ship to shore is a new record label from record collector and gentleman of the night craig richards. the first release is by pbr streetgang made specifically with craig in mind, the release also includes a remix by craig himself. pbr streetgang delivery a great ep of wayward hedonistic-house. ‘in the turret’ has been causing somewhat of a commotion, of late, on discerning dance-floors. on the flip craig offers up a drawn out electro break-beat take on ‘in the turret’, which is equally as beguiling. the ep also features the deep disco leanings of ‘affordable excellence’ and the psychedelic ‘apocalypse tool’.

the second of this year’s smd singles on their own delicacies label is features another two original tracks, leading with the hypnotic, late night techno loping of “remember in reverse”, drenched in glistening synths. the second track, “soft attack” takes a much more direct approach, with a brash battering of crash cymbals on every 4th bar marking time as a sinuous synth melody curls around the rhythmatic trunk. “soft attack (drum version)” pares it down even further, excising the melody for a minimal dj tool. also included here is a remix of ‘remember in reverse” from 90s mid west techno legend, dj hyperactive, who we’re super excited to have on this release. he extensive 11 minute rework transforms the track, sprinkling it with subtle doses of acid. after a short hiatus following their modular-only, desert recorded last album “whorl”, during which smd s james ford found himself on production duties for everyone and their dog, smd are back with bunch of techno cuts on their own delicacies label. over a couple of months in jas shaw s newly re-located synth-dense studio in leafy kent, which saw smd once again experiment with live jams as the basis for their production, they’ve pulled together a selection of eight tracks for release as a series of four singles over the coming months. smd fans will note that the earlier naming convention of delicacies has fallen by the wayside – for the simple reason that we’ve pretty much run out of weird and wonderful food stuffs to steal names from. instead, a semi-random automated process has been used to create the track names.

dj support : groove armada, psychemagik, greg wilson, horse meat disco & rahaan
on his previous midnight riot releases, joutro mundo has always included a number of scorching reworks of brazilian disco and boogie faves. now from his debut album the fast-rising producer is serving a 12 inch feast of authentic brazilian fare. a ride through uncharted brazilian boogie territory, strictly for the late nite tuff guy contingent where new productions are smoothly wrapped around golden sun-kissed loops, jaunty horns with additional added acid b-lines, funky beats & percussion

limited 7 inch vinyl, featuring the same track on both sides.
so when stu gardner was rounding up a late night studio session, putting the finishing musical touches to a t.v production he had been commissioned for, he thought he would use the last few hours to record one more song. wow are we glad he did. “don’t fight the love” is making movements in the disco circles and with the modern soul boys. an unnamed female vocalist gives you the performance of her life! this had been sitting dormant until 1980.

kid flicks is the music project started by greek producer and songwriter nickos devisis. highly in?uenced by the bright side of contemporary athenian life, multiculturalism and the internet culture, kid flicks created a unique sound which draws from various genres and styles. from electronic to sample-based music to psych pop to world music, the album full of upbeat pop melodies, explosive percussion and greek, middle eastern and african music references. kid flicks third album kid flicks and first with an updated 3-piece line up, will be released by klik records in greece and wordandsound in the rest of europe on late june. on december 2015 they showcased at glimps festival in belgium and their creative process and involvement in the athenian music scene were one of the subjects of cbc arts documentary series interrupt this program. they currently work with brooklyn-based pr agency drunken piano (carpark, yep roc) and booker jj pallis (boogarins).

