auf seinem zweiten album als big french kombiniert der new yorker musiker quentin moore den willen zum knappen, eingängigen pop-song mit der Ästhetik des lo-fi-recordings. mit einem mehrspur-rekorder aufgenommen, nimmt der künstler manipulationen an den bändern vor und ändert die soundästhetik der ursprünglichen aufnahmen nachhaltig. damit erreicht er einen kontrast zwischen den melodiösen songs und einer ungeschliffenen sound-kulisse.

sony präsentiert die legendärsten alben der musikgeschichte in audiophilen 180g vinyl editionen.

music on vinyl proudly presents a brand new series of collected albums. the new albums will focus on memorable artists with almost a life span of original intriguing music, covering a timeless musical period!
ub40 - collected has captured all the different phases of the band in one complete album, from classic hits combined with the new!
pressing on 180 gram audiophile vinyl, housed in a gatefold sleeve with high quality pvc protective sleeve. includes a 4 page booklet with liner notes and photos.

!! soundtrack !!

osf is happy and proud to announce a new 12-inch by its founder, nur jaber. the label was conceived by the staub resident as her very own creative platform, a place for her to not just release uncompromising music, but also to print poems, letters and in the case of this record, even direct a video. based in berlin, the young producer who was born in beirut remains very attached to her roots. this background partially explains why she can be inspired by tragic events happening regularly in the middle east - making brave statements in the mostly apolitical electronic music environment. the past years have seen nur embrace a career as a music producer, seeing her slowly and steadily become an original new voice in the techno landscape. this ep showcases nur s ability to create and combine daunting atmospherics and frantic paces. it is dark and twisted, with its vocals and screams, but always driving. weapons of mass destruction is meant for banging crazy dance floors, but it is also personal and almost cathartic, especially in the current political situation surrounding all of us. the artwork, as always, is put together by osf family members the beholder and beauty&machines.

we are pleased to announce the release of volume 4 of the highly acclaimed motown 7s series. this box set includes a selection of singles which have never before been released on 7” vinyl, including brenda holloway’s ‘can t hold the feelin back’ which sees its first ever issue as a physical release.
limited & numbered box with 7 x 7 inch vinyl plus download code.

shdw002 arrives with a pumping kick and a gorgeous guitar loop. as the filter opens, the landscape widens – laidback percussion, then soothing strings, before a powerful hit of bass and vocals, and we’re off. two tail’s ‘willie has a hunch’, grooves along blissfully, before a spoken word sample comes to twist the meaning and flip the mood. ‘you’ve got me’, is an appropriate title for a harry parsons track where a percussive groove, staccato horns, and those handclaps grip the listener and never relinquish control the result being a thoroughly enjoyable 6 minutes of communal dancefloor goodness.
tribal percussion ushers in side b, as alex wooley begins to build ‘walkin’ away’ around a yearning and disheartened vocal sample. despite the free-flowing instrumentation, the vocals maintain a subtle air of melancholy, which anchor this track in raw, remorseful emotion. mr lover lover concludes proceedings with a confident swagger. ‘i would (like to get to know)’ flips brandy’s ‘i wanna be down’ into an enticing dancefloor shaker - the perfect closer.

we at finale sessions are excited to have french producer anaxander and finale sessions owner michael zucker together for this deep house jewel ! we start with anaxander and his track stabs of love one of the best tracks on the ep with drums from another planet and its stabing chords the permiate the dance floor ! and wicked hi hats that shread through this massive track. then we move to anaxander s other track heart to heart which gives this record a sense of deepness with it s percussions and its rythmatic keys then we move to michael zuckers first track greator is he another jem off this massive ep and we start with the melodic keys and pads that give this track a very persusive sound and a very potent late night dance floor killer top to bottom. last but not least we have michael zuckers missing you this one is a floor stomper for sure with hard kicking drums and its filtering keys and its punch love dub sound which gives this record the hardness to stand its ground.

all pieces are conceived and recorded between the end of 2015 and 2016 between amsterdam and tuscany. the path starts with cristallo di bismuto which is a low-tempo jam marked by dusty 80s drums and deep pads that transport you straight away in an underground nocturnal urban sci-fi scenario. i wish you could shelter me has within a powerful rolling bass part and a solid drum-machine pattern, dx7 s style keys with some romantic melancholic colors. oosterpark laguna is an exotic house groove with a lush pad and a sweet saxophone solo perfect for a sunny warm day. mare aperto is a nostalgic house tune inspired by the early chicago s piano house and the italian golden era of clubbing of the end of 80s early 90s. the release includes a label s sticker inside and a stamp on the inner sleeve.

