philipp poisels traum von amerika begann schon in seinen kindheitstagen als er sich regelmäßig mit den „drei fragezeichen“ auf abenteuer zum rocky beach begab, für ihn eine coca-cola die beste erfrischung war, und er mit bruce springsteen auf mtv die straßen philadelphias entlanggelaufen ist. der traum von diesem amerika, der sehnsucht nach abenteuer, freiheit und weite bleibt für poisel lebendig und findet sich auf der neuen platte wieder, für die er sich mit band und produzent frank pils auf eine sehr persönliche reise und spurensuche in die usa begab. „mein amerika“ entstand auf einer analog-bandmaschine in den legendären blackbird studios in nashville/tennessee. das album lässt eine deutliche entwicklung hörbar werden, poisel hat seinen songwriter-stil in einen bandsound verpackt, der reichlich hallraum für seine stimme bietet. der leise gesang der frühen tage macht einem sänger platz, der die großen bühnen als arena sucht.
180 gramm doppel-vinyl im klappcover, album-cd inklusive.

entgegen heute gebräuchlicher gepflogenheiten erscheint die wiederveröffentlichung von “the closer you get” mit dem originalsound aus dem jahr 2000, das heißt nicht remastered. dafür wird die platte durch ein zweites vinyl flankiert, das auf der a-seite die dritte (von fünf) peel-sessions enthält, mithin fünf songs, und auf der rückseite zwei single-b-seiten (“get a real tattoo”, “i’m wide open”) sowie den track “oh! dear”, aufgenommen während der ersten peel-session.

new album from canadian singer & producer the weeknd, featuring appearances by daft punk, lana del rey, kendrick lamar and future. translucent red double vinyl, housed in a gatefold sleeve.

madame e. is a musical setting of georges bataille’s “madame edwarda”, a short novel that interlaces themes of eroticism, religiosity and death, and was written under the pseudonym pierre angelique in 1941, during the occupation of paris. composer mirco magnani wrote eleven electronic pieces and presented them to actor/singer ernesto tomasini. they turned them into songs by adding vocal melodies and together they produced a libretto based on bataille’s french text. the result of their dynamic interpretation is a hypnotically spellbinding performance where the audience is transported through worlds – ancient and new – and where tomasini’s haunting falsetto conveys the tormented emotions in bataille’s work and becomes the instrument that articulates the writer’s famously obscure themes.
the double vinyl release includes a download code.

standard-edition auf schwarzem vinyl inklusive cd.
mit ihren melancholischen ohrwürmern und poppigen indierock-hymnen haben schrottgrenze schon immer geschichten über menschen, gefühle und hamburg erzählt. nach ein paar jahren pause vereinten 2015 zwei kompilationen die größten und rarsten. und jetzt? nun ist die zeit für “glitzer auf beton” gekommen. das album enthält zwölf gitarrenpop-stücke voller ungeduldiger rhythmen und umarmungsmelodien, wilder stürme und jeder menge sonne, wie man sie von schrottgrenze kennt und schätzt. nur dass es jetzt noch mehr glitzert als früher.

diego krause and idealist team up for berg audios fourth release. the ep entitled >altitude< also features perfectly executed remixes by cab drivers & sven weisemann. cover artwork by the berlin based artist juli jah inspired by a well-known monument located in bulgaria named >buzludzha<. vinyl only & must have !

incl tommy vicari jnr remix

underground quality boss jus ed is beginning 2017 in fine fettle, with transition his first album since 2014 heading up a spate of vinyl releases. the triple-vinyl set is full of evocative, immaculately produced deep house treats, from the alton miller style intricacy of the loop 222 bodin strasse and shuffling, yearning the day prince died, to the rich bass and dancing drum machine hits of medellin my new grooveland (inspired, apparently, by a recent trip to colombia), and the low-slung, motor city grooves of sci-fi connection. best of all, though, is the rushing positivity of spring is near, where intertwining synth lines bubble away over a fizzing, techno-influenced rhythm track.

ltd 2018 repress - having seen the first two releases on his self-run unison wax label win plaudits from critics and contemporaries alike, berlins diego krause starts 2015 with a fresh ep of deep and textured house music, * vinyl only* release

knuddelig: die bass- und lasererprobte rasselbande mit einem album voller glücksmomente.
auf 500 stück limitiertes weißes doppelvinyl im klappcover, inklusive doppel-cd.

zwischen ausgeschlossen-sein und selbst-ausschluss: artefakte praktizierter verweigerungshaltung.

