a killer 10 inch back in stock !!
closing off the trilogy of 10 years of perc trax vinyl eps is the labels first ever 10 inch release. drawing together two of the deeper and more experimental tracks from * slowly exploding*, the ep pairs label founder perc with one of his longest influences, zhark recordings main man kareem. first up kareem brings a touch of deeper berlin-tinged techno to perc trax, built upon a rock solid kick and drenched in moody urban atmospherics, then perc closes the this vinyl series with a spiralling analogue noise exercise that builds and builds until live drums tear through the wall of bass tones...

makam returns to dekmantel records with his first full-length album for the amsterdam based label. blankens ongoing search for fresh sounds, textures and rhythms has lead him to than sadet, a gorgeous piece of work that takes his sound into new directions. that sadet displays a refinement of makams sound. the music is highly tactile, with an emphasis on the surroundings of the environment in which it was created. blanken: than sadet is a secluded beach on an island in thailand. a mysterious atmosphere haunts it. its windy and the weather is always a bit worse compared to the rest of the isle. there are many cliffs and you cant swim because the waves are too high. four years ago i visited than sadet for the first time and ive been coming back ever since. at one point i decided to bring my studio equipment. for a week, i dedicated my days to making music. those sketches formed the basis of the album.

“here come the horns” is the second studio album by the hip hop group delinquent habits. formed in east los angeles in 1991, the group are known for their latin-tinged rap, which is both melodic and hardcore. their first self-titled album movlp1338 was executive produced by cypress hill member sen dog and featured guest appearances by sen himself as well as puerto rican new york city rapper hurricane g.
their second album, “here come the horns”, again featured sen dog as well as sen’s brother, pioneering latin rapper mellow man ace. the album was also produced by sen dog and paul stewart. music videos were made for “this is la” and “here come the horns”.
pressing on audiophile 180 gram double vinyl.

the paris soulful disco scene is pretty hype right now and young pulse is definitely one of the key players. after three highly successful eps on gamm, young pulse is now set for his fourth release in the celebrated paris edits series. as always with young pulse we re served the blacker and more soulful side of disco and this time we get a proper prime time philly stomper on the a side and a uplifting feel-good boogie tune on the b. together with the new (and very beautiful) design we got another gamm winner folks!

even if russian producer gradient logic is found here turning out the business on serbian label disco fruit, the sound on the far away ep comes on like a snappy fusion of garage-ready new york proto house and laid back west coast boogie of the highest order. it s the third vinyl release for tonbe s label, and once more marks the serious clout behind the eastern european operation and its closest artists. just try grooving to the slick bass pops on feel me without being transported to an early 80s dancefloor. there s a more organic funk to lock into on i want you slide, but as ever it s hard to tell where the sampling ends and the musicianship begins on this utterly natural sounding ep.

zum fünfjährigen jubiläum legt das britische label invada eine special edition des soundtracks auf. musikalisch gleicher inhalt, aber die verpackung ist völlig neu: regisseur nicolas winding refn und komponist cliff martinez haben neue liner notes verfasst. die komplett überarbeitete grafik stammt von dem künstler john bergin. das vinyl selbst ist zur hälfte transparent, zur hälfte pink. diese edition gibt es nur bis zum jahresende. sie ist zeitlich begrenzt und damit sehr limitiert. danach wird wieder die ursprüngliche version aufgelegt. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex-red hot chilli pepeprs) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

it would be fair to say that hypercolour, the uk label founded by alex jones and jamie russell, have come a long way since the label’s inception 10 years ago.
from humble beginnings, to a roster of artists spanning across continents, genres, styles, and sounds, the label curates a very special 16 track compilation album to celebrate ten years of operation, and to capture the essence of the label’s ethos and energies that have been at the forefront of the label’s output in recent times.
the triple vinyl release includes a download code.

