*** vinyl only release***
we present a brand new artist with the debut ep from rydim, an alias from a well known producer who wishes to let the music of his new project do the talking.nash has been exclusively road tested by label boss kevin griffiths over recent months & is a big track for the dancefloor with hooky vox, percs and killer bassline. another tsuba ltd essential.

highly destructive four track ep from the irrepressible, container (spectrum spools), on morphine records. totally deadly, stripped back and direct. following 12inchs from shake shakir, hieroglyphic being, madteo & metasplice, this one is also going to blow up heads...very loud tip! artwork by maria kassab

is he good - or is he wicked? - with this quote from alice in wonderland, clemens started his highly acclaimed fÖn records series in 1996. 2013 neufeld is back and taking raw acid techno to the next level. wicked is a bass heavy straight banger for the big floors, driven by haunting distorted off-beat percussion and naughty 303 bassline action.us-techno legend angel alanis, true master of disaster since his early works on woody mcbrides offshots, totally destroys it with a super ruff earthquake bass monster. nobody less then gez varely aka g-man, legendary half of the techno pioneers lfo from leeds, uk, provides another remix in his very own flavor - deep, dubby and hypnotic - a guaranteed floor filler. recorded in vienna(a), indianapolis(usa) and leeds (uk.

seaghdha have made a significant dent in the stripped down warehouse music world with the first two releases in their celtic numerals series. a tri continues the theme perfectly, offering up three more precision workouts for dark spaces pared down, atmospheric and totally absorbing grooves throughout! each release will be strictly limited to 300 copies, vinyl only. the series will run to ten releases in total, titled 1-10 in gaelic.

karat is going deep in the new house scene with this absolutely delicious release from the new dutch sensation tom ruijg. 2 nice tracks in a totally house vein, classic and modern as we like it. pure delight !

making their long anticipated debut on colourful is danish outfit zohdy & senna (twobirds). title track showcasing a beatitfully crafted song with gorgeeuos deep harmonies and a bassline to die for. david keno takes the remix to 80s disco territores, yet with a firm beat to move any floor. flip side sees the duo wander into acid territories withkeep the beat and to wrap things, a solid deep builder with a totally addictive organ hook

so here it is ... and it has been a long time coming: metrobox makes his full debut on wph. after collaborating vocals on last years >red d meets vol 1< metrobox has been working hard to create an e.p. that is totally wph. and boy has he delivered!

custom 12 inch vinyl with hand-stamped labels, limited first pressing.
la producer gb and a race of angels, two mysterious figures in the west coast music scene, join forces as they bring to us their self-titled project, the steoples.
this 4-track ep is a beautiful hybrid of electronic and soul brilliantly put together in a most unique way. lush analog synths and syncopated rhythms animate this offering throughout, while the vocals embody an infectious feel that will have you singing all day.
each jacket has been individually and uniquely hand-sprayed by dame (msk). as every jacket is different, yours will not be exactly like the ones pictured. instead, yours will be totally one of a kind.

strictly limited vinly-only release, make sure you get your hands on this! 180 gramm vinyl. shrink wrapped. amazing piece of music! all sound creation and sequencing was improvised in real time and recorded to stereo with no processing.
steevio delivers the second offering in the >modular techno< series of live improvised analogue recordings extracted from his practice sessions for the freerotation electronic music festival which he organises with partner suzybee. with vol 2 steevio takes his modular jams to the next level with more complex sequencing and refined harmonics in contrast to the deliberately raw vol 1. only basic editing to extract the individual tracks from the 1 hour live sessions was used, and there was no prior planning involved other than a choice of tempo and key. each session evolved from a totally blank canvass on steevios eurorack modular synth and moog voyager.

half of a decade in the big and fast-moving club circus is a reason enough to celebrate his own birthday properly! and this jubilee commits blackfoxmusic with a luxuriant present in form of a double vinyl label compilation. the contributions come from founding artists, long-standing companions and totally new faces. two vinyls, packed in a full-coloured, noble folding cover. ready for the next five years? and never forget: vinyl is for lovers!

