john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

is kerowacks first follow-up single their acclaimed ep, the first ep. a is a heavy drum and electro synth four. it is partly a sentimental track, communing with one hand with the 90s warehouse techno revival, yet with the other hand, forging forward in the evolution of electrohaus, sacrificing nothing and tripping no cliche. fc kahuna lead the back-side of this release with a live rock acid disco reinterpretation, conjuring up an entirely different waking dream, untamed yet methodical, acoustic, analog, whacked out yet perfectly in control as fc kahuna always is.

bingo players drop their remake of nomads 90s anthem >devotion< (the sax-hook, you remember ...) on sneakerz music! remixes by carl tricks, blacktron and patric la funk make this package huuuuuge!

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman in new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peaktime territory with the sinister sounds of john boy, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. innit takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion. extremely limited edition with handpainted covers

a well known classic tune from touche rec, now its back from da early 90s... incl brand new christian smith remix and last but not least the original mix !! the search goes on....

following the great international success of glitterbugs album >supershelter<, everyone has been curious to hear what this unique and unmatched producer will bring us next. and truth is, there is a lot! glitterbug has been working on piles of new enchanting materials, tracks, projects and remixes.
as a first release in a series that will lead to his next (double cd) album, is the >dim flares ep<: a dream-like, intense and deep moody ep that carries that very special glitterbug sound to a whole new level, touching on deep emotional techno with a utopian 4/4 perspective.
this beautiful ep opens with >so much more>, an epic track that releases its melancholic-euphoric mood slowly over the course of 9 minutes, turning itself into a beautiful, hopeful, hand-raising screamer that floods the dance floor with overwhelming warmth and heartfelt love. side a ends with >deadpan<, an intense dark ambient miniature that lets us peak at glitterbugs world of score-like ambient compositions.
the b-side begins with >daubed beams<, a deephouse track all glitterbug. >daubed beams< feels like what mid 90s detroit techno released on warp would have sounded like: unbelievably deep, pensive, warm, divine and pumping.
c.sides latest emotive ep culminates with >be content<, a warm track with a deep drive of warped pads, a dark bass-line, airy percussion and unforgettable arpeggios. this exhilarating dance track is layered with bottomless emotions, the kind you want to close your eyes to, hug the person dancing next to you and wish it would never ever end.
the >dim flares ep< is the first in a series of 3 magnificently moving eps (by glitterbug, christian löffler, and a collaboration between glitterbug & ostgut ton s murat tepeli) to be released on the c.sides label in 2009-2010, all leading up to glitterbugs extraordinary next double album which is currently in the making and will be released in spring 2010.

nice price deal !!! fabrizio giugni presents a strong remake of the 90s roland brant classic plus remix by lysark!

support by stephan bodzin, h.o.s.h, hugo, paco osuna, someone else, youandme, holger nielson, oliver klein, dj emerson.... incl. daniel steinberg remix.
nils ohrmann moved to berlin in the middle of the 90s, where he knew the rave culture was in full bloom- from e-werk to ostgut. he himself was a dj at the infamous schnabelbar in kreuzberg for eight years. since 2004 he has been a resident at rosis in friedrichshain. in may 2009 he made his first ep for hula hoop recordings (a sub-label of rompecabeza), which was a hit in the berlin clubs. coming up next is catalog number 2: >green sleeves<.

early 90s classic remixed by richard x!!

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

ultimately affected by this summer, remain records 007: cool water e.p. by axel karakasis aims at keeping the vibes high for the new season. this year has been exceptionally good for axel and remain records, so this release is more of a celebration signalling the third year of the label, which grows stronger by the day!this 3 track e.p. opens up with orisha on the main side, a spot on tune with a straight kick and minimal techno elements that gradually build up to embrace the main character sample. at its peak, the track makes an inspired transition into funky, laidback groove, where axel works mostly present day sounds with 90s intelligence! the second track on the side is a far cry from orisha, as let it roll does exactly that: it rolls! bassheavy throughout, it s an insane piece of work with smart cuts that give way to teasing loopy layers. this track is a burner for serious techno players!the title track on the remain side begins as a mishmash of dub groove, and a rolling bassline. midway, cool water has an extended cut that builds up with relentless sirens and its menacing bassline that seem endless. in a word: flawless!

