following their appearance on dimensions recordings’ debut release, the three part compilation ‘an introduction’, with the twisted ‘crosstalk’, london modular alliance step up to the plate with their first full ep for the label. the ‘hands & brains ep’ further demonstrates the skills that the london based trio are becoming renowned for. as the minds behind the fantastic london modular store in london specialising in modular equipment, often supplied to a host of well known musicians, it’s unsurprising to hear that the guys are serious gear heads, what is surprising is the quality and consistency of their growing output! across four tracks the london modular alliance team demonstrate their complete mastery of the electro form with four varied cuts. from the breaky, bubbling, modern acid of lead track, ‘hands & brains’ to the drexciyan underwater inspirations of the closing track, ‘forbidden’ and the brooding machine drone of ‘i settled for her leftovers’, it’s clear that the future of the genre belongs to london modular alliance and it’s in very safe hands… london modular alliance are taking their impressive live set up to dimensions festival this year to unleash their mastery at the croatian fortress

turbo recordings is proud to present the kind of remix pack we’ve heard you talk about in your sleep, featuring a banging techno remix from masked man/presumed german redshape, an electro-funk jam from veteran clone machinist dexter, and two mixes (one vinyl, one digital) from rising turbo star anna that will enrich the lives of completists everywhere. label boss tiga has declared this to be his favourite release of recent times, with each track instantly plunging him deep into a persona he calls mr. goin crazy, which he describes thusly: your best friend if youre feeling the highs and your worst nightmare if you aint deep in the groove can rap his way out of any cypher naturally good at math makes his own ceramic dinnerware with insane designs and patterns

following a superb remix of hakimonus æinsular realms in 2015, ed davenports inland alias returns to deepa & biris black crow recordings with a brand new ep for the labels tenth release. having played a key role in the relaunch of functions infrastructure new york imprint, in addition to operating his own widley admired counterchange label, davenports techno project has brought the englishman to wider recognition as one of the genres most talented producers. the new eps three original tracks finds inland exploring all facets of his diverse sound: a1, æmetatlantic is driving, acid-laced techno, æcosinaxis, employs electro beat patterns and idm aesthetics, b-side opener, ælagoon9, is a melodic detroit-indebted big room weapon. closing out the ep is a remix of from 3kz aka italian duo z.i.p.p.o & kaelan, the latter of whom provided one of black crows standout releases so far under his 2030 alias with last years timeworm ep. their remix of æcosinaxis follows hot on the heels of their debut album æparallel reflections, released earlier this year on z.i.p.p.o.s fides imprint.

oddball japanese electro-fueled vocoder funk with occasional raps from the 80s, including unreleased material. japanese electro original, minoru hoodoo fushimi, self-released four albums. two vinyl lps and two cds between 1985 and 1992. melbourne s left ear records have selected twelve tracks, for a double vinyl retrospective. 10 tracks from minoru s four albums and a further two unreleased tracks from the archives.

der londoner drummer (und produzent) richard spaven schließt perfekt die lücke zwischen jazz und clubkultur und wird regelmäßig von größen wie josé james, gregory porter, guru’s jazzmatazz, flying lotus, the cinematic orchestra oder ty engagiert. auf seinem neuen album für soul has no tempo, -the self-, arbeitet sich der jazz-drummer durch clubstyles wie drum & bass, broken beat und dubstep und lässt sich von r&b-sänger jordan rakei, metalheadz-mc cleveland watkiss, electro-jazzer jameszoo, jazz-pianist kris bowers und gitarrist stuart mccallum begleiten. ein highlight ist dabei sicherlich sein cover von photeks -hidden camera-.

disabled is a new project consisting of tobias schmidt & cynthia stern. varvet 003 is the result of two sessions in berlin in late 2016 / early 2017. bassy techno/electro/punk for the late late hours.

over his twenty year the hacker has traversed a spread of styles, from frosted electro to raging techno slammers. -midnight bliss- shows another side of this multitalented artist. warmth flows from the title piece. clean rhythm patterns are spiked by synthlines as liquid melodies are swirled into a carefree cocktail that simply radiates. -heavy duty disco- takes over the flip and runs headlong into speakers. the hacker builds a track of generous proportions. textured keys weave through columns of toms and snapping beats before bruising basslines descend for a late night encounter of formidable intent. without doubt, a future classic from a classic creator.