“i got a little more work for you to do.” that s what the late reverend gean west sings - or rather testifies - on the opening track of goodbye world, the new and deeply emotional album from the triumphantly unlikely gospel funk band the relatives.
the vinyl release includes a download code.

be a better man is situation s first outing on situationism with new vocalist to the fold andre espeut bringing his unique vocal & song writing talents sparking an exciting collaboration with situation s collective. after the successful -get to know me- release on nang late last year this is the 2nd release situation have had with andre & there is much more to come!

owner operator of finale sessions music michael zucker has brought you a sister label called future sessions music to showcase his own music with close friends and family and we are excited to able to share this label with you. starting with our first release with the detroit veteren norm talley and finale sessions veteren michael zucker and we will start with norm talleys music first with the track called * power* it has the sublime detroit deep sound with its sharp chords and that pumping deep kick and claps and it also has additional work from another detroit legend delano smith but what makes this track is the fantastic vocals from the soul. track two * lock jaw* is just raw beatdown late night track with deep chicago classic sound with a pumping kicks and mind altering synth. then next we have michael zuckers first track * parisian nights* with it classic filtered classic chicago sound with proper pads and chords with a vocal drifting in and out of the spectrum . track two * thought process* is just an amazing deep inspired melodic trip with key’s and that classic b4 organ that sets the tone for the pads and that lifted filtered sound . we are excited to be able to work together norm talley and myself and we hope you enjoy this journey also.

special summer deal! bouncy & soulful late night house groovers & effective dj tools

four remixes from the youth stand up! album that was released on autonomous africa late in 2015 by jd twitch, midland, auntie flo and general ludd. youth stand up! is a collaborative recording project between glasgos green door studio, lebeha drumming center in hopkins, belize, and the tafi cultural institute based in tafi atome, ghana. all proceeds will go to tafi cultural institute, tafi atome, ghana and lebeha drumming center, hopkins, belize.

its been a couple of years since classic released an original artist album, the last one being luke solomons critically praised timelines. this time round classic brings a relative newcomer into the fold. eli escobar has slowly been building a credible reputation out of his home in new york, releasing his first single back in the late nineties and moving more recently from hip hop into dance music. as a dj, he harks back to a golden era of disco and early house music, graduating through the 90s during which he was brought up on a diet of underground house including classics early output. in recent years classics head was turned by his wonderful album up all night that was released on night people, a label from new york that eli (pronounced el-ee) has a vested interest in. following up the album with a series of singles, the label swiftly became a cult dance classi

french imprint a-traction records returns with a new ep from marst late june, featuring two original compositions and one remix from moteka.

mount liberation unlimited is formed of sunbeams, sockerbitar, and swedes ! chance members of a stockholm-based band during their late teens, tom lagerman and niklas janzon found themselves peeling off from the pack to smoke and make techno. dreaming of a global dance music community in which artists are allowed anonymity, the two set out to service this secret society by soundtracking happy-making moments under the mount liberation unlimited guise. mlu s third release, (eerie) for your love, developed organically and inversely from their live set into the studio. in this procedural fluidity, hypnotic live takes animate as tenacious tone, melody, and groove. mlu s method relies upon thee jam, the feeling shared in the moment, and then revisiting that friendzied magic. this dedication to spontaneity is tempered by a naive faith in one another, an unspoken jibber jabber that melds two minds together in childlike harmony.

the first release on confused machines pays respect for some of their homeland collaborators/heroes in a form of remixes. side a present two remixes by the models. the first one for the cult ex jerusalemite trio mouth and foot, a slow and mellow / romantic house tune (in hebrew), while the second remix is a dark shoegazy atmosphere with harsh 808 treat for singer songwriter bela taar. the flip side holds an essential edit for late 80 s post punk female duo mafatal, mule driver turned the original cut into a dance floor hit using tribal poly-rhythmic drumming with merciless driven bassline.

andreas gehm is known for his fierce, unapologetic acid style. but the cologne man does have a more mellow side, a smoother side, and that s what this three tracker is. of course, smooth gehm still has some rough edges. -yellow flowers- combines thick pads, skittering beats, warming samples and frigid bars in an intoxicating brew. malice and menace rear their ashen faces for the evil machinations of -late at night-, muffled vocals and sharpened snares glinting in the streetlights. safety arrives in the form of the aptly titled -less violence.- rhythms are still rough edged, melodies still have an underhanded element. yet there is a subdued humanity in the sweetened strings, emotion coming to a head as the needle runs out.