this record is just so wooow it hurts to close the gap. it s like it says on the tin of cliches: >the definition< is giving you a concise description of where soul clap, the humorous boston-based house duo, is heading. well, not quite: more where they have arrived, actually. they have found their style. eleven out of ten! this is light years away from the sick >puppy crack< anthem that left you with wobbly legs. get ready to be completely overwhelmed as the sassy producers beamed themselves into futuristic groove heavens while staying firmly grounded on the proto 90s floor. right on!

some sublime athmospheric techno tracks that go somewhere between dubstep, detroit techno and broken beat / garage. roof light did an excellent job on this 4 track ep with tracks that are light but full of emotion and athmosphere. radiance is for sure one of the high lights with its minimal funky bass line and cut up beats and massive strings layered on top. around here is the main track with its 90s two step rhythm and its deep athmospheric sounds and vocals. ltj bukem goes dubstep? not sure who is the producer... but if its a debut its pretty impressive. great release! must have for all the martyn and 2562 fans!

new label run by prolific french producer who revisited tools classic from 90s. ever seen with this pseudomnym on different labels like robsoul or others, he deliveries his personal way on one dance classic rack (s-express) & the powerful >women beat their man< played all the time by marcell dettman! limited release so you know what you do

the spanish duo exium attacks again, and this time they are not alone. contributing a remix of the original track the omega man , the dutch duo radial add their special touch of today s techno with a style reminiscent of the best hits from the 90s. this 12 disc closes with exium s remix of dominik muller s silesian boy . the original track was released on the british label locked records, and it can already be heard in sets of artists like surgeon and rob hall.

ultraphat synth (pop) / ebm infected electro techno with 90s flavours / ltd backstock

remastered edition, 180g vinyl, audiophile quality ... a masterpiece, and it is surely a highlight of 90s alternative pop/rock a must have

coming from germany, tapesh is surely one of the producers too look out for the future! since early 90s he has been playing in the most important german clubs, alongside international giants like loco dice , marc romboy ,dj t, steve bug, felix da housecat, dj hell, etc. in 2007 he started to produce alongside his colleague and friend gold ryan.

te amo is a forgotten gem originally released on the volumex label back in 1993 and then licensed to the legendary vc records in the u.k. with mixes from john digweed. this was a huge anthem back in the early 90s full of balearic passion and happiness which is often missing in todayÆs music. but lets not get carried away in the memories of the past and check out these brand new mixes. in fact, the record makes a fine return to todays scene thanks to brilliant interpretations from two of our favourite djs/producers out there: hotly tipped paolo mojo and tapesh.to round off one pretty nifty package, the original caliente mix is enclosed also. and this still sounds as relevant today as it did almost two decades ago. a blast from the past indeed! very similar to releases on record labels like cr2, defected and toolroom.

already played by karotte & shinedoe
16 billion drum kicks is the new major sino outing introducing brazil’s top electronic music producer, renato cohen. it delivers here a cleverly produced fusion of tribal-esque grooves, samba jazz and funk amalgamated onto its firm foundation of its dancefloor techno roots. with the help of legendary guest artists such as 70’s brazilian samba rock marku ribas, sao paolo’s samba virtuoso bocato and techno hero technasia, amongst others, renato conveys a combination of sonic subtleties and frenetic nuances that takes the listener through a myriad of emotions. a first fresh album sure to build on you, it is both a gem to listen in a relaxed state of mind as well when engaged in lightning pace.