pulse drifts third installment brings you the vinyl debut of a very talented young artist from canada. and he delivers something quite special on this 4-track ep. deeply rooted in detroit electro, his musical sprouts gravitate towards a more experimental, forward-thinking sound universe. build on a solid stem of rhythmic structures and covered with a cortex of melody and atmosphere, funk grows and groove emerges.

having returned from a three year hiatus with inner lakes s ep earlier in 2017, vae victis records - the italian label that has previously been home to music from blawan & analogue cops, chevel and tessela - returns with a debut ep of post-internet electro/techno of the highest possible fidelity from mysterious collective hype killers.

after introducing jin cromanyon end of last year with a special 7 single, we asked him to prepare an lp for 2017. few weeks ago he sent us his tracks which made us so anthousiastic ! a pure ovni in between electro, acid-house, synth-pop and j-pop, rough but romantic, a sort of viewlexx meets depeche mode meets a guy called gerald with the japanese twist » !! takuti takuta !!

it s an honour for ce to welcome the electro super group of of keith tenniswood aka radioactive man, phil klein aka bass junkie, simon brown aka the dexorcist and matt whitehead to the label for ce022. keith, phil and si are electro pioneers of the uk sound who have inspired the label long before it s inception in 2007. matt whitehead has been with ce from the start featuring as signal type with sync 24 on ce001 and appearing on several of the early releases. welcome to the -resonance committee- the resonance committee are a core of 4 like minded producers committed to keeping the electronic groove alive via vintage analogue technology. -created and mutated for those who know, who feel the flow of electricity in their veins, their brains. we remain unchained!- meetings are held twice a year in a london studio where live jam sessions are recorded and edited for your listening pleasure. expect to see more members join this ever fluctuating collective for future releases. rc 2017

following their 50th release milestone cpu celebrate 5th anniversary with a 2x12- lp remix compilation. cpu has been reticent in regards to remixes, with a grand total of zero during its first five years of existence. this all changes with this dedicated remix compilation celebrating the label s 5th anniversary. the exalted roster have chosen their favourite tracks to remix from the label s back catalogue and are brought together in a very special 2x12- gatefold sleeve. b12, jensen interceptor and morphology all make an appearance alongside some of the label s seldom seen artists. there is also a posthumous microlith remix of tryphème - mélodramatique. electro has again proven its staying power and cpu has played a key role in championing some of the genre s greatest: bringing new artists to the front line and cementing the status of the established. this five year celebration showcases the diverse tastes and backgrounds of the roster, crossing many genre boundaries - all executed with precision and attention to detail that the label is known for.

innerspace is a new imprint from croatia s underground featuring extremely hot and mind-bending electro tracks from morphology and silicon scally!

having impressed on the home grown ep, released in march of this year, london modular alliance return to hypercolour with the 5 track wolves ep. once again, a heavy arsenal of modular synths and analogue hardware were deployed in the production of these tracks, each once packing a punch and aesthetic that will appeal to many. ôbrockie detö fires out the blocks with on point electro beats and melancholic pads, whilst militant continues the theme, with dusted drums and thick washes of bass for a real futuristic funk moment. elsewhere on the ep, the disassembled arrangement of advance & proceed gives off a cold and discordant atmosphere, but remains firmly in groove and sonically tight, theres a distinct jazz flare in the mix also! tremors hits hard and heavy, giving the detroit electro cats a run for their money, whilst the ep title track, wolves is a busy and inspired slab of british idm at its very best.

some have to dance ...some have to kill- is the new limited compilation series on mecanica. this first installment will be focused to techno-electro.ebm including exclusive/new tracks by laurapalmer (tying tiffany side-project), romance disaster (aga wilk), l-sedition (lorene simpson ex-violet tremors), millimetric, delectro and randolph & mortimer with a remix by schwefelgelb. six powerful tunes perfect to dance... or to kill!

amazing amazonite, old school electro dub and stepper, sweet sound featuring pupajim and his magic voice... the flip offer 2 remixes, one from legendary zion train and a drum dub oldschool mix from krak in dub... that’s his roots :)

les cidres. the new sublabel of anus records. we start fresh with our own 7” by panda lassow and compliment aka les cidres. they put their strenghts together and combine their bass, electro, dub, house, synth and disco sound with a touch of bedroom and diy attitude.

