lars von licht’s -from arrows“ is exactly one of this sort: an almost 15min live jam, both simple and sophisticated. a track for special moments and for special people, perfect for reanimating supérieur. one of the frst persons whom i gave this tune last year s summer was lee burridge, who played it straight away at burning man. admittedly, this release took some time, but we wanted to fnd the right moment and the right remixer. we considered many options but came back to one of our own people in the end. dodi palese who released his connaisseur debut earlier this year, felt like the right person to challenge this track and we were right. he has transformed it into a tribalistic high energy bomb, with an unexpected, big synth theme, blowing you away. yes, we are more than happy about this release and it was well worth the wait.

after releasing two albums independently (little armenia, saturday night at the magic lamp) as well as scoring music for the recent vice films release a girl walks home alone at night (produced by elijah wood), the next release from los angeles-based producer bei ru is l.a. zooo, his first instrumental beat concept record which incorporates everything from bugged-out middle eastern melodies from the 1970s to obscure electronic, funk, jazz & soul sounds. hypnotizing keyboards, pulsating bass lines, and infectious drums guide you through the l.a. zooo - a playful, yet ominous place where humans and animals coexist and weapons and armor are required for simple walks down the street.
pressing on transparent pink vinyl.

the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inches (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

those who preordered, do not have to do so again, we will contact you when we have stock! the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inchs (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

growing more deeply into raars punk ethos, maelstrom and louisahhh s tracks on the labels fourth release are as much about process as end product. several days of one-room, one-take live sessions involving guitar feedback, machine cacophony and endless growling and shouting resulted in hurry and listen. these song were molded into work that is at once unconventional and club-ready with much effort in preserving the feral qualities of the original material.

illusory house and techno from new york native image man, following up a release on crucial newcomer label sunal/perabob with another four-track 12” of windy, paradoxical tracks built from samples and drum machine. “glance” shifts further into a weirded out but druggily decadent realm where he’s found looping the reflections of disco, soul and ancient pop samples into his own spaced and primitive euphorias, starting out with the slowmo downbeat of “more” before the more apprehensive rhythms of “else” end up filtering out into a pool of a reverberant samples that echoes out the second half. from the image man himself: “we trust in the sound we take for granted—the music wouldn t lead us astray, would it? emotions can lead us astray, the wanting to feel, the wishing of forever lasting, the pleading for change, the expectation of ecstasy. just a quick glance in the mirror.”

following strong turns from kasra v last year, this love fever spin-off label returns to call upon al kassian to drop some electro-pop enchantment on unsuspecting ears. with just one recently released record to his name, al has positively encouraged the intrigue that emanates from artificial emotion. -roboluv- is a sublime slice of house balladry shot through with a curious line in wobbly electro synths, which then really come to the fore on slower b1 jam -default-. with the heavily vocodered vocals pealing out through the mix, it s quite an arresting end result that culminates with the wonderful curio -broken embraces-.

after a few digital releases, lunar convoy delivers a masterfully executed debut ep to inaugurate newcomer belgian imprint norite’s vinyl series. counting northern electronics, hypnus records, semantica and prologue among his main influences, lunar convoy’s first effort is utterly coherent while not failing to evoke a plurality of emotions. imbued with sacred atmospheres, infiltrated with mysticism, ritualistic melodies and aesthetically charged rhythms, outer rim territories is a testimony of his love for deeper realms. on the a side, seswenna’s trancey lead synth and pumping bass opens the ep with an excursion towards distant planets. ryloth ventures into darker fields, scattered with whirring and saturated analog complains and haunted by ancient voices. on the flip side, eriadu sets a more mystical pace with syncopated kicks and floating eerie pad, to embark on a parallel dimension. allen’s take on ryloth is symptomatic of the us-based producer, speeding things up and offering a stripped down version filled with devastating hi-hats and firing toms to end this solid 4-tracker with the hypnotic-yet-effective sound that got him signed on attic music, m_rec ltd, polegroup or more recently granulart recordings. with such a captivating release, lunar convoy has set a high bar for the upcoming releases and left us under his sway.