20 years time, when vinyl diggers are hunting the most obscure house and techno treasures from the 90s and noughties, theyll probably turn to expert patrick specke for assistance. this dj and producer from düsseldorf is dedicated to the machines that he uses to craft his metallic, shimmying tunes - but hes equally committed to collecting the best pieces of vinyl that walk the earth. you can hear it in his tracks for this desolat release: a solid understanding of the space between the beats and the subtly textured samples that help make up a fine dance-floor groove. tracks like get me out and bitchual linestepper use tight drum loops to build the kind of stealth attack that lends itself to dancefloor damage. on naggin me the building blocks that make up the classiest 4/4 recordings are reshuffled and stretched out - from here to mars and back

this release is a very special one for us… indeed, roskow kretschmann has been for years one of the music makers that surprised us constantly and teased our appetite, displaying his rich musical background inside of projects like jazzanova, kosma or sygaire. the tracks selected by dairmount (after hours hanging out in roskows sound lab over the years) are genuinely outstanding in his entire discography. they sound like no others and reveal rare aspects of his >musical persona<. this is why they are representing perfectly our quest for >hybrid club music< crossing the lines of the original spirit of house & techno. the ep opens with the futuristic techno soul of the time is now. perfectly named, the tune fuses with class, dusty jazz samples, obscure soul vocals, juicy claps and overwhelming detroit techno keys. the result is a timeless club monster for the deepest moments. the second track that blasted us is mono:poly rightly shaped for audacious djs that enjoy to play >special< things. the track is supported by a solid programming as fellow beatmakers like mark pritchard, recloose or kenny dope originated in the 90s, mixed with biting analogue pressure, crazy batucada elements & a magic breakdown for all the lucky ones that will play it in the sunrise this summer. and last but not least, one of the label mavericks, marlow created a hell of a remix by delivering a 10 minutes techno epic that would make our detroit godfather c2 blush of satisfaction. thanks to all of them for the fantastic music

early 90s classic!!

this is the first ep from claude vonstrokes new album due out october, 2009. it represents the deeper, moodier shades of the full-length project. the lead track, >aundy< is featured prominently as the closing music for claudes epic fabric 46 mix to be released on the same day as this vinyl. it is also a homage to the 90s drum bass sound of people like ltj bukem and good lookin records. on the flip, >storm on lake saint claire< is a vibing summer track that builds and sways with cascading melodies raining down on your ears. it is a perfect building block for bridging the gap between moody house and big room thunder.

first single from the forthcoming izmo album æearly night. izmo is a young frenchman born in 1984 in paris. he was discovered by harley&muscle a few years back when he tried to get in touch with them.. he started making music at the age of 15 years old , strongly influenced by the ambient and electronica music coming from uk and germany. as years passed by, his frequent holidays in englands midlands led him to discover various club scenes with the 4 to the floor spirit.. from hard stuff to funky and mellow music , izmo was soon found searching for a sound that was calling him... years passed by and izmo is now deep into house music where he finally found his roots in the 90s house music vibe from new jersey , chicago , detroit , england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to old school or new school: i hate when people say that this sounds old school and that style sounds old or whatever...for me, a vibe is timeless ... izmo is also a deep techno head and all sorts of raw dance music.. watch out for his deep jacker and brawther aliases in the future... in summer 2007, izmo releases his first e.p. as a 12 inch on french label 9ts records, and gets a very good response, support and plays by legendary tony humphries... disguised as a tribute to smack productions , his where is eddie e.p. touched people from all different scenes, from deep house to uk garageà in 2008 , he will release his first full length album on little angel records, 14 tracks of strictly deep house music of different moods and atmospheres. izmo is thirsty and he will keep on trying to better his music for the pleasure of the real house heads. keep it underground ! support from laurent garnier, gorge, scope, osunlade, rocco, jay tripwire, dj rork, marlon d, dj dealer & more

a little piece of sampledelia from maxmillion dunbar (future times, food for animals) and ari g (manhunter). you know when you scoop a record at some flea because the art looks tight, but it turns out that the shit is wack except for some little beautiful chunk? yea you do. we rescued the good parts from many terrible records that otherwise just would ve collected bad vibes on our floors. dudes trying to bring back something like early daniel wang but mix it with heavy boogie visions (swimmers groove) and all these psuedo-african slow cuts from the 90s that we keep finding (o yea). lifeguards for the vibe.