new ep of peur bleue s boss, gohan, straight from the mystical heights of mount athos. haunted celestial techno with a tinge kosmische electro, melancholic cold wave and hazy ambient. 4 tracks into gohan s spooky journey. son of an owl and a clouded leopard, gohan is a london-based producer and peur bleue records boss.

theatre records was founded with the idea of concentrating the major genres of electronic music on a single stage. many centuries of theatral art have taught that the tragedy and the comedy are strictly linked in spite of their differences. with this pillar theatre records contains various genres that at the same time are separated in two different sub-labels. theatre white – the mask of the comedy includes the strenght and musicality of electro-house and progressive-house. theatre black – the mask of tragedy keeps inside the soul of genres as deep-house and tech-house.

geodetic is the joint venture of well-known italian experimentalist claudio rocchetti, a close collaborator of valerio tricoli, and jukka reverberi, founder of post-rock band giardini di mirò and half of cosmic electro-disco duo crimea x.instruments of discipline is proud to release cold lights , geodetic s second ep, the follow up to broken consonance , released on maple death records earlier this year. cold lights is an avant-garde undertaking that artfully weaves soundscapes that swing between murky industrial atmospheres to moments of uplifting levity, all held together by strong rhythmic grooves, a collage of at times familiar sounds juxtaposed into an altogether unfamiliar whole.

“we are what you think we are” is the tenth dispatch from the crew here at lost soul enterprises, new york city, usa. this compilation features a whopping 15 artists who together represent all corners of the label’s extended family, with frequent local collaborators paired with past guests of our various parties. it is served with love from us to you on 3 slabs of vinyl released in 3 installments.
each installment charts a different component of our sound: 10.1 highlights the influences of synthwave and postpunk electronics, 10.2 is comprised of razor-sharp acid and overdriven electro, and 10.3 delves into darker shades of industrial techno. together, all of these elements loosely sketch our little corner of the sonic universe. with this humble offering we tried to capture and share with you a little sliver of what we’ve found together in hazy rooms full of flashing lights and strange sounds.

dmx krew returns for volume 4 of the popular synth funk series with another bumper pack of electro funk jams. pure fire!!!

emotional rescue turns its attention to spanish artist luis delgado, who made a name for himself fusing traditional folk music from across the globe with experimental electronic practice. his first album vathek stands as one of his masterworks, originally released in 1986 and featuring a range of different electro-acoustic approaches that draw you in with their strange, dynamic textures. there s a whiff of jon hassell s treated trumpet about -la puerta de ebano- while -el sacrificio de catoul- deals in a dense weave of chimes and percussion. diverse, engrossing listening from the outer reaches.

throughout the 90’s, dj bone was one of detroit’s best kept secrets. releasing only a handful of 12 inches, bone’s eclectic and fast mixing style became popular in his home town, starting with his weekly residency at the love club, and gaining more all over detroit 5 nights a week, as well as fortnightly live sets on deep space radio. in 1996, laurent garnier witnessed him djing, and invited him to play in paris legendary rex club - a 12 inch for juan atkins metroplex soon followed, with a peel session, and his subject:detroit volume 2 mix cd being distributed worldwide helping to establish him globally as a force in detroit techno. anotherday are very proud to announce the reissue of that legendary metroplex 12 inch, riding the thin line. from the sweeping strings and tribal loops of shut the lites off, to the hissing bassy electro of the funk and woozy techno of the haunting, this is dj bone at the peak of his powers.

win2win, aka black spuma, aka lauer and fabrizio mammarella. is that enough names? new project from two of slow motion s most loyal artists fantasia 500 channels the spirit of detroit electro and even dare we say it ghetto house through the disco grinder to make something totally new. with enough chug and swagger to rock any floor this four tracker is 100% party ready.

london s weekend circuit imprint returns with a 5 track ep from label owner michael wells entitled three marks of existence. the ep marks michael s debut on the label and is a signifier of his future direction as a producer - meditative, tense, unfolding electronics and monochrome ambient environments inform this release. the deepest of deep space is contained within ep opener antecedent , an almost menacing, enveloping track that engulfs us during it s 5 minutes or so of existence. verge follows and is driven by speaker puncturing taut, tribal drum programming and swirling satellite sounds, creeping further into the nexus. subtly heavy indeed. ‘three marks of existence mines an altogether different vein, an epic, widescreen vision of downtempo electro that is damaged, on the fritz, but containing enough melodic beauty to retain hope. souls in the machines. weekend circuit acolytes yyyy return to the scene of the crime with a monolithic remix of verge that opens the second side of this ep, showcasing their unique style and interpretation of the original mix, and following on from their previous split ep with stanislav tolkachev and their own ep ‘intention of mortal’. ‘ilmatar leaves us out and leads you into the cold night, the final transmission from the ‘three marks of existence signal. fierce drums punctuate the night sky and barren landscapes while somewhere deep inside, memories are remembered. equal parts thought provoking and anxious, the perfect end point for what will undoubtedly be a formative benchmark in the weekend circuit canon.

