the erefora land is the first solo record by johan kaseta, lehult founding member. its a nostalgic, hazy affair where the tracks work both on a dancefloor and as the score to an imaginary super nin-tendo rpg. squelching vocal samples (hi!) and bubbling synths are reminiscent of the oldschool, synth-laden nineties game soundtracks young kaseta still cant get enough of. the erefora land is like coming across the soundtrack to earthbound after having forgotten to have ever played it - suddenly a rush of sights, sounds and smells from the past come back to you and gently pull you in.

the motorcity boys are back with loveit003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 to heaven, a jacking and balearic workout with a rootstrax, chicago style bassline keeping the floor hypnotised until the small hours of the morning. snares, kicks & rhodes is a more laid back jam. lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. nico brun opens the flip side with an absolute banger, hazily reminiscent of that 90’s warehouse rave. lds and nico brun close the ep with an atmospheric collaboration perfect to start or end the night with. splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that’s guaranteed to bring some sexyness back to the dance floor. this ep will definitely be a regular addition to your record bag to spread those warm summer party sounds. bruno farace early support: xdb (echochord / dolly): debut ep? congrats! end monologue is my favourite.

foql is belonging to the same polish electronic music collective as marburg (see gooiland 10: v/a – club funny horse) but the sound of this project is truly different… in a way the hypatia ep is delicate and even fragile maybe… it has the ritual feeling like some of the music by coil has… next to that it has textures reminiscent of the future sound of london… and in some ways foql fuses ambient, electronix and techno in the same way kobosil sometimes does… in short.. this is a record for well informed and well educated music lovers.
limited 150 copies.

its the music of the space that extends between oceans and mountain slopes. its the music of the space that is much bigger and much more adventurous than the four walls of a club look like. its the latest record on acker, and it orbits around a song from il civetto. the band from berlin is a wonderfully multicultural bunch. their sound is reminiscent of gypsy, folk or swing, but at the same time it doesnt really fit any of these labels. liberté ana is a perfect example. monolink turns this track into a groovy downbeat tune that vibrates much higher than its low bpm count - the perfect soundtrack for laid-back afternoons or afterhours. pophop does what he does best: party. however, between the catchy bassline and the tight percussions of his remix theres still a lot of space for the soul of liberté ana. umami goes even further and creates an ecstatic banger that has everything it takes to be played during the prime time on the dance floor.

ut of control hot tracks provided on the 3rd ep from chicago basement trax! this vinyl has it all featuring the 1992 style that influenced jeremy underground paris to create mliu as well as 1980s trax reminiscent of artists like mike dunn or steve poindexter. at that point we d be happy but there is even more included for the disco edit and dub crowd. you can t go wrong with this ep!

first outing from french formation bcuc - their “incantations” in zulu, sotho and english and their funky modulations extend over twenty minutes in a whirlwind of sound reminiscent of fela’s afrobeat.

brianna price aka b.traits, launches her new record label venture, in.toto, with a self-produced two track single, still point/north shore. in.toto, to mean as a whole, altogether, unity, will focus not only on her own productions and releases, but also provide a platform for up and coming artists, and those producers already championed in her dj sets and hugely loved bbc radio 1 show, by way of new material and compilation albums. the label will be backed by bespoke events and club nights, enabling the artists and the sound of in.toto to reach far and wide. on the labels inaugural release, brianna sets the tone perfectly with still point. gnarly, rasping bass punctures the gentle piano riff and ethereal synth pads as this club ready track blossoms into life, the assured and driving drums never letting the energy drop for one second. on the flip side of the limited edition, purple 12inch vinyl release, north shore opens with warm idm pulses and tones, grandiose strings and vocal refrains create a huge sound that takes its unexpected breakbeat twist, reminiscent of british rave heroes orbital, whilst holding its own with its fresh and bright production.

deep driving tracks on this stunning debut 12- distances on electronic emergencies. the five tracks by the french-born artist, now based in portland, usa, stand out for their crystal-clear production, trancey basslines, hypnotic rhythms and complex, dramatic melodies - reminiscent of synthesizer gods from the seventies like klaus schulze, combined with the orb-like feel of the nineties, launched into the future.

