for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.

after an astounding year for apollonia storming all corners of the earth, the three welcomed further success with a momentous fiesta at bpm to commence 2014. working the label in tandem, the list of pioneers featured thus far – point g, callisto and kerri chandler – is mighty impressive. jovonn is a name that sits naturally alongside them, the difference being that the forthcoming ep on apollonia is not a repress but juicy new productions. a highly respected international dj and producer hailing from brooklyn, jovonn made his mark within the underground house scene with classics such as >i cant make up my mind<, >garage shelter<, and the standout collaboration with dj deep >back in the dark<. an intrinsic inspiration to the apollonia trio, a personal relationship first formed at wmc miami last year. enjoying a production comeback following music on dogmatik and la vie en rose in 2013, talk of working with apollonia has fruitfully resulted in - the ep - . proving he can still produce a house bomb with ease, trippin is a jovonn future classic dripping in sexy hushed vocals, with a dub alternative that sticks to the tracks fundamentals. the march journeys forward into the deepness of dreamy synths, while the contagious beats lure you into a swinging metronome effect. in the words of jovonn, >its spiritual<.catch jovonn playing alongside apollonia at treehouse on 24th march, as part of this years wmc miami festivities

a side plays 45rpm and carry one of the fattest kick ever... a 181 bpm going-on assemption to heaven... besided, same speed and same kind of ambiance, at 33 rpm this time... and, to finishes the job, a bon,us ambient acid track, without beats... without vocals... apure spiritual massage... or dj tool to play with whatever sounds..

190 to 220 bpm hardcore, with a complex structure, loads of breaks and beats... but not crossbreed yet. more axed on a kind of breakcore, glitch and drill at some points... but of course, hardcore is there, with its classic expected tricks and its 4/4 constent, coming often after 2 or 3 minutes, like a candy

acid night keeps on quatting the 303 new generation. and goes to mr from rehkold and tomeen. in italy. for 4 4-tracker opening on an psychedelic hard tribe 170 bpm grower. then begins a 150 bpm hard techno acid hanging-on track. b-side opens with a break acid digger, carrying a 70s synth ambiance in the backward. finally, the last tune returns back to the 170 bpm wiith a cool story of acid waves searching the digging possible way

vin sol & matrixxman return with their second double-header of remixes of one of the most distinctive voices in modern music, revisiting two of the hallowed songstress classics from the 80s. first up is the beautiful *never thought* which has been given the remix treatment many times before due to the accapella being on the original 12 inch. here vs & m add early 90s house flourishes - warm pads, deep chords and the original vocal seeping in and out of the mix, whilst elements slowly start to build up for what is a pretty ecstatic house rework of a classic. simple and effective. fans of innervisions wont be disappointed! on the flip, *love is stronger* is a mellower take on one of her signature hits. sticking to a cool 110 bpm tempo, it has got a bubbly, woozy late sunday afternoon vibe emanating from the first 4 bars. another solid rework from the vin sol & matrixxman camp!

dazzle drums is japanese dj/producer duo consisted of nagi and kei sugano. you can find their name on bpm king street / nite grooves / tony records / gentric music(uk) and they run their own label green parrot recording. the first release on the label supported by joe claussell, danny krivitt, tony humphries, tim sweeney, dj emma etc.

teenaged nezha is the debut 12 inch from recondite duo handsome head, on hound scales and divvorces fifth wall records. the ep consists of two walloping 150 to 155 bpm originals, accompanied by two pulsating henning baer remixes and a cantankerous, machine-like version from hound scales.

superb little discovery, first record from i.n.d. from paris, bringing a tribe oldschool feeling in the ptit gris style, with a pinch of oriental sample and a solid 175 bpm. b side stands a mental acid techno tribe tune, sweet dancefloor sound. cut at final tweek for a loud clean sound.

after having spent most of his time with house to the people voiron decided to dedicate himself to his solo project. being a fan of the braindance scene and the reflex & warp records of the early years, voiron tries to follow the footprints of his idols (afx, dopplerefekt, lfo, global gon). all these influences lead him to produce an electronic music uninhibited from zero to one milliard bpm.this is with the support of artists like photonz (one eyed jacks) and meetings with his cyber friends minimum syndicat, le matin, daxyl, glass figure - that voiron was encouraged to produce music 2 years ago. releasing his last ep on concrete music and the following one on cracki records in april, you will have difficulty avoiding him and his tb clone in a near future

