hackney vandal patrol is a brand new project from long time friends and neighbours scott fraser & richard sen. focusing on their joint love of that deep miami/ new york house sound, vol i is the first edition in a series of ltd 12inches. heading back to richard s heritage of being a highly respected graffiti artist, each one is hand tagged by richard in his own unique style and numbered with an insert by scott. the first release, bound by faith is a straight up and direct for the dance floor miami style deep house cut, complete with reverend jesse jackson speech on the vocal version. for the dj crews there is a deeper redemption dub stripped back bass hit with added percussion and a re-programmed instrumental of the original. the hackney vandal patrol were once despatched to patrol the streets around the mighty london borough of hackney.

* hydro returns to commercial suicide with some of his best work after a long stint in the world of professional wrestling. following his departure from wwf, hydro teamed up with fellow heavyweight war for a season of the popular television show gladiators before finally closing the book on their muscle bound dreams and turning their collective hand to deep and techy drum & bass. * collectively hydro and his best mate war have released on labels as diverse as warm communications, critical, symmetry, cia, dispatch, horizons as well as commercial suicide of course. * watch out for the forthcoming hydro album on utopia in 2018. * cained on plate by the best.

deeply concerned with the here and now versus sister label was/is electro archaeology, is/was delivers the goods once again with this various artists 12- zeroed in on the pittsburgh scene. you can feel the steel city tension reverberating in naeem s edgy beatdown -forward facing-, while hits only takes things in a slightly cleaner, modernist direction that aligns with some of the uk soundsystem interpretations of electro that have emerged in recent years. shawn rudiman takes control for the b side with two jams that tip their cap to the veteran producer s long and accomplished career, but they sound as fresh as anything else on the record too. -derelict- is a gnarly, bloated banger of a track, and -asimolar- takes the route towards cybotron, kraftwerk and the truly foundational version of electro in all its lysergic glory.

‘that jazz’ is coops first official offering since signing to high focus records back in october. by no means a debut, having already released two critically acclaimed albums ‘lost soul’ & ‘god complex’ under his own steam in 2014 and 2016, the london mc is putting his best foot forward - a no nonsense masterclass in smooth rhyming and soulful boom bap, produced by long time collaborator talos. the beginning in a long line of releases planned for coops this year, ‘that jazz’ serves as the perfect introduction. limited edition of 300 numbered copies on 7 inch vinyl.

nice price deal !!! re.you s younion returns with more sublime unifying forces. this time he teamed up with his buddys eins tiefer, who also be a part of the inner circle of younion. dino lenny, back to back partner of ellums maceo plex delivers the a-side named >i m a danza<. furthermore long time buddy aaaron is on board with his >rubycon<.younion s unifying forces couldn t be stronger.

fast on the heels of 2016’s long awaited return sweet sensi records with sensi003 featuring feyder’s that’s my number, the sweet sensi records camp returns again with its fourth and most old skool junglist double 10- vinyl. tim reaper lights up the first side of plate 1 of the release with oh gosh, a proper ’95 style vocal ragga tune. next up is netherland’s fff with his dub-infused amen smasher ‘done with it. locking down the first side of plate 2 is kid lib bringing the spirit of tom and jerry with rare-groove inspired ragga lick ‘nuf luv’. finally closing off the release is sweet sensi records head honcho’s dj clear and co-label owner david jabba’s ‘jungle lovers’ - funky guitar lick and amen smashing beats for your dancefloor. mastered by ten eight seven’s legendary beau and digitals by the one and only fanu you will hear the love put in to this release!!

r&s welcomes acid mondays for a 12inch of lysergic house music that reaches far into the outer cosmos. formed -somewhere in the 5th dimension acid mondays is the cosmic coalition of fellow psychonauts negghead (dan ward) and lex wolf (alex wolfenden). repeated transformative visits to ibiza culminated in landing regular slots at circoloco where they have been testing this tune in the dance all summer long.universal rhythm, their latest interstellar dispatch and debut on r&s is their finest work to date. an anthemic paean to the cosmos that features an impassioned spoken word missive from shamanistic mc shovell, impressively recorded in a single take, making the case for the universality of experience and oneness of all beings. latin rhythms fuse with a driving fender rhodes lick (provided by jd73) and percolating cow bells to hypnotic effect. this calls to mind a combination of classic carl craig and villalobos at his most playful. r&s new signing the maghreban supplies a killer dubbed out take on the original that strips away the heavy kicks and pumps up the percussion, hurtling the synth pads to the fore that comes on like john carpenter peaking on mdma

whiskey disco small batch 5 welcomes the long-awaited appearance by the man sitting in whiskey towers, sleazy mcqueen. this three-tracker perfectly encapsulates the label boss unique take on housey disco. from the boogie-heavy pretty baby, a late night chugger which has seen an earlier version released on house of disco to the party starting leftfield antics of smq s old band, tres gueros and rounding out with the smq dub of berliner snax recent album, out now.