flumos mainstay ekkohaus returns, this time bringing a full-bodied package for the dance floor. suitably, far fetcher acts as a warm welcome, inviting the listener inside its richly deep analogue soundscapes, reminiscent of deeper sides of classic house rhythms that have come from the usa. its pace provides a perfect way to start off the ep while the synth-vocal creates a soulful depth. things get darker and more aggressive with musketeers, a dub-heavy rhythm that drives one to involuntary movement due to its relentless repetition and & subtle swing. the amalgamation of the synth along with the pulsating sub invigorates one to move and bounce along with these elements. fantasy provides the penultimate party vibe. it s funkiness transcends & the melodies drive the vocals to the extent of ecstasy. rounding off the ep 64 bars features vocals by arthur russel, the synth inflicted break progressions capture the vibe of ekkohaus live sets with its haunting chants hinting towards techno and while its warmth never escapes.

after a quick 4 years hiatus, filled with releases on innervisions, maeve and a couple of remixes, aera is finally back on his own aleph music imprint with 3 unique tracks. a1. two planets is the most obvious track of the ep. an exercise in outsider trance, a pulsating, polyrhythmic synth propels the track forward, the intricate 707 pattern keeps a steady pace, while background strings provide all the drama. b1. stylistically reminiscent of aeras first releases on aleph music, black glitz is the deepest track of the bunch. floating on a cloud of dreamy pads and voices, that arpeggio makes you realise immediately who you are dealing with. b2. maskull is a rather ambiguous little tune. somewhat rough around the edges, sparkling in the darkness of late nights, dwelling in voices and fog, this is the one for the heads.

for their tenth release appian sounds move back to a full artist ep and invite us to delve into the world of o.utlier. the london based producer delivers four moving productions that will take you on a cerebral journey through delays and phased pads, reminiscent of early basic channel/maurizio recordings. after appearances on efdemins naif and fred p’s soul people music, o.utlier signs, with this accomplished 12”, a remarkable full debut.
as always, limited to 300 hand-numbered copies worldwide. no repress. no digital.

the ep entitled deceased unknown, a seemingly morbid piece of art (art/music) but look a little deeper! this ep sees b12 pick up the pace from their previous firescope release brokenunbroken “coduktor” an organ plays some subtle chords behind this track while beautiful drums skip along on top, to create a sonic backdrop for the very quirky melodies and top lines that constantly evolve and interpolate. a spiritual experience ? “dont look down” 808 and 909 drum and pads always a killer combination add to this an odd malformed bass line which never really reveals quite what it is doing makes for a pretty interesting track. don’t look down where is the question “blue and green capsule” a pumping kick drum sets the pace for this track which builds up using classic b12 style drums. the swirling pads and sliding melodies interlaced make this track reminiscent of “epillion” as featured on the classic b12 album “time tourist” on warp records in 1996. a track you can move your feet as well as your head to “minor decay” brain decay , world decay , urban decay , human decay , music decay, unavoidable decay - a simple straightforward techno track using its simplicity to conjure up feelings of sadness and thoughtfulness as well as joy and hope. a new hope finished in glorious red with black splatter vinyl with exclusive artwork by sarah sparkes

the chordz ep brings it with 3 hot new modern boogie tracks. label hero newman opens the release with the title track chordz, a synth-fuelled dancefloor banger, reminiscent of harvey sutherland s recent work. flip it over and ourra (aka simon tappenden aka pop out n play) brings us a truly tropical treat reminiscent of palm trees, pina coladas and 80s miami sunsets. last but not least, keyboardist for brian ellis, adam chini plays horizons of funk, a lush down tempo synth funk number bringing the ep to the perfect clo

the second ep by purveyors of the future funk sound, a band called flash. executive produced by ron trent. recommended! created by the inspired young jared hines and produced by master minds ron trent and jonesy, this self titled follow up to mother confessor features four etherial, lush tracks that have a live feel and are equally heavenly. inspired by the jazz funk elements of uk outfit atmosfear and the alternative disco sounds of dinosaur l, presented here, a band called flash embrace the energy of live dance music. reminiscent of the early 80s boogie sound, a band called flash will surely capture the attention of the more eclectic, global dance floor.

the t-rex is loose! roars can be heard from the house of uktura. ukt apa and ascon bates are collaborating and present ukt003. three tracks, all of them functioning techno, take you on a trip into the past. the elder” rousingly leads you through the prehistoric landscape and makes you curious for more. ton” advances progressively, like escaping the t-rex which gives up the chase in the last second. isn’t that just pure thrill! fog and mist” is reminiscent of a prehistoric dawn, smooth sound with rough touches. there are many ways to interpret it, but one thing is clear. all of it is techno!