they expect me to write something informative about the tracks on this ep here but i find it really difficult to express music in words. on top of it i went out last night, to club der visionõre, and i feel hungover and empty inside my head. so now im sitting here and all i can think of is, cant you just take a listen to the music?! the ep contains 5 tracks all made in the last couple of lousy summer months here in berlin in nostalgia for the better days. itÆs about house and a bit of electro, no gimmicks.

dark entries is proud to present the deluxe 2xlp reissue of ‘come visit the big bigot’ by severed heads, oone of the longest surviving bands to emerge from the australian post-punk independent music scene. they began in sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. as the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. after many line-up changes featuring garry bradbury and psychedelic guitarist simon knuckey, severed heads was the vehicle for composer tom ellard. ‘come visit the big bigot’ was severed heads’ first record to be released commercially simultaneously in australia, north america and europe in 1986. it was a prime period for this industrial dance music and bigot was a respected album that did well from the tour they did with skinny puppy that same year. quite a few people still define the band by this period. ‘come visit the big bigot’ was made on a fostex 16 track recorder in tom’s bedroom, employing the newly acquired akai s612 sampler and roland sh-101 to create most of the drum sounds. the album signaled a new direction, flirting with the dance floor and the pop song. presenting the heads at their most cohesive, while retaining their distinctive musical stamp. tom’s vocals are harmonized, slowed down, sped up, run through fuzz boxes, backwards, drum machine rolls, sampled guitars, horn sections, and voices but with a subversive rather than malevolent intention. tape loops are more subtle and define their own space and texture. like the original australian version of the album, we’ve included a bonus disc featuring three extended remixes by sydney dj robert racic (who produced the edited 7” version of “petrol” we reissued in 2015), plus three b-sides from the ‘twenty deadly diseases’12” and two additional tracks from the same recording sessions.

label honcho fabio monesi return on his own platform with a two-tracker. if -ancient gate- is a raw-punchy-electro-house tool, - wishing on the stars - hark back to the classic sound of some of the greatest fxhe records.

indastria ep: this is the projection of a post-modern landscape on the axis of milan outskirts. five cyber techno trax contaminated by the speediest electro. east4 is a crew coming from the east side of milan, their mission is to propose a new concept of contaminated electro/techno stuff. their influences are coming from the past, like detroit sound and 80’s breakbeat, looking forward to the new vanguard.

die klingt genau so, wie sie heißt: farbenprächtig, schwurbelig, episodenhaft und manchmal richtig schön beknackt. siriusmo nistet sich auch mit seinem dritten album wieder an seinem ganz eigenen plätzchen in der elektronischen musik ein, indem er alle möglichen stile und vorlieben durch seinen persönlichen filter schickt, notorisch tiefstapelt, maßlos übertreibt und immer auf dem punkt landet. siriusmo ist der vordenker, der gar keiner sein will. comic ist ein perfekt unperfektes selbstportrait und enthält in des meisters eigenen worten 14 bunte geschichten zum selbstausmalen. aber keine bange, diese geschichten erwachen von ganz allein zum leben. vergleiche sind überflüssig, nur einer drängt sich auf: sowohl melodische vintage-electro-romanzen wie dagoberta als auch fuchsteufelswilde arrangements wie bleat ziehen parallelen zu alten squarepusherplatten. statt jazz und jungle bestimmt bei moritz eben die berliner sozialisation den sound.

decks tipp!
new berlin vinyl label releases their first album sampler from their forthcoming album -nachtboutique-. influenced from disco, funk, soul, oldschool electro and house, we present to you the first vinyl of the album series. throughout the first three tracks we move from floaty house through to a disco orientated number and finish with a downbeat slowhouse jam.

