brooklyn duo xeno and oaklander are a minimal electronics girl/boy duo from brooklyn, ny. they began writing music and soundtracks in 2004. liz wendelbo is french / norwegian and sean mcbride is from maryland. they record their songs live in their brooklyn studio and play analogue synthesizers and instruments exclusively. this summer, xeno and oaklander bring their minimal electronic sounds to ghostly international with new album par avion, their first for the label.
the vinyl lp comes with download code for the full album.

after his successful 3 track 12 inch release on prspct xtrm last year we just had to bug this industrial hardcore master for another release... and boy did he deliver! 4 hardcore masterpieces ranging from full on industrial hardcore to schranz to more cut up experimental kicks & snares. this release has it all!

with his previous releases on nervous, hotfingers and frequenza, angel stoxx is on our map since a long time. he brings us two house party slammers par excelence. the perfect mood for our summer vibes. as a remixer we could win our favourite clown from brighton: enzo siffredi who brings us a deeper version of hoola high with a lovely bassline. the second remix comes from deep bros & monodeluxe. they strip down the original to the main elements, add a nice guitar and create a sexy house track. get your cocktails and put on your sunglasses.

* good to imagine* lautet der titel der neuen ep von marc de vole auf dem rostocker label boje records. das release dreht sich im techhouse kreis... als remixer sind boy next, freiboitar&takk und matthias kick mit an bord.
supported by : mollono.bass, homebase (beatwax), bait & switch, beatamines, turm 3, steve cole and many many many many more

following releases on redlights lobster boy label & breachs naked naked imprint, mak & pasteman return with their own label, materials.

the protagonists of our next release literally fit to the mediums color: we are happy to announce tiefschwarzs first appearance on our label which is carved in black rills, three years after they mixed the watergate 09 compilation for us.

the mantis leaps out of the mist along a the rocks up to the eyes of the mountain spirit. ghostly collages mix with sub bass rhythms. yellow herb ambient.

presented on high-quality 180gram heavyweight black and white vinyl. features bonus lp insert compiled by tom ellard with ephemera from the time. limited edition. medical records presents two of the most striking and iconic reissues in its catalog. severed heads are one of the most diverse and expert soundpalette engineers and are also repeatedly overlooked and far underrated. hailing from sydney, australia, they formed in 1979. the lp exemplifies the transition point between experimental structure and loops into the catchy pop hooks that would later define such releases as rotund for success. difficult to classify, it is a masterpiece of electronic music

returning with a blazing double single release, yorubas golden boy mike steva hits us with two bangers preceding his debut effort >who am i?< as all our releases we take pride in the development and artists freedoms.

this very first debut ep of alex.do shows the unique taste of the young berlin boy. from detroit to trance back to 90s jacking techno and some melancholic dystopian vibe – alex.do can do everything in his outstanding freedom of mixing the past and the future.

james brown reworked into a rough and ready frenzy over a bubbling analog jam - a totally infectious raw dancefloor bomb - rumoured to be the work of blue boy. flipside brings the deep calm in a larry heard style - beautiful, warm original hardware cut.

vinyl only, 180 grm , 12 inch in plastic sleeve. dj support: slackk, murlo, dj q, oil gang, inkke, mixpak...
* keep calling*, this eps title track, is one of the key anthems at leading grime clubnight boxed (finn contributed to their boxed vol. 1 compilation), and comes backed with the high octane * dangerous* and the gorgeous * only boy*. like blackjack, low deep and iron soul before him, finn is combining r n b and grime without ever resorting to cliché, and the results are killer.

after some harder releases on trapez within the last months, alex under focus on his trademark crossover techno, not easy to label into an any specific genre but a sound full of personality. a1. bailar pegados is the kind of track that herbie hancock would have carried in his vinyl case to every club. a2 brings the listener into a robot party at the blue oyster, the club that gives name to track on b side la ostra azul an arpeggiated retro futuristic bomba. 100percent profits of the sales are donated by the cmykmusik foundation to organizations related with children and music.

