 which is kick-started by rebels *you somebodies*, a bassy piece of looping filter house meant for peak time play. newcomer riri throws down jazzy horns, marching snares and acoustic rimshots in a slow moving *get it on*, while chockys *i like* features cut vocals caught between interchanging melodies of pulsating rhythms. jamie trench, responsible for the labels first ep, delivers sexy vocals in *locks, frocks & 2 floating sparrows*, a laid back disco joint with the same summery vibe as barmy miami night.

a bunch of bubbling uk deep house players line up on introducing newington, a new label of the same name that is clearly fond of the n16 postcode with vocal house on the menu. ejeca, the irishman earmarked as the next bicep, keeps up his relentless form this year with the opening track robodrum which is a playful shuffling little house number that rotates between stabbing vocal samples and piercing chords. moving south of the irish border, dublin based frank b kills it with trieste a wonderfully warp cut that sounds like it has been recovered from a dust filled dat tape. london types jack fell down take a cleaner, but no less infectious approach on for you whilst midlands type tom flynn rounds it out with the deep and bouncy going on.

the swiss labels second release. two tracks, mastered by loop-o @ calyx, vinyl only and limited. the a-side comes with a special twist and cut

the third and final ep featuring remixes from unas laughing man album. this one kicks off with a house remix of the astronomer by heath & skaggs while john tejada does a techno remix of the same cut b/w laughing man remix by nightmares on wax and myth remixed by dj cam. full pic sleeve.

tyree coopers all you need is house ep is a proud celebration of the genre, done chicago style and rammed home by marco’s wailing vocals. through solid drums and strong vocal hooks, coopers original beats down hard justifying the need for a 180g pressing. it rattles and hums until dropping into a tom-drum and snare solo similar to runaways *brooklyn club jam*. bobby starrs mix brings marcos teddy pendergrass-sung vocals to the fore, while milty evans gets a little techier with a cut up approach, adding white noise flashes and lots of filterwerk. cooper second take comes via a classic dub which draws a link between squelchy baile funk and a masters at work drum track.

the a side opens with redence delusions introduced by a delay metallic notes, and a line grating background that give entry to a hard nut to crack hype joining the above sequence to form the groove. the delays become more important as the track progresses, and more incisive percussion, dance inducing wilder. the second track on this side sagae has been granted to tomohiko sagae, the japanese producer emerges on the scene to give it a fresh industrial sounds dark dye forcefully included. catalog is part of the prestigious british label rodz-konez, in addition to works published in huehelix and atrocity. we present a cut with a pounding bass drum rhythmic against a distorted sequence taken from a radar air booming steel industry, and dark piercing screams that increase the intensity of its entirety through the plug-in more severe. a full-blown rebellion industrial sounds with those harmonics so peculiar that offers japanese school.

cutters records are pleased to announce the debut vinyl (and vinyl only!) release from their latest signing, the la based artist kauf. since 2011 he has been honing his own dark twist on modern electronic music, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony indie pop earning comparisons with the likes of caribou, matthew dear and toro y moi. an internet-only single caught the ears of cut copys frontman dan whitford, who promptly signed him for a forthcoming ep, entitled as much again on cutters records. the first taste of this ep comes in the form of the relocate 12 inch, including remixes by psychemagik, nile delta and moons. kaufs relocate is an dark anthem for the late-night-slow-dance, featuring sparse metallic percussion, chugging synth bass and vocals drowning in a sea of reverb. psychemagik take this vibe and run with it for their 7 minute house tinged rework. cutters own nile delta ups the energy with his signature acid-injection and moons (no recordings) rounds out the release.

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

canadian artist paolo rocco makes his debut on saved with people say. from the top there is a unique seductive pad that pans creatively over the cut back percussion. the bass line enters early on and stands out with its original pattern and alternating frequencies, working well with the crisp clap that programmes itself in and out. the vocals are what makes the track. they are catchy just like the bass line, and are processed effectively, maintaining a nice, fresh groove.
over on the flip side is a remix from label boss nic fanciulli that utilises the original parts effectively and maintains an energetic pace with smart programming. both mixes have been creating a real buzz across scene.

chicagos sean smith and tim mcalister (aka mc edits) team up. funky disco music is a housey rework of a rare african disco jam. universal love is a rework of an early 80s disco cut with a catchy chorus love our neighbor and k-passa reworks the live version of a disco classic. old tracks made modern sounding and new.