hippopotamus wurde von den sparks selbst produziert und in los angeles aufgenommen. das bruderpaar ron mael (keyboards) und russell mael (gesang) ist seit 1971 musikalisch aktiv. ihre ausgefeilten, oft tragisch-komischen texte, der sympathisch-schräger blick auf die popkultur, ihr zuweilen theatralisches auftreten und russell maels falsett-gesang sind ihr markenzeichen. zu ihren großen hits gehören -this town ain t big enough for both of us- und the number one song in heaven, letzterer entstand ende der 70er jahre in zusammenarbeit mit giorgio moroder. -when do i get to sing my way- von dem album -gratuitous sax & senseless violins- war 1994 der meistgespielte song im deutschen radio. mit ihren jüngsten werken -lil beethoven- (2002), -hello young lovers- (2006) und -exotic creatures of the deep- (2008) verfeinerten sie ihre musikalische rezeptur noch einmal und kombinierten cleveren pop mit orchestralen arrangements. diese entwicklung schreibt hippopotamus fort, baut aber auf mehr pop-appeal und großartige melodien.

joshua tree - 30 years re:isue - comes on double heavy weight vinyl

hippopotamus wurde von den sparks selbst produziert und in los angeles aufgenommen. das bruderpaar ron mael (keyboards) und russell mael (gesang) ist seit 1971 musikalisch aktiv. ihre ausgefeilten, oft tragisch-komischen texte, der sympathisch-schräger blick auf die popkultur, ihr zuweilen theatralisches auftreten und russell maels falsett-gesang sind ihr markenzeichen. zu ihren großen hits gehören -this town ain t big enough for both of us- und -the number one song in heaven-, letzterer entstand ende der 70er jahre in zusammenarbeit mit giorgio moroder. -when do i get to sing my way- von dem album -gratuitous sax & senseless violins- war 1994 der meistgespielte song im deutschen radio. mit ihren jüngsten werken lil beethoven (2002), hello young lovers (2006) und exotic creatures of the deep (2008) verfeinerten sie ihre musikalische rezeptur noch einmal und kombinierten cleveren pop mit orchestralen arrangements. diese entwicklung schreibt hippopotamus fort, baut aber auf mehr pop-appeal und großartige melodien.

c joynes is a musician whose playing has consistently invoked a broad and shifting stream of inspirations.

aus großen melodien und strapazierfähigen elektronischen teppichen gestrickt, ist -love what survives- gewissermaßen die essenz ihres bisherigen schaffens, indem verschiedene gesangsgäste und musikerpersönlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-Überlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks enstanden größtenteils auf zwei vintage-synthesizern (korg ms-20, korg delta), die beide, so die band, diese -punkige, schloddrige qualität hätten, die an robert wyatt erinnert-, die mit ihrem industrial-einschlag und dem unverkennbar direkten sound mount kimbie zu ihrem neuesten sound-update bewegen sollten. der pulsierende motorik-beat der single -blue train lines- zum beispiel schickt king krule direkt auf die Überholspur, von wo aus er seine zerklüfteten vokalsalven abgeben kann. die offene, ausladende aura der platte ist ferner der tatsache geschuldet, dass sie zwischen london und los angeles entstanden ist, zwei standorten, zwischen denen das duo pendelte, um gemeinsame sessions zu veranstalten und ideen zu verfeinern.

noleian reusse is back with his second ep, airborne, on his own imprint black tekno. three modern techno tracks that reflect reusses own style, while echoing the rich musical history of his hometown, chicago.

no-attitude is a new label based out of east london and spearheaded by label front man, enzo tedeschi. music producer, dj, and now, record label owner, he knows no other career path but dance music. playing clubs, parties, and underground warehouses for close to 20 years and crafting numerous events in london, uk and naples, italy, his years of experience combined with a solid label team and devoted artists will one day make no-attitude a name to contend with. the label is supported by a monthly party in east london.