die now geschichte umfasst viele jahrzehnte und genres. evelyn begann als b-boy der 1980er hip hop- und graffitszene, er fusionierte new yorker hip hop mit zu der zeit populären uk sounds und entwickelte sich so zum pionier des dubby trip-hop/downbeat. mit klassikeralben wie *smokers delight* und *carboot soul* sowie kooperationen mit de la soul und roots manuva wurde now zu einem der wichtigsten vertreter für hip hop, funk, dub & soul. die stärke seiner inspiration auch nach 25 jahren verdeutlichte jüngst das überraschend frische studioalbum *feelin good*. nun erscheint die greatest-hits-doppel-cd *n.o.w is the time* mit 28 tracks, die evelyn in einen chilligen *by day* und einen groovigen *by night* part aufteilt. parallel dazu erscheint das limitierte boxset *n.o.w is the time - deep down edition*, das neben der 2cd zwei vinyle mit unveröffentlichtem material, neuen und klassiker-remixen (u.a. ashley beedle, lfo, loco dice) sowie ein buch mit diverser memorabilia und interviews enthält.

2lp in deluxe gatefold sleeve with golden foil + cd included

der rhythm & blues-fachjournalist lois wilson (mojo, record collector) hat für fantastic voyage tracks aus dem chess katalog aus den genres blues, r&b und rock n roll ausgewählt. die vinyl edition enthält 32 clubtaugliche stücke und einen farbigen einleger. mit dabei sind songs von muddy waters, chuck berry, howlin wolf, bo diddley, john lee hooker, u.v.a.

mit der light of day ep geben keine geringeren als d.diggler und franksen ihr treibjagd debut. beides namen zu denen nicht viel hinzuzufügen ist wenn man sich in der welt der elektronischen musik bewegt

labelboss steffi hooking up with long-time buddy and musical boy wonder dexter again! over 15 years ago they started the klakson label and the rest is history... sounding more fresh than ever steffi & dexter deliver 3 razor sharp dancefloor bombs that will unite dancefloors worldwide. all the elements are there: aquatic electro arpeggios, jacking 808 beats, bouncing analogue strings and basslines, all topped off with that euphoric detroit techno feel... fffresh release!

the second release from canal auditif confronts an original track made by english artist robot needs oil to its alternative versions remixed by patrice baumel, resident dj for the trouw in amsterdam, the italian duet discodromo, in charge of the cocktail d’amore parties in berlin, the parisian dj and producer timid boy, founder of the french label time has changed records, the wankers from nîmes, aka seb genre & freaky justin, synthetic jacques, our resident dj already known for his collaboration with kollektive turmstrasse, and canal auditif founder dj yohm.

hypnotic reduced detroitish jackin’ 4-tracker from an inspiring artist that has also released on assemble music and platzhirsch. top notch stuff, lize again is prooving they defo know how to carefully select the soulfoul sounds. lize records is a berlin based underground label and artist collective that stands for a close-knit group of friends who started a label out of their idealistic love of music.

lobster theremins white label series is inaugurated by the labels formidable golden boy palms trax. rising from the vintage grooves of his equation ep, this time round palms is on much more raucous form. whether it be the hyper-resonated darkness of forever, the hammer-stomping raw jam or summer electro tip lost control. galcher lustwerk on the remix too. this is serious stuff!

five years on bbe is proud to present third installment in their trademark strange breaks & mr thing series. the double vinyl comes in gatefold sleeve, including a cd with the full mic by mr thing.

pauls rather unique vocals lie somewhere between david bowie and richard butler of the psychedelic furs. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. each lp includes 2 postcards with live photos, a list of instruments used and quotes, that are suitable for mailing. this collection highlights a lost duo with a big sound on par with ultravox, human league, omd or devo.

more techhouse on vogelfrei ... early support by beatamines, ill-boy phil, daniel bortz, nudisco, pierce, homebase, glanz & ledwa, datamatrix, audio stunts & mahumba, joy kitikonti and many more.

das album von 1984 ist wieder erhätlich! mit dem schwergewichtigen rhythm & sound der roots radics im channel one studio und dem mix von sylvan morris im harry j studio gilt dieser longplayer als einer seiner besten

s3a, rhythm&soul, cecil, adepte on slow towns 6th release! four cuts that goes from the sexy garage touch of rhythm&souls say u will, the amazingly organic funk touch of what i dreamt from the parisien golden boy s3a to the aggressive naughty groove of the cecil or the bizarre uptempo beats of hidden treasure from paris, the new comer, adepte.