4 track ep dripping wet with deep house analog warmth. dirty laundry is an old skool chi-town house cut ala washing machine, not so wicked a deep jack track b/w nocturnal emo, a frenetic acid trax and last but not least fabric softener a slow bubbly groover. on soo wavey. limited (250).

seattle based artist (force inc, swayzack). title cut slo mo w/stylish synths over deep house. mineral scan puts acid into smooth soundscape. black mondial pushes tempo up with dreamy bouncy vibe. ltj xperience remix brings vox, guitars & all around funk.

fabled uk producer and fine purveyor of original west london future-jazz, nubian mindz a.k.a alpha omega a.k.a colin lindo provides us with counter002 - >ghost dreams<, including a rare dubwise remix from dutch hero aardvarck. a straight up jam in lindos trademark crisp and tough outboard sound, >new me< is a shining synth beauty. our pal aardvarck reworked it with his 1991-reinforced >sun & moon mix< - delivered over skype from bali and totally worth the several weeks it took to transfer.. for those new-age digital customers >capricorn one< keeps things in check with a heavy hypnotic cut.

dark acid laced house cut with vocals by ebony ugo backed with a remix by ukrainian producer vakula, who provides a dreamy lush remix and auset, a monster head trip made for dancefloors and headphones alike. dope!

ltd 2013 repress
prime numbers return with m7. the first side is taken by a remix of wireman’s >armour<, the original of which was included on pn04 released at the end of last year. the remix is from move d (deep space network, source records), he ups the tempo and in trademark fashion softens the surfaces of the original, warming the core of the track whilst creating a bass heavy groove with twisting beats, synths and a husky hypnotic vocal sample. the flip includes two tracks. to start we have >crushed< by actress. darren j. cunningham aka actress runs the much lauded werk records and this track is taken from his limited cd only album >hazyville< (released on werk in the autumn of last year ) >crushed< is slo-mo, extra bass heavy, low slung house with an addictive lofi synth riff and submerged strings. the track bumps along with hiss and crackle to good affect before turning into a badalamenti-esque loop to finish. to round things off be, the up & coming manchester based producer provides >when you left<. be cut his teeth with the chicago based still music and a great al hudson reedit which found extensive dj support on its release. >when you left< is a shuffling downbeat house groove with a jazz sentiment featuring deep rhodes keys and clipped drums, the track breaks up into a bluesy accapella section then builds up to a more direct 4/4 groove to the end

as the summer heats up, future disco highlights its future stars and pinnacle sounds with three unreleased and exclusive tracks selected from the brand new poolside sounds vol.ii compilation. a1 is classic bonar bradberry with 3two5 featuring his own vocals. flip to b1 and newcomer kiwi with the blissful mayfly and amy skippings vocals. b2 sees an exclusive future disco odyssey edit of artful & ridneys vocal house cut missing you.as with every future disco sampler the number of copies is limited.

limited coloured vinyl, phat summer house sampler

after his recent remix of radial s caveman we hereby present a full ep by the mysterious greek producer sawf, who has been on our radar since his impressive releases on perc trax. on this 43rd cut we are happy to present you three original tracks, completed with a remix by radial. supported by: luke slater, speedy j, chris liebing, xhin, exium, christian wunsch, pfirter, samuli kemppi, tommy four seven, inigo kennedy

ltd 2013 repress !!
illusion recordings is bringing an absolute stomper from the appropriately titled ny stomp with a track called >the ny house track<. a massive track inspired by new york, jersey house music and designed to get every party rocking! ny stomp is a special project by gerd (clone/4lux) who made this track to add to his live set with no intention to release it. it was just a cut made for his live sets and done as an hommage to the early days of ny and nj house. however after playing this at a party from the illusion guys in leeds he got tortured by the guys to make him release it... and lets be honest... it would have been a shame if these cuts never made it to vinyl! one the flip side a slightly more introvert track calles >can you feel it<. on remix duty its nicholas and dj aakmael both doing an excellent job by smoothening things up and take things a bit deeper. proper house music!