20th anniversary reissue - entirely remastered. audiophile 180 gram vinyl in gatefold sleeve.

nice price deal !!! omerta is the brand new techno imprint from the united states based gunjack and matt k. known from various releases on labels like audio assault, submissions, planet rhythm and many more, they decided it is time for their platform. the second release starts where the first ends. fierce beats, aggresive vocals and sometimes in a off beat vibe. high quality production work, with such a big drive that it will destroy the dancefloor! this a must have for the serious techno lovers. get ready for this!

night tides sophomore release welcomes two new names to the family. thommyy ra an simonn bring us the lost journey ep, a 6 tracker of analogue laden esoteric house. on the a, we have thommyy ra, label boss at nasty habits tape cltr and prone to a bi-annual name change, he contributed the silty seth nk remix of eluize’s “up all night on our labels debut record earlier this year. he opens with journey into nowhere, an eerie, coasting, synth drenched opus propelled by throbbing percussion and rippling leads, follows with die darling die a 90s touched, left of centre house cut, complete with a skipping kick and playfully nostalgic horn, and wraps the side with creepy, deep and groove heavy razzy moon. on the b, we introduce simonn for his first excursion on wax. unknown habits is a straight up, tried-and-tested party piece, its vibrant chords pulse amongst thumping drums issuing an undeniable call to the floor. he then turns his hand to something more aquatic, amphibious pads swell in lost in progress while layering percussion build before erupting into a euphoric break beat. finally, raw and unbleached is a delicate arpeggio outing, melodic ideas tumble and burst over one another, its light and dreamy yet gritty, innocence in sound

wiederveröffentlichung des 2. herbert-grönemeyer-albums von 1980, downloadcode inklusive.

komponist roque banos hat schon scores für filme wie “der maschinist- (mit christian bale) und das remake von “evil dead” (regie: fede alvarez) produziert. seine neue arbeit für “don’t breathe” katapultiert ihn in den olymp der suspense- und horror-soundtracks. die vinyl-ausstattung ist - wie bei invada üblich - edel: klappcover, bedruckte inner-sleeves, orangefarbenes vinyl, downloadcode. “don’t breathe” ist nunmehr auch in den deutschen kinos zu bestaunen und in den top 10 der kino-charts. in den usa wurde der film ein so großer erfolg, dass er sogar -suicide squad- vom thron der kino-charts stieß. nicht schlecht für einen horror-film mit kleinem budget. die frankfurter allgemeine zeitung schreibt: “nein, das ist kein schockschrott, das ist eine echte horrorkinoperle: das dunkelkammerspiel “don’t breathe” von fede alvarez zeigt, wozu das genre fähig ist.” ein großer teil der nervenzermürbenden atmosphäre baut auf roque banos akustisches setting - statt klassischer instrumentierung gibt es hier düstere soundscapes.

arm watches fingers, glamour muscle, sohla, epsilondemos, wuh oh, le thug, bugatti, sweet dieter, happy meals, chow main, bessa, ikotu, hi & saberhagen, moto.

datashock from saarlouis, a collective of multi-instrumentalists. founded in 2003, they ve been losing themselves in the wardrobes of their subconcious ever since and have never been frightened to play around with whatever they can find in there, trying out colourful sound-costumes and sending out psychedelic-experimental sounds, with a huge discography counting more than 30 between albums, eps and miscellaneous. their latest work -keine oase in sicht- released on dekorder in may2014 has collected some great feedbacks from the like of the wire, pitchfork and more. with -hd trailer ep- they find in gang of ducks a new sympathetic home where going ahead with their unique psychedelic sound. the cosmic caravan takes its journey in 4 different original tracks, exploring the psycho acoustic sound with echoes of far and never existed worlds together with an irreverent vision of our world today, with its new mania and obsessions.

third instalment of uvb s label body theory. techno for those who don t believe.

