after exploring over 6 hours worth of unreleased original material from the relentlessly prolific and ever expanding production catalog of will azada, cgi is extremely proud to present these 3 stand-out cuts that represent a depth of production skill and aesthetic range unparalleled in today’s over-saturated dance music landscape. confronting the clichés head-on, azada breathes new life into tried-and-true templates of jacking, industrial funk and synth-y groovers with his remarkable ear for arrangement and sense of movement, masterfully exploiting the infinitely renewable resource of subtle variations that he continuously unfolds throughout the tracks’ durations. the material runs the gamut from the stark, throbbing, industrial workout “the whip” to the melody-driven, synth-fueled ecstasy of “michalski’s theme” and the chord-driven, vocal-chopped house of “cliché.” the fact that an ep this unique and diverse can also feel so unified is a testament to the vision on display here.

godzilla kebab unites the nations again. this multinational release with tracks from scotland, belgium, germany and russia was mastered in great britain, cutted in germany and pressed in netherlands. worldwide vision of house music is here on this 4-tracks 12inch

as label bosses of lucidflow and klartraum themselves, nadja lind and helmut ebritsch are afforded the luxury of dictating their music vision as they wish. this culminated in last years secret moon, the second studio album of the pairing, focussing on their fluid dub laden house grooves

standard cover - no artwork edition !
bicep are back with the second release on their eponymous feel my bicep label with the follow up to last years vision of love. after a sustained period setting up their new studio, fmb002 features three tracks pushing into a synth driven direction in comparison to earlier releases

chez damier signed his debut for balance. gilles smith requested his remix treatment for secretsundaze. he is a busy producer and great dj, a true gifted artist known as jorge caiado. his new and much anticipated 4 track ep is finally here, released by his hometown label, groovement. house is where his heart is but jorge caiado s mind travels far beyond any genre, crossing the full music spectrum. his productions always incorporate different elements and new levels of energy. the new spotless mind ep gr020 follows the path revealed by his *beyond the atlantic* debut on balance, legendary chicago label run by chez damier. music that reflects his creative vision from inside out. originality and a sound signature are in development here. this 4 track collection demonstrates how deep, wide and yet close to the heart his music is, transcending both the context and vertigo of our time.

razor-sharp techno mutations fresh from the mind of tom diciccio. the corner reminding you once again that techno is still a relevant and boundary-pushing art-form. peep big mike on the artwork too! take yer ringside seats for and audial pounding. strength is always the last thing to go.

three formidable names from the romanian house/techno scene combine on this sumptuous new ep for the burgeoning wrong state imprint. in various combinations, jay bliss, mihai popoviciu and pagal have previously collaborated on tracks like bis com on diynamic and eucalipt / melange on fear of flying, and count releases on 2020 vision, popcorn records, suara, highgrade records and area remote between them. their first joint effort in some time yields some superb results.

bicep are back with the second release on their eponymous feel my bicep label with the follow up to last years vision of love. after a sustained period setting up their new studio, fmb002 features three tracks pushing into a synth driven direction in comparison to earlier releases

fijuka sind ankathie (voc./synth.) und judith filimónova (bass/voc.). dieses deutsch-österreichische duo (burghausen/wien) hat sich auf der kunstuniversität in wien kennengelernt und schnell, im zuge gemeinsamen herumlungerns in schäbigen spelunken, seine gemeinsame vorliebe für pop mit einem dunklen twist (und einem augenzwinkern) entdeckt. beide waren bereits in mehreren bands und musikprojekten, aber erst mit fijuka verfolgen sie ihre eigene musikalische vision. es ist ein multi-instrumentaler, experimentierfreudiger pop, immer auf der suche nach neuen wegen der klangerzeugung. fijuka gibt es seit dem frühjahr 2011, im april 2013 erschien ihre debut-ep behave (from now on).

after recently inaugurating its run with a crop of tunes aimed squarely at the dancefloor, brooklyn s newly launched peach label—an imprint headed up by turrbotax® co-founder rem koolhaus—has shifted gears on its second release, broadening its vision beyond the club and offering up a pair of wonderfully immersive tunes from earth house hold

next up on !organism is italian techno purist vincenzo palumbo aka irregular synth - a producer whos unwavering focus on the dancefloor has shot him up through the ranks in recent years. his boisterous synthetic sounds come on labels like perfekt groove recordings and the likes of richie hawtin support almost everything he releases. here forest people are also enlisted to remix. another fine paring on organism! that matches the veteran skills of irregular synth with the soon to break through ideals of forest people.