next up on mn2s, a scene music luminary drops a 3 track 12 inch of pure house goodness.
making his debut on mn2s, rick wade serves up typically classy house section opening with goon hand, a piano laden cut with a funky flair. as its name suggests, sacred jazzomety explores a muted jazz-house aesthetic with great prowess, whilst mysterio, with its hazy remit, broods an air of late night, smoky intelligence.an ep that oozes depth and class from a producer you would expect nothing less from.

a limited whitelabel of san propers autosea cut which was previously released on his album animal. this time it comes with a new mix, the rvsp version, on which san proper teams up with a very well known techno producer for a special b side mix! big tip...

on different ends ep diaphan music returns with a 3 tracks strong ep featuring last mood, kindimmer and the collaboration between george p. and wichniowski. starting with staged authenticity, last mood builds a solid house fundament around a hypnotic bassline followed by kindimmer who gets you jackin again with his stab driven track bprick. site b contains a rough house cut called life in sequences being a result of a studio jam of george p. and wichniowski.
supported by: brothers vibe, ekkohaus & more

this one has been in the pipeline for a long time now…and finally those cheeky chappies, the popular peoples front, drop a killer release on disco deviance! featuring their usual blend of disco, electrofunk and proto-house vibes, both reworks are 100% guaranteed to rock the dance floor, and are lovingly extended and amended in trademark ppf style. beautifully remastered and cut loud for dj use. enjoy the music!

the secret squirrel returns with number two in this limited edition series of vinyl only, dance floor delights. cut loud and built for maximum club use. dance floor devastation is guaranteed!

uexkull is a new project from dave conner. these four tracks have been selected as an introduction to his sound. any interpretation is left to the listener. cut at 45rpm by rashad at d & m berlin

starting things off we have runnin out, a mid-tempo memphis horn-led beauty of a track originally out in 1968. soulbrigada take the original, toughen up the bottom end, add in kicks, claps and percussion and the odd filter, speed things up a tad and lengthen the track getting the most out of mable john s effortless and gargantuan diva-esque vocal delivery. on the flip we have another soulful treat with a killer rare groove cut from 1971. originally recorded by lee sain (and arranged by charles miller) soulbrigada extend the intro, add in drums, samples and effects all adding to a truly infectious groove and vocal that will have you screaming out for more.

london based electronic marvel kel mckeown - aka kelpe - celebrates ten years of sonic boundary pushing with new maxi single, drut001/ answered - out april 15th - and new lp drut002/ fourth: the golden eagle - out june 3rd - both on his brand new label drut. setting to work with a selection of analogue synths - moog, korg polysix, korg ms10 and doepfer dark energy - the ableton aficionado and purveyor of warped, cut n spliced cliq-hop beats has delivered a handcrafted, 10-track masterpiece of an album which draws upon the strengths of his previous three.

78 edits strike again with another killer 12&#8243,,,,, for glenview records. two booty shakin’ disco edits: millie jackson’s “put something down on it” b/w “i am somebody” by glen jones. pressed at 45rpm and comes in the glenview custom die cut sleeve. plays from danny krivit, get down edits, sleazy mcqueen, beaten space probe and more

from detroit third wave producer sean deason comes a new release, detroit city ep. featuring 3 cuts that will showcase sean deasons full range as an artist. detroit city is a cut with lots of energy. detroit city 5am brings a deeper vibe, while the drive home features a deep detroit inspired feeling

nice price deal !!! 300 copies - vinyl only. the sonic aesthetic releases new districts on eponymous new label

amoss bring a fresh take on nitris survivors, delving into new depths to deliver an injection of sinister overtones and sound manipulation that the duo have become known for. snappy drums, live hi-hats and a bassline of boulder-like proportions.
laser gun: another fresh original cut from the brazilian, nitri delivering a ridiculously deep, sub laden track. with an almost liquid like atmosphere this track shifts and surprises with its simple yet effective combination of bass and percussion.