welcome -into laniakea-. we are proud to present our first release: -160 mega parsec- as a various artists. different artists to represent the variety of universes we have in our supercluster. with artist on board such as passenger, caseer and voiture, transonic flow and diffuse arc, this is a versatile record. the a1 starts the journey with passenger, the italian artist gives us a spacey and slow electronic track with a moody bassline, perfect to introduce the label style. the a2 is more a bouncy housy acidish track with a weird vocal coming from the french and dutch duo. it drives from the start to the end with groovy bass and low kick perfect to kill a dancefloor. on the other side, you have a dreamy electro track from transonic flow, german duo from hamburg composed of koloman trax and hitekjaz. the b1 is a pure gem with its melodic yet rhythmic lead. they told us it has been club validated! the last track is from no one else than diffuse arc, who searched his tapes and hard drives to send us some unreleased and hidden tracks. the result is a deep and groovy ballad with acid bassline that will suit every music lovers. you got it, -into lanieakea- is all about groove and spacy dreamy tracks. we trully hope you will get touched by the vibe and the love we put into this record.

yay 008 is finally on the way. a big welcome to les points with their first release on yay recordings. 4 tracks in a different style where electro, techno and acid are the main ingredients for this solid ep.

didier allyne embodies a certain kind of underground already in the mid 90 s : a record store clerk, distributor, artist and dj, he cross-cuttingly approched the scene even back then, when -french touch- was massive. embracing the new trends from a sideways perspective, he emerged with his own blend of broken beat, soul jazz and warp style electro, always keeping the groove in sight, basicaly what techno is all about, as deep and singular as it gets he began the parisian shop traffic records in 1998. this compilation will be in several volumes that have been flagship pieces of this shop influenced by fat cat records, wally s groove world in others ...this first techno volume highlights the influence that didier received at fat cat by the introspective piece stasis -so-lar- on time in right in 1993 & ritchie inkle, one of the designers of nu loop & whose piece - happy face -represents the techno sound represented by traffic records

neil landstrumm - bad life choice club ep are bad life choices a bad thing or actually quite good really? neil landstrumm invites you to join his club of fools with this effort on moustache records. its money badly invested if you do but endless selfish pleasure awaits the brave. don t blame me if it all goes wrong. i warned you. idiot. this six track lp from the early 1980s contains pleasure seeking electro-pop and beastly disco lust, heard from the other side of mute records black leatherette covered door this record is made by neil landstrumm (rip) on fuck all with shit speakers. ably assisted by tommy stuart and his wall of modular synth and a pork pie on at least two occasions. made for the french but they didn t have enough money to pay for it. fuck the tories and brexit. scotland wanted to stay in the european union. we hope you all know that.

once again, perm has turned just the right knobs to give you the perfect soundtrack for your personal journey into techno wonderland. the leipzig based wizard simply knows how to leave dancers both dizzy and beatific. when those strings in -03-viii- come together to its climax you re more than ready to embrace the night. the focus in -03-iv- is more heavy on the drum work with just the right amount of subtle tripping hazards. -03-iii- builds and builds without ever bubbling over while the mighty -03-viii- comes with a boom-tschak-electro feel to it. the artwork comes courtesy of carl-johannes schulze.

maybe its just you: jumping around from joyful reveries to passages of melancholia, from uncanny revelations to the grey routines. or maybe its just the music: a dusty cosmic theme with a bit of the 80s electronic flavour, warping your state of mind on the slick drum rolling, electro tingles and obsessive sci fi bleeps. we call it moodswing: sublees electronic visions for contemporan.

dream diary is a label operating out of brixton that has previously featured the likes of afriqua, tom gillieron and richie littler on its roster, and now it s the turn of the head honcho oslo roma to serve up some more of that subversive four-to-the-floor business. mars water- is an infectious minimal roller with bass that wraps itself around your cerebellum and pulls you in deeper, while -bubbles- does the same but without any drums to buffet it along. how good is the party is a more experimental affair that deals with off kilter rhythmic fragments and spaced out textures, leaving ep closer twotet to drop a more immediate slice of electro on the situation.

fresh from his ævanishing point single on uk label hypercolour, which saw the lead track hit the beatport leftfield house & techno sales chart at #1 for four weeks, a sagittariun is back on his elastic dreams label with the æslightly ajar ep. as always, a sagittariun brings an eclectic melting pot of flavours to each of his eps, blending detroit techno, ambient house, highly charged electro, dramatic synths and transcendental vibes.