scotland-born parisian paradise 100 (a.k.a. dj africa, a.k.a. graham peel) has been percolating stripped-back, bouncy-castle house constructs onto the web for a few years but never locked them in wax until now. high time. following his minimalist dictum *more than three tracks on a song is just indulgence*, his debut eps four cuts share a sleek, spare design, jigsawing slinky bass, classic keys, lean drum programming and flashes of synth mirage into fluid, aerodynamic patterns. touches of melodic acid and crossover new wave color the mood an exotic, hedonistic hue (further evinced by titles like the loin king and french kissing in the house of love). his own vision of the project is appropriately fantastical: *the image in my mind is of tropical forests at night, torchlight, distant sounds of tribal ritual dance and ghosts.* regal music for pleasure domes.

by bursts of silence that seemed woven deafening persistent and grinding agnes earrings, scream, hand drill, it is that it is possible to mix, they will break the hustle and bustle, to listen to all the way from the village interruption. did the richard where am i? his bed was empty. indifferent, in the field miles away pills and his grandmother danced his vision to horrowshow beat repeatedly reckless and unrestrained cruel twist, richard has a gruesome demise of more than 20 contorting mess the limbs of his . in the rush of his early, he had forgotten to shut the door behind him. early support from perc, james ruskin, francois k, four tet, ben ufo, pangaea, pearson sound, 2562, untold, tiga, call super, inigo kennedy, nathan jonson, randomer, errorsmith, cassegrain, paula temple, alex smoke, optimo...

perc trax vs. polegroup is a collaboration between percs imprint perc trax and polegroup, in which each of the labels champions their recognizable dark techno sound, with their own clear identity and vision of the current techno scene.

its been a big year for breach, a.k.a. ben westbeech. his track jack hasnt just blown up on danceoors across the globe: its laid waste to them. in the process, jack got to number 9 in the uk charts. not bad considering westbeech has always seen breach as an underground thing.

the cultured minimood extra label introduces london based newcomer tcherneyan with remixes from the mighty och and minimoods own volt.mar on green colour vinyl. the a1 is provided by och, producer of the legendary whalesong, and consists of icy hi-hat ringlets and rippling dub techno chords, which merge into a slice of prime time excellence. next a2 mauvais présage is a deep techno track built around a dumpy kick drum that gets slowly embellished with skating and skirting percussion and distant groaning chords that sound like sad monsters. the b side opens with tcherneyans second original b1 vision, an eerie, vast and empty open space of chilly synths and echoing voices. finally, volt.mar on b2 then reworks mauvais présage into something that lurks with menace in some desolate industrial park where intriguing synth lines weave their own path and white noise blasts occasionally jolt you from your trance. much like the previous release, minimmood have struck stripped back, deep and dubby techno gold with this latest ep. vinyl only / no repress!

andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.

andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.

am 04.10.2013 erscheint mit blood donation das debütalbum von mariam the believer über moshi moshi / pias cooperative. mariam wallentin ist besser bekannt als teil des schwedischen duos wildbirds and peacedrums, doch ab sofort schreitet die extravagante sängerin auf musikalischen solowegen durchs leben. mariam the believer ist eine sehr introspektive und melancholische kreation kraftvollen pops, die mariams vision von hoffnung und licht am ende des tunnels charakterisiert. mit invisible giving gibt es einen ersten vorgeschmack auf das album, inklusive eines prins thomas club remixes.

the murph has not been shy about sharing his vision with the world, & here he brings some classic home grown chicago flavor. pressing on pink coloured & white marbled vinyl.

kuru, the alter ego of new yorks dj spider is back with this haunting slab of cult techno! fierce rhythms layered with filthy samples & analog synthesis that will make you feel sick. perfect for any dance floor

poker flat recordings has long held a talismanic role within the house and techno underground - responsible for countless classic moments and pursuing a vision that propels the scene ever forward. here, dutch dj and producer wouter de moor continues this rich tradition, dropping an essential release for steve bugs ever-important imprint. the lectures ep features the words and wisdom of the ultimate djs dj and king of the underground - theo parrish.

och has a strong pedigree of collaborations with fellow underground stalwart jay bliss the latest to share space on a autoreply record with the label boss. bliss should be known to many as the co-owner of electrique boutique alongside markus homm, for a long time the only vinyl outlet in romania, and his discography makes for impressive reading these days. recent times have seen mr bliss share record space with the likes of skudge and petre inspirescu on respected imprints like 20:20 vision, all inn, hudd traxx and fear of flying.

clear soul forces is next to carry the burning flame for the city of detroit. discovered, championed, and mentored by royce da 5’9”, the four-man group rhymes like genetically enhanced street poets from the 70s who are here to remind us what album rap sounds like. the vision of e-fav, l.a.z., noveliss, and producer/emcee ilajide combines golden era, 21st century, backpack and sub-woofer hip-hop but never sounds dated, derivative, or awkwardly avant garde.
pressing on golden coloured double vinyl, download code included.