wolf dem is a live electronics duo from philadelphia, conceived in the fall of 2012 by two longtime djs who bonded over similar musical backgrounds and a mutual desire to explore the bleeding edges of electronic music. using drawing on a highly diverse range of influences, wolf dem grew from its original concept-what your dreams would sound like if you fell asleep in an old warehouse where someone had left a dancehall station playing on the radio- into a focused aesthetic, at once chaotic and hypnotic, sitting at the intersection of caribbean music, techno, noise, and field recordings. past releases include tracks for compilations on new low and great circles grcr-010, as well cassette releases for vague audio tapes and end result

waxwork records is thrilled to announce the vinyl debut of shock waves. the 1977 film stars horror movie legend peter cushing and is directed by ken wiederhorn (return of the living dead 2). the 100% analog synth score composed by richard einhorn (the prowler, dont go in the house) marks one of the earliest electronic compositions created for film. waxwork is proud to finally release this landmark electronic horror score in vinyl format 40 years after the films initial public release.
pressing on coloured 180 gram vinyl, housed in a heavyweight old-style tip on gatefold jacket with printed insert.

bakk kicks off a new series of records with plafond 1 made for drowning in the deep end of the pool. legowelt, sfv acid and haron provide you with an eery collection of ambient harmonies and melodic rhythms best served when lying on the floor, gazing in to the abyss. comes in special screen printed outer sleeve and wicked obi strip made by the bakk centre for mindfulness.

reissue of this 20y old timeless classic with a new basic soul unit rmx on the b-side!almost two years ago we reissued dj boom kinda kickin with an extra efdemin remix on curle-p06. because y all loved it so much, we decided to reissue two more matthew herbert deep house goodies. after the very well received linkwood remix of see you on monday it now time for one of herbert s biggest records deeper, from the iconic part two ep, 20 years old but still timeless! on remix duties is basic soul unit, who saw his album released on dekmantel end of last year. we knew he was good, but his remix exceeded each and any of our expectations.

spain s slow town rarely fails to deliver the goods. split, so called because it contains tracks from numerous artists, more than lives up to the label s rising reputation. it probably helps that the a-side comes from former bent man and longtime east midlands deep house stalwart nail. his -shake back- explores similar sonic territory to pepe bradock s -deep burnt-, whilst retaining the chunky, bass-heavy bottom-end recognizable from his releases for classic, shabby doll and robsoul recordings. on the flip, there s an equally assured cut from london stalwarts jonno & tommo. -wolf spirit- is an altogether more tech-tinged affair, built around a restless electronic bassline, hypnotic percussion and woozy, late night chords.

what would it feel like to have your naked body slowly submerged in a pool of steaming acid? one would expect unbearable pain, of course - beyond the limits of our imagination - but with his acid ambient vol. 1 on kontra-musik, daniel araya proves us wrong. the ems studio engineer and producer adjusts the intricate ph levels of this corrosive bubblebath with infinity skilled hands, making the experience thoroughly pleasurable - on the verge of erotic even. your skin melts away with a sweet sensation of laxity and your muscles and tendons dissolve sensually slow. at the end, nothing will remain below the surface but the pleasure center of your now diffused brain, pulsating with unrestrained satisfaction. so come on in, the acid is fine.

just this s first various artists aims to the research of a mix of sounds by producers from different countries, to a journey into a variegated world. melancholic vibes, deep ambient atmospheres. the second part of the various artists, gets straight to the point, reaching the dancefloor in a more hard and deep insistent way. the first track inside world is composed by hunter/game, as a playful banger with a solid kick, brushed percussions and surging, subtly atmospheric synth pads that make the track dreamy while fierce. the second one by pisetzky comes with a strong, continuous 4/4 bassline and organic percussion from start to end, further on dominated by a hypnotic melody followed by a more romantic and dreamy motif full of longing melancholy and eternity. the third one comes from just this new artist altman, with a breaking mellow downbeat theme, it lets all squeaky sounds mesh nicely like a dream landscape opening up into a widescreen chord progression, with an epic build up.

darauf haben die vinylliebhaber unter den pink-floyd-fans sehnsüchtig gewartet. die rocklegenden veröffentlichen all ihre alben nach und nach wieder als lps. im juni 2016 ging es bereits mit den ersten vier platten der band los, im august folgten weitere alben. im september wird die reihe nun fortgeführt, unter anderem mit »obscured by clouds«. remastered von den analogen original-tapes und gepresst auf 180 gramm vinyl.