fresh off the heels of the success of their ‘waiting ground’ ep, the boys in black, frank & tony, are skating back onto the scene with another four track summer stomper, ‘under the jaguar sun’. the a-side starts things off with the titular track, a rollicking deep house number primed for sunset raves. a bouncing and lush bass line is the back bone of the track, as crisp hi-hats, distant, yearning pads, and shimmering bells propel dancers forward into eyes closed euphoria. things ramp up quickly into peak-time ecstasy on the breakaway edit of solo andata’s “a ballet of hands.” a whirling dervish of delicate music boxes, bowed guitars, delicate music boxes, and distant horns swirl around and weave in and out between a skipping drum pattern, pushing and pulling alongside a gruff and stuttering bass, perfect for those late night rooftop ventures.

hailing from mexico, zombies in miami have caught the ears of the electro disco faithful with outings for correspondent and love on the rocks. the twosome are debuting on bordello a parigi with a pair of late night burners. turquoise is a sliding snaking piece of synthesizer sorcery. crisp beats are draped in hazy harmonies, reverb soaked bars rising amongst soaring keys and echoed vocals for a work of true elation. hipodromo follows, and starts as it means to go out. drums crash before a floor melting synthline is dropped. the swirl of the mirrorball takes over as this duo whisk you into the warm and melting sounds of strings, rich bass and climbing claps.

following his appearances on riviera disco vol. 1, 2 and 5, bijou is back in the bordello and ready to bring some cool to these hot summer nights. sun countered by sea. soothing synthlines, airy analogue tones and gentle currents characterise the two openers, bijou calling on calming waves and peaceful percussion to begin. the belgian producer allows the temperature to rise for reine des plages , broad basslines and funk laden bars dancing late into the night. but those fresh breezes are ever present, closing in the beach bronzed beauty of la maree .

pressed on a clear blue wax. limited down to 500 copies, no repress!!!
editor s kutz is here, right on summertime wearing it s volume 8 swimsuit, while the label boss seems to be on vacation too, since this is the first record of the series with no -vinyladdicted- track included. a side begins with the silver rider and his blue-sky edit on an odyssey s hit, giving to it a more uptempo and danceable character, while the italian duo marsupials drops a heavenly disco-house track with a chunky beat and a beautifully loading string line, called just like heaven. both sun-drenched, with vibes melting down slowly onto the sand like the butter under the hot sun! flip-side could be the sunset side with stereo 12 da flow closing your afternoon session or, why not, kicking things off for a late night party! with a deep and soulful take on an ashford & simpson s classic track, this one can stick in your mind for long, while napoleon s luv passage has a hypnotic process with repetitive loops and fat kicks that put you in a sweet nu-disco trance. but, beware, there s a break waiting for you!

02am is an 4 track ep by the young producer hekkla from eindhoven in the netherlands. the first track is sunset strip , a slowly build house track that moves like the last waves of heat at the end of a hot summers day, walking home feeling satisfied, all ready for the night. saturday morning sentimentality is a hard to pinpoint track that sounds like the bastard son of a trio between the melancholic side of cyndi lauper, alphaville and the echoes of a cheesy saturday morning cartoon theme song from the late 80 s. on the other side memories of tau ceti feels like tumbling into space with only the memories left of a good time on an alien world, accelerating faster and faster but still enjoying it, even though you know that the vacuum of space will eventually kill you. finishing with the hardest track no math , because, boys and girls, it s no math... hand stamped artwork by frank koedood.

taking up mid/late 1990s minimalist & deadly designer techno vibes

tk lawrence supplies four dancefloor tracks spanning from the stoned lurch of plastic crowns to the entrancing, snake charming level 5 dungeon. the ep is a hazy late night crawl through tk’s influences, from masters at work and new york jazz to the synthy soundtrack of his favourite atari arcade game marble madness.