after some silence on credo due to the fact that alex was pretty busy with productions and numerous remixes for other labels, he kills it totally now with this outstanding twotracker. theory of noise delivers two unique technotracks and especially noise b shakes it down in sets all over with its remarkable groovepattern und heavy as well as warm bass structure. this is the adequate follow up on the black series of the label after the outstanding and regurarly repressed >dark summer nights< that came out two years go. alex in top-shape, grab it!

nice price deal !!! here comes a record that shouldnt have been released in the first place. who first started to circulate the cd-r with the blue inscription waiting for kim / we get high is totally unknown. the more known though, is who has been playing these two tracks, the one subtly uplifting, the other cranky dark, over the last few months. its still an unsolved riddle who is responsible for those two very divergent (but obviously coming from a single source productions. the fact that now these two tracks are coming out as a white label doesnt shed any more light on the affair either. but will please the dj and club world nonetheless.

cazumas yume is a delicately balanced trip, from a broke, raw groove towards the light. striving upwards all the way, higher through beautifully orchestrated pads, strings and chants. if you flip the record, you will find envie by mr raoul k. if you know raouls sound, you would probably find this one to be on the clubbier tip. bulding from a groove of raouls patented percussive arrangement comes an electronic sandstorm, from tiny stabs through a full on and freaked out break where the mighty beat is totally lost. and then back at it! this is really one of those tracks that you cant help yourself from playing whenever control is lost on the dancefloor, a gateway to the crowds inner animal.

4 trackers not 4 kids killa bombs- there are 2 types of edm producers.the ones who arent instrumentalists in the first place, and the ones who are.bone machine is definitely of the 2nd kind and you can feel it in his tracks:a totally different level of grooviness,way more hypnotic than y

the finale in maylee todds >hieroglyphics< remix saga is this limited-edition 12 inch vinyl release with two totally different yet equally slamming treatments of her recent single: a head-nodding, hypnotic joint from next-generation beatmaster tall black guy, and a percussive tech-house banger from toronto production duo the makeover. this new release follows up on the now sold-out 7 inch remix by kon & the gang that had more of a disco boogie vibe.

hot release by neil landstrumm & mat consume, who did a first shit & cheap release on scandinavia in 2001, and 2012 seems a good year to tear it down with a totally unexpected raw & raving electro banger for the dutch shipwrec label. inspired by 60s surf & garage and later punk & wave, the drum machines are set to give us the essential kicks, claps and hihats we need for that oldschool electro vibe. the trashmens surfin bird gets a remake dipped in acid and with shadowlands pre-dubstep skills take control, but nevertheless, all tracks have those wobly basslines typical to landstrumm’s music combined with unique vocals that make this release something special and definitely standing out! this release comes in a sick designed three colour silkscreen printed sleeve, limited to 300 copies including a download code to redeam the digital tracks from the label

for this second release the new parisian label street knowledge choose to produce two young native italians djs. peter jd and francys met in a small city in the south of italy, both evolving on the music scene since they are 14. peter is bringing the detroit house music touch whereas francys the 80s 90s music sound. from this collaboration is born the connection ep. where two different worlds find each other in a common space, connection ep brings different ideas of sound at the same time, by one side following a dry techno line with pumping drums and solid grooves, by the other side warmer and deeper, crossing hypnotic detroit flavored synths, chicago house, organic elements and chromatic female vocals. to make this release totally international jenifa mayanja from connecticut and the greek quell are delivering two remixes that should make a bomb effect on all the dance floors.

the third ep on visky recordings is brought to you by a fresh and talented upcoming producer, dj and music lover hailing from grodno in belarus. schmoltz has had a long-term affair with music which got him to collecting records and fiddling with music making software and hardware. growing up as a metalhead kid, he came the disco route and later to be mesmerized by the soulful powerful funky and electric sounds of donna summer, gloria gaynor, stars on 45 and whatever else was to be found in the piles of soviet melodiya records. schmoltz delivered three great jazzy, deep & soulful tracks for his debut 12 inch on czech based visky recordings. on top of that the b side offers a remix from ferrispark label head scott ferguson. scott gave to raindrops a totally different feel and energy in a way of his own.