entering with “cruising into the storm”, a raw synth and bass propelled work-out, moda squeezes energy in ounces into a midnight ready and sweat thirsty call to action. channelling his gang starr influences, break-beats are dug, dusted off and sampled onto “4 my people”. crackling joyfully and reminiscent of the 90s, a2 is not failing.
the flip side opens with cosmic tones, deep pad works and a rattling top ends from the 909, steering the mother-ship deeper into the cosmos. interstellar travels deepen via euphoric murky pads, a melting tempo, infectious bass and loose hats on “what i am”. moda ejects off ship somewhere between neptune and pluto...

label owner, christian gerlach recruited the young and very talented alfredo mazzilli, which already showed his skills with his latest releases on edit select records or planet rhythm. in the ep, which is dedicated to the babylonian gods, alfredo takes us into worlds of sound that reminds us of a run through the jungle and arrivals at mighty temples. shamash opens the ep and prepares the mood for an ritual which is gonna to be celebrated. wrong assessment focuses the piece in its core, but in a deeper way and holds on to a heavy baseline. ishtar reminiscent of an ceremony and the ep reaches its climax which is also continued in the iori remix. the high­energy piece marduck could be considered as an joyfully extract from this distant world. with this packet lanthan audio combines the heavy architecture of old temples, but with an ease that welcomes the coming months with joyful anticipation.

nice price deal !!! 2 tracker with alland’s version on one side and tres manos’ version on the other. this release offers a sound that is 100 percent american, with the originality of alland’s, always techy, gastric bass and the hard-hitting pressure of tres manos’ version, that is sure to leave more than a few people surprised with this dark sided rendition that is reminiscent of some ur classics

nice price deal !!! tim green s first production is incredible, glitchy house with layers and layers of amazing sounds. little flies is sonically beautiful with deep bass and a huge groove. tg was just born when juan atkens was banging out his detroit sound which is incredible when you think rhythm acupuncture is reminiscent of exactly that, layers of twisted beats and phat bass that carries the tune throughout. big with paul woolford, laurent garnier, mike monday

the official mr bongo reissue.
‘os orixas’ is rich in layered percussion, horns and guitars. singer eloah’s lead vocals are reminiscent of the likes of ellen mcilwaine, elza soares and joyce. samba, funk, folk, jazz and mpb over ijexa and african grooves, that combine beautifully across the moods. os orixas refers to one of the manifestations of the ’supreme god’ in the yoruba faith.

recorded in st. petersburg over the course of 2015, this first release on glasgow based imprint 12th isleis a collaborative effort between dices & À,Ý,Ì, Ð,è,ò,ì,-Ê,à,ñ,ê,à,ä, (aka flaty/dada ques), affiliates of the udacha and gost zvuk record labels. titled Ì,û,ñ,ë,å,ï,î,ò,î,ê, (thoughtstream), the lp eschews trend in favour of meaningful sonic discovery, and in doing so offers as much to the adventurous dj as it does the attentive home listener. side a encompasses ambient synth textures reminiscent of 70s-era library music, established upon rhythms that evoke turn of the century detroit house. at once melancholic and playfully optimistic, the six tracks range from rhythmic experiments to sketch-like beatless vignettes. the flip side sets off in a slightly darker tone that is succeeded with pace and persistence in the drum patterns and winding arpeggiated bassline of caleidoscope. alongside the heavily swung hologram, these tracks are very club considerate a function that in no way offsets the records assured narrative purpose. across both a and b the music maintains this singular intent, channelling aspects of early sequence-based electronics and vintage space rock around a diverse and playful compendium of rhythms. comes with screen-printed sleeve, labels and insert.

with the ep mental scapes, alva shows a first short format resolutely house. every track is an evolution, a progress. downtown - with its rhythmic part supported by the disco and deep atmospheres - is reminiscent of the influence of the 90s french house on the duos tracks. the shore is a very deep production with a groovy and a minimal bass, with these incisive hi hats and rides, and this sensual vocal. lighthouse uses several musical registers between techno, soul and ny house. the outro, playground, recorded in one shot, is a short downtempo track to enclose in a groovy way this first ep from the parisian duo.