always with a dope groove & big basslines, herb lf tunes have always been influential and musically a few steps ahead. herb lf solo or him being part of the projects westpark unit, gush collective, discoshit & more, there are way too much releases to mention in the last two decades. his knowledge & production skills also made him to one of the most sought after mastering engineers. freude am tanzen, frank music, musik krause, quartet series, troubled kids and lots more labels & artists like the xtra-dope final touch in their music, carefully mastered by herb lf in his düsseldorf based nordstadt fm studio. please welcome the -decades ep via farside records. where are the young men? is a huge soulful & epic tune, but also a reminiscence to the early 80s punk/wave era. check the groove & bassline, even with a dosis of boom bap vibe inside for ecstatic moves on your dancefloor. henry l & ingo sänger try a different perspective on the punk/wave attitude of where are the young men? and add a little dosis of funk, disco & detroit techno to the tune. with a demanding groove & organic sounds, this is extra funky & takes you back to the vibes of the freestyle summer of love in 1989. rave on. herb lfs real pong, madrid has a demanding groove with beautiful spacey chords. this is as soulful as it gets and might be your secret weapon on a small basement floor, but should amazingly work on bigger sound systems as well. the tune air is breathing deep, phat & slow. start or finish your night with this ambient monster tune or play it at home. lots of fresh air guaranteed.

what’s this unidentified vinyl object? after nuno dos santos’ striking trigonometry of love ep, something happening somewhere presents a killer four track remix pack that let’s others retell the story in their own way. far out radio systems, fader from borneo, mark du mosch and polynation are all presenting their version on an exclusive ‘white label’. containing a special silkscreen printed remix of the original artwork, every edition of this one is truly unique and a collector’s item to behold.

flesh world is a dream punk group formed in the summer of 2012 in san francisco. the quartet includes scott moore (guitar, synths) jess scott (vocals, guitar) andrew luttrell (bass, backing vocals) sam lefebvre (drums). jess and scott met while loitering around the panhandle district, listening to records, gossiping, and playing live shows around town with their bands (scott plays in hardcore group limp wrist and jess played in the indie pop band brilliant colors).

limitiertes grünes doppel-vinyl im gatefold inklusive downloadcode
das grammy-nominierte produzentenduo odesza (harrison mills und clayton knight) gelten zurecht als eine der populärsten gruppen im bereich der elektronischen musik und haben den ruf, ihre fans auf ihren regelmäßig ausverkauften live-konzerten besonders glücklich zu machen. anfang september 2017 veröffentlichen sie ihr neues, 16 stücke langes album -a moment apart- welches über das ninja tune-sublabel counter records erscheint. anschließend präsentieren sie ihrem publikum das neue material auf einer ausgedehnten welttournee. -a moment apart- präsentiert sich gereift, ein sound, der insbesondere auf atmosphäre setzt, auf funkelnde synth-lines - und auf gefühle wie nostalgie, zuversicht und hoffnung. die namhaften gäste auf dem album sind u.a. leon bridges, regina sektor und ry x.

vinyl only.

official re-issue of bermudian disco record! 1000 copies initial pressing. big tip! in 1981, bermudian band paradise recorded sizzlin hot, a flawless album of original material in the disco, boogie and aor style. producer, writer and pianist grant williams formed several bands before becoming the fourth member of paradise, alongside bassist wincy woolridge, drummer ronnie lopes and singer june ventzos whose voice commands the album. for five years, the group regularly performed in hotels before hitting the local z.b.m. studios to record their sole album. sizzlin hot is inspired by the sound of earth, wind & fire. the album delivers several blistering tracks that could have been huge club anthems if the record had been promoted outside of bermuda. since bermuda is a fairly remote island, its no wonder that paradise remains virtually unknown to this day. it is all the more reason why this album stands-out and has universal appeal though it was only ever intended as a local thing as grant williams says.

in england war gerade die punk-revolution ausgebrochen, als heavy-metal-act fühlte man sich orientierungslos. im benachbarten studio in miami nahmen the eagles ihr album hotel california auf, aber nur im gebrauch von kokain fand man eine gemeinsamkeit. das entstandene musikalische resultat fasste das britische magazin mojo trefflich zusammen: technical ecstasy is the sound of sabbath trying to make a grown-up, radio-friendly rock record and, in some parts, it works!«. das cover der graphik-agentur hipgnosis hingegen wurde legendär. auf die bedeutung angesprochen, meint osbourne: two robots screwing on an escalator!