like any group enthralled by the history of electronic pop, the fascination movement love remixes. on the heels of their 0.5 ep, and to keep you busy while they put the finishing touches on their debut album, they give you remix vol 1. starcluster twists “radio” into burbling new dancefloor shapes with a tinge of 90s proto-house including 808 drums and roland baselines, alba (a new project with roland sebastian faber and michael black of unit 4/jupiter black) reworks “down again” into something sweeping and nocturnal, adding rock flavored live drums and a new shimmering melody on top. elitechnique stunningly suspends “just pretend” in space with spinning organs, transforming it from a propulsive pop song into something wholly different. in the days of dime a dozen remixes that consist of nothing more than retro-fitting tracks with a 4/4 beat, these beauties show off the originals in new and surprising ways.

crimea x is the coming together of two offbeat, disparate characters, dj rocca (ajello, super sonic lovers, maffia sound system) and jukka reverberi from 90s italian glam cult rockers, giardini di mir, who have often have been compared with the sound of mogwai, arab strap, godspeed you! black emperor. hailing from the far flung cosmos of reggio emilia, italys coolest post rock, cosmic disco outfit, crimea x launch a stellar ep of musical gems titled, phoros, get ready for pure, spaced out balearic bliss as the italo duo take you on a round trip journey to the electro cosmos and back. dj rocca and jukka were brought together by the common passion for cosmic imaginary soundscapes, where kraut rock fuses with the predilection for marxist thought and political stories of last century. the end product is a tantalising myriad of musical styles and tongue in cheek ethos, satirising the sociopolitical climate of our modern era.

limited vinyl edition of the black dog s new album on soma quality recordings. each of the 500 copies is hand numbered and screen printed by the artists. 3 x 180g heavyweight vinyl. the black dog are without a doubt one of the hardest working acts in electronic music. no sooner have they released one of 2008s best albums in >radio scarecrow< and the massive 12 inch >detroit vs. sheffield< which featured two remixes from detroit minimal grandmaster robert hood, they now prepare for their next album release. >further vexations< is a real successor to >radio scarecrow<. the thinking behind the predecessor is still very evident with even more bite, but theres something about the new album that lends itself to the dark club atmosphere. perhaps the recent bout of constant gigging has had its effect on the act because this one is going to be tearing up floors around the world on its release. >further vexations< might have taken half the time to create but still manages to maintain the same degree of meticulous detail and attention as its predecessor, and is a complete package of tracks demanding to be listened to from start to finish. >further vexations< looks to rouse the sort of political attitudes that have been sorely missing from electronic music since raves backlash against the criminal justice act in the 90s.

again and again, promo gold strikes a third hit with the unmistakable early hardcore sound. this re issue of beat ya brain and partner in crime beat ya brain again delivers the 90s era tracks with 2009 mastering. kick ass gabberbass drums and catchy synths to rhythmically beat you through any rave. more to follow with bring it raw and ya gangsta music. two highlights from the glory days of the old thunderdome vibe, and still ever present with followers of the style.

are you drowning in a sea of organs, flutes, and spanish chants on top of 90s house loops? we have the cure for you here at mothership. >just a spoonfulö is the lead single from voodeuxs new full length album called >the paranormal.< the track can best be described as techno you would play at a submarine pajama party. its playful, groovy and somewhat reminiscent of early steve bug. on the flip, >deadened motel< is a rare mix of congo vibey house beats with searing techno leads that shoot up out of the track in the 2nd half. it has been getting mucho love from radioslave, ryan elliot, and konrad black which should give you a clue as to the quality of this material. look for the full voodeux album to drop early june. and dont miss their worldwide live debut in detroit on friday, may 22!>just a spoonful< is also featured on claude vonstrokes new fabric 46 mix compilation out this may.

eternal success for this tune, 90s classic hit by gala...!! new remake by jr pirates, containing massive remixes by christian sims, pride & mayers. the vocal is gala original!