liquid spirit marks gregory porters blue note records debut, which arrives on the heels of two critically acclaimed indie label albums that quickly propelled porter to the upper echelon of contemporary male jazz singers and earned him two grammy nominations. don was, president of blue note, encouraged porter to stay true to his artistic vision.
*i firmly consider myself a jazz singer but i enjoy blues, southern soul, and gospel,* porter says, *those elements make their way inside my music. and i ve always heard them in jazz.*

seb zito steps up to the plate for the next release on fuse london with his never ep. title track never delves deep with a moody atmospheric groove whilst sub dubs 111 toughens things up with a stripped back flavour. on the flipside, remixes of never see enzo siragusa and rich nxt inject a d&b style b-line whilst ben rau brings a melodic vision to his version.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

after three sold out releases on gamm the edit king the reflex is back with vol.4 in his re-vision series! this time around he goes slightly more rare groove-ish than before with three amazing re-edits.
first up blood sweat & tears gets a breakbeat rework that kills the original by the miles if you ask us. the dope jazz brake in the middle is extra nice.
to follow up we go on a funky blues trip on *gone is the thrill* and last but not least a hot (!) ohio players jam gets funked up to the max.
the reflex and gamm have done it again!

this release is the logical step after aeon, this time it evolves to a stage where old and new merge together, surface has the typical sequential synth lines inspired in the past by iconic groups such as tangerine dream but it has been added a good number of refreshing digital drones and textures, a little bit glitch background errors and cold wavetable pads, but at the end keeping the essential vision alive due to all the tracks were recorded live, playing synths and keyboards in realtime specially for this production. be ready to take land on the surface.
this is the 200 copies standard black vinyl edition.

this release is the logical step after aeon, this time it evolves to a stage where old and new merge together, surface has the typical sequential synth lines inspired in the past by iconic groups such as tangerine dream but it has been added a good number of refreshing digital drones and textures, a little bit glitch background errors and cold wavetable pads, but at the end keeping the essential vision alive due to all the tracks were recorded live, playing synths and keyboards in realtime specially for this production. be ready to take land on the surface.
this is the limited 100 copies orange+black wax edition.

tin man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house. in recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals. the underdog series, produced last winter in new york, emphasizes on deep killer techno – this new release – the underdog ep part 2 – features three floor shaking techno cuts in different shapes. on the a side the aptly titled >swarm< features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack. flipping over there is >hack<, which bows towards soundhack with its dirty funked up sample chords and cut up groove. the ep finishes off with >rocky<, a masterpiece in reduction – hypnotic and deep techno.

george evelyn präsentiert sein erstes album seit seinem umzug nach ibiza. der mann greift tief in die geschichte der black music und zaubert eine zeitgenössische, balearische vision aus motown-soul, disco, funk, reggae, dub, latin und trip-hop aus dem Ärmel, die - aufgenommen mit erstklassigen musikern - wie eine wiedergeburt wirkt.

ontology is the beginning of reality. pulsing rhythms as categories of being are acting like entities in a dusty void. sparkles of light underlines the times of creation, where nothing existed before. since nothing really existed for the human being, silence was full of noises.pulsation as the archaic form of life.
the ontology remix is made by bruno sacco, perfectly in line with coals original. a vision in a techno rough structure, with more bpm. the remix doesnt alter the original but approach it from another point of view. a vision in perfect parisian techno style.

lying somewhere between new order, arthur baker, and giorgio moroder with the benefit of modern ears, argentine export and berlin movershaker nico purman continues to shape his ever evolving vision of sound with his new label art of memory and its debut release aom001.

after a sustained period of enviable productivity, renowned producer mark fell arrives on liberation technologies to further carve out his own singular vision of leftfield electronic music. after reviving the snd moniker with long-term collaborator mat steel in 2008, and releasing a slew of singles under the sensate focus guise, it is here that the mind behind recent sound installation *64 beautiful phase violations* delivers his most visceral work yet, melding angular electronics and skittering rhythms into a sonic palette that is undeniably his own. treading an equally as distinctive path throughout their illustrious career, japanese experimentalists boredoms contribute their own vision of parts 1-7, an inspired pairing that is offered up in advance as a tantalising glimpse into the forthcoming record.

nixwax are proud to announce the first in the new series of black and white label releases from up and coming producer and nixwax label co-founder, rob amboule. fresh from the success of his release on 2020 vision, with pushin on and kerri tearing up dancefloors from london to ibiza, rob amboule brings who knows? home to his own label to launch the new vinyl only series. pressed exclusively on heavyweight vinyl, this record always gets the floor moving and is a guaranteed party starter. there are big things to come from rob so dont miss out on his first vinyl only release.

ltd kondens triple pack incl tracks by electric rescue, sasha wins & igor shep, marc vision & franco lemon and marc depulse

humans latest ep emerges with obvious maturation, each track carrying a depth of sound, evolved production, and focused vision, while never straying from their early commitment to make music for the dancefloor. the duo recently played sxsw and cmw and are set to tour with young empires this summer.

