2 cd compilation incl. tunes by daze maxims - tomorrow universe, exercise ones - prowl and more sensitive sleections like soul capsules - lady science, lawrences remix of dntels dreams and with an extra dose of dinky. as with past editions in the series by loco dice and steve bug, the lab 03 will also be available in a series of vinyl samplers.

the embassy are far too often overlooked in the uk. they more or less engineered the goeteborg scene, and have been hugely important in shaping the swedish independent music landscape over the past 10 years. their influence is second to none. so, to help those who havent been paying attention to catch up, fredrik lindson and torbjoern hŒkansson have announced a retrospective release, life in the trenches, the other side of 2001-2011. the album compiles a bunch of rarities from the duos career, among them b-sides and previously unreleased tracks.

unmixed cd album !!! over the past six years, parker has worked with labels like ovum, tsuba and crosstown rebels, but his debut lp will see release on nic fanciulis saved records. a gun for hire features 11 new productions from the english producer, including a collaboration with dan beaumont. parker spent a year in the studio working on the album just after his move across the channel to berlin, whilst also maintaining his relationship with rekids, namely through the labels residency at panorama bar. the result is a conflation of different strands of house music, with hints of london and berlin as well as chicago, detroit and new york.

13 tracks with full of vitylic styled electro techno !! a must have item incl hits : my friend dario, poney part 1, la rock 01...

16 track set from the great dillinger featuring -cocaine in my brain-, -love is all i bring-, -time so hard-, -hear and deaf-, -king pharaoh was a bald head- and more...

mighty clouds is a brand new project that finds thomas re-teaming with betty marie barnes, a talented singer who provided vocals for slgtms every night and fill up the room.the result is a collaboration of the sort that can only occur when two musicians connect on a level that goes beyond the songs they are performing. throughout mighty clouds self-titled debut, thomas and barness musical camaraderie generates a gentle electricity that exudes intimacy and beckons the listener to move in for a closer listen.

even the biggest secrets will come out eventuallyÉ! and so we are very excited to announce the next in the series of dessous >best kept secrets< - volume 3 no less!cd1 - compiled by steve bug, cd2 - mixed by phonique..

it might sound like an empty phrase, but when oliver koletzki founded stil vor talent in 2005, he certainly didnt anticipate where his label would be today. now - six years and over sixty releases later - stil vor talent can look back at many magnificent moments in the labels history. originally started to give other musicians the chance to showcase their music, stil vor talent has preserved this very down-to-earth attitude until today and has helped foster the careers of producers such as channel x, niko schwind, juli holz or david august to name just a few. while there have never been any musical or stylistic limitations, an open philosophy dominated by quality and individualism prevails at olivers label, from delicately designed record sleeves to their own fashion line and to music that varies from house to pop to jacking dancefloor cuts. now it is time to congratulate everyone involved and the fans of stil vor talent with a special birthday present: a six-year anniversary compilation that celebrates past, present and future of the label on two cds

wretch 32, real name jermaine scott, is one of the uks most loved mcs - from the underground up. from his early years in londons flourishing grime scene back in the early 00s, the tottenham-raised lyricist has always stood out from the crowd. his conscious and reflective bars, along with an extremely relaxed flow, made him a firm favourite on the uk hip hop circuit. much like tinie tempah, wretch 32 has proved that british mcs can reach the mainstream without selling their soul to pop. the first fruits of this crossover success were tasted in january 2011, when his single traktor broke into the domestic top five following an appearance on the bbc sound ofÉ list. and his second official single, unorthodox, fared even better, peaking at number two in april. so its clear that much has changed since his debut lp of 2008, wretchrospective - but has public recognition come at the expense of what marked wretch 32 out as such a talent in the first place? not at all - on the opening title-track, the rapper lets the listener know that its the same old wretch at work. over a drum-heavy hip hop beat he sets up the rest of the album well, advising everyone to fasten their seatbelts as he prepares to take them on a ride that they wont forget in a hurry. never be me finds wretch delving into his past, opening up about making certain decisions in life that got him to where he is today. featuring rnb newcomer angel on the hook, the track has an inspirational feel to it - all over another impressive, but this time more grime-influenced, beat. a true standout is anniversary, with alex mills on singing duties - its a love song, minus any cheese. then the album lurches into the electro-infused sanes the new mad - a glimpse into wretchs party lifestyle, with ladies and alcohol at the forefront of his attentions. and closer dont go just might be one of the tracks of the year.