without a doubt, manfredi romano (aka dj tennis) is a busy man. co-founder and partner of life and death, a dj with a full schedule and someone who still always has his fingers (and mind) in multiple projects and multiple places at the same time. how he juggles it (or when he sleeps) are questions best not pondered. one thing those who know him well have surely noticed is that he does it all while constantly on the move. unfazed by the constant whirl of cities that pass him by, he somehow manages to remain focused throughout. no matter where he goes, he somehow always manages to remain local.

tori amos gilt als rätselhaft, bizarr und voller leidenschaft. in den letzten 20 jahren ist sie zur kultfigur aufgestiegen und hat den ruf erlangt, eine der versiertesten künstlerinnen und songschreiberinnen zu sein. jetzt erscheint ihr 14. studioalbum unrepentant geraldines. nach einer serie mehr klassisch inspirierter und innovativer musikalischer ausflüge in den letzten fünf jahren, offenbart unrepentant geraldines die rückkehr zu ihrer ursprünglichen identität als schöpferin zeitgenössischer songs von außergewöhnlicher schönheit. diese werden mit großartigem bandsound zum leben erweckt und bringen tori amos genau zu dem singer/songwirter pop zurück, mit dem sie mehr als 12 mio alben verkauft hat und weltweite charterfolge feiern konnte. es ist auf gewisse weise eines der spannendsten comebacks des jahres - wenn tori amos auch nicht wirklich fort war, so hat sie doch andere pfade beschritten - und man wird davon beeindruckt, wie gut dieses neue popalbum klingt

back in 2009, exactly five marches ago, culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. with its new release, the los angeles­based label celebrates one of its most recognisable elements, the standard hotel rooftop, the site of the labels signature parties for the past 6 years: its been more that just a location – the rooftop has become the essential ingredient of culprits philosophy. inspiring a successful three-part compilation series, above the city, which has united some of the best young production talent around, the series has showcased a particular brand of warm summer­time sound, modern yet timeless. each remix is a culprit debut for all of the remixers. yet, each of them is part of the extended group of friends of the label, a like­minded tight­knit collective

right after the tremdendous irritation caused by pommes 001 has reached its peak, here comes pommes002! this time reviving the worst or the best 90ies club music had to offer. the a-side belongs to daniel nentwig aka one half of the working elite, one third of the now defunct extraproduktionen and whitest boy alives keyboard-wizard. hes wearing his brandnew d lonely al sweater and presents we can have it all, a well hung slice of sparkeling proto house that could have fit very well on a kissfm mastermix by tony humphries!

following on from the white collar boy & somadrone outings for numbers 001 & 002, bodytonic music have called in some friends in high places in the shape of james savage aka naum gabo & l.i.e.s. bossman ron morelli (debuting his ghost 202 project with l.i.e.s. labelmate svengalisghost) to remix the debut release of adultrock, or gav elsted to his postman. a 5 track spaced out funk excursion concocted in gavs secret synth lair in dublin, *chants* is already getting heavy rotation from the likes of james holden, john talabot, pional, annie mac & more.

repress , 70er disco mit afro einfluß.. super rare and supa good

el_txef_a continues rolling out thoughtfully detailed productions after a brief break. 2 years ago was released his debut album and now the misterious boy from the basque country launches the single of what will be his second long play.

jaime lhas read follows up last years push 2 shove with 3 brand new tracks for another great release. if it takes all night is a get down and boogie journey of melodies and groove. toot sweet is a workout on 80s drums and b boy bass. self inflicted ends the ep with some serious live synth action to drift away on music with love in jaimes 20th year of releasing music

after a huge remix for psychemagik (black noir schwarz), crosstown rebels prepares to release the highly anticipated next full ep from tom dinsdales fast rising solo alias, mineo. already getting a monster reaction on dancefloors, as damian lazarus will attest, get out fight displays mineos distinctively uk sound and idiosyncratic, patchwork production style. a 4-tracker that ranges from the punky attitude, wonky percussion and deep, growling grooves and vocal licks of get out fight to the hints of ska in madness-sampled killer (rude boy) and the slinky garage, rnb-spliced edge of soaking wet and low-slung ride dont know my name - this is a killer package, and statement of very creative intent

deluxe 5x 10inch! edition with 10 single tracks for the first time released together on an exclusive 10inch format which is a wink to the 10years anniversary of ed banger we celebrated last year.

