team 030303 is back in full effect with a versatile hitter

pressed on 140 g

new album

double vinyl compilation of 19 old school hip-hop gems from the us.

2021 repress on white 7 inch vinyl.

25th anniversary deluxe edition reissue, including bonus vinyl with 8 live tracks and etching on side 2.

four tracks for dark warehouses.

first sonntag release, consisting of 4 hypnotic flowing and atmospheric dubtechno tracks. including a remix by icelandic dubtechno veteran ohm

1993 alici classic plus 3 brand new remixes on blue marbled vinyl.

limited edition of 1000 numbered copies on solid yellow 180 gram double vinyl, housed in a gatefold sleeve.

warm emotional electro on lifeforms, 100 copies only.

ammar 808 takes us on a breathtaking sonic adventure to south india.

ammar 808 takes us on a breathtaking sonic adventure to south india.

4th part of the stag-o-lee dj-set series, compiled by dj crille.

repress

remastered reissue of the 1973 album by drummer elvin jones. pressing on 180 gram vinyl.

nice price deal !!! abfeier jump hardstyle !

tolles remix packet auf einer vinyl

super hot dancefloor bangers from somalia 1972 - 1991, very groovy tunes here, honestly no weak track on this, they all have something very appealing, lo fi hard hitting drums, smackin basslines, slapback delayed vocals on top of crazy organ/key playing. most likely never heard outside of somalia before! incl three tracks from the dur dur band, that never dissapoint. big tip if you into this

a festive compilation of rockin & groovin christmas songs. limited edition of 1500 numbered copies on transparent green (lp1) and red (lp2) 180 gram vinyl.

percy filth presents his new vibranium deluxe project on limited pink coloured vinyl.

reissue ! - heavyweight vinyl lp + insert + mp3 download code

amelie lens mit dj freundlichen versionen on 2lp !

tropical disco vol. 13 !

second in a five part series, documenting the birth and evolution of soul music. comes on double vinyl, housed in a gatefold sleeve.

repress in special edition smile cover.

a long-lost afro-disco-boogie-reggae masterpiece from liberian duo zack & geebah back on vinyl via bbe.

the new album from boca 45 on black vinyl.

pressing on heavyweight 180 gram vinyl.

the dbut album from mortier on white vinyl.

the new album from dope knife on white vinyl.

pinkman presents four new releases you all have been waiting for so long!

ntjw is back with his first v/a mini album.

2x12 inch lp inklusive mp3-downloadcode im klappcover, limitiert auf 500 exemplare.
auf dem album vermengt berman gekonnt die schnittstellen von electro, postpunk, new wave und disco. so wie es seine vorbilder aus dem alles-geht-new york der späten 70er vorgemacht haben! special deal

new parisian label

nanotech pop, synth jams, kitchen wave, and listening techno serious left turn from kiki kudo on incienso think huerco meets opn

hard, acid, mechanistic techno.

the ep contains two solo tunes and one made in collaboration with jovia armstrong, keith beber, carolyn ferrari and craig huckaby. it’s parrish’s first release since last year’s gentrified love part 3, made with amp fiddler and ideeyah.

after a strong start with an ep from dwayne jensen, pittsburgh-based label is / was returns with an absolute firecracker from chase smith. nous nous au danser is the kind of jam that will guarantee everyone in the room starts freaking, so infectious is the bright and bold acid strain smith offers up. orange geena is equally stunning, all warm bass and dazzling synths. work it over takes things in a punchier direction, leaving a little more space in the mix for the rhythm section to help things get really nasty. tour de trepan takes on some new beat qualities as it unfurls a noirish beat-driven fantasy to finish off an utterly flawless ep.

180 gram double vinyl.
smartly blending hip hop with jazz & reggae & throwing in some classic r’n’b on the way, “the score” is an album that is political without being pretentious, commercially appealing minus the sell out. on “the score” the fugees stay true to themselves and deliver one of the most groundbreaking & influential hip hop albums of the nineties in the process.

dj rocco presents his k.gees stories

udo lindenberg’s dutch album from 1978 back on 180 gram vinyl.

here it is... a project i unofficially had done since 06Æ. it started when dilla passed february of 06. to cope with the death of my unofficial musical mentor & favorite producer, i started making donuts, uncontrollably. i never planned to release any of the material out of respect for dilla & his craft. iÆve shared some of the music with others, in which they would constantly ask me to hear it, so i decided to put a lil sumthing together and make it official. just for yall. this is a collection of beats i made in 06. some donuts style, some just around that era of 14kt beats. now & laters was always a favorite candy of mine. i used to go to mindells pharmacy in ypsi back in the day and buy all of them. sadly i even stole change from my grandmaÆs (rip) purse for them. ironically, i fell back in love with now and laters around this era. enjoy. 14kt

a strange confluence of sound that sounds part krautrock synth label brain records, part hyperdub. techno haze and synth wormholes with spectacular sound design that has banged at berghain and soundtracked winter night drives. greenspan is known mainly for his work with junior boys and jessy lanza and taraval is a longtime touring member of caribou, but both have released several 12” and eps of electronic exploration over the past few years. inspired by synthesizer minimalists like jd emmanuel, cluster and john carpenter, the two attempted to create a type of dance music with hardware that was indebted to their influences but did not feel intrinsically retrogressive. the idea was to make a type of raw synthesizer and drum machine music that could be listened to beside the hypermodern techno of pearson sound or actress. the cover art is a tribute to a mysterious mural that looms over the hamilton ontario area where the album was recorded. each of the five tracks on the ep were edited down from much longer recording jams which were done with hardware sequencers in real time. the recording was done completely off the floor with no overdubs or added material after the fact.