2016 repress !! fresh three-tracker, certainly moomin-style. well-tested and approved on the road within his live- and dj-sets around the world, now ready for the world.
fuck reality!

the extraordinary prolongation of sound jerked polly’s pretty head away from her work at the calibration machine. today’s jobs had seen her at her thorough and meticulous best but as afternoon melted easily into evening, these latest reverberations meant she’d no longer be able to focus to the level required. her boss had just dropped the bomb. as her ear drums filtered the noise, the technician’s bright mind was flooded with delight, her eyes no longer felt dry and tight with concentration, she was caught riding the crest of a massive wave of admiration. sitting her specs on the desk and pushing herself off the comfortable heat of her work stool, miss filla let the soundwaves pull her to her feet and carry her off to the main source of the captivating music. in honour of dixon avenue basement jams spending four years at the forefront of the global electronic music scene a new release was planned to shake the foundation to the very core. techno wizard big miz had been charged with delivering the goods and by the gods, the glaswegian had cracked it! he’d created, not just new tunes, but a whole new fucking genre. polly could feel the vibrations pulsating through every part of her curvaceous body as she sashayed along to the seductive beat.

sting’s first rock / pop album in over a decade as black 180 gram vinyl edition in gatefold sleeve.

roman flügel: i think the first 5 tracks of the album are simply fantastic

with many new roads traveled over the last few years, the gaslamp killer is back with the full-length lp instrumentalepathy. glk will initiate his new imprint cuss records with instrumentalepathy. french surrealism artist albane simon designed the cover, supplying an array of psychedelic imagery that contains a brilliant sense of connection to glk’s music & the chaos he’s survived. instrumentalepathy features an impressive cast of artists tied closely to glk over his music career with brainfeeder, low end theory and beyond. guests include gonjasufi, miguel atwood ferguson, niki randa, kid moxie, mophono, amir yaghmai and the heliocentrics. it’s been over a decade since glk and gonjasufi have collaborated on new music, bringing the two natives of san diego back together for something truly special.

after a succession of new signings including recloose, tom trago and paul woolford - aus music return to their original roster and roll out another solid 3-track ep from label mainstay huxley who - in a monumental pairing - enlists the help of chicago legend roy davis jr. with a grand total of 8 aus records under his belt including his lauded lp blurred - huxley continues to return with a sound that typifies the label - intricate dance that music that packs power and emotion in equal measures. the rag & bone ep kicks off with do you feel me - a track that seed roy davis jr. and huxley meld moody synths with a tough, rattling low-end. a striking vocal runs over subtle flecks of acid and bending melodies that make for a pensive trip before weapon 3 dials carl craig-esque tension with rough, tribal drums and razor sharp sweeps. the dub of weapon 3 then mellows the tone of the original and rounds off a varied pack of dance floor bombs.

a split, double a side ep from arnaldo & monoak for your listening pleasures.

la dame noir is one of marseille s most reliable outposts for serious disco-flavoured grooves both in the club and as a label, and now they make the leap to vinyl with a crucial collection of remixes from serious heads. pete herbert steps up first to rework m.u.s.i.q.u.e s -over to you-, turning the original into a simmering, noirish burner with speak and spell vox in the foreground. meanwhile herbert s take on nouveau rom s -timide comme un ange- is a looped-up dream of a groove that positively takes off when the peak section kicks in. dj steef then echoes the remix choices on the b-side, subtly edging the nouveau rom track into an even airier version before creating an emotional twist on -over to you-.

mr. g extends his ever growing discography with another full length album. “a good place..?” comes as a 2x12” package which includes 10 tracks which range from signature mr. g style drum track cuts with the usual vocal cuts to somewhat more “dubbed out” bits and funky disco tainted dance floor bits. “a good place..?” proves to be the perfect follow up to last year’s “night on the town?” with mr. g showcasing his versatile skill set whilst thoroughly molding the tracklist into the feel of an album.

chicago producer savile returns to his home base, argot, for his second release of 2016 -- share power. here, savile skirts the bleeding edge of american dance music, proving without a doubt that he s mastered his own minimal sound. lean, hypnotic, and syncopated. share power is an ode to collaboration, kindness, and making space, distilled through his vision for midwestern house and techno.
share power is dedicated to two parties savile played in ohio during 2015 -- in training in cleveland and midwest fresh in columbus. on -three hours in the meat sink,- savile wrests maximum impact from the barest elements — a sparse, moaning bassline is the track s backbone, upon which rippling synth, hypnotic hi-hats, and a carefully placed call to arms roll out in stride.
flip the record over for -effort won t betray you,- where explosive chord stabs fill a sharp, syncopated skeleton of percussion — that s all there is, and that s all there needs to be.