on fire ist das zweite studioalbum des amerikanischen dream-pop-trios galaxie 500. es wurde 1989 auf rough trade veröffentlicht, nachdem es im studio noise ny in new york city aufgenommen wurde.

lcd soundsystem leben den amerikanischen traum, zumindest, wenn man dem titel ihres neuen, mittlerweile vierten studioalbums glauben schenkt: »american dream« heißt der nachfolger zu »this is happening«, mit dem sie vor sieben jahren sowohl in großbritannien als auch in den usa die top 10 erreichten.

die uk legenden coldcut und adrian sherwood veröffentlichen gemeinsames dub album inklusive features von lee scratch perry, roots manuva, junior reid & vielen mehr!

fun fun “greatest hits & remixes” is now also available as a limited vinyl edition. selected tracks and mixes complete the already available double cd and are a real treat for all vinyl lovers.
another highlight for all italo disco vinyl lovers!

hip hop classics from ll cool j 1985

!! live au festival rock en seine !!

dj windows xp s highway route from the strange deserts to the over-the-top underground clubs somewhere deep in your imaginative 18 karat gold vinyl players. straight debut fire on who s susan. wait, who is susan?

italian duo minimono are next to release on elephant moon. side a takes off with the title track, a funky number with groovy bassline, timeless beats and glorious pads. next up is cronimo , which has a disco-inflected rhythm at its core. on the flip, long afterwards maintains the unmistakeable minimono sound, introducing vocal clips to bring a human element to the music this is a jazzy, funk-laced roll out. finally, i see you brings things down to a slower pace which gives you time to absorb the whole ep while also investigating new terrain. a beautiful collection of music we re sure you ll agree. catch it while you can!

before there was a man in black, there were the sun records years, when cash began defining his peculiar and witty version of country music. born in arkansas in 1932, cash began recording as a top artist for sun records, for which he released his first full-length lp. this double lp set documents all the hits from 1955 to 1958, before cash signed to columbia records. these 35 “first steps” helped build the legend and are considered the milestones of an incredible career that ended with those passionate and soulful albums on the “american recordings” series released between 1994 and 2003, the year jr cash died on sept 12.

see double, the london based imprint headed by luca cazal and brigante, returns for its fifth outing, a three track ep from boris werner titled badabing badaboum. a club-ready package and staple of werner s recent sets, sd005 once again proves this amsterdam locals deep knowledge and understanding of how to move a dance floor. played by seth troxler and richy ahmed amongst others and tried and tested by both label boss cazal and werner on dc10s terrace throughout this summer, title track badabing badaboum is a bonafide club smasher. leading the charge with a hypnotic bell riff alongside a chugging 4/4 pulse, werner keeps a driving pace as sluggish and evolving low end theory enters the fray. a deftly constructed, energy filled arrangement progresses before indiscernible, tribal vocal chants take the fore, trading blows with a modulating acid bassline. on the flip werner delivers you snooze you looze, a tech-infused cut adorned with rolling subs, clinical percussion and a head-snapping rhythm. phased synthesis and dissonant sample work pushes the track into uncharted trippy territory, as processed vox stabs and crisp hi-hat patterns maintain momentum, leading to a deeply musical breakdown that offers a truly dynamic shift in mood. closing the ep is whooos in control, a lesson in atmosphere and groove, which sees spaced-out synths interplay with automated stabs. ethereal pads and warped fx float atop werners swung drum programming creating that perfect roller for those early morning moments. sd005 will be available soon in both digital and physical formats.

die compilation -closed circuits- bietet einen detaillierten einblick in die alternative/elektronische musikszene australiens im zuge des new wave/post-punk ende der 1970 er jahre. inspiriert von david bowies berlin-trilogie, suicide und der brian eno-phase von roxy music, kamen zahlreiche underground-innovatoren zum vorschein, die mit neuen technologien und einer diy-punkattitüde das pop-spektrum erweiterten. cd mit 20 tracks, 2lp mit 24 tracks, beide mit ausführlichen linernotes inklusive raren fotos und track-by-track-kommentaren des musikjournalisten david nichols

four trax for the heads and for the floor. screaming acid with deep rhythms full of mesmerizing chords like these old detroit warehouse vibes meeting ultra...