driving, rumbling techno beats and soulful vocals. all tracks stand in contrast though they don’t lose their relation to each other. positive vibes have the potential to develop into their complete opposite after re-listening. sounds fade through industrial ruins, always picked up again by vocal snippets. satanic choir meets berghain.
redredred from muenster (germany) is coming to tell a story with his debut ep. shifts between deep rough techno tracks, warm house tunes and ambient pieces like a master. still, other musical influences are present as well. significant here is his distinct sound design. constantly revealing new elements almost like a nightly walk through an empty city under a foggy blanket. this ep is more than a travel companion as it delivers tracks that are definitely suitable for a club.

lp-box: klappdeckelschachtel in lp-grösse (318 x 315 x 31 mm) / 4 x schwarzes vinyl im gatefold / download-code / poster (60 x 60 cm) / 6 wachsmalstifte (bunt) / limitiert auf weltweit 500 stück
der diynamic-labelboss gilt als einer der begehrtesten remixer dieser tage. internationale stars wie foals, editors, broken bells, paul kalkbrenner oder lana del rey vertrauen auf die fähigkeiten des gebürtigen bosniers, ihre tracks tanzbar und sexy zu machen. nicht selten wird ein solomun-remix dabei sogar erfolgreicher als das original. mladen solomun legte eine der steilsten karrieren im dj-zirkus der letzten jahre hin und stieg innerhalb kurzer zeit vom respektierten underground-dj/produzent in den weltweiten dj-olymp auf. ein grund dafür waren neben seinen energiegeladenen sets und seinen erfolgreichen eigenproduktionen auch diese seine remixe. als besonderer clou der compilation wird jede cd- und vinyl-box mit buntstiften und einem poster des covers ausgestattet, so dass sich jeder fan sein eigenes cover -remixen- kann. -solomun - selected remixes 2009-2015- gibt dem hörer einen großartigen Überblick über die verschiedenen facetten des produzenten mladen solomun. sein label diynamic feiert in diesem jahr zehnjährigen geburtstag – der perfekte anlass für die erste remix-werkschau.

the first volume in an ongoing series compiled by butter sessions & noise in my head, domestic documents surveys independent artists who are living and producing electronic abstraction in australia far from a complete guide to the country s burgeoning scene, the 2lp set presents a cross-section of wide ranging sounds and ideas, travelling the endless highways between brisbane, sydney, canberra, melbourne & adelaide as well as regional towns, ballarat and keyneton. featuring exclusive tracks from daze, mic mills, albrecht la brooy, lucy cliche and more, the comp also marks the first vinyl outing for newcomers chiara kickdrum, ben keynes & a fresh dan white / ryan hunter collaboration turner street sound. stay tuned for volume 2, coming late 2016!

the third release of the obscure cuts series, curated by the italian disco pioneer beppe loda, represents the electronic dance movement that formed in the late 70s, early 80s in italy. it features a few obscure productions that were inspired by giorgio moroder and other european electronic music of the time.

after making some massive claims regarding electronic music last year which caused a stir in the dance music community, mat zo had a lot to live up to with his long awaited second album self assemble. what didnt help was the fact that his first album, damage control was critically acclaimed by many within dance music and is now considered a modern-day masterpiece with mesmerising tracks such as the sky and the massive easy with porter robinson.

adjunct audio is proud to announce the release of the new apendics.shuffle album aware sequence found life. here we have the asfl limited 12inch album companion, this is a special release for the vinyl freaks!2 hard heavy hitting spaced-out dance floor gems touching space feat. kelly johnston on vocals & sunburned tears feat. kenneth james gibson himself on vocals. sender records boss benno blome remixes the albums intro dark outlines into a trippy vinyl-only late night slammer. also included is the albums outro piece which is a perfect ambient mix tool!

the first release on the perth imprint cosi cosi, basic mind’s “grotto” catalyses some of the great innovations of both continental and atlantic analogue techno, 80s formalism, late drexciyan funk, darkroom acid, and indeed is one of australia’s purest sources of that ultra-orthodox, hardware-based sound.