**vinyl only release**inspired by clean rooms and clear vision alexander harre delivers on the new, in hanover based label, pttp three different kind of tracks. as well baseline orientated pounders then hypnotic tools.

long-awaited long player from the slavic spiritual warrior vakula. 3 x 180g 12 inch vinyl, double gatefold lp with hand pulled silk screen artwork by house of traps

the moscow based duo s debut on glenview originals and their first vinyl release. two floor filling remixes from moscow s best known dj/producer lipelis (a disco flavored all stars mix and the acid vision version) b/w an extended mix and an instrumental. mastered by alden tyrell. sublime.

asc, synkro & sam kdc team up for the second outing on auxiliarys brand new collaborative outlet, veil. side one sees asc & synkro pick up where borderline / sacred moments left off and expand their vision further with the disjointed machine love and the smoother sounding planet x. side two sees asc team up with sam kdc for two slices of future funk. 85 bpm synth power all the way with serious bassweight thrown in for good measure. unique music, as you would expect from all involved.
presing on blue coloured & marbled vinyl.

having launched the n16 loving newington label with a split release from a range of bubbling uk house talents, waze & odyssey turn to a more familiar name for the second release with the cross flatts ep from pbr streetgang. formed of the wonderfully named bonar bradberry and tom thorpe, pbr streetgang have been quietly accruing a respectable discography since the project was founded oop north roughly five years back. elevated into wider consciousness last year thanks to some stellar 12 inches across hot creations, 20:20 vision and futureboogie, it makes perfect sense for bradberry and thorpe to add the similarly minded newington label to their cv with both cuts on this 12&#8243,,, fitting snugly into the current lexicon of vocally driven deep house.

our third drop is a huge one. tomas malo (outernational, 20:20 vision) delivers two deep and gorgeous cuts of house music in its truest form, with nods to early blues and gospel fused with stunning chord work. remix duties are taken care by two of the industrys best: the inimitable manuel tur (freerange) and red-hot ben la desh (sleazy beats black ops, outernational, dirt crew).

3 tracks inside and outside the tradition of classical scores and synphonies usually divided into 4 times, where elements of the composition are back with a deep or shallow drama. the sounds of heavy techno and rough hardcore are slowed down in a minimalistic and environmental casing. atmosphere and climate are counterpointed by a vision and historical journey that fuses and confuses the machines with the meat: replaces and softs the sincopatic moments of time that is missing. bruit as a psychic disorder and a lack of physical stability, phonies as futile attempt at harmony and empathy.

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

montreal dream pop duo footprintz have already captivated the world with their magical debut album on visionquest escape yourself and next single fear of numbers is about to keep the fire burning. as much a vehicle for a true remix master as alight shone on this album highlight, leo zero filters fear of numbers through his own balearic vision and fuzzy warm lens across one remix and two alternative dubs. unveiling laid back percussive rolls and expansive grooves, the zero remix is a slow, chugging masterpiece while the alternative dub imbues a digital folky pop feel with playful keys and a searing melodic synth-line.

an exciting jubilee release jam-packed with floor favorites, towering evergreens and secret weapons

perseus traxx is no stranger to the legion of underground warriors who place quality above quantity, having released on bunker, m/o/s, photic fields, boe recordings, boomchik, chiwax, sequencias, and future flash to name a few, as well as being one half of nite vision with the man behind mantra/myriadd.the muses are the nine goddesses who promote literature, science and the arts, the personifications of inspiration. though only named and assigned characteristics as recently as the roman era, they were revered by the ancient greeks, who documented that them as having been recruited by the egyptian god osiris as he passed through ethiopia prior to embarking on a tour of asia and europe to teach the arts of cultivation to mankind. itís with this in mind that perseus traxx, makes his first release on newcastleís flight recorder label, delivering an ode to four of them directly rather than the forms they have inhabited while they visit him. bubbling and cutting, heavy synths and dusty tones are jammed out live to tape, ranging from the playful to the stark as they characterise the appropriately named tracks. an ordered tangle of wires and patching in a unique set of acid-free sonic experiments, that sometimes feel as cold and edgy, as they do warm and carefree.