various artist ep collaborations 2 from unlock recordings, featuring tracks from label head solimano, bruno de vincenti, christian burkhardt, barem and federico molinari. gonzalo solimano first created the unlock recordings imprint back in 2004 as a platform to support latin american productions, and ever since then the buenos aires label has played host to the likes of guti, jorge savoretti and franco cinelli. the second instalment in the labels collaborations series, solimano now invites german producer christian burkhardt to join argentinian talents bruno de vincenti, oslo records artist federico molinari and fun records founder barem for a split release. first up is solimano & bruno de vincentis cut love nebulae which layers infectious percussion with gentle chord sequences and filtered effects. christian burkhardts doog then cuts in on a deeper and darker tip, with a low-slung bass groove and hypnotic pad sequences. up next is barems funk duck with its rolling percussion, staggered synths and a pulsating low end, before federico molinari rounds off the package with 2.014.2, blending dubby bass patterns, chopped samples and frantic synth spirals.

the martinez brothers cuttin headz returns with a new ep from the butcha, entitled 10001 and backed with two remixes from matrixxman. phil moffa aka the butcha is a new york city based musician, producer and engineer most notably known for his works alongside dj spider and anthony parasole for sublevel sounds / plan b recordings and alongside seth troxler for hypercolour. here we see him return to the fledgling cuttin headz imprint with his idiosyncratic take on raw, emotive house music following his destination void release alongside dj spider and brendon moeller last year. up first are two originals from the butcha, the first of which 99 prince st. lays focus on echoing atmospherics, snaking rhodes and shuffling dubbed out percussion while the latter, 6 hubert st. pivots towards an amalgamation an upfront organic rhythm alongside a weighty low end drive and wandering synth swells. to complete the package san franciscos matrixxman delivers two interpretations, firstly the acidized mix which as the name would suggest draws on squelching 303 lines layered over processed snippets from the original before the digital bonus transhuman mix closes on an arpeggio fuelled techno tip.

celestial being visited nairobi at the end of august and beginning of september 2012 where he worked with local musicians to create celestial music. kenge kenge brought cow horns and hand made drums and were joined by local folk singers olith, who had come to nairobi through making music with king kong and irungu with his father who has since passed. when asked what the kenge groove sounded like, the receptionist prisca said its like the angel is coming before proceeding to provide additional vocals for all three tracks. nairobi story tells of an ancient village story passed down as a folk song to the present generation. celestial being kept forgetting whether olith was male or female and ending up making a song with him called all woman. this is currently a vinyl only release

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day. we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone? there is no other way... we are falling apart a bit more, every day... dedicated to this state of mind.

xcpt music rises from underground electronic music event series taking place in the suburbs of matera, south italy, as mature development deeply rooted and inspired by the uk 90’s scene. it kicks off with label’s manager and co-owner nothus first release, fragments of loneliness, a 12” limited press coming out in the end of september. his first release illustrates a mixture of breaking beats, jungle vibes and detroit soul textures, coexisting in balance in all the tracks with a special broken beat reshape made by italian artist andrea (ilian tape), one of the most interesting newcomer of european techno scene. label artworks represent specific corners of the beautiful matera city, recently rewarded as european capital of culture 2019, and cradle of the label sound.

all aboard! spacepod, a low-key, late night funkadelic house anthem from magic mountain high. presented in the classic 12inch tradition, with an original mix as well as acapella, club dub, and (courtesy of move d) remix versions, this demented ode to mindflight exhales a bit of humor over the room, but also penetrates the dome with its lush, single-lightbulb groove and insane effected vocal manifesto. this is definitely one for the end of the night squad. join us in our spaaaaaaaaaaaceship! tip!

relaxer returns with the second installment on their eponymous label. heavy, virulent and filled with longing, relaxer draws us further into the artist’s fascinating & unique world. side a’s “hissing flora” unspools organically over ten minutes, its melodic tendrils wrapping around a corroded vocal atop a heaving low end. on side b, “weekend” drifts through a beatless mist, with flickers of venomous voices and crumpling synths that shine through drawn shades. “climate of fear” snaps the listener out their uneasy rest with stomping percussion, overflowing arpeggiations and keening harmonies.