firstly, a huge thanks to everyone for supporting us so far - 2016 has seen the dext label continuing to go from strength to strength, with our callahan and mella dee ep s backed with remixes from hodge and endian which have been been super well received. now for the third ep of the year from our resident comedian bodyjack. bodyjack has been an integral part of dext since he remixed dubspeeka on our 2nd release and headlined our label takeover of privilege in ibiza last summer. we are very excited about his return to the label with this 3-tracker (and our first full solo artist ep!), and we think you re going to dig this... the title track cobra effect is one of those tracks you aren t going forget in a hurry. intense and brooding, we are hard-pushed to categorise this, but layers of sinister bass coupled with dark, driving snares and eerie synth work culminate masterfully, making this the perfect dext track. hydra effect lifts the vibe with a straight up peak-time house jam with a sting in the tail. a raw-but-infectious bassline winds along under bodyjack s signature killer drum programming, before blasting off with something you aren t going to expect. rounding the ep off is slowine effect: a proper dancehall workout (reminiscent of bodyjack s earlier work) and a real cross-genre party starter. the most upbeat of the 3 tracks, this again takes all the elements of what we love about the music from the past and cleverly works them into something special for the rave. and that s not all for bodyjack on dext this year - he will be back with a one-off ltd record called -hot shot-, backed with a very special remixer...but more on that soon!

berlins cult techno duo exercise one release their newest 12inch featuring 3 tracks. one track reminiscent of the past, one track gazing at the future and a time defying remix by locked groove.timetrap has always been the dark horse of exercise ones back catalog, so they decided to go back to the original idea of the track and see where they could take it. a few sessions later their ears were happy and timetrap 2016 was born. the staccato groove and eerie hook of the original now live in a much more powerful and demanding surrounding. exactly what they where looking for.

since fabrikate first emerged with a remix of the weeknd’s often in 2014, the duo has showcased a variety of influences on productions ranging from traditional deep house to sounds reminiscent of the l.a. bass house scene. despite rising success, fabrikate retain their anonymity, hidden behind minimalist masks when on stage or behind the camera. in contrast to the vibrant aesthetic that permeates their overall image, the duo remains stoic and silent, taking a shadowy step into the background so their music can truly take centre stage.

after the successful -la jupe volante- project, whose b-side has been synchronised on the australian tv series the offspring (channel ten), kind & kinky zoo are back with some hard hitting pure laidback style music. they have received massive support both in the clubs and on the airwaves and now they are back, with on the flipside the help of lack of afro, or adam gibbons as he s known to his psychiatrist. two pistol paced and good-natured tunes as they are very capable of. a side - wonder zebra somewhere between retro psychedelia and afrobeat lies the wonder zebra. speeding along à la calibro 35, the feel is frantic and thrilleresque. now wonder kind & kinky zoo are a big hit on foreign tv shows. b side - v.l.a.m. (loa remix) a breezy bite-sike chunk of head nodding, foot tapping funky beats. led by a warm, sunny flute and irresistable rhodes, rather reminiscent of a 60s slice of dancefloor-friendly acid jazz. small but perfectly formed.

hot off a couple of 12” from topher horn, rocksteady disco follows up with its first compilation featuring a heap of heavily sampled originals from more well-known editors. pontchartrain leads the release off with a summer-inspired aural prozac number, just in time for this june release. next up is notorious detroit editor lafleur, busting out this original milky-smooth detroit boogie house production. a slight little rearrangement from rocksteady disco label boss peter croce makes this one a bit smoother for the djs. lyon, france’s g2s kicks off the flip with a big-bottomed stomper reminiscent of some mcde ‘raw cuts’. pontchartrain book-ends this release with a track that puts the ‘rocksteady’ in rocksteady disco, with heavy analog-meets-electro drum programming and complete with pontchartrain on vocoder duties. hand numbered edition of 500 copies with dl code.

giallo disco dark overlord antoni maiovvi delivers a sprawling italo beast that will conquer all your inhibitions. on the flip, lucas savidis of the rattler proxy delivers a remix reminiscent of badalamenti on acid.

the eagerly awaited full length album from microlith aka rhys celeste lands on cpu. following his critically acclaimed debut e.p. hello 307, the maltese artist returns and makes his vintage synths dance to his signature - soulful, laidback braindance. each track is brimming with warm analogue melodies, sounds reminiscent of early detroit / chicago techno and rhys s expressive musicality. all four tracks on the vinyl e.p. are taken from the l.p. dance with me

yoruba records is pleased to bring you a taste of the upcoming who am i remix album featuring a floor filling remix from none other than louie vega. weekend love takes you back to place when love made you smile, featuring the voices of melbournes own motty & siobhan, the perfect vocal duo bringing it all together. louie keeps the soul of the original while delivering a level of house music flair that only he can. vegas roots nyc mix is reminiscent of his classic material, this one is certain to have you vibing to the bassline and is an absolute floor filler. the flip side brings you two deep cuts of pelagonia, the first of which is from up- and-comer at one. his chunky drums and spaced out horns will take you on a hypnotic journey. as the vocal chants come in they seem to remove all doubt, this deep, late night cut is a must have. closing out this ep is yoruba honcho osunlades yoruba soul mix. a heavy, percussion-driven jam that boasts floor-ready bass and clever use of the original horn section, as it builds into a climax this tune is sure to heat up your summer. stay tuned for the full who am i remix album due out late 2016.