little nobody Ð in fact australian expat andrez bergen, whos been based in tokyo these past 10 years Ð then decided to ask justin robertson (lionrock) to remix. while counting on robertsons experience rebooting bjšrk, happy mondays, fatboy slim, luke slater and felix da housecat, andrez is also a long-time fan and suspected the mix-master would have an absolute field day here Ð which he apparently did, giving the ingredients a good hearty shake and delivering a concoction that stunned everybody.

daddy kevs label is proud to announce the release of ctrl alt delete, the debut album from free the robots. a staggering work of mind-warping electronics, fuzzed-out psych and devastating hip-hop beats, the impending release of ctrl alt delete will catapult free the robots to the forefront of the world renowned l.a. beat scene. initially started as a side project by chris alfaro in 2003, free the robots has quickly garnered a worldwide audience. combining dusty swap-meet samples, futuristic synthesizers and live instrumentation, free the robots has created a unique harmony of past sounds and future ruminations. much like his l.a. contemporaries flying lotus and nosaj thing, free the robots knows no genre boundaries. ctrl alt delete, which also features ikey owens of the mars volta, has been a long time coming. originally signed to alpha pup over two years ago, free the robots has put his heart and soul into this album. meticulously constructed, the album is a culmination of countless late nights at low end theory club, combined with a spirit of fearless experimentation. the result rattles with grit and swagger - a firm proclamation of free the robots sonic arrival.

the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner

the template celebrates jtqs 25 years of recording. james taylors hammond organ playing is distinctive, his light touch contrasts with many of the heavy duty players of the past. this album includes a wicked version of home is where the hatred is. also check the vocal jazz funk of light up your soul, the full-on jazzy hammond of pressure gauge. taylors more subtle side surfaces on the understated koko.

christian prommer und alex barck brechen zu neuen ufern auf. auf dem eigenen label derwin prŠsentiert das berlin-mŸnchener produzentenduo ein album, das trotz der vielzahl von einflŸssen - rave, jazz, krautrock, garage, detroit, house, hip-hop, disco, folk, dubstep, electronica, funk, punk, wave, chicago house, pop und soul - eine ganz eigene handschrift trŠgt und in die zukunft weist. die macher selbst beschreiben ihre eigene musik nicht ganz ernsthaft als deep kraut music oder earthboogie dance. nachdem alex barck bei jazanova all die jahre nur der studiotŸftler im hiintergrund war, gibt er auf >alex & the grizzly< nun sein rundum gelungenes debŸt als sŠnger. unter den musikalischen gŠsten sind u.a. dollkraut, kim sanders, james teej und eva milner (hundreds)

the new album, liquorice, from martin stimming wasnt initially planned to be an album. there was an intrinsic need for him to express what was going on in this period of life. relationship problems led to a very punk, off-whack attitude to his producing. with seven tracks done and dusted, he figured the work was more than just a collection of weird shit, it was a whole new music experienceÉ add another 5 months of studio work, he named it liquorice. definitely hard to pigeonhole - call it minimal, stripped back, dub, experimentalÉ we think >electronic free jazz< comes the closestÉ no sign of a typical 4/4 bass drum at all and stimming has incorporated his trademark use of field recordings, from a marble run, a pizza slicer, a trashcan, a coffee machine, and an ice train shuttling past to name a few. the stimming esque percussion, which is even more radical this time, has been thrown in with all these facets in his massive melting pot, coupled with some dark emotions to create this liquorice. >this time i didnt use all the main events a groove normally has<, recalls martin

get ready for a musical journey so deep you may not be able to dig yourself out. nor may you want to. blazingly hot on the smoking heels of the 19 predecessors of the highest ranks of house dj/producers whove blessed this series before him, like joe claussell, ron trent, grammy award winners louie vega & david morales, teddy douglas & dj spen (aka basement boys & muthafunkaz), danny krivit, tony humphries, and a ton of others who superbly compiled and mixed these compilations in the past, hip house producer/dj & sole channel/vega records recording artist mr. v joins this exclusive club and doesnt disappoint. using 18 of the latest and greatest tunes culled from the catalog such as the k&n dub of johnnydangerous >mr vs revenge<, alex kenjis remix of david harness >shake< the original rough mix of ananda projects >aura protection< ivan iacobuccis unreleased original mix of his recent >ritual< release, the deep & magnetic unreleased moodymanc extended mix of tomoki tamuras >the rough< and tomo inoues phenomenal unreleased swingin dub of siren-ic house singer stephanie cookes >sweetest thing<, to name very few, make this 20th anniversary edition of the series one for the musical books. all aboard!