northern disco general and machine music lover craig bratley is back with a firing new ep on his own magic feet label. it features one track from him with danielle moore from crazy p, plus a remix from andrew weatherall and one from heretic. bratley operates on the freakier end of the disco dancefloor, with weird electronics and raw jacking grooves propping up his analogue sounds. he has released on andrew weatherall s bird scarer, has put out a fine album on tsuba and hosts his own kaleidoscopic show on leeds kmah radio, so is an accomplished artist and dj indeed.

after his successful debut ep fiasco/fiat lux philipp gonzales is back on bondage-music with his new collection of deep and pumping some day ep. the originals deliver a striking smooth balancing act to disclose the pure soul of deep house - with focus on the more techy end of it. actually its unnecessary to define a specific genre as philipp runs decent dissolution of borders. we are proud to have him back in the bondage-music family and present his second ep * some day*.

“i’m okay” is a twist of melancholic melodies and soothing beats. a dreamy, tranquilizing journey providing a soft soundtrack to a lazy late-night forest wander. euphoric horns drift over tight snares and undulating low end, taking you on an elevated trip to the spiritual side of the cosmos.

first appearing on watergate with a phenomenal remix of ruede hagelsteins soul dynamic last year, we are more than overzealous to announce fur coats reappearance with their debut ep interstellar. known for their deep and hypnotic yet fiercely engaging sound of dramatic melodies and formidable low end, the duo paint a vivid display of emotional dance floor scenarios in two exquisitely crafted tracks.interstellar takes off with heavy, pulsating drums and long blasts of sub bass as an enchanting exhibit of melodic wash over open spaces. the flip side sees the two join forces with the sultry voice of delhia de france on ‘desire of mine creating a deeply emotional tune that pulses with climactic fever. returning the favor for last years remix, ruede expertly twists the original desire of mine with his unique brushstroke of sweltering organic percussion and infectious atmospheres ideal for a multitude of events.

cannataci records - a new record label run by ripperton & agnès cannataci records is a joint venture hosted by ripperton and agnès. the label is aimed at releasing rather unclassified music, pieces our friends compose or simply ourselves. the aim is at releasing music we believe make things go beyond the usual paths. the label name is a reference to our hopes in the newly appointed un special rapporteur on privacy, namely, joseph cannataci. frankly, we do not want to taint our music with politics, although we are simply firm endorsers of our own privacy and think everybody else should.

slamming 3 track pumpin minimal techno madness

arnold steiner delivers a no nonsense classic electro ep with mood sequence offering 3 on point original tracks and a remix offered by juan atkins + kimyon huggins.

-hepta- is the greek word for the number seven. significant, full of knowledge and symbolism, these metaphoric fields are associated since the beginning of ownlife. it is also the title of the new release on the platform. this time, as it happens regularl

made of concrete release number 11 sees a joint effort from danny kotz and avi caspi in the form of an incursion into the deep end of spacious techno. reject unfolds steadily, as spatial loops intertwine with piercing zippy synths. the laid back melodic outline is aptly layered with sombre french vocals by laurie eve jasmine de larohe which giving the track a mysterious yet groovy appeal. starting off with a subdued bassline, canopy follows a slowly ascending groove, as progressive synths and wavy hooks further the track into deep tech territory. for the b side, myles sergé swiftly jumps in on the reject remix, stripping down its embellishing elements and shifting focus towards the bassline. what ensues is a compact backdrop where the bass and percussion take the lead, resulting in an intensely danceable reinterpretation of the original. stepping away from the murky ambiance present in previous tracks, karat boosts a slightly more vivacious range of harmonics. energetic synths set a peppy, 70sreminiscing mood, while the melody keeps the cut anchored into present day electronica.

kanja records is sincerely honored to present its first vinyl release, based on a concept called sunday mornings. with this series of releases we will focus on that warm up, early morning, after party gems and slowly fading away from peak time music. our philosophy behind this concept is that the focus goes to the tracks being timeless, and music that you can listen to in every time of day and night. music that offers a vast variety, but in the end coming together in that sweet and warm morning glory.