justin chapman (half of the kemeticjust duo) is back with -stay my way-, his first release on visions recordings.
inspired by a distant collaboration with alex attias, the soul original version features chapman s signature vocal harmonies floating over latin influenced house rhythm and melody to provide the motivation for feet and hips.
the just one remix pushes things into the realm of broken beats with a hard swing on the drums, and a deep and jazzy bass walk that gives edge to the keys and vox melodies. classic just one here!justin has produced records for neroli, rushhour, sonar kollektiv and some collaboration with recloose for planet e and deetron for music man.
this single for visions is a long overdue collaboration with an artist we wanted to work with since 2001 when visions was based in london, so you can imagine how excited we are to take justin on board and release this single.

brooklyn’s dither down records presents galaxians debut long player let the rhythm in, available now on limited edition double gatefold heavyweight vinyl and download. firmly rooted in the club culture and dance lineage of their hometown leeds, ltri s eight tracks bristle and pulse with the same energy that the band s live performances have become well know for. the album s soulful, muscular sound resonates with a raw playfulness, and with the addition of singer emma mason in 2016 the band have forged a path to a sound steeped in the tradition of new york disco and boogie heavyweights such as inner life, gwen guthrie, and producer/writer leroy burgess.

classic original mix (remastered) + 4 (!) long ricardo villalobos remixes all four of these remixes are essential tracks that prove villalobos at the height of his powers, and as such they are sure to become regulars in his dj sets throughout 2018.

4 years can feel like a really long time – -long time no see- was achim maerz frst wake up! ep back in 2013, -it s been a while- is his frst track on metal and machines and it s good to see that some things don t change. it s a true achim maerz track – focused on longing melodies, warmly distorted harmonies based on deep house foundations. -listening to machines- features a kickdrum like a steam hammer in factory hall. for the right mind, even a factory can be an inspiring place. benjamin brunn s -iron copper gold- follows his manner of creating timeless and eternal soundscapes. it is less playful and takes the tension to higher grounds. just like metal, it s cold being touched and it doesn t take long until it reaches body temperature. the fourth track express mode- was released on benjamin brunns drop lp in 2015. achim maerz remix sounds like a screwed-down uptempo house track – slow and heavy, but benjamin brunn s quirkiness is undeniably there.

the solar phenomena label welcomes achim maerz for its fifth ep. the hamburg producer is an associate of labels like don’t be afraid, where last year he released his mini-album of rough and ready house tracks that are improvised and innovative. the four cuts he serves up here are just as special and have an ethereal air to them.
in my house opens things up with serene synth work and lush detroit stylings. it’s a deep and widescreen track that encourages you to dream. fresh air is a little more upright, with rattling hits and pixelated, long tailed synths lingering above the rooted drums. as the title suggests, leaving this planet is a cosmic exploration, with ambient keys and meditative atmospheres joined by only the most subtle and suggestive sense of rhythm way down below. last of all is two times, a beautiful deep house track with deft synths drifting, bleeding and wandering off into a starry night sky. all in all, then, these are truly thoughtful house tracks.

the first and only licensed reissue of this rare 1979 two disc set rescued from obscurity by chris veltri (groove merchant records, sf) back in 2004. few have heard it till now. t.j. recorded these four tracks in the south bay, solo-style after stints in bay area bands the mysterious minds and dawn & the sunsets. this release contains two 12 inch discs with four side-long tracks housed in a beautiful 70s style matte tip-on gatefold jacket. disc one plays at 33 1/3 rpm and disc two at 45 rpm. a download card is included.

jonra & e:machinery are an electronic music performance and recording duo comprised of long time los angeles based designforms research label boss jonra babiracki and electronic music artist eric cowden aka e:machinery.