90s original version by dj ricci was a dance hit for different generations all over the world! the infernal party is back with a new dress, produced by alp (alessandro viola, livio gobbo e pietro berti aka outwork), with their well known sound.

brawther is a young frenchman from paris. this deephouse producer found his roots in the 90s house music vibe from new jersey, chicago, detroit, england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to oldschool or new school: i hate when people say that this sounds old school and that style sounds old or whatever... for me, a vibe is timeless... in summer 2007, brawther releases his first e.p. under the name izmo as a 12inch on french label 9ts records, and response was great, supported and played by legendary tony humphries... disguised as a tribute to smack productions, his where is eddie e.p. touched people from all different scenes, from deep house to uk garage?

killer split ep with groovin techhouse at it best... reminds me to glorious 90s french house age with fresh updated percussions... played by ricardo villalobos, luciano, mathias tanzmann, steve bug...

selected advent deal. - this debut release on new imprint numbercult is sure to make waves, pulling no punches with this weighty production. the series hits off with a anonymous artist (which most likely is not making his debut here, judging on the production skills). the a side kicks off landlines, 11 minutes of driving deepness, an overdriven stabbing subbass and solid percussion give the track monstrous bottom end with the hypnotic lead line almost vanishing in the vastness. this could be descriped as a kind of mid 90s techno... the rawer side of basic channel or fcom. an absolute sexy monster track that keeps pushing forward and remains its funky almost dubby drive. strong! from the b side clonic is a driving mills esque x 103 ish assault, layering discordant acid lines to produce an intense and relentless track, broken only once with soaring beautiful strings. a side is essential! the b side only for the headstrong. a great start for this new label from glasgow releasing limited releases of high calibre deep techno from a dynamic collective of producers. a label grounded on the basics of techno with an open mind to the future. and what a great start. check!!!

keeping chicagos house heritage alive since the mid-90s, justin long and mazi namvar dj and co-produce as wasted chicago youth. aside from that, justin runs dotbleep (20:20 visions house imprint), while mazi co-runs fresh meat (part of the brique rouge family). aside from that, their work has surfaced on robsoul, cajual, junior boys own, dessous and many others. chase the devil is w.c.y.s fourth ep, which finds justin and mazi fine-tuning their craft, zooming in on their citys rich musical history, and adding their own personal details to the house tradition. mars or bust kicks things off with an onslaught of booms and snaps, effortlessly juxtaposing dirty beats with precise edits. on the flip, we have the fuzzy bounce of atomic supermen, followed by love thy enemy with its robust melodic interplay coming in and out of focus. another fine addition to the tuningspork catalog, made from 100% free-range, organic, not-from-concentrate funk.

cover version of the 90s snap classic!! mixes by outwork, stolfi & kina and danny junior crash!

logistic is proud to welcome the long active techno producers from uk : lee renacre and james chapman aka 100hz. they are responsible of some great house/techno records back in early 90s mainly released on optimism records and on their own label format records. 100hz has a rich musical universe with strong influences from the early american techno scene. production made out of analogic elements gives a strong atmosphere to their music. the harlot ep on logistic is about techno music at its best! liquid 101 (b side) is the analogue heaven, a deep space adventure, incredibly groovy loops reminds us some of robert hood...

ivo morini is a famous dj out of the bologna area who has been playing around for some years, furthermore he was also producing music in the early 90s under the guise big buddha he decided it was the time for a comeback and here is his new single on which we already have somme buzz. hot club release!

rmxy by robert dietz & arnaud le texier !! born in france, it is in ibiza/spain that luc ringeisen founded the records store vinyl club in 2003, wich has been an important element in the spread of underground electronic music in ibiza (and therefor in europe...). the record label vinyl club recordings created in 2005 went immediatly succesfull and helped to discover some of the best underground music producers of the moment such as petre inspirescu, jonas kopp, and some of the best djsproducers of the world famous clud dc-10/ibiza (circoloco). luc ringeisen is nowadays resident dj at underground-club / ibiza and the vinyl club recordings events take place all over europe, having its main residencies in berlin (where the label headquarter is since 2007) and in ibiza. for his debut on safari he delivers 2 tracks absolutely pure quality.