in 2010, the world of electronic dance music has startled us with a bigger diversity than ever before. the boundaries of genres have never been this blurry. uplifting melodies meet techno-baselines, house beats dance around with trance and electro influences rock the bassline. to provide dance music lovers an exclusively selected package of the best and most beloved dance tracks of the past 12 months, armada music presents armada presents 101 dance hits - best of 2010. this 3 cd pack represents all the tracks that moved you, grooved you and got you singing along. 101 releases by the likes of chicane, ernesto vs. bastian, hardwell and nervo swing right next to masterpieces by stonebridge, tim berg, w&w and armin van buuren. relive the year 2010 - and start dancing to the armada presents 101 dance hits - best of 2010.

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future Ð its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

incl. peverelist, mastermind von punch drunk records ist neben pinchs tectonic eine der besten adressen in bristols dubstep-szene! sowie produzenten wie joker, rsd, appleblim, guido oder headhunter die in den letzten fŸnf jahren die bewegten musikalischen geschichte bristols geprŠgt haben sind hier nun auf zwei cds compiliert.

debut album from curv on vinyl vibes records ... after various successful 12inch releases on vinyl vibes, the label introduce their first artist album from curv. while in the past mixing organic and clubby elements, deeply rooted in soul and jazz, curv recently developed a stronger love for electronic music, splendidly reflected in this fantastic record. between here and nowhere is not just another electronic album as one might expect. it features a unique style of warm, analog sounding club music which makes perfect sense as a listening experience too. it would not be curv if jazz, funk and disco didnt feature, if he would not occationally mix the electronic beats with some natural sounding drums, the keyboards with some piano. but he is now putting all these things into an electronic context of house beats, naughty electro and even deep minimal. in between all of this you still find all those stunning little details that make his music curv-music in its very own & special way.

das album traegt den passenden titel >history of modern< und andy mccluskey selbst sagt,es sei das beste album seit dem omd-klassiker >architecture and morality< und wenige werden dem widersprechen koennen.produziert wurde >history of modern< von omd und gemixt von mike crossey, einem der angesagtesten produzenten englands (arctic monkeys/blood red shoes/razorlight)

ten is the magic number with berlin imprint fumakilla! 2010 marks its tenth anniversary, and to celebrate, label owner woody has compiled ten new, exclusive tracks from the roster, including felipe venegas, livio & roby, valenzuela & casarano, leix & ronro, larsson, alejandro vivanco, danny fiddo, autotune and of course woody himself. over the past ten years, the fumakilla team has been weaving 1s and 0s into intricate patterns, establishing itself as a source for sexy and pumpin club tracks with a sophisticated, artful blend.

we are proud to present >into the great wide yonder<, the second album of anders trentemoeller and the follow up of the highly succesful >the last resort< (2006). just like his debut, which struck a chord with new audiences all around the world, >into the great wide yonder< is a truly remarkable album, offering as much depth and soul as its predecessor, yet sounding ultimately fresh and different.

guillaume coutu dumont has been unstoppable over the past three years. since releasing his debut album, face a l est, on montreals musique risquee label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquee, oslo, cocoon and many more. hes also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice.