130 limited is a new born label, downtempo techno down to 130 bpm, inroducing the first record from nico pluto, from brittany. 2 solid electro tekhouse tunes, trippy and progressive. loud sound 45 rpm mastered and cut by shane the cutter!

das debüt-album *glow* des hamburger produzenten und djs tensnake als 180 gramm doppel-vinyl.

fold returns following a pair of impressive 2013 releases for electric minds and george fitzgeralds manmakemusic, with the london producer bringing his house/techno/uk bass hybrid sound to his second electric minds ep, the grasshopper lies heavy. a1, gully rattles along at a brisk 135 bpm, a raw yet versatile dj tool imbued with a sense of impending dance&#64258,,,,,,,oor mischief. the a2 dun kno then drops the pace down while pursuing a subtler, more melodic arc. on the &#64258,,,,,,,ip, b1 roy batty carries with it its namesakes sense of menace as its escalating synth stabs drive the track onwards. ep closer harlyns dub strips things down for the deepest track of the 12 inch, with folds love for dubbier elements of techno brought to the fore.

esteemed techno producers and join the samurai horo fold for the first release post *scope*. the perfect fusion of experimental 170 bpm rooted music and techno, both *fvs* and *gva* unveil new approaches and structures that perfectly execute the desired welding of genres that we have always hoped to achieve with the samurai horo label. *1ac* adds a corrosive drone to the 12 inch pushing further into abstract electronica. limited lilac coloured & marbled vinyl 12 inch only.

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.

fifth single from the duo altarboy. side a:the marathon thing is slow and esoteric track with a long break in which the roman producers rise and fall of bpm. the song takes you on a world reminiscent of memory lanes horror movies. the b-side blackmail is a techno bomb with references to the early 90s. wonder wet could not be more clear than that. the sound of this label is solid as marble.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

khandoits hypnotic 100 bpm stomp does not adhere to genre or fickle trends, it simply bangs. the track begins with a sturdy kick and piano glissandos which recall alice coltranes most transportative work. as the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track s primary drama. its a stunning intro to the new label grimy trax, a musical chameleon that can be dropped at the beginning, middle or end of the night. to complement the epic a-side, grimy returns to the endlessly talented midwest and emerges with lulu, an original track by deejay/edit ace bruce ivery. the track seamlessly combines the chicago acid sound with the clever vocal sampling of early 90s nyc house. the result is pure peak-time heat. towards the end of the track, ivery arranges brief melodic elements into a propulsive disco facsimile. this unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. it doesnt matter if its house, disco, or techno, just make it grimy!

i:cube for jam sessions with pilooski edit

alaska kicks off 2014 in style with an emotional drum & bass and downtempo 12 inch from arctic music. alaskas 33rd vinyl release takes you on an escalating journey with its head-nodding breakbeats, layered pads, bass booms and chords. violin, piano and rhode keys lead the ascent into a passionate orchestral crescendo and jasheri is born.on the flipside alaska flexes the sample muscles and lowers the tempo to 85 bpm with the arctic-sleeze score of zoranine. xylophone riffs, oboe effects, guitar stabs, flutes and vintage keys float over a funky breakbeat groove for the first alaska downtempo excursion since novas from 2010s the mesozoic era lp.

played by raresh, dyed soundorom, dop, djulz, jef k...
for the next release we have set the bpm slower, we offer you the 1st collaboration between jaw, gaffy & varoslav, all good friends for years. its a pleasure to deliver such a superb original track made of vintage warm analog sounds surrounded by the mystical vocals by jaw. and there was something interesting to say about the parts of the track... we have invited some friends and producers from totally different places but one they all have in common is their passion for the warm sound. edward (from white-aim) who just delivered some of the most beautiful tracks & remixes this year so far and the lovely new comers from netherlands: times are ruff who has as their name indicates has a very personal touch and ruff sound.

fky back to creation with 4 tunes from september 2013, azll anologik, without computer. all 4 tunes choosed between various versions and all 4 tunes 160 bpm exactly. cut and mastered by shane the cutter... well... a-class sound baby!

in this time of age where it seems many are slowing down the bpm on tracks and releases it makes us extra proud and happy to send you another fast and xtrm hardcore monster!

lost in confusion is a 161 bpm mental techno long bloody tune. based on a sample from this mortal coil filgrees and shadows ithink) superb mental dark techno ambiance. b side starts with a sounds like a side tune, even more industrial and creeping. a cinematic tune. second tune of b-side gives a mentalcore kicker track 180 bpm, very industrial as well, full of breaks and solid tribal beat.