berlin based producer murphy on exploited... , with releases on clone, turbo and recently hypercolour, he has carried on the vibe of chicago and disco. on lets get to it he features one of the true cofounders of the real chicago vibe: mike dunn. on the remixtip serge santiago (who is recently in waze & odyssey) came up with a totally unexpected hot uk garage mix that already has been praised by skream. move your body to the sound. too good to miss this one! early support by a variety of djs: from joakim, to skream, to soulwax, to noir, to visionquest, robert owens, dirt crew and many more.

eight full party shakin digitalism works (own track & remixes)

we really dont know what they put into danish water, but somethings gotta be responsible for all that freeform talent pouring out of that country. think of whomadewho, jatoma, when saints go machine or kenton slash demon, all sharing a keen sense for structural complexity made accessible through emotion and pure boldness. these guys freed their minds a while ago, so the asses seemingly followed suit and now constantly demand to be shaken. with two of those acts already signed to kompakt and the other two being staff favorites since their first acoustic blurps, it was just a question of time until we would discover another totally unique producer from denmark. enters taragana pyjarama, a project whose music is as refined as it is chaotic, described by some as a fairytale with a bassline.
comes as double 10 inch vinyl, including cd-version of this release.

martin brodins second single from the forthcoming album which is due for june 2012. it follows the successful badabing which featured diskjokke as remixer. strings attack is all about the strings for disco. ok,now you may think he gone all cheesy here, but that’s totally wrong.it still have the funkyness and groove it needs to be a full-fledged disco anthem in our ears. and we invited two of the most prolific producers out there to make this a rock solid release. switzerlands finest, headman (robi insinna), who we all know from his own relish label and releases on gomma. he turn the original to an uber-cool bass-laden track and makes it a bit more in-your-face to speak, while the original is a bit more freestyle. second out is spanish born ilya santana with his funky mellow take. its a perfect remix for those beach parties we all love.

marx was totally right: the sustained reign of the exchange value and the spooky and tricky quality of the commodity - the fetishism of commodities - still keep the single individual under age and enslaved. therefore >the association of liberated people and music (vfmm)< is a necessary emancipated condition to strive for. especially the impact of art and music is able to hold on to the contradictions of reality and helps to transcend this wrong existing status qust release drive-by mix mup suspends the principle of causal relation. together we travel down a road that has lost its destination. the road becomes the actual reason for our motion. past connecting elements we cruise

lirum larum is a brand new joint of >efdemin< and >rndm< who are better known as >pigon< when they team-up in the studio or behind the decks. always riding the thin line between house and techno with a twist for the obscure they decided to have their own imprint from now on. lirum larum will publish music of their own project, from friends and other partners in crime. in that regard the first release is the perfect prototype of what can be expected in the future. the 1st release features a composition of their own in two mindblowing interpreations. no other than >function< (dave sumner of the splendid sandwell collective) and >tobias.< (who released a totally underrated outstanding album in ostgut last year!) provide their interpretations of pigons track >kamm< (originally released on beatstreet in 2008).

since the last studio album from pupkulies and rebecca three years have past in which things have gathered momentum and gained a life of their own.countless concerts in renownedclubs throughout europe were held resulting in an ever growing, snowballing fan basis a certain hype has arisen around the band occurring totally organically without being triggered by the press, self generating and in real time.the recent years have shown that pupkulies and rebecca have an appeal which covers all age groups, territories and scenes.

the 2 bears debut album be strong has been a revelation. the hirsute duo made up of joe goddard of hot chip & raf rundell aka the raf daddy have made a record that has touched people from many a different musical and cultural background. their roots, of course lay in house music and its that genre that essentially defines the 2 bears. so, brace yourself for four tantalizing mixes of one of the 2 bears finest house cuts take a look around.

shadow dancer is coming back with their 6th release for boysnoize records. paul and al farrier could be considered bnr veterans. with their consistently quality tracks and electryfying live and dj performances they have established themselves as one of top electronic artists around. the new ep is filled with futuristic deep, techno and classic electro (yess electro!!) sounds and the good stuff you need to get down to the floor. second city & jamma show their pure manchester warehouse style, where mashine code goes totally old-nu-school doppeleffektish and when we heared voice tracer we imediately thought of raster noton. thank you shadow dancer! the 4 track ep will be available on vinyl and as a digital download on the 16th of april. out on boysnoize records, april 16th 2012

yellow coloured 10 inch vinyl, includingtotally enormous extinct dinosaurs remix.