humans by berlin based and salon des amateurs long term resident philipp otterbach is a deeply cinematic trip, wandering through a realm of voices, mechanic beats and slowly pulsating, desolated synthscapes. humans is the first release on the new tour messier label, exploring the deeper spaces and outer regions of electronics, ambient and electro. stepping away from the dancefloor tour messier is intended for personal listening, being connected to an intangible and endless universe through music.

indianapolis band led by organist bobby watley (ex-lonnie smith group) and driven by his funky jack mcduff-influenced playing. discovered in march 1971, funk inc had sent bob porter a demo tape which languished in a pile of other until the producer finally got around to working his way through the whole batch. the band s tape grabbed him as soon as he heard the first notes and the rest, as they say, is history. a quintet, funk inc s constituent members were leader bobby watley on organ, eugene barr on tenor saxophone, steve weakley on guitar, jimmy munford on drums and cecil hunt on congas. watley, the leader, worked originally as a drummer, with both winston walls and lonnie smith. he switched to organ in 1969 and was heavily influenced by jack mcduff. barr played his first professional gig with little milton and then went on to lead his own band prior to joining funk inc. munford worked with artists of the calibre of etta james, jerry butler and james brown. hunt had been with the coasters as well as playing with local california bands. weakley was one of the (then) new breed of guitarists whose debt owed as much to jimi hendrix as kenny burrell.

spacetalk is proud to reveal its most exciting release to date: a collection of long-lost recordings from forgotten californian duo morrison kincannon, rescued from the dusty tape archives of the pair’s lead songwriter, norman morrison... with only a handful of sought-after private press 7” singles to their name, morrison kincannon are all but unknown outside record collecting circles. yet norman morrison and terry kincannon wrote and recorded some superb songs during the 1970s and early ‘80s, desperately hoping for the break that would see them released on vinyl. now, at last, their time has finally come.

cold busted has navigated the smooth seas to unearth sailing, the new album from moroccan guitarist and beat-flinger saib. the casablanca- based producer has steered his sound into warmer waters. mixing tempered hip-hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style thats both chill and opulent. the albums opener, archipelago, sets the scene with gentle piano, swirling strings, and beachside sounds that would make martin denny proud. tropics pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. the sleepy crooning of blue memories, the future-retro sing-a-long of mermaid dreams, and the guitar/vibes interplay of pastel provide other highlights. sailings twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment

italo-disco classic!!! original release 1983! official repress of maurice mcgee do i do on fulltime production. white vinyl

nycs evan michael joins the long list of hudd traxx producers and arrives with a bang after previously releasing on the iconic drumpoet community label. duende is a hypntoic keys heavy anthem which kicks things off nicely. pch passing is a straight up house jam with a heads down breakdown, perfect for peak time. machine pepper is a lovely wonky groover and rainmaker finishes off the ep in fine style. a fine additonn to the hudd traxx catalogue before they celebrate their 60th release

george levings of commix (metalheadz) and endian (secretsundaze) joins cynic with a mesmerising 9 minute long live mix of a few simple elements. felix joins george on the flip with a jam reminiscent of old boogie in the vein of maze, but with a creeping sinister undertone.

its the big 5! berlin frankfurt based label house is ok is celebrating its five-year long presence and has decided to mark that period with something special labels story started with a sticker homeboy printed in his former hometown, zagreb, saying house is ok. catchy, right? it became an underground slogan of the local scene. it didnt take long for people to embrace the idea stating that its ok to be into melodic, fresh, groovy yet, at times, a bit awkward dance music. just around the same time homeboys frankfurt based bros oliver achatz and janis played with the idea of starting a record label. guess what the logical choice for the name was? ten records, dozens of original songs and remixes later house is ok continues to grow. literally. what was once a platform for the original three founders is now an international family affair supporting the talented artists from frankfurt, stockholm, alexandria and orlando. nurturing the friendly approach this musical family continues to grow. looking back at the first five years, not only at the music that connected them all but at the bonds that deepened through the production process, house is ok crew wanted to take create a proper reminder and thank the ones supporting them throughout the years. a double 12 pack titled gemišt seemed like a proper way to do that. „gemišt will be released as two separate eps featuring the original music from kornél kovacs, roman flügel, gavri & mcqueen, tcb, house of life and the label makers themselves. oliver and janis deliver tracks under their known names, while homeboy introduces his new project with fellow wilde renate resident the swift, called longhair. croatian artist ugruv smek marks his yearlong collaboration with the label delivering yet another smashing artwork.

the journey back into the vaults of seminal italian house music label vibraphone records continues apace with this gem from 1993. k2 was a one-off project for central label figures the true underground sound of rome, and this loss of gravity 12- represents one of the most sought after rarities from the vibraphone catalogue. the on-point breakbeats of -the journey-, the wistful tones of -in my garden-, the plush ambient refrains of -lirica- - every inch of this record is steeped in class that belies the age of the music. need we say more - this is a buy on sight reissue that won t stick around for long.