1 per customer a gem of the parisian underground electronic music world for those who know, voiski hits us with three tracks of high bpm techno which at points reminds us of early steve bicknell or oliver ho. the b-side hits hard with the epic from sea to sea a monstrously beautiful building track that does all the right things in the right places just when you want them to happen. a big release to say the least

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

the a-side, brooklyn-based zebra katzs sex sellz, is the first vinyl release by the blog-hyped rapper, equipped with a label head teeths 150bpm remix. the aa-side is a 120-bpm electro-influenced dubby techno song by paris french fries. a quirky 12 inch, with a avantgarde rap song, a banger remix and a solid dancefloor track, quirky but working.

vinyl only! here we are with our first release, little hill 001, two original bouncing techno tracks from lorentz, well remixed by gianluca meloni (prologue) with drifting-techno rework and owl (bpm-family) with more dubby-atmosphere remix. mastered at dubplates & mastering (berlin) by michael kuhn.

goes noord is back! genosha 21 sees the the outside agency collaborate with four different artists from all corners of the world on the third volume of their labels goes noord vs the rest of the world collaboration series. fracture 4, broken rules, dep affect and sei2ure all stepped up to help deliver four awesome tracks ranging from 155 to 160 bpm with ridiculously loud ride cymbals. highly recommended for fans of super loud ride cymbals and people who are into good music.

ontology is the beginning of reality. pulsing rhythms as categories of being are acting like entities in a dusty void. sparkles of light underlines the times of creation, where nothing existed before. since nothing really existed for the human being, silence was full of noises.pulsation as the archaic form of life.
the ontology remix is made by bruno sacco, perfectly in line with coals original. a vision in a techno rough structure, with more bpm. the remix doesnt alter the original but approach it from another point of view. a vision in perfect parisian techno style.

808 master addison groove meldet sich mit neuer kollabo-ep mit sam dinga, bristol s finest, zurück. bouncing 808 grooves mit 170 bpm! der track 11th schaffte es bereits auf kode 9s neue rinse fm mix-cd. nun erfolgt die offizielle vÖ!

three previously unheard tunes elewhere... composed specially for acid night, after pzylos venue last year at the party... kaiken brings a big acidcore sound, loud and fat, 160 bpm. cyclic dica is the downtempo 134 bpm hard techno acid track. rare style and bloody effiicient & agressive, but still funky enough to groove you away! ... acid shock is more mental, 145 bpm hardcore beat (doom acid?). superb progression growing up to madness!

asc, synkro & sam kdc team up for the second outing on auxiliarys brand new collaborative outlet, veil. side one sees asc & synkro pick up where borderline / sacred moments left off and expand their vision further with the disjointed machine love and the smoother sounding planet x. side two sees asc team up with sam kdc for two slices of future funk. 85 bpm synth power all the way with serious bassweight thrown in for good measure. unique music, as you would expect from all involved.
presing on blue coloured & marbled vinyl.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

harfloor killer tunes...alien cheerios is a crazy tribecore 190 bpm tune, no vocal samples just a bloody good evolution full of kick changes and a great sense of the dancefloor

straight and to the point high bpm club ready tracks from the world of delroy edwards. no one is left standing with the clap, whistle, and warble of this ghetto funk. rough and tough beat tracks made for mixing and getting the fuck out, just like in the old days. nothing flashy here, hard working tracks for the working dj.

berlin based martsman steps up for the latest techno release on pushing red. shrank and nycd both weigh in at less than 130 bpm despite bucket loads of shuffle. youd be forgiven for describing these sounds as garagey. shrank has some uplifting progression and plenty of hi-hats and nycd backs it all up nicely with some dub influenced tripped out sounds. another top release from pushing red. their third this year in fact.

the pirhana prodigy remix is a 166 bpm superb speedbreakbeat enhancer. rihanna sos remix is a 140 bpm dubsteppaz meeting breakbeat for a massive bassline effect... supa clean prod.