the 12” dance series is dedicated to showcasing the finest rare original 12” remixes and extended versions of crowd-pleasing, floor-filling classics. from the disco, soul, rare groove and funk mixes of the 70’s, to the groove, hip hop/electro & techno/house of the 80’s and the acid jazz, indie, r&b, rap & club/house of the 90’s, 12” dance will deliver a lovingly curated selection of both the commercial big hitters and the underground cult club classics! this 2lp collection presents the finest in soul, funk, disco and jazz-funk mixes of the era, from feel-good old school classics to dance-floor anthems to underground club classics featuring artists such as gwen mccrae, rufus & chaka khan, jocelyn brown, sister sledge and many more.
the 180g double vinyl comes in a gatefold sleeve with download code included.

berlin’s nat fowler renders his meticulous novoline project to not waving’s ecstatic with an inimitable marriage of automated electronic process and live improvisation on his 2nd album, movements, continuing a lifelong quest for esoteric knowledge and a love of archaic computer hardware.

aquatic techno-electro tracks on this new possblthings label produced by robyrt hecht, milium and xy0815 delivering funk driven electro funk tracks to this leipzig based record shop that is widen its activities with the start of this fresh new label!!

packed full of cinematic textures, plaintive vocals and dusty house grooves, the last raw era is the stunning debut album from hollis parker: a vinyl-only love-letter to new york city that harks back to bygone days of us house music.

a boogie classic from 81 on the legendary sam label out of new york city! k.i.d. is the production pseudonym of british library record stalwart and munich machine member geoff bastow. bastow s career has been an extremely colourful one seeing him work with various artists including amanda lear, elton john, donna summer and la bionda amongst many others. -hupendi muziki wangu?- is swahili for -you don t like my music?- and the track has long been a classic with underground disco/boogie aficionados for many years and has been a staple in the record bags of many legendary jocks since it s release 35+ years ago. on the flipside we are treated to -it s hot-, another sleek cut of early 80 s boogie perfection aimed squarely at the dancers. truthfully though, the a-side steals here the show here, take a listen - you ll see what we mean! reissued in conjunction with sam records, new york city. fully remastered with all original 1981 label artwork intact. file under - *essential disco*

mit ihrem neuen album »walls« zeigen sie, wie man sich musikalisch weiterentwickeln und sich dabei dennoch treu bleiben kann.

the third from farbwechsel and the first one from route 8 is back on vinyl. mental murder ep is a lo-fi jack gem with four tracks from the prince himself and a remix from the houston-based house wizard miguel flaco. mental murder is a fateful stab wound with a blunt, rusty knife straight to your brain, which causes a kind of lobotomy happiness.

new project from massimo vanoni in which his black streak with slow-down & nu-disco-funk features prevails. the tracks have strong groove rhythms, with intense, rather thick and ascent.loops. the contaminations collected by the club consoles seem to merge in the creation of unreleased songs which recall an interesting return to the old beat with dynamic rhythm.

the 1992 bon jovi classic back on double 180 gram vinyl in gatefold sleeve

after the successful 1st release -foxy lady- on teledub jichael comes up with his next strike: „german angst“ . the 2nd release on teledub features some different styles and moods but without a doubt it s a real jichael release … each track tells a story of its own and takes you onto a trip of unique sounds and styles … grab your copy! … only available on 180gr vinyl!

eye is a project from laurene exposito from rennes (france), where she runs the intimate label waving hands. eye’s debut album sabine takes us into laurene’s silk-covered dreamworld, at once mad and serene, sounding like a breeze and a blast at the same time. bedtime stories or lucid nightmares? you decide. comes with insert.

digging deep into the annals of gospel now, the name pastor tl barrett should be familiar to the eagle eyed crate diggers amongst you. an extremely colourful character from chicagos southside neighbourhood who found himself on the wrong side of the law for his involvement in some activities of a dubiously illegal nature, more importantly, besides this the pastor was widely known for his community activism and positive sermons preaching love and responsibility.

anatomy of melancholia will be the first release of ephemeral manoeuvres, a travel through the dreams of a person who has lost somebody on his course of life.