haunting and driving techno delight with a house touch for late night movement, from paul mac and jonny seymour aka stereogamous. two masters of saunatechno, two icons of australian music, two friends that make magic together on the reg. remixers of lcd soundsystem, kylie minogue and the presets. paul is an aria award winning legend, from his itch-e & scratch-e project to his work with silverchair and beyond. jonny aka seymour butz is half of homodisco ravesupreme kooky, a renowned hug enthusiast and one of australia s most revered soundtrack curators. together they are a supreme duo whose musical taste is beyond redoubt. deejays par excellence, musicians who push the boundaries, this ep is the sound of a summer in love in berlin and thought over in a sydney winter. pressed exclusively on 100 180g vinyl records only. this will never be re-pressed. listen

just in time for summer, sol power sound is proud to present its 4th release, the djidjo vide ep, a 1-2 punch of afro house by label heads, the sol power all-stars. djidjo vide, the title track on the a-side, features dc (via togo) afrobeat band, elikeh. it s a vibey slice of propulsive afro house about finding joy in the face of hardship. massama dogo s commanding vocals (sung in mina) combined with the driving bassline, and aggressive horns (performed by dc s sticky bear) make djidjo vide a summer sure shot for a roof-top jam, beachside dance floor, or nightclub near you. the b-side, tell me why is darker and deeper, chock full of percussion, a chopped vocal sample, and in-your-face afrobeat horns (performed by matt rippetoe and joe herrera of dc s the harry bells). it s a late-night beatdown that will set things off proper in a dark room!

a multi-instrumentalist, robert was trained in saxophone starting at age 10, before moving onto a fender telecaster after high school. after being exposed to southern california rave culture in the late 90s, he moved onto djing and collecting records. by the time he planted his roots in san francisco in 2005,robert had built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.

the debut release for kalyma on connected, the brixton/berlin based label distributed by kompakt records and run by terranova and stereo mcs. a1 laydown original kalyma teams up with his friend, singer and songwriter peter stanowsky. the song was written during a relaxed and loose jamming session in late summer time at their home studio. the vocal performance is surrounded by a groovy and very percussive beat. after a long, calm intro a hypnotic bass melody kicks in together with more percussive elements in order to get up to full speed. the catchy bass combined with the repetitive vocals gets the listener in a driving, rhythmical, dreamy mood lay down was made to enable smooth transitions in the dynamic range of a diverse house dj set, without loosing energy and create a special intimate, percussive vibe

keith tenniswood returns in 2016 with dub vault vol. 2, the second emission of dubwise productions under his radioactive man moniker, originally recorded a decade ago while based in scrutton street studios. a long time fan of roots, reggae and dub here he fully indulges in the genre whose keystone bass weighted sounds have informed the electro-focused designs he is predominantly known for. explosion begins the ep recorded utilising new toy at the time, a korg esx1 sampler and sequencer, resulting in simple but crashing dancehall beats with a diliinja style bassline that is pure roughage. second track razor sees tenniswood also take up the guitar as well as beat programming in this track named after the * stepping razor* peter tosh and a nod to his music hero adrian sherwood and on u sound vibes. blazer rounds off the ep, a collab with long term dub head and band member with keith from bargecharge (check fuel records early releases late 90s) james foster. tape echo and distorted bass make up the thick sound of this trac

originally released in 1999 on crayon recordings now re-released with a 2016 re-edit version accompanied by a new remix from valentino kanzyani.
mark ambrose 2016 re-edit is a warehouse track with his trademark percussive rhythms and bass driven vibe.
valentino kanzyani delivers a hypnotic 12 minute spaced out groove for a late night dance floor.
murge recordings was launched back in 2012, with an artist roster which includes the like of aubrey, colin dale, jay tripwire, jordan peak, mark ambrose, mr k-alexi shelby, plaid, robert armani and orlando voorn to name a few.