after a splendid, sought after 12- on pyramids of mars, an already expensive edits split ep with red axes and his highly original and acclaimed self released debut album -don t touch my sister-, rouge mecanique delivers a stone cold classic ep for discos capablanca. the psychedelic steady muscle of all will be changed aims to destroy visionary dance floors. sans scrupules is the most surprising acid banger you will likely hear this year. ampedusa / xaver defies description and its mutant sound could evoque ecstatic early minimal house references, kraut and concrete music. can i say is simply put the most elegant, languid way to say goodbye to an ep that exudes sheer brilliance and character. housed in hand silkscreened sleeves with art by capablanca. timeless applies here.

harleighblu x starkiller is a formidable link-up between british soul/electronic singer harleighblu and la duo starkiller (the production outfit of c.e. garcia & alfredo e. fratti, members of adrian younges venice dawn). a science fiction film in sonic form, the amorine lp tells a tragic future love story in which high drama collides with a cool, clean, sci-fi atmosphere via hip hop sensibilities that draw on musical references from psychedelic funk to dj shadow to portishead.
the vinyl lp includes a download code.

after releasing their own debut record in 2014 the hamburg based group sky walking formed by peter kersten, christian naujoks and richard von der schulenburg now celebrates the launch of their self-titled label. by bringing together an international line-up of artists mostly associated with the new and experimental music scenes in cities like hamburg, berlin and new york sky walking not only establishes a link between different locations and their specific (local) scenes – with the golden pudel club in hamburg somehow functioning as a bermuda triangle – but also between different generations of artists from these scenes.

after the successful 1st release -foxy lady- on teledub jichael comes up with his next strike: „german angst“ . the 2nd release on teledub features some different styles and moods but without a doubt it s a real jichael release … each track tells a story of its own and takes you onto a trip of unique sounds and styles … grab your copy! … only available on 180gr vinyl!

future times is back at you with more hot wax!! dc s own ov, who came correct with the opening cut on our vibe 3 compilation, shares this 12- with diego (also known as dude energy, suzanne kraft) and together they lift off into the atmosphere with two dope cuts. big tip! . ov s -perc song (chords)- sets a perfect, humid scene full of string licks and syncopated chunk, before it rinses the -(chords)- and cools way out, setting the scene for -crack- on the flip. diego s track climbs all the way up, cutting in slippery drums and arpeggios underneath the floating, soaked synths, before the end of the tune gives way to pure pad bliss.

es gibt den frühen acid house-holmes. sein letztes soloalbum the holy pictures (2008) atmete la düsseldorf, the jesus & mary chain und brian eno. er produzierte primal scream und jon spencer blues explosion. und er schrieb (und schreibt) unzählige hollywood-soundtracks, allen voran für steven soderberghs oceans trilogie (mit george clooney, matt damon, brad pitt). nun legt david holmes seine late night tales version vor, bestehend aus vielen, kleinen kopfkinofilmchen, in denen wir auf david crosby, buddy holly und die children of sunshine treffen. dazu gibt es reichlich exklusives holmes-eigenmaterial, kollabos mit bp fallon und jon hopkins, sowie das von ihm produzierte 10cc cover i m not in love von song sung. insgesamt sind es 9 exclusives, wozu auch die spoken word-perfomance von stephen rea zählt, der aus seamus heaneys aeneid book vi elsewhere anchises vorliest.

180gr. vinyl only release

or its 33th release,etruria beat welcomes diego amura.the italian prodigy already released on french nowhere label (synchrophone paris), planet rhythm to only name a few.here are 4 pure techno cuts:2 originals,peruana with its characteristic distorted bass and unmissable 909,lost which is a classic techno tool with an hypnotic synth. on the remix duties,lost got a reinterpretation from dutch twr72 with an intense and strong groove,while label boss luca agnellis rework of peruna brings the music to another side of the dancefloor with an explosive restart

among all the aliases used by the great piero umiliani, m. zalla is perhaps his most rich and surprisingly multifarious: mainly used to produce experimental records that had little commercial appeal, this ‘nom de plume’ (along with moggi) is tied to memorable episodes of his career, releases such as “problemi d’oggi” (literally “today’s problems”), “mondo inquieto” (i.e. “an unsettling world”), and also “suspense”, now reissued by schema records. the vinyl release includes a cd-copy of the album.