opak records alkyle series is a independant music label owned by seq9 & eeror303.

following on from label boss matthias tanzmann s latest and great lp, moon harbour announce the return of a big talent to their ranks: that person is ninetoes, aka german producer Özgür yelmen, and he serves up a fine new single that finds brothers santè and re.you appearing together for the first time ever as remixers on the same ep.

excellent va minim.all from the label in honor of 5 th anniversary of the label! greetings from residents with powerful tracks. to be continued... support from: someone else, agoria, richie hawtin, joseph capriati, paco osuna, marco carola, andrea giuliani, khristian k, medu, archie hamilton, butane daniele casa, alejandro fernandez, mikhail kobzar, hernan bass, jcb, mathias schaffhauser.

mark henning is back on his own label swing, showing off his more melodic side with some acid and squelchy arpeggios.

betty harris’ the lost queen of new orleans soul features all of her classic deep soul, sister funk and northern soul songs recorded in new orleans in the 1960s - all written, produced and arranged by the legendary allen toussaint, and featuring the cream of new orleans musicians and the incredible meters. the heavyweight 180 gram double vinyl lp comes in a gatefold sleeve with.

this double 12 inch compilation features both the original mono and stereo versions on 180 gram vinyl plus download code and a bonus 7 inch reissue of the 1966 single “try a little tenderness / i’m sick y’all”.

seven rare and unreleased collectable 7 inch vinyl singles from tamla-motown in a limited numbered box, including download code.

fresh off releases on bastard jazz, kat and lumberjacks in hell, phil gerus is about to blow up and these 4 tracks on tugboat edits demonstrate why. “let me love you” opens the a side, followed by the neu deutsche welle of “mistress uniform” while “get funky…” and “cyanide” keep the party going! hand stamped, limited edition of 400.

wieder einmal gelingt es michael bublé, die perfekte mitte zwischen jazz und pop zu finden. »nobody but me« ist ein vielseitiges aber dennoch rundum stimmiges album.

2016 beweisen status quo erneut, dass sie auch leise können. »aquostic ii – that’s a fact!« ist die großartige fortsetzung ihrer erfolgreichen akustikreihe. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

norah jones has come full circle with day breaks, her remarkable sixth album which finds her returning to her jazz roots while also proving her to be this era’s quintessential american artist, the purveyor of an unmistakably unique sound that weaves together the threads of several bedrock styles of american music: country, folk, rock, soul, jazz. day breaks is a kindred spirit to come away with me, though it is unquestionably the work of a mature artist who has lived life and grown immensely in her craft. the album features jazz luminaries including shorter, smith, and blade, who played drums on norah’s debut and became the backbone (and backbeat) of the new album.
the vinyl lp comes in a gefold sleeve with download code included.

the new brandt brauer frick album as double 12 inch vinyl in gatefold sleeve with cd-copy included.

editorial is back again with another stacked 12inch with familiar faces and a new arrival to the label. art of tones kicks things off with bootyshaker, inspired by uk compadre red greg. with a driving funky bassline, this jam is a bonafide party starter! the mysterious barry prophet surfaces again with a laid back slo-mo boogie vibe on closer. flip the wax for editorial stalwart matt hughes and his class funky guitar and bass work on walk the chalk. next up is italys special q bringing his nu-disco sound proper. finally, the sellout s close out the ep with a heady downtempo smokey joint.as you know, this is: the way we groove

he cd included in this vinyl edition features the 14 tracks in the same order short info: cerrone is one of the main architects of disco music. his influence is well known around the world and a new release will soon be added to the monument that his discography represents. during 3 years, he travelled back and forth to london, paris and new-york to record ‘red lips’, working with some the most promising young artists (kiesza, yasmin, brendan reilly), collaborating with well-established stars (aloe blacc, alexis taylor from ‘hot chip’) and also worldwide famous legends nile rodgers and tony allen. get ready to dance, the king of the night is ready to claim back his throne.

mgch comes through with a dexterous debut 12” for listen2me. this 4-track ep explores lush pulses and shadowy rhythms, balancing both introspection and evocation. label mate and long time collaborator serb flips the title track on its head, delivering an ever evolving and explosive remix.