** vinyl only ** for the 20th installment on ptx we invited our long time friends and studio neighbors martyné, jacob and bodin to bring some woscht aufs brot. we called, they delivered. get ready for this uncompromising double a-sider from offenbachs anti-bach department

odd music s stroboscope 006 motions into rotation after a long awaited period. once again odd give us some insight into their creative genius with a three piece of shifty neo-noir dubs. forty-five, thirty three & a third and nine come to life with dark melodies and crisp jazzy percussion amidst a set of chromatic synth progressions. each track rolls seamlessly into the other, but with their own definition in the collection. soon to be available, this release is another great edition in the odd music discography.-

after releasing exclusively for touch music uk, sohrab delivers this long awaited ep on shahr farang.

lvis mejía s newest project, titled anthropology of amnesia is an acousmatic essay addressing our utter necessity to remember in the face of existential oblivion, an innate behaviour of the human race. presented as a 33 minute long continuous composition, anthropology of amnesia unrolls as a series of chapters, the contemplative character of the piece opening a particular frame within the listening experience, where lvis mejía attempts to convey the phenomenon of the collective consciousness through the cultural traces we leave behind. mejía s takes the idea of -one species, one culture, one past- and places it at the center of the concept of the piece. anthropology of amnesia examines a number of interpretations of rituals, orchestrations, chants, synthesis and field recordings - nestled within the piece are recordings of animals, fire, water and a human heart - the sum of these sonic identities incidentally reshaping their roots. the diversity of the sonic sources highlights the comparative study element of mejía s work yet the common thread remains the human experience, recorded stories and the viva voce.

a long time in the making quare groove vol. 1 sounds of the irish musical underground from the 70s & 80s. spread across 2 12inches with extensive liner notes on printed inner sleeves. re-mastered with care by shawn at optimum.

mona musique returns with more delectable deep house for its second release: the debut ep from veteran dj lea lisa, featuring rich medina. consistently flying the flag for house music for over 15 years, lea lisa is one of those understated djs responsible for pushing the sound, regardless of electronic trends. a mainstay through her residencies in lyon and toulouse and integral involvement in respected record store innerdisc, lea has been cultivating her production skills for some time behind the scenes, until now. a long time friend of label boss nick v, playing each other s parties back in 2004, mona musique presents its second release walking la mona. inspired by the work of her mentor larry heard and her close friend kerri chandler, imagine that is classic house: simple, effective but above all emotive. complimented by the haunting deep tones of rich medina, his conscious spoken words echo discontentment around the current political (or global) climate. on the flip side lea reminisces of the early 90s with a revived spirit on intention. certainly one for the dancefloor, it is lea lisas subtle production work in the beats, synths and organs that make the difference here.

mike wall (rip) with two massive tracks on this project with ben garlo.

man power his raw electronic sound, organic flourishes and diverse selection make him a perfect match for dgtl, both on stage as well as on the imprint. next to releasing a steady flow of records on established labels like esp institute, optimo trax, correspondant and hivern discs, man power is running his own shop as well: me me me. this gives him an outlet to release music by both friends and himself. for his release on dgtl records he created a three-track ep called apologue ep, that showcases just two of different sides of his multi-faceted musical scope. the a-side features two firm, acid influenced tracks. the first of these two, the duelist, is an emotive house record, with a soundscape of piano melodies, synths and syncopated percussion laid on top of an acid bassline. el mago del tiempo features heavy hitting kicks combined with a sharp synth pattern. it has a long build up that keeps evolving throughout the entire composition. halfway through, the track breaks in to a raw and fierce rhythm accompanied by yearning, drawn-out synth pads. on the flipside, put your hands on the car (and get ready to die) brings back memories of a long gone past with nods to balearic pop, ebm, and the soundtrack work of stewart copeland, james horner, and jan hammer. this multi layered production has a warm and analogue sounding feel to it that rounds off a 3 dimensional release.