feat. 11 previously unreleased recordings

newcomers gabe & jude stepping up with some serious jams! repping washington dc / northern virginia on this debut 12 inch ...

reissue of the highly sought after nigerian funk-rock album, moving effortlessly between reggae, jazzy afrobeat and psych rock. soundway fans first got a taste of jay-u’s infectious beats with the track ‘some more’, featured on the soundway compilation “nigeria disco funk special: the sound of the underground lagos dancefloor 1974-79”. originally released by emi nigeria in 1977, this now-rare album was written by jay-u and engineered by disco-boogie artist goddy oku. opening with the up-tempo reggae number “reggae deluxe”, the album descends into mind-blowing jazz-funk featuring several killer saxophone solos. the journey ends with a trip into psych-prog rock, with a sound not dissimilar to that coming out of the early 70s british rock scene.

deluxe vinyl edition!!!!

ltd pic disc, after time travelling with l’orange on the time astonishing ep (mmg) and delivering a new episode of his -total orgasm- mixtape series, kool keith aka tashan dorrsett is back at work with producer junkaz lou (aka the great priest of dark funk) in order to preach and teach the galaxy about his religion and lead all you lost sheep and freaks into the light of god. -the preacher- is yet another classic scripture by kool keith coming straight from the junkadelic temple.

while still popping up on the likes of delusions of grandeur and mister saturday night, nebraska has been lately channeling much of his energy into his emergent friends & relations label as a vessel for his own productions. this third installment on the label kicks off with the warm, honey-coated chords of rien ne vas plus, which rides on an easy groove and lets the keys sing out in a hazy summer reverie. the version follows suit with a similar disposition, while both takes on dont you know on the b side deal in a common goal to gently coax all kinds of woozy soul sounds through a laid back house framework.

vor zehn jahren veröffentlichte daptone records zum ersten mal diese zusammenstellung mit ende der 1960er jahre nur als singles erschienenen songs des new yorker duos bob & gene. das von tollen vokal-harmonien dominierte sweet soul music-album, samt titelgebender marvin gaye/tammi terrell- coverversion von “if this world were mine”, war damals schnell vergriffen und ist seitdem ein gesuchtes sammlerstück. jetzt ist es wieder erhältlich, wieder auf vinyl, jedoch remastert und um zwei nicht auf der original-version erschienenen tracks erweitert. 1967 waren die beiden teenager bobby nunn und eugene coplin die stars des in buffalo, new york ansässigen und auf lokale gospel- und soul-acts spezialisierten labels mo do records. bobby nunn veröffentlichte später soloalben auch auf motown records und arbeitete mit rick james und philip bailey zusammen.
die vinyl-lp erscheint inklusive downloadcode.

dj friendly double vinyl edition of altons brand new album. featuring 8 cuts from the cd including ever wonder featuring abacus, beautiful, the title track featuring amp fiddler, i can feel you all around featuring angel-a and more. full pic sleeve. raves from osunlade, atjazz and more.

cosmic bridge welcomes yet another new talent to the roster: uk producer jordan parsons aka crypticz, who for the past few years has been distilling influences from drum & bass, dubstep, and footwork into a deeply personal sound. following eps and singles for different music, inflect audio, and doc scott’s own 31 records, crypticz delivers a personal, emotive release for cosmic bridge. forever was put together over the past year by om unit and crypticz — with the label boss inviting parsons “to take more risks and guiding him into the fog.” as a result the ep offers a distilled, more refined take on the dub aesthetic that has powered the young producer’s music to date.

after you listen to these, you’ll need to put on a new pair... panties001 consists of 3 sexy smooth, yet vibrant r&b bootlegs sure to heat up any dance floor. though each track brings its own unique flavor, there’s an unmistakably familiar vibe that carries throughout the release.

mtr024cd + mtr11 (12” + cd) = 2xcd + 1x12” bundle!

robbie williams swingt wieder. auf -swings both ways- präsentiert er pop-klassiker als swing-versionen und liefert dazu eine reihe neuer songs. für die neuen stücke hat er sich (endlich) wieder mit guy chambers zusammengetan, mit dem er schon früher erfolgreiche hits produziert hatte.