jürgen karg’s career in music began in the 1960s as bass player for german jazz legend wolfgang dauner. it was not until the 1970’s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five year period. his efforts culminated in “elektronische mythen”, a mighty opus of experimental music which reveals new aspects every time it is played. jürgen karg’s music is deeply serious, as vexing as a jamais vu, yet absolutely beautiful. “elektronische mythen” is an album which fits like a puzzle piece between the first and second soundtracks for a clockwork orange. it’s worth to check it out!

this is the sampler of the affkt new album “son of a thousand sounds” to be released by sincopat. it includes collaborations with upercent, piek and sutja gutierrez.

nixwaxs favourite frankfurter returns to his home label for a dancefloor focussed two tracker. driving drums: tried, tested and turnt. vinyl only club trax

the neustadtmusik brother-duo dietrich & strolch present their new release nipl & tipl” - a fresh, bold and dreamy package straight for the dance floor. nipl” starts with a thick bassline and mutates into a real peak time gem. its slowly screwing acid elements drive it to the maximum with pure excitement until the last kick. -tipl” builds a mystical, musical landscape, where rolling bass, driving drums and a melancholic piano meet with delicate percussion resulting in a quality afterhour vibed track. dutch artist lilith (art of dark, memoria recordings) unites both tracks elegantly creating a fresh remix -nipltipltriple- and adds the subtle essence of a shot breakbeat making it a killer tune.

for the ninth installment kashawar lands on o300f with a three-track ep delivering an hypnotic trip on a liquid beat carpet in his unique style. vinyl only!for the ninth installment kashawar lands on o300f with a three-track ep delivering an hypnotic trip on a liquid beat carpet in his unique style. vinyl only!

driving percussions driven, sub heavy droning, irresistible techno ep

limted edition – 50 packs only – only 1 per customer! the pack contains 12” vinyl + cd + full album on usb stick + sticker.
this is the sampler of the affkt new album son of a thousand sounds to be released by sincopat. it includes collaborations with upercent, piek and sutja gutierrez.

next up on constant sound is berlin based diego krause. this time there are no remixes, just 3 solid club tracks from a producer who is really on form.

dieter moebius is a renowned experimental krautrock / electronic musician (cluster, harmonia), conny plank is a legendary sound engineer. they recorded five albums together, the last one being *en route* (recorded 1986, released 1995). it transports us to moebius and planks customarily audacious, bizarre, wonderful and definitively unique world of sound, noise and rhythm. *en route* is hip electronic music, yet it steers well clear of the mainstream. includes three remixes by manu guiot. pressing on 180 gram vinyl.

electronic music has always had a special affiliation with space, and the sounds of the cosmos. an inherent love of all things sci-fi, galactic and otherworldy has always been a common thread, especially with techno producers, and so its always a pleasure to come into greater contact with the science of these sounds when creating new music. project alma is a new collaboration between lucianos cadenza records label and the alma sounds initiative that bridges two sets of individual passions, that of lucianos love for music, and alma astronomer antonio hales love of the universe.

der auf ibiza lebende produzent mark barrott setzt seine balearic-album-reihe fort. nach dem erfolg des erstlings bei trendsettern wie gilles peterson, trevor jackson, boiler room oder pitchfork, sowie dj-residenzen im la torre und dj-gigs zusammen mit dj harvey, folgt nun ein weiteres atmosphŠrisches balearic-werk mit field recordings, staubigen synths, afro-percussion und slide-gitarre.

the first sketches from an island album garnered support from a diverse set of trailblazers. from gilles peterson to trevor jackson, boiler room to pitchfork, mark barrott has become an unlikely hero for balearic music after only a few short years living in ibiza.
the double vinyl release (side 4 is etched) comes in a gatefold sleeve with download code included.

catz n dogz ready the next 12inch on their vinyl only pets raw and refined offshoot step. this comes in the follow up to records from a1 bassline, eduardo de la calle, andre kronert and the label owners themselves and marks the return das komplex who offers up his all for love lp. hailing from koszalin in poland, das komplex is undoubtedly an artist of many talents, a full time architect by trade, he has released material on father and son records and tapes label and also offered up the extolled and coveted 6th pressing on the step imprint back in august 2015 a record that sold out rapidly after hitting the shelves. now, his return marks the first foray into long-play format for step and allows das komplex to stretch his legs across 8 masterful disco grooves. diem kicks things off to a sunny start with sizzling guitar licks and softly pattering bongos before the slick italo-tinged obelisk and the richly atmospheric redukcja dysonansu poznawczego follow up. the project spreads out towards the jubilant and dreamy all for love which leads into brukiew, an introverted but ultimately feel-good conclusion that wraps up a beautifully balmy collection and another coup for step.