the squirrels are back. their second platter comes courtesy of kit n c.l.a.w.s. (say it out loud), the cheekily-named collaborative project from squirrels on film co-founder brian hock and veteran san francisco producer kit clayton, and just like the label s first record, it s a woozy, wobbly trip designed for dancefloors drifting between dimensions. savvy techno heads will recognize kit clayton s name from his decades of experience at the avant-garde of electronic music. in the late 90s, he and partners tang tran and juan mendez (now better known as silent servant) launched cytrax, a groundbreaking minimal techno label that paved the way for the clicks n cuts sound of the early aughts. his debut album — nek sanalet, first released in 1999 on stefan betke s seminal label ~scape and reissued in 2015 — remains one of dub techno s most enduring documents. meanwhile, brian hock moonlights as the drummer for deranged bay area post-punk outfit bronze while recording murky electro-techno excursions as c.l.a.w.s.

synths versus me is back this time with the dancefloor at 5:00am as located and fixed target. 3 new tracks of classical ebm, new beat and minimal tribal techno + a remix by the french electro enfant terrible alek drive is what you are going to find on the demolishing seek target destroy 12&#8243,,,, that reached worldwide position #1 on bandcamp s #ebm tag in only 24 hours after the preorder release. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

more lonely planets rec. material entering our habitable zone. star chaser jack roland capturing his dreams of darkness and distorted cosmic visions through the mysterious edges of the ‘all there is’.
from the electro fuelled a-side bringing ionising pads and convexing bass lines to high amplitude techno on the flip. closing the story with downtempo “porta” in the afterglow.

we are what you think we are - part 2 is here! with 5 fresh electro jamz!

lowercase life returns with more melancholia out of machines made in the past. detroit and 90s uk vibes brought to present time in three originals and a killer electro remix by orson wells (777 recordings). limited vinyl with hand made iris printed silkscreen covers.

anyone who has seen one of egyptian lover s riotous live shows will confirm the role that classic cut -i need a freak- plays in proceedings. during performances, he attempts to get female members of the audience going by altering the lyrics to suit the occasion - a tactic that usually gets a rapturous response. despite being recorded in the 80s (and eventually released in 1994), the track has lost none of its energy or appeal, it should be in the collection of any genuine electro enthusiast. there s another treat on the flip in the shape of the rarely seen extended version of 1984 cut -my house (on the nile)-, which is every bit as essential as the a.

one-man electro sex machine egyptian lover has been doing the rounds of european festivals this summer, bringing his distinctive brand of hardware sleaze to a new generation of dancers. it seems fitting, then, that his latest 12- includes previously unreleased versions of live show favourites -seduced- and -belly dance- (both of which originally appeared on 2015 album 1984). the a-side boasts -remix- and -instrumental- versions of -seduced-, both of which are typically 808-heavy and include the eccentric producer s usual middle eastern inspired synthesizer melodies. on the b-side, the la veteran has slipped in an extra-long version of -belly dance-, a spacey, punchy and cowbell-laden workout in his trademark style

electro-chanteuse und ex-model carmen villain überzeugte 2013 auf ihrem debütalbum sleeper mit einer melange aus royal trux und frühen sonic youth. auf dem nachfolger infinite avenue präsentiert sie interessante kollaborationen mit house-produzent matt karmil (mehrere tracks), noise-improvisator helge sten aka deathprod (quietly) und der norwegischen ausnahmesängerin jenny hval (borders). das cover zeigt hollywood-ikone und john cassavetes-partnerin gena rowlands.

epical cinematic pop moments, sexy and electronic! on her second album, elena alice fossi, better known as the singer of the italian cult-group kirlian camera, promenades through tinsel town in high heels with her all-girl band spectra*paris. at the edge of pop, glam-rock, alternative and electro, the alluring ladies are spicing up today’s music scene with fresh energy, inviting you to a glittering homage to the glamour of the big screen. with her powerful, versatile and matchless voice, elena alice metamorphoses from innocent girl into grand diva to savage rock singer, gracefully moving through her sonic short films, ranging from spy stories to horror flicks, with distinguished pop-appeal. “license to kill” is released as a regular cd album containing a warholesque, punky bonus dvd and as a strictly limited, lavish fan-box containing a clear vinyl version of the album, a poster, a patch and a classy shape-cd-membership card including an exclusive, previously unreleased track. limited to 500 copies!!