bergen’s christian tilt returns to norwegian label ploink with his debut album ‘alt skjedde jæla fort’ this september. norwegian christian tilt’s dedication to techno over the last two decades has securely placed him in high ranks to play alongside the likes of the zenker brothers, margaret dygas and ploink label head thomas urv at clubs such as berghain, jaeger and Østre - all in the last year. here though we see christian tilt make a return to ploink for a second time with a five track lp comprised of an intricate cross-section of syncopated rhythms and dubbed-out techno. ‘dos were the days’ slowly builds hi-hats and punchy kick drums, before a deep-synth melody drives the composition forward. up next is the stripped back ‘btl’ that combines otherworldly aesthetics with a steady bass rattle throughout, before the gritty ‘a visit from france’ unleashes a dark low-end, murky synth drones and frantic pad sequences. a relentless 9 minute affair titled ‘i only work late nights’ then swells and pulsates over an unremitting beat, before ‘Øreverk’ rounds off the package with frenzied clangs, muted hits and rhythmic percussion.

the first release from argentinian label fundamental sounds, is a various artist 12-inch that navigates the depths of deeper club cuts. specter heads up the a side with diego perrisson and chicagodeep on the flip. proper end of the summer vibes.

it is very difficult to present david duriez without writing an encyclopedic tome as its influence on the house music in france was decisive. since its inception in 1992, david released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020vision, ovum, systematic, pokerflat, f communication, under the counter, stickman, crosstown rebels, the end, etc .. (the list is long, see discogs.com to be convinced) and as many remixes for some of the greatest artists (think moby, dj sneak, gemini, dj hell, llorca, telex, random factor, johnny fiasco, paul johnson, jori hulkkonen, ralph lawson, random factor, kenny hawkes or mr.c). founder of the label brique rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as robsoul with phil weeks, freak n chic with dan ghenacia (from apollonia) or rz muzik. at a time when david had federated online the cream of the house producers via a forum (far and long before social networks), ivan smagghe had nicknamed him -the producer of the producers.- , a true house music activist, but most of all david duriez is a devastating dancefloor dj, he did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. truly one of the most important players in the french electro scene, david is back on tracks after a few years hyatus. but don t call it a comeback because he has never really gone awol, he has been watching the scene and now he s back in the studio. you can expect a (very) long serie of releases for 2016, you have been warned!

tominori hosoya landings on minuendo with love stories ep, this work contains beautiful deep tracks and intros with personal sign and vision of nipon artist, he was know for work to another labels like deepart sounds, soire, th pressin, mixx and more. check!

from the leath-meister: the limited especial specials continues with 4 remixes of jaakko eino kalevi s dreamzone ep. featuring a heavy weight line up of tom noble, heatsick, peaking lights and vezurro, this is an all-bases-covered masterclass is taking jaakko s pop leanings and giving them some boogie, dub and italo sparkle. hot on the heels of the steaua de mare remixes comes 4 retakes of jaakko eino kalevi s idiosyncratic pop stylings. licensed from weird world records, this sees the multi-instrumentalists original dreamzone ep handed over for readjustment. the up, up boogie vibes of tom nobles calling card create his best remix to take. no fun maybe jaakko s ladies love hymn, but with tom s distinctive never ending bass and hats loops moving hips, a keys solo and vocal interplay ensure sublime perfection. next steven warwick s superb heatsick project implants his twisted casio-rawness in to jaakkos world, marrying memories ghostly vocals into a mix of afro-clipped beats and lo-fi melody that just fits. so happy to finally welcome in friends, family and inspiration, peaking lights in to the family. aaron and indra s uplifting dub love comes alive in this remix, with live bass grooves, vibing keys and jaakko s unique vocal riding-a-riddim all night long. to close up and coming vezurro return to no fun, providing an italo love ode that can only move hearts into a true rimini 84 summer affair. cant you see that i m dancing?

at sneaky we are very pleased to welcome g.markus. what can we say about him? not much apart from the fact that he makes super groovy old-skool house beats like not many can these days. spreading perverted twistedness mixed with great classic housey vocals, ‘smoking hut’ will be how your dance floor will end up when you play this record out. recently also known for releasing great re-edits on soul clap records and as part of s.h.a.g edits va on roots for bloom. what else can we say? well, not much, really. g insisted on having a clause on the contract that clearly states that his true identity shall not be revealed. all we can say is that he’s a real mofo and that you’d be better off listening to his music instead of to this silly banter…

jo waddington puts into herves two-part album, filled with more of his infectious open minding staples alongside a selection of down-tempo gems.