one of our best selling labels, who have really carved out a niche for sublime, chilled but chunky grooves a side is dropout –seeing coyote stepping onto the dancefloor whilst still keeping all the elements of their sound. electric guitars, arpeggios, and a catchy little melody. tranced out, chugging and laidback in equal measures. the remix of dropout by deadstock 33s-the balearic godfather himself-justin robertson takes the track into chunky electro dub bounce territory. the flip sides >how you doin< is a laid back slice of dubby balearica with a remix from the international peoples gang who offer up a supreb remake, reminiscent of weatheralls early 90s output coyote and is it balearic doing exactly what it says on the label !is it balearic…?-oh yeah

much to our advantage, layo & bushwacka! have been seeking solace deep in their west london studio since the closure of the end. this means only one thingàmasses of quality tracks coming your way from the duo and olmeto records over the coming months! the pairs latest twelve takes in two very different sides of their personality. the a side 21, supplies a deep slice of electronic funk complete with mesmerising pads, rising percussion patterns and the most beautifully addictive synth hook put to wax in ages if it doesnt give you goose pimples you need to get to the doctors! heavy weight sub bass kicks demand this be played as loud as you can possibly get it! go on, turn it up, annoy the neighbours on the b side, l&b take it back, waaaaay back, and toy around with some classic house music, creating a patchwork of off kilter, looped up madness to get the party masses hands high up in the air. overflowing with old school flavour, to make you quickly glance over your shoulder back to the 90s, whilst still sounding supremely relevant on todays dance floors.

croatias biggest techno export teams up with irelands tough techno peddler in this quick paced, cross style, tough techno release which includes the dancefloor wrecking tracks trapav and swear tin. the latter of which was tracklisted during the headline act in i love techno 06. ogi, who has been at the forefront of croatian techno since the mid 90s has dropped two cracking tracks full of dark energy, driving rhythms and pulsating backbeats while o meara, who is quickly becoming irelands premiere tough techno expert has pushed two dirty tracks full of unexpected breaks and driving rhythms.

after internationally acknowledged releases on philpot and buzzin fly, here today surprise us with their first ep on 33rpm records. here today (florian schirmacher & engin oeztuerk) shape computer based soulful electronic athmospheres! focused on house music but always willing to experiment with various well integrated influences, styles and sounds. engin oeztuerk and florian schirmacher share the musical affection for marvin gaye, the meters, theo parrish, basic channel, eric b. & rakim and alexander skrjabin. as a member of the band faruk green engin oeztuerk already released records on copasetik and 33rpm records. florian schirmacher has been releasing music on labels such as cadenza, cocoon, morris audio to name but a few. he is also part of the electronic house music duos glowing glisses (pokerflat) and federleicht (connaisseur). on the comrades ep, these two musicians team up with benjamin wild. benjamin wild produced ambient music in the early nineties. since the mid-90s his focus has been turning to dance music. you might know some recordings he did for kompakt, perlon, morris audio, force tracks and many other labels. let them out and enjoy!

nice price deal !!! first up we have one of the uk stalwarts of the soulful house scene mr phil asher with a superb restless soul package of mixes. phil has been a regular on the soul / boogie/ disco/ house / jazz / latin scene for over 18 years, djing all around the globe and producing some of the best music to come out of the uk. stepping into the deep house realms we have the legends that are the inland knights, forming in the early 90s through the >free party scene< in the north of england, laurence ritchie and andy riley were firmly entrenched in the regions rich legacy of house music. releasing tracks on their own imprint drop music for over 10 years they have firmly put their size 10s in the world of deep house, culminating in the recent release of their triple cd >10 years of drop music< at the end of last year

fortek superstars caie! & lagora join forces on this slammin techno release called dirty wings. caie!s white wings is a rough and nasty percussive dancefloor banger with influences of the 90s tribal scene combined with the wicked tricks of todays techno music. lagora comes with a storming take on black wings. deep basses and fat synth work provide for the perfect party at midnight! last but not least we bring you dirty wings in an amazing remix. byron bogues, head honcho of choke music and eruptive, manoeuvres things into deeper territory. his take on dirty wings is like taking an analogue bubblebath: warm and sexy!

memories of classic cassius releases come flooding back as you hear the piano, and filtered disco vocal gently coming in. a splash of disco, 90s italo, and naughties vocal house, make for a perfectly constructed feel good house smash.

2009 rework of the early 90s classic by rozalla!!