david flores surfaces as audio injection with no key ep, two slabs of pristine techno for the new year. after owning 2011 & 2012 with over a dozen releases as truncate, audio injection flexes some production muscle to put out a sound that’s as huge as it is hypnotic. the a side features deep thought, a seven-minute obsession around a short melodic fragment that speeds at 130 bpm through a paranoid passage of beguiling rhythm. the b side features title track no key, a demolishing groove that builds and breaks but never lets go. machined percussion and tonal beats carve their way through an arena-sized rabbit hole with detail and dimension.

fluxus is danny scrillas first transmission for civil music and the munich based producers second release. following on from 2012s flash powder ep for om units cosmic bridge label, *fluxus* sees scrilla in expected fine form, and takes in four original neck snapping instrumental tracks plus two remixes from japans deep medi member goth-trad and london producer and one to watch deft. on fluxus scrillas productions run at 80-90bpm / 160-180 bpm exploiting slowfast halftime tempos yet are seemingly engineered from the sonic essence of 06 og dubsteps dark sparse dreadnought sounds, with waves of quaking bass growing under iced-out percussion accentuated by toiling snares. floating chords and hypnotic melodies drive skeletal riddims, sci-fi synthlines arc over the spacious heavyweight ruffage built for towering stacks and pitch black rooms.

this 12inch brings you baba stiltz (studio barnhus), the new doogie howser on the house-scene. lil baba has screwed levels to an uplifting 110 bpm disco anthem. flipside is baba, sling & samo (l.i.e.s) giving you more of that club material, with subtile nods to everything from eazy-e to good will hunting and shalamar.

the italian duo locchi & watch signed with moan this awesome floor up ep. three powerfull original tracks ready to destroy all dancefloors from these great italians, already supported and played by stacey pullen at bpm festival, loco dice and many more.

the first release on project squared in a year, *make your mess* is a three track ep by melbournes craig mcwhinney. craig has been making music for years and releasing since the late 2000s on melbourne labels such as pinksilver, melbourne deepcast and his own haul music, also on labels based further afield such as brendon moellers steadfast and speedy js electric deluxe. craigs music is techno, but it isnt preoccupied with the 4/4, employing broken, swung and rolling drum patterns. his tracks often include melodic and harmonic elements and effects reminiscent of dub techno but without conforming to the pastiche template of the sub-genre. the make your mess ep is composed of the core title track and two additional tracks that arose as interpretations and variations on the initial production: *provocation is an excuse* is more furious and loud, *disengage* is more restrained. all three are around 125 bpm and were produced in the space of a month between september and october 2012.

this will be the first non-psytrance release on our label underground sound promotions out 4 february on vinyl

after his groundbreaking european-wide hit remix of asaf avidans >reckoning song / one day< the berlin dj & producer wankelmut releases his debut single on get physical music / poesie musik. with the great australian singer emma louise by his side, he presents > my head is a jungle<. wankelmut takes his >one day< sound to another level and delivers a powerful 124 bpm tech house groover with nice added guitar and vocal elements that make this an easy recogniseable >must have< tune for 2013

progressive and mental acid tribe, deep and pumpin, travelling between 170 andd 180 bpm. limited 200 copies. sizzling acid melodies turning higher and higher while an ambient dark melody comes slowly on the front... serious sound.

mgun is the pseudonym of rising detroit star manuel gonzales. since collaborating with kyle hall as nsnt prjct in 2010, gonzales has developed a uniquely lo-fi sound all of his own, a sound first showcased on his debut solo release which appeared in 2012 on the wild oats imprint. his first release for don’t be afraid will hit stores in october 2012 and is bound to spin heads, demonstrating as it does his particular avant garde take on modern techno, not least the game changing ‘gas chamber’ cut which, at 138 bpm, sounds as at home in bow e3 london as it does in his native detroit.

the second part of the >what about talk about< series by baaz starts with >owls night<. a deep house tool with a vigorous bassline, some classic 909 elements, weird vocals and a pumpin piano chord. >those things< the second track on the a, infects you with positive vibrations and the magic mood. the b side enters with a remix by the highly skilled producer michel bauman under his moniker soulphiction. he turned the track called k.m.s. into an emotional and strong kicking house tune. a cut for the special moments. the original is produced by iron curtis & baaz . 90 bpm, a dippy pipe organ, wooden beats and shaky percussions. the last track >whatabouttalkabout< is a lush experimental listening slice, prober for the dark and chilly winterdays.