deko deko are lena seik and tristan schulze, based in leipzig, germany. the duo creates their music by computer, synthesizer and vocals. conventional song structures are fractured and deconstructed to be reconstructed and defragmented in the end. that might sound experimental but deko deko write hymns with orchestral parts and mad choirs, but always electronical too. neustadt is the first album of the band, to be released on o*rs in september 2016

after a fabulous summer and a mind-blasting krake festival, killekill takes its next step and kicks off another new label called vanta series, which is destined for small series of 12-es with out-standing dancefloor tracks. the name derives from vantablack, a colour from nano technology, which is the blackest black and actually invisible. vanta therewith stands for the total emptiness and is the perfect name for a label which does not have a defined identity itself but is a platform for different series, which will all have a concept and aesthetic in itself. the first series is called -the end is near-. it consists of 4 releases and comes with an artwork by french artist elzo durt. every release will contain a small poster, all four posters put together become elzo durt s piece -les anges de l apocalypse-. first record is by dez williams, who also released on shipwrec and bass agenda recently. a-side acidbanger is a serious banger and has future acid classic written all over it. the b-side comes with two acid variations - one more stingy, one emotional and psychedelic - which show the potential of this outstanding producer. open your ears and put the needle on - here is some acid!

the sixth release from hong kong/tokyo label palms & charms sees the return of barnaby bruce, and starts with a tale of daring escape. hearing the approach of a loping synth, the protagonist checks the window: mysterious people are gathering outside his house! as a somewhat gallic groove emerges, he and his girlfriend are in his car and heading south, driven on by the swing of the percussion. will he find his deliverance on the continent? next up, ruf dug steps in with a spacious electronic reggae-esque remix, leading up to a killer piano line which pushes the groove straight onto the autoroute. ces t magnifique. on the b-side, our erstwhile fugitive and partner awake by the side of a country road in southern france. a baguette, a bottle of wine and the sound of chattering insects. oh, for the cicadas! as they head ever further south, they begin to reflect on what other worlds await them at journey s end. on the car radio a band plays a curious but driving blend of disco and percussion, with a distinctly house-influenced melody. cette musique les deplace. was it all just a crazy dream? grab your suitcase, head to the coast and pick up a copy of this limited edition record to find out...

release & versand am 29.08.2016 this will be the final release of white. after almost 10 years of releasing music on white we decided to move on and to end this era. we like to thank all our artists, fans and people behind the scenes who were involved and hope this release will make for an appropriate goodbye. see you somewhere in some galaxy sometime…
yours oskar and adam.

mike bird und dave pen stammen beide aus southampton. beide spielen bei archive und sind als birdpen ein musterbeispiel einer diy band mit haltung. auf ihrem neuen album -o mighty vision- üben sie harte kritik an einem system voller korruption und lügen und ermutigen ihre hörer, dem ihre eigene o mighty vision entgegen zu halten. mit diesem antrieb schrieben und nahmen sie die 8 neuen songs auf, die ihnen mal wieder fabelhaft gelungen sind.

release & versand am 29.08.2016 atrophic society regulars echologist and vohkinne are joined by new friends dj spider and material object for the label s first various artists release. kicking things off with his regular sleek touch, echologist delivers our favourite track of his to date in the aptly titled splatter ballistics cop, with trademark large low end and analog squelches aplenty. dj spider follows with a clanking, reverberating behemoth full of dark drones and unsettling background noise entitled necro nebula. material object injects his track wipe out with supercharged urgency, envoking the kind of late night, dark, floor burner we re particularly fond of. finally, vohkinne wraps the ep up with null, heavy and hammering in all the right ways.

we were waiting for this for a long time. finaly, the first it s a fine line album (ivan smagghe & tim paris project) will be released end of august 2016 on kill the dj records

drei jahre nach der veröffentlichtung ihres selbstbetitelten debütalbums meldet sich factory floor nun mit einem neuen werk zurück. “25 25” heißt das zweite album des elektro-duos und wird am 19.08.2016 via dfa erscheinen. nik void und gabriel gurnsey, die beiden köpfe hinter factory floor, haben das neue material in eigenregie produziert, gemixt wurde “25 25” von david wrench (fka twigs, caribou). das weiße doppel-vinyl erscheint inklusive downloadcode.

crackling electro by lobster theremin newcomer privacy, a melodramatic dance tune by robert johnson resident chinaski and skittering house by partner in crime dj s aka dj slingshot. completed by giallorific tones of umberto and harsh compressor-experiments by nick klein.