following up to three albums on kompakt since 2011, the latest being signs under test (kom321/komcd119) in 2015, los angeles based house and techno producer john tejada returns to the cologne-based imprint with his thirteenth full-length, dead start program - an eleven-track journey spanning a prismatic array of styles and patterns, from john s signature soulful techno tunes to the further mazy, hypnotic motifs of his trancey electro hybrids. be it solo or through a host of multifaceted collaborations, tejada keeps himself busy on all fronts in and off the club environment, be it by contributing the 44th number in fabric s seminal mix series, playing drums for detroit legend daniel bell (as dbx), testing the limits of acid with tin man or joining forces with the hilarious self-proclaimed disinformationist reggie watts as wajatta. since his beginnings and the drop of his debut 12inch, waxing , released through his own label palette recordings over twenty years ago, john has been carving out a lane of his own combining and assembling elements from all ends of his wide-spanning spectrum of reference in a way that allows a more direct transition from the realm of the mind to the circuits of the machine, as confirmed by the deliberately limited studio setup used in the making of the present album. navigating across the lines, from the arrhythmic machine spook of the album s opener autoseek via the straight out thumping and jacking pulse of hypochondriac and heavy-lidded breakbeat of sleep spindle onto the kosmische-infused vibrations of telemetry, vibrant slo-mo inertia of loss and wistful club-ready winds of duty cycle and heal, john threads his way through genres and tempos with optimal chameleonic effect. cloaked in a beautiful sleeve art courtesy of johns long time friend juan mendez aka silent servant another key contributor to the los angeles scene worldwide

danny krivit has been holding this edit release for a special occasion. now, his secret garage classic is revealed. remastered specifically for vinyl and sound quality, tested and approved by danny with shorty’s award winning sbs system in ny. this is another dancefloor hit which danny has been playing for a long time, people keep asking him -what is it?- you can get it now on vinyl only! joey took out the vocal and turned it into a instrumental disco track. it makes you dance from the beginning and keeps building till dancers lose their minds!!

just in time for the season, seaside maestro jean claude gavri returns with this long awaited 3rd instalment of the seaside edits series. both tracks on side a are top notch 117 afro disco floor fillers by disco tech & lillo carillo. on the flip, the man himself label owner jcg is giving us a sneak peek inside his vinyl vault with off broadway, a balearic afro synth heaven, for these very lucky few that earned their ticket to the deeper zones of your collection.

love & loops is back! after a long time since our last release, we returned with a very special and expected ep, this time ale castro joins the legendary voice of house music: mr. robert owens !!! i come to you ep was created between argentina and berlin the city where robert and ale meet for the first time. after forging a beautiful friendship they agreed to give back to the dance floor something that was missing, the message of love, in times where the music mostly has no voices and has excessive drops all time it s time to go back a bit to the roots, it s time to sing again all together about love, respect, peace, and celebrate that on the dance floor we are all one and we are all the same. beautiful arrangements by the galactic keyboard master stephanos result in 3 beautiful songs that together with an excellent remix of the secretary of love manuel sahagun make up this beautiful and groovey vinyl that you will not want to miss in your collection, love & loops records, music made with much much much much love, loops, and some random machines ...

the brother s leeb are releasing their first limited, vinyl only e.p. on smile for a while. now, who are those guys? one of the bros - dj eb-clectic - helped building germany s hip hop scene during the late 1980s and 1990s in frankfurt / main, but also did some chicago house tunes with deskee and gene farris on force inc. in the 1990s, as well. this brother is a real keeper! the other bro - leander janik - is in his mid 20s and quite an avid home composer on his little roland synthie. he s a long term member of the s4aw crew, and has shared a studio with all the other guys. needless to say the brothers are hell of a dj duo, too...

five dazzling remixes of population one s classic hippnotic culture lp by the detroit minimalist himself. kicking off with a 20th anniversary mix of rush hour, the track that inspired our company name! big big tip and a great honor.play it loud!objekt: these are wonderful. no surprise though- population one, also known as terrence dixon, offered a first remix of his mysterious, minimal detroit track rush hour for the celebration of the label s 10th anniversary and now blesses us with new takes on five hippnotic culture album tracks. the impressive hippnotic culture lp was originally released in 1995 on the long defunct utensil label, which was run by claude young.