2 cd compilation mixed by tasadi departed in past & present!

fehlmann clearly succeeds in synergizing the best of the past 20 years of berlins expansive history of electronic and dance music with gute luft. a recreational album in every way in which he hopes will make you >feel at peace with you and your environment, inspire you to lush, imaginative dinners, make babies, or just walk your own way with open eyes<. well put thomas!

the last few weeks have seen >nerve up< become the focus of widespread critical acclaim, with four star reviews from metro and q and a 9/10 review from nme, who called the record >a unique, brilliant debut<. with the album out this week, its time to judge for yourself.
in addition a number of new uk and european live dates and festival spots have been confirmed, including camden crawl and evolution festival.
praise for >nerve up<:
>a unique, brilliant debut... we should celebrate lonelady as the arrival of a fresh and invigorating voice whose talent transcends time and place and influence< 9/10 - nme
>a debut to be proud of< **** - metro
>striking< - **** q magazine

valgeir sigurdsson, former producer of bjšrk, has made his name as an exponent of musical subtlety. as an engineer and producer, hes often focused on the intimate, the miniature. draumalandid (dreamland), a documentary about the exploitation of icelands natural resources, tells a story about huge things-the fortunes of a whole nation, the destruction of vast landscapes, and the global economic forces, greater still than any nation, that fuel it all-and for his soundtrack to the film, valgeir has brought out a heavier set of tools. exciting music for fans of max richter, deaf center, bjšrk.

yes, it comes full circle- fuckponys long-player for ravers in love and for raved out lovers who are still going long after peak time. a self-contained album with powerful melodic arches and a great dramatic underscoring of house, embedded in tradition but not dwelling on the past. ten tracks, each unique and self-sufficient, held together through love: the love of music, of house, of berlin, of parties, of all of you out there. so in this sense, love it also! real love is forever...

this is the debut home-listening album from one of the uks biggest techno djs. hes half of blindingly successful techno duo two armadillos but his main focus for the last two years has been the heavily publicised chapters project - five eps of mood music to trip-hop to techno that have now been totally ripped apart and turned into cinematic home listening for his debut cd. king roc history includes remixes of new order, future sound of london, s xpress. hes been a very big electro dj in the past who has recently focused on ubercool european and brazilian techno mixes - remix packages include people like alex kenji, same mastering guy as portishead - sounds incredible.

blessed with a lavishly soulful voice, alices sound is modern, but firmly rooted in the past Ð surpassing the likes of duffy and adeles impersonations of the soul greats, alices records are extremely refreshing. likewise, her live performances are truly unique, capable of captivating an audience and holding its attention throughout, expertly tugging at individual heartstrings. her smouldering blues-inflected lament is constantly evolving in her solo material, thanks to collaborations with other producers which have encompassed everything from funk to soul, gospel to jazz, and to hip-hop and beyond.

this fourth label compilation presents all dancefloor burners of the last 12 months on cocoon recordings in a diversified and coherent mix: martin buttrich, schneider & galluzzi, guy gerber, tiefschwarz, reboot, adam proll and timo maas undisputedly belong to the group of artists who have enhanced electronic dance music in the past year.

lee jones lived in london until 2002, where he was producing and remixing as the successful downtempo/ nu-jazz artist hefner. after following his heart to berlin, he was inspired by the music and clubs to move into a new production style over the past 6 years. most recently hes become known as the main creative force behind mymy, whose debut album Ôsongs for the gentle on playhouse made waves across the globe. since 2007 hes released his beautiful solo works on aus music and just, whilst also collaborating with berlin local hero daniel dreier on releases for upon you and releasing new mymy material on berlins illustrious ostgut ton imprint. having recently returned from the us and japan performing live dates with nick hšppner as mymy, he also has a busy djing schedule around europe and continues to promote the popular monthly clubnight at watergate Ômymy and friends

cd1 compiled by steve bug and cd 2 mixed an compiled by vincenzo ... great

nice price deal !!! gomma / the 3rd compilation of germanys gomma label. clubhits, remixes & unreleased tracks from the last 2 years, previsiously mainly released on vinyl only. including stuff by headman, whomadewho, midnight mike and munk plus (vocal & remix) contributions by guest artists like the rapture, francisco, dj chloe, midnight mike and james murphy (lcd soundsystem). the cd is mixed by munk. gomma has consequently been developing an own, fresh, personal style in the past years. organic, fresh, disco inspired music - with elements both from raw psychadelic rock to german minimal electronics. its time to bring this special vibe and some of the greater current club hits on one cd. gg 3 represents the current state of the label. its a lot more than >brilliant punkfunk and modern disco< (as the nme described the last gommagang cd)

b stock - jewel case torn at one corner- see picure - cd is uneffected and unplayed.... excellent hip hop album cd, feat his new single welcome to detroit !!