dieses herbert grönemeyer-live-album aus dem jahr 1995 enthält 18 songs, die auf der chaos-tour in den jahren 93 und 94 aufgenommen wurden. dementsprechend enthält die scheibe viele tracks des “chaos”-albums. ebenfalls zahlreich vertreten sind hits der platten “bochum”, “Ö” und “luxus”. die großartigen kompositionen grönemeyers kommen bei solchen live-auftritten endlich in angemessener art und weise zur geltung. vor allem die älteren stücke wie “bochum” oder “männer” klingen in ihren studio-versionen doch ziemlich saft- und kraftlos, diesen typischen 80er-sound mit viel elektronik und wenigen gitarren kann man sich heutzutage wirklich nicht mehr anhören, und so ist man froh, dass der deutschrock-poet im live-bereich ein hervorragender showman und sänger ist und stets von einer großartigen rock-band begleitet wurde und wird.
die remasterte wiederveröffentlichung erscheint auf 180 gramm doppel-vinyl im klappcover.

originally released as a bandcamp-only cdr through his label subsubtropics, dieckmanns showcases a blatant disregard for conventional production in favour of a fierce and brutal sound that combines high-resonance eq meddling with crunchy, uncharacteristic samples. each track squashed into a hole in which it doesnt fit, constantly pressurised and straining down each crack and seem. a tour de force in collateral techno.

real recognise real is what they say so this colaboration is no coincidence. ptx daddy frost teams up with hardworksoftdrink hardliners cédric dekowski & felix reifenberg., bringing you -forcer-. a quirky, acid filled funk flex for the whole family. on the flip side we ve got dietrich thilo with cedric dekowski. you better expect the unexpected. pushing boundaries and themeselves is what they do all day everyday...can t knock the hustle..

180gr vinyl presssing, our sixth release marks the closing of a circle: lucky charmz—the man of our first release, follow me to flottbeck falls-ep—returns to deliver his second full length effort. lhlt006 is the “u still coming over? ep, a long overdue follow up to his first ep: more than anything else, its a fresh slice of summer groovers. opener faceless goat instantly delights with its majestic opening chords, only to unleash a smashing grandeur of sample fun and lustful grooves

weißes 180g vinyl im gatefold-cover mit bedrucktem innersleeve, limitiert auf 500 stück!
fünfzehn songs von drei der erfolgreichsten wiener neustädter bands der frühen 80er jahre (x-beliebig, dämmerattacke und bates) werden ausschließlich von ehemaligen musikern dieser bands neu interpretiert. das vehikel für diese neuaufnahmen nennt sich bezeichnenderweise totgeglaubt. kann man den spirit von punk und new wave wieder beleben? den neongrellen zeitgeist jener tage mit dem dunklen schlund der gegenwart verbinden? ewig seine jugend verschwenden? man höre, fühle, urteile selbst. totgeglaubt, so unser urteil, ist quicklebendig. und hat viel zu sagen, ohne sagen zu erzählen.

paranoid media, eine neue rap-formation mit homebase in münchen und frankfurt. sagts euren kindern, ach nee, diesmal besser nicht, kinder brauchen eine perspektive, doch meine besser nicht (paranoid media pfeffer & salz) prm entführt deutsche rapmusik in die dystopischen abgründe der gesellschaft. auf mechanischen, wütenden beats reflektieren die beiden mcs emaydee und sin unsere welt mit all ihren widersprüchen und widerlichkeiten. auf 13 anspielstationen bietet die crew einen gegenpol zu steroidgetrankten punchlines und sorglosem poprap. die bildgewaltigen musikvideos, die den betrachter auf ebenso groteske art und weise in eine andere welt entführen, unterstreichen den außergewohnlichen eindruck, der durch den produzenten sputnik nicht nur in ton, sondern auch in der bildsprache der crew dirigiert wird.

sub records presents his first vinyl release by damage aka joseph diel & roberto scatena, including remixes by andrea belluzzi and miss sunshine. proper techno... no more no less!