*jamaica selects jump blues strictly for you - jamaican sound system classics 1944-1960* ist der nachfolger zur erstklassigen *jumpin the shuffle blues* compilation auf fantastic voyage. das doppel-vinyl ist auf 500 exemplare limitiert.

quality house music with that b-boy feel that will set all floors on fire! dont sleep! limited vinyl copies only. here we go! new tasty sampler on faces records featuring s3a (concrete, paris) & creative swing alliance (mcde, wolf music) as well as 2 newcomer producers aurelian aka km3 (from paris) & 4004 & sebastien vorhaus (from mexico)

oh yes, this a heavyweight bad boy on gamm from french beatmaker/producer izem. after his extensive travels around the globe the sound on the ep is influenced by africa, cuba as well as the middle east.
itt is an electronic take on a classic fela joint, celia (cruz) goes along a similar route but on the latin tip. both are pretty nasty and a near perfect marriage between futuristic productions and raw retro samples. finishing off the ep we get served a slice of arabic boogie using hipnotics hard to find boogie gem *are you lonely* and some fierce middle eastern vocals.

the new metronomy album, love letters, has a title that speaks volumes about sensations and modes of communication, about things that have always been there, and will always be here. its no coincidence either. this is a record that wants to be timeless. in its execution, love letters tries to do fresh things in an old-fashioned way. it takes richer methods of recording and injects them with the shock of the new of tight electronics, and experiments in sound. it does so not to be retro, but to embrace the quality standards of the past. it also aims to be up there with the greats, reaching for those old stars.

the white stripes, das geschwisterduo aus detroit mit seiner rohen mixtur aus blues, rockabilly und garagenrock hat nach seinem grossen erfolg in großritannien mit >white blood cells< auch in deutschland einen gebührenden einstand gefeiert. ein album voller hits wie >fell in love with a girl<, >hotel yorba< und >dead leaves and the dirty ground<.

sold out - deleted - jeremy a.k.a. underground paris is a renowned record collector & crate-digger. he is the founder of my love is underground, a vinyl-only label thats been responsible for the revival of the >authentic house groove< in europe recently. also a dj, he travels all over europe every week-end to spread his message!

2014 repress
box aus holz and their in-house star max graef have, over the course of six very special releases quietly worked their way into the dancers hearts and the djs charts. a steady supply of loose, hook heavy and beautifully crafted sample jams have really set the label apart we’re very happy to have them join us, with this, their seventh release. another various artists selection, ranging from typically irresistible graef workouts to roughed up sample house, via deftly crafted head-nodders and crisp electro. 100% quality cuts all the way.

repress
having lent her talent to the recent floating points ensemble ep, label mates and long time collaborators fatima and floating points once again join forces to sprinkle a little magic over the airwaves. deep, warm, and soulful in its entirety, the follow you ep showcases the natural chemistry between the london based/swedish born singer and the ever impressive boy wonder sam shepherd. the eps four tracks are a cohesive expression of fatimas inner thoughts and feelings, wearing a warm heart boldly on its sleeve as the pair journey through soul, gospel, blues and house... allowing the songstress to pour her emotions over floating points fuzzy, full bodied beats and keys like it was honey over a pancake.

cyan341 is bethnal green boy mark streatfield, returning to uncharted audio here with his new ep *coal train*. released ahead of the full length *far from home* album, this ep follows his earlier *disconnected* and *pattern 4* releases on uncharted audio (licensed by james zabiela and championed by the likes of move d and benjamin brunn). when we first heard the opening track it was signed on the spot – probably one of the finest uk techno rumblers we have heard in many a year.

boston label get on down can always be counted on to produce high quality reissues of hip-hop gems, and of course this album is no exception. lord willin was the acclaimed breakthrough release by virginia duo clipse, featuring rappers pusha t and no malice, backed by the eccentric production of the neptunes. both mcs had past connections to the underground drug world, which influenced the gritty, hard-hitting street rap within. the album also featured guest spots from jadakiss, styles p, nore, fabolous, faith evans, and early-in-their career appearances from sean paul, kelis, and lil wayne. get on down now presents the album, fully re-mastered and re-constructed on double vinyl, after long being out of print in the format.

180gr vinyl 2lp & download code) for the first time on vinyl, includes cover art, excl. chris isaak cover version, download code for original latenightales mix as well as unmixed track version in both wav & mp3 formats