over the course of four albums, manchester based trumpeter, composer, arranger and band-leader matthew halsall has carved out a niche for himself on the uk music scene as one of it s brightest talents. his languid, soulful music has won friends from jamie cullum and gilles peterson to jazz fm and mojo as well as an ever-growing international following. his label gondwana records is home to gogo penguin and his own albums have found halsall exploring the modal jazz of john and alice coltrane, paying tribute to the hard bop of the late ’50s and early ’60s or most recently on fletcher moss park drawing on eastern influences in his most personal statement yet. his latest album when the world was one is something of a companion piece to fletcher moss park (much of the music was written at the same time) but draws more explicitly on halsall’s love of spiritual jazz and eastern music as well as his own studies in meditation and travels in japan. beautifully recorded at hasall’s favourite studio, 80 hertz in manchester, and engineered by brendan williams and george atkins it features the recording debut of halsall’s large ensemble, the gondwana orchestra, which utilises the exotic flavours of harp, koto and bansuri flute and eastern scales to create a global palate for halsall’s life-affirming sounds.

the french electronic music scene is having quite a renaissance of late and toulouse based zendid s debut ep for infuse, the understellite ep is indicative of the renaissance currently afoot.. kicking things off, second way is a razor sharp blend of groove led house music with a main room sensibility whilst title track understellite is quirkier in its approach, its anarchic b-line snaking throughout the track to lend a tripped out edge. disco dance rounds things off with a heady slice of bottom heavy phunk.

another fine reissue of a chicago classic from jeff craven and his large music imprint focusing again on the dynamic artistic team of black ice productions. first released in 1992 on velvet city records, the black ice ep treads more into a deeper and jazzier vibes than their other outings at that time (such as the union camp release). a few listens and one can easily recognize the influence that all four tracks had on future labels and artists throughout the mid and late 1990 s. this is timeless, pioneering chicago deep house at its finest and a must have for all collectors.

the second release of full pupp slipts, our little sublabel for greatest future hits by our key staff mambers, ventures into the land of late 80 and 1990s plenty - some will remember it as that mythical place where whistles roam and mateys dwell to the sound of knob twiddling people and their 303. our first edition in an ongoing series, a norwegian love letter to acid house or as vi say:Æsid! vi kal it aesid 1 read: we call it acid volume one features 4 of our best production teams with their very best in classic acid house and that all - with such immense o pleasure, you can almost even feel that ecstasy. carefully select until we had them together to sound profound and as complete as volume one is! check yourself. its that sick, really. you won t regret! we let the music speak for itself. more hotness and hot mess just around the corner, more volumes to follow later.

nice price - all tracks written and recorded by gordon sharp and matt kinnison between 2006–2011 at roi vert, okamoto (japan), 13th floor and space eko (london), southend (essex)... mastered at piethopraxis, june 2011. cut by rashad becker at dubplates & mastering, berlin, june 2011. hold everything dear is the third instalment in the new cindytalk sound which started with 2007s the crackle of my soul, and then last years up here in the clouds. its the first in the trilogy to feature musicians other than gordon sharp namely the late matt kinnison, to whom the album is dedicated. inspired by the john berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments. and what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks are no longer clearly defined. it harks back to the odder parts of in this world and the wind is strong albums from the early 1990s

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

nice price deal !!! this ep is the culmination of over a decade of research into the hidden mysteries that dictate the workings of the power structure of the world we live in. the vocals reference situations and phenomenon hiding in plain sight. the matrix is real, and for those wishing to know more this ep is n essential guide. a1- is future modern aaacid house in ¾ time. the odd time signature works in unison with the phrenetic pastor manning telling it like it is with regards to the corrupt us president. the worst in the history of the entire nation. a2 - references jose’s delgato’s mind control experiments and the fact that this technology exists and is in use today. the track was made using the advanced mathematical scheme known as the golden ratio to achieve maximum “pleasure response” from those listening and dancing to it. b1 - emotive chord work along with a huge rolling bass line set the stage for redsilverj’s vocals about the 2 types of people with regards to the new world order. those who will sell out, and those who will wake up. period! lots of changes, melodies, and counter melodies work to make this the most beautiful sounding cut on the record. lush deep house. b2 - the deepest darkest house. ominous almost foreboding chords lay a murky foundation that quickly unfolds like a ghostly mist. the vocals are about the artificial womb phenomenon and the fact that humans will react and be treated like cattle by the elites. late late night deep banging higher consciousness house.