first reissue of this essential lp by italian pioneer and ennio morricone cohort, alessandro alessandroni. originaly released on munich based experimental, progressive library label coloursound. alessandroni at his best: very refined italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. you can feel alessandronis magical touch for melodies and arrangements on nearly each song and at the same time, some françois de roubaix reminiscence on themes like dramatic and sad farewell. no doubt each track of this underrated masterpiece could have been a classic soundtrack theme.

doi records begins with ‘lightnesses’, two long-form recordings from the studio of composer and sound artist, william doyle, formerly known as east india youth. delivering two blissful, near thirty-minute takes across limited edition tape and digital formats, lightnesses is a sound experiment that pays tribute to the original ideas of ‘ambient music’, while nudging our expectations of the form.
emerging accidentally from unauspicious circumstances, lightnesses evolved during the recording of an as-yet unfinished album, when the coda of one track spiralled out into infinity in one long but ever-evolving drone, constantly shifting in form.

with the sublime sounds of um001 still resonating through the drum & bass world, the bristol based utopia collective build on their impressive debut with an equally stunning second single. another long-time supporter of the utopian cause, survival (exit records/audio tactics/dnaudio) steps up with the hypnotic and enchanting traveller whilst the sect give mako and mutes incendiary >connexion< their unique treatment. dj support: ltj bukem, doc scott, dj marky, fierce, makoto, bailey, loxy, total science, spectrasoul, dj lee, flight, instra:mental, survival, invaderz, squire, insiders and many more

you have been waiting for this for a long time. ricardo villalobos approved, huge edit!!!
12 inch one sided white label handstamped.

the 1975 compilation of leonard cohen’s greatest hits back on 180 gram vinyl.

this past year breakout artist lessi s. has had his name on records for taverna, berg audio with an east end dubs remix, brawthers courtesy of balance and more. for his first solo ep he features an a-side filled with his trademark minimal inspired house sound, complimented by a corky nick beringer remix and dance floor hitting colab with paolo rocco for the flip side. as a long time resident of the rawmoments event series lessi s. is living up to his expectations.

apollo presents a sublime mini album from melbourne duo albrecht labrooy aka sean la brooy and alex albrecht which will appeal to fans of suzanne kraft, tornado wallace and dawn of midi. the release is inspired by a visit to the beautiful wilson s promontory, a remote national park on the south east coast of australia. the tracklisting runs from morning through to nightime and tries to capture the feeling of each snapshot in time. their music is a delicate fusion of ambient electronic textures, live instrumentation and field recordings gauzy guitar melodies, dreamy synth arpeggios and throbbing rthymic pulses that feels equally at home in outdoor amphitheatres as well as dark nightclubs alternating between their cosmic/balearic deep house and more laid back introspections, tidal rivers gorgeously lush sounds are remarkably consistent rich, warm and organic with an emphasis on atmosphere and the transportation of the listener. each track was the fruit of albrecht labrooys long improvised jamming process heavily involved in their local scene, the duo co-run the analogue attic imprint, championing this gentler side of electronic music in australia which has proven a fertile incubator for their own development, across a series of ambitious and ear catching eps, alongside local cohorts such as sleep d, rings around saturn and udmo. this involvement also extends to including local players on their recording sessions as well as their cosmic live shows. the tidal river album includes a quartet of jazz musicians including label-mate matthew hayes on bass guitar, guitarist oliver paterson, spanish cajon courtesy of joseph batrouney and night time saxophone debut by josh kelly.

this four-track ep named curiosity from techno duo, abstract man marks the beginning of the new on the 5th day imprint, the latest branch to extend from the heart of the london-based underground techno project. the final outputs of a year-long creative journey in the studio with a focus on analogue machines, curiosity (including mike parker remix) represents a chapter of exploration into sound design and manipulation, and the unity and evolution of two separate musical identities through the collaborative process

espai music are proud to present energy 52 , the first and long-awaited espai release from the inimitable spada.

starstream simple as that ep is the third release from diskodans recordings. a powerful slice of techno from the northern spheres of scandinavia. remixes by detroit based mikael klasson and michael mereborg and another remix by the young and talented nocturne. it also features the long awaited 1997 mix by starstream.