my man by the american dj aakmael house mixx right here for you, sure thing. support by scott groove detroit. peace. on the recommendation of mr larry heard, george kagais sun of the suns mother land. one of his first track let you know that he made this track the year of 2000 his track methaphysical vibe played by danny tenaglia. futurisms cd on tommy boy. a dj since 92. the beginning for bugnology3 steve bug ? you know. check also the b side. massive. laidback porny usual jazzy hipster drumbeat-jazzy thing with on his third wax track of the season mannmademusic, the slow motion early or totally late night, or whenever you want baby, oh yeah. england north east place called sunderland near newcastle. and you know what? paradice is closing those marvelous, without a kick drum, shaking heads all around on the snare thing. how delighted could we do more, than getting this record played all around the world for the greatness of life. lets celebrate, the second welcome back to the underground release. the vinyl cover is hand stamped with the a logo designed by street art painter: william thelineau.

b. riddim is luis manuel fidalgo fernandes sequeira, a 24 yr old portuguese living in london. the sounds on this ep encompass dubstep, dub reggae, grime, rave and electronica. b.riddim shows a deft touch on all cuts. his appreciation of and understanding of dub and its modern idioms sounds totally convincing over the whole ep.

this record presents bai janha with his last group, karantamba, a school for young musicians,in a totally unreleased recording,recorder in thiès (senegal) at sangomar club the 16th of august 1984.the double gatefold lps liner notes and cds booklet include more information and photographs outlining all the way of the living legends musical career and the wicked percussive rhythms and compositions of this album. we hope you will enjoy!

after his debut album connecting the dots at the end of 2010 and several remixes in 2011, h.o.s.h. finally returns to diynamic music with some fresh productions and a statement: life is music is life. thats the name of his upcoming, long awaited ep, showing new sides of his verified and openminded taste in music. h.o.s.h. presents us three astonishing original takes on vocal music, all featuring the soulfull singer malonda. the opener what do you want me to say? is an immediate hymn consisting of an emotive vocal supported by sexy percussions, an impulsive cowbell and a deep, pumping bass. totally focussing on getting people to move. this one will stick right into your head. on the a2 h.o.s.h. again introduces a straight groove but this time he combines it with repetitive vocals, hypnotic synth-sounds building up tension and even some slight strings. hidden pleasures is an instant viber. the finisher high! is slow and a true groover with a gripping bassline, drifting melodies and a vocal singing a short story about those special moments on the floor that we all know. in the end h.o.s.h. has managed to re-introduce himself without even focussing on this.

second release on the wonderful supafrico records digs up and dusts off four more mega-rare nuggets of superb afro funk. first up is the excellent afro disco groove of kabbalas ashewo ara, a lost gem originally released back in 82 on tiny uk independent red flame and now featuring highly on many collectors wants lists. next is buaris im ready, a chunk of pure dancefloor dynamite with a driving disco groove and great funky synths, taken from the ghanian singer and percussionists awesome 1979 disco soccer lp. on the flip we get the mega-rare and totally essential body & soul, a magnificent 10 minute mid-tempo afro workout recorded in 1980 by nigerian funkster william onyeabor. last up is a great extended edit of the ashantis brilliant funky bubbler everybodys groove with its floor-filling groove and wicked vocals. these lovingly remastered rarities sound better than ever making this ep a must for anyone with a taste for those incredible funky afro grooves.

another city now is the debut ep from ango aka andrew gordon macpherson, the next fresh voice hailing from montreal, canada on the luckyme label. a frequent collaborator with jacques greene, lunice & nycs azealia banks, now is the time for ango to step out alone. over this 6 track narrative - written on the road whilst touring in january 2011 – one hears late 80s pop, early 90s house and contemporary rnb arise in equal measure. every bit the writer as he is the producer, this record is a lyrically polarised selection of girl songs expressing the giddy way up and the painful way back down. but theres something defiantly warm in angos music that serves as a refreshing antidote to 2011s endlessly morose electronic music. where polysynths and hi hats spring above plates of live processed vocals, chopped samples are harmonised upon, punctuated with thumping drums. another city now is a balanced record: upbeat and deep, vintage and yet totally modern, as heart aching as it is uplifting. our tenth record is something special.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