mr. statik returns to amam with * a boy named crow*, a deeply personal release that draws its inspirations from murakamis beloved * kafka on the shore* novel. with it the greek producer further explores his favorite topics of sub consciousness & subliminal sensitivities in the form of 3 tracks that, although still aim at the dance floor, bear a strong sense of unconventionality via surreal sampling exercises, a healthy dose of surrealism and of course humor. complimenting the release xdb appears in precise remix duties, applying his particular skill set to transform clandestine into a late a.m. euphoric roller. mr. statiks * a boy named crow* ep is out on amam records on a vinyl only format .

this record can easily be classified as library and will probably find a spot on the shelf with viberts nuggets, the strange world of bernard fevre and carpenters assault on precinct 13. listening to these tracks moves your senses back and forth through time, from 80s sci-fi back to raymond scotts early 50s experiments. the perfect soundtrack for bedrooms, late night dinners and greenhouses ed dmx contributes to a tradition in musical history, a richly vivid trail in which composers influence each others harmonies and ways of writing tunes, like an endless ping-pong game between minds and individuals but at the same time between continents and places throughout the world.

shlomo opens the ep with a deep and droning, yet uptempo track. ben gibson continues on the a-side with a synth and tom-driven track, in which the main synth really draws you into the track. takaaki itoh is put on the b1 spot and continues the deep vibe the artists set on the a-side, yet in a more minimalistic way. his track keeps on evolving and growing ever more, while the track in it s core does not change that much. overall severity closes the ep off with a moody banger. this dance floor oriented track focuses on percussive elements and the drums a lot. this track is one of the last ones made by the late max_m, who formed overall severity together with wrong asessment, which makes this ep a little bit more special. four different artists, but a great sounding ep with four tracks that compliment each other really well!

vancouver mainstay ryan trann aka secret lover follows his first ep, jus jack girl, with his second offering for heart to heart, the much anticipated between you and me ep. ryan trann has been kicking around canada s pacific riviera now for over a decade, riding the ebbs and flows that have helped shape the vancouver scene into the hotbed of house music it is now synonymous for. known for his laid back demeanor, trann perfectly encapsulates the vancouver sound with between you and me, balancing the hazy summertime feels of -space and time- and -do you do- with the late night stripped back grooves of -ready to pop- and -i want you-

limited edition first pressing of 300 copies on white / multicolour marbled vinyl.
swayzak is a name that needs little introduction, with albums on studio !k7 and releases on force tracks, m¦nus, tresor and logistic since the late nineties. we’re proud to have david on curle with two brand new killer tracks. did we mention they sound amazing too?

hot on the heels of kess kill s launch featuring cute heels, rivet proudly presents kess02 by xaõ seffcheque. while kess01 was in no way a compromise, it was still a very intentional symbiosis between the distilled essence of kess kill and contemporary electronic music. on kess02 we go straight to the core of the kess kill sound and aesthetic with three breathtaking songs by xaõ seffcheque. a contemporary of liaisons dangereuses and d.a.f., düsseldorf based artist xaõ produced some extremely singular music in the late 1970s and early 1980s, which makes for a very proud first reissue for kess kill. this is music so unparalleled that making comparisons is completely redundant. think jacked up post-punk with manic rhythmic tendencies and you’re halfway there. qu est-ce qu il fait chaud!

released during the late 1970s disco era, milton wrights sophomore long player has always stood out as a singular, innovative example of the deepest, rarest grooves known to underground soul lovers all over the globe.