swayzak!! after a long, long break the real swayzak sound is back on 3rd wave music with a holy masterpiece and lesson in deep and dubby techno music. everyones sound of todays bub or deep vibes is called >sounds like swayzak< but this one is swayzak. raw, floating and never ending adventures of pure andvbeautiful electronic soundscapes and feelings combined with a straight groove. this release has a unique inside out cut! means the needle runs from the inner side of the vinyl to the outer side! 2 tunes with almost 20 minutes playtime on 180 gramm vinyl. all songs are written and produced by david brown. shrink-wraped. rare!

excellent hypnotic house groover !!
new yorks borned and raised fred peterkin needs no introduction to the electronic music, world. having released on labels like underground quality, strength music, mule electronic and his own soul people music, ahd welcomes him after being fans of his music for years already and this ep is no exception to his extreme and unique quality. *reach* on the a side is a total dancefloor burner. one of the best tracks we have heard lately. keeps building from start to the end, having the peaking point when the arpeggio comes up fading in at the middle of the track. b side, *in the blue*, is the deep cut of the record and its a perfect example of freds dubby and warm feeling. check it out

vinyl only! after the success of the first episode, pushmaster discs is proud to present the 2nd episode of v_chronicles by ilario alicante. incl huge skudge(skudge rec, rush hour / stockholm) and dj rolando(underground resistence, ostgut ton / detroit). &#8232,,,,,,,,,mastered by robert elster. cut by helmut erler at dubplates & mastering berlin.

limited edition of 300 copies on heavyweight 180 gram triple vinyl.
the black dog have been gathering their thoughts, passions and anger, reflecting it into their music, sometimes as part of a larger picture or concept, sometimes just focusing on one subject. tranklements is such a great sheffield word, it means a collection of objects, often precious to the owner. everyone has a collection of tranklements somewhere!

camp supafrico return with the sixth edition of their highly acclaimed sound of funky africa series. digging even deeper into the afro-funk vaults, side a features the ber-rare 1984 shina williams and his african percussionists agboju logun. grooving along for a massive eleven and a half minutes, this super-heavy nigerian disco cut splices raw sounding horns with choirs and chants. seriously epic. flip over for dont do it from bongi makeba, a mesmerising afro-funk workout with her powerful voice weaving in and out of the grooving bass and spaced-out sax. last up is the sought-after mangous ye from black soul. originally the b-side of a 1976 release on tiny but top-quality nyc label beam junction, this tom moulton mixed slice of high-octane percussion-soaked afro-disco hit big on italys cosmic scene as well as the clubs of new york. another surefire hit from the supafrico imprint.

new perc trax sub-label hits hard with a re-release of matt whiteheads classic acid cut. limited 1st pressing comes on clear vinyl in a clear poly bag and full size insert

chicagos own boogie nite drops his 2nd 12 inch on glenview and it is a stunner. 4 cuts all guaranteed to get the dancefloor moving: love u (a bangin disco houser), everything good 2 ya (a slow superfly-tastic jam), free 2013 (a soaring jazz tinged house groover-awesome!) and dat boy again (a punchy disco cut).

dont wanna go to ep features three deep and warmly textured productions. the title track is a creeper with its spoken vocal and popping synth work. take one step back matches smooth rhodes keys with sumptuous acoustic guitar and goosebump-inducing vocal. final cut honey bomb steps up the tempo and increases the funk. twisted electric riffs and echoing chimes working brilliantly together to create a dancefloor gem.

returning with a second cut shortly after their first release, untzz brings more sonic artistry and club tools to another heavyweight slab of wax. inspired by the awesome people of adelaide and their commitment to the dance floor

the green series is the continuing art and music project from bleep.com, giveupart, and photographer shaun bloodworth. this will be the third limited edition 12 inch in the series. each record comes with a die-cut sleeve, embossed outer and hand-stamped detail. the double a-side single features the pairing of redshape and steffi and once again brings you raw techno. the mysterious red-masked producer redshape provides a track titled focus whilst berlin techno royalty steffi delivers the aptly named attacke.

lycaon launches syntagma, its fourth release, a work of aiken, an artist closely related to the distinctive sound of the label and one of the pillars that will hold its future production. an original cut and two remixes by agony forces, lycaon owners, round off the tracklist of this release

the mysterious and anonymous secret squirrel no 1 has landed and will drive the djs nuts! a limited edition & vinyl only delight, this series is cut loud & built for maximum club use.