welcome back to the underground is a limited pressing dj swiss knife essential for every field with : the ultimate >disco night< edit, filtered by hundred processors from ssls to digital t-racks and focusing on the house music roots parts of the song, pure feeling.a totally unknown house track remix. cleaned and converted with the latest technology, this is an extended straight 124 bpm real 4x4 tool here, completely exclusive, never been released before. high demand on this.on the b side a dj tool cut of >stebenis theme< that is circulating in detroit and paris since quite a while and inspired a well known existing white label. ranging from sound sculpture morphed to proto afro dub house, 125 bpm, resync edit at 1/32 bar, harmonized fx & drumkit to the original beat. on b2 a very special slow house/nu disco version of >adventures in paradise< melted to samp les including the same theme with a backside 80s funk clap especial : a diggers heaven. the vinyl cover is hand stamped with the a logo designed by a famous street art painter.

terpsiton are proud to welcome to the gang the new faces of the scene and old friends of the label called themselves the scene. this strongly and catchy headline is wisely chosen and named after the legendary detroit based tv-show that turned usual men into celebrities over night. it absurdly and hilariously demonstrates how to get a name and how to get fame just by being marked as a celebrity. so, these well talented guys that are totally into the deep and underground house stuff vault themselves into the scene by releasing this ass-kicking and groundbreaking record that is full of catchy and lovely hook lines, forcing kick drums, intense arrangements and a true passion for the house movement as it was back in the days. on two songs (feist movement & lab) the scene is supported by two other new gang members soon to be well known namely as niki and franz b. werner who add their feel and taste of sounds. a unique blend of individuals, great sounds and real emotions that will make history. never mind the celebrities - here comes the scene!

this is mina records 9th release with masaya, label boss, finally in the spotlight on production, arrangement and singing duties. her first ep on her own label: >again / get you< both have a minimalist melancholy feel in the electro pop vein.
>again< is remixed by nhar, (frenchman who has just brought out his own ep on ripertons perspectiv label), giving it an 80s soft synth pop sound.
>get you< is remixed by yapacc, resulting in a deeply rhythmic tech-house stomper.
4 totally different tracks to suit various club contexts.

part 1 is a oldschool jackin house track with some minimal touch. a peculiar bassline, some good hi-hats and hypnotic vocals. danceflloor bomb! part 2 is a deeper mix of part 1, based on the same bassline. it has a slower groove and a softer kick. amazing second chapter for the supercharged story. nuit blanche is a down tempo track full of surprises. totally killer!

witness the second coming of this mysterious italian producer with shocks ii, totally abandoning the conventions of dance music with three more astonishing tracks comprised of heavily layered sounds, tape loops, loose percussion and meandering guitars. in his post-modern approach, shocks orchestrates a melding of sounds musical and non, beautiful in their a-tonal harmony, obliterating any linkage to original context and leading us on a road to nowhere.

played and supported by speedy j, luke slater, adam x, perc,tommy four seven, dino sabatini, shifted, dvs1, samuli kemppi, sp-x, brendon moeller, norman nodge, pfirter, markus suckut, jonas kopp, obtane, dadub, cio d or and more.
features series start from here, the first of all, open repitch. the rebirth of the well-known fusion ascion and d. carbone. a unique sound suitable for the club and listening. irradial is a industrial-hybrid. walker smells like oldschool but totally redesigned. glare is an endless trip. mike parker version of walker takes you over, hypnotic. the name features come from the surrealistic artworks that will accompany us throughout the series. these mix the physical traits of the artists face with others, a face that looks like a distorted view of someone in our thoughts with features not well defined. to collect.

produced by elektro guzzi and patrick pulsinger recorded directly to analog tape. no edits. no overdubs.
elektro guzzi redefined the meaning of performing techno live. with just guitar, bass and drums, they take the most unusual playing techniques and put them together into a rigid mechanical form where everything makes instant, evident sense. if they had not performed live extensively, becoming audience favourites from mutek to sónar and from berghain to fabric, it would have been hard to believe this is really how the music is created. that said, it seemed impossible they could go even further in this direction. yet thats exactly what they did. parquet, their second studio album sees them in monomaniacal, claustrophobic techno mode. throughout the nine tracks the distinctions between instruments and roles are totally vaporized.

the allmighty prspct arsenal gets expanded bigtime with the coming of prspct xtrm. the name says it all extreme.. over the top underground vibes!
the first release sees the dj producer going head to head with bong ra in a collaboration that is just too much. it starts off with >the abominable<, a track that is insane in every way. heavy hardcore kicks combined with destructive jungle breaks is something only this duo can combine! sitting firm on the edge of hardcore, breakcore and dnb like only these 2 can. >bloodclot techno< is something totally different.. this one focusses more on the jungle/break core side of things but combined with almost terminator esque vibes. definably an epic production if there ever was one!

limited edition , a classic club landmark, > moonwalk< is reissued here as the latest installment of slow to speaks core series, a fine testament to the expansive, totally-mesmerizing sound of authentic deep house music at its point of inception in the sweaty, blacked-out club-spaces of the ny metro-area and beyond.

ride the rip tide of bounce beats, surf the bass swells, let the vocals spray over you before you break hard and fast on the sound crests. totally radical – its a groove!

in its original form, holy ghost!s debut album cut >hold my breath< is, pure and simple, great dancefloor electronic pop, in the hands of shadowy duo tiger & woods, the song has been totally reshaped and refracted through 80s r&b radio. they have slowed the pace and inserted synth-funk hot flashes that recall prince – and, no kidding, the time, and jimmy jam & terry lewis – to create a mood that fits comfortably (and pleasurably) within their future boogie m.o. cosmic kids ron poznansky and dan terndrup have taken the track in a more tensely dramatic direction. it might be the vaguely darkened synthline upon which much of that track sits that lends itself to its more intense feel here, and gives it such a pleasant nocturnal feel. finally, theres falty dls re-envisioning, which goes down awfully smooth for a track so full of the big, thick, bumping bass beats. it’s an aural pleasure to find yourself dreamily lost in the brooklyn, new york producer/djs halls of reverberating sound.

the sixth release on the excellent parisian imprint my love is underground comes from inner sense - aka french producer henri fontaine - who serves up only his second ever solo release (his first was back in 2006!) sprawled across the a-side you will find >lowdown<, a jam that brings to mind the output of new york house dons masters at work (indeed look closely at the centre of this record and you will see the totally appropriate inscribing >1993 forever<). swirling chords combine with a thumping kick, stuttering keys and, of course, a killer vocal wail for a slice of what can only be described as proper house music. >wanna dub with u< opens proceedings on the flip with the kind of thumping bass drum and funk-infused skipping hats that would make it a snug fit in the kerri chandler back catalogue and, again, the vocals are absolutely gorgeous. finally, >rawllin< wraps up the ep on a more stripped back yet equally groovy tip. limited to 500 copies on rather fetching 180g orange vinyl - essential.

played and supported by regis, norman nodge, luke slater, jonas kopp, perc, dvs1, samuli kemppi, adam x, dimi angelis, jeroen search, markus suckut, rolando, pfirter, slam, edit-select, cassegrain, par grindvick, audio injection, tim xavier, drumcell and more. the m_rec ltd, has become one of the most interesting labels in the world techno scene after only eight releases. labels owner is max m! this time he shows an original track, pure sound signed m_rec ltd. a journey with a very deep sound. something that comes from his background, a walk through detroit, birmingham and berlin. a rhythm that is not heavy, repetitive riff that nullifies any inhibitions. it s definitely evil, its a reminder of the deep and pure techno.the first remix is signed by shifted (mote evolver)! one of britains most important artists on the scene. the sound becomes more intense and repetitive. the rhythm takes on a form of drum and hi-hat, classic techno. effects on riffs, amplify everything and they turn the track into a totally hypnotic pleasure. ascion (repitch / drumcode / synewave) is the artist of the second remix. being a promising youngster he has now become a reality. the sound is industrial, but without a heavy rhythm, more like background noises. reverb and effects that cancel themselves suddenly. the riff from far away is almost unrecognizable. a version definitely carefully devised and researched.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various / different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the >antiparallelity< is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking, anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you