** ltd 2016 repress ** the next release on fofs deeper house offshoot sees the labels roster swell to include two producers who are ascending the ranks, their recent >gruff it< track on the hotter than hot >visionquest< label has turned a heads and they look set to continue their upward trajectory. matthew has also released solo projects on john shepheards >retrofit< label as well as providing the debut release for sammy ds >ultrastretch< label. not only that but matthew is currently in the middle of his summer residency at berlins much revered club der visionaere. >take me away< is a pure slice of chord driven deep house and as such is a slight departure for the duo, the melodies inclining towards more melancholic feelings. remixes come from recent fof favourite scahtrax who strips the track right back, injecting a booming bass heavy kick drum & atmospherics to lend the track a more hypnotic tone. label co-owner blm injects a dubbier feel into his take on the flip. finally, matthew burton goes solo for >tell them phill sent ya< - a loose limbed dancefloor workout reminiscent of perlon in their pomp.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano’s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello’s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions “and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe” while waiting for my bass is a warehouse melter reminiscent of gene hunt’s rawest works.

during their european tour earlier this year, canadian duo jokers of the scene stopped over for a couple of days at club bizarre studio in northern france. the two pair of producers locked up and came up with betaville and breakwater, two killer lo-fi and spaced out tracks. betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. imagine boards of canada wanting to make you dance. even slower is breakwater, a dirtier, chunkier track that ditches the softness of betaville in favour of a more in your face bass line and all together rougher attitude. it chugs along to old fashioned beat box claps and percussion and quirky synth melodies. lastly betaville gets the timothy j fairplay treatment of being violently pulled apart and chucked in all corners. reminiscent of early chemical brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. scary.

vent is receiving another dose from enfant terrible cindy, and it’s just like the relief of the hair of the dog that bit you. relentless and distorted, cindy weaves hypnotic spells of repetition, reminiscent of basement hardcore, punk and no-wave influences. seldom has one heard such artistry using solely a 909 hihat. to round the package of, rebekah adds her take on the aesthetic and holds nothing back.

the vrv label pushes its sound further with its 6th vinyl release, featuring rai&#769,z. opener * coruscate* stuns with brilliant energy designed to meet any sets intensity requirements. the fip side starts with * inner sense* , a stripped-down, claustrophobic drive somewhere between apprehension and urgency. * primeval*pulls the layers back even further, for an aggressive track thats reminiscent of technos drum-driven tribal era. all tracks are primed for cutting edge techno djs. pushing the exploration of concept and expression with the vrv circle, this release features artwork by rai&#769,z family member vanessa vargas.

deep88 presents his new lp ‘the black album’. this double-vinyl houses his personal style that is reminiscent of the sounds of a bygone era whether the depth and warmth of new jersey and italian house, a dose of sun-soaked balearic or primitive raw jams synonymous with chicago.

ndatl muzik continues with musical stylings of..... javonntte rarely seen but often heard this talented artist has toured with aretha franklin, been featured on tracks with andrés, amp fiddler, blake baxter & has had some very rare and sought after releases on now defunct label noveau riche. now he returns to detroit his track based roots for a dancefloor stompin 12-. we start with keep bouncin which say it all in the title with a very familiar sample, chaka s revenge will have them screaming for more. the b side he gives us my life very reminiscent of early prescription days and rounds it off with heart strokin tune these words that should easily capture the ears of your constituents! so press play and dance to the musical stylings of.......

raam is back with a killer ep where he moves deeper into his gritty and heavy soundscape. raam 004 is solid release with influences from both detroit and chicago. alvar is a straight up chord driven banger, with classic 909 drum patterns. on the flip you will find unfold, which is a warm, spaced out chicago track, reminiscent of boo williams. brink has that magic disco flair, woofing basses and sparkling pads create a shimmering atmosphere. this track is perfect to play whenever

john heckle is back on mathematics with this 4 track ep. bringing back some serious textures and sequence in sonic mentalism. reminiscent of laidback spencer kinsey (gemini) or early derrick carter in his red nail days. dope!

after putting out three excellent mixtapes (from andrew lyster, leif & joe ellis and nick craddock respectively), collapsing market are now ready to release their first record. eszaid (aka louis vial, one half of mura oka) inaugurates the imprint with four foreboding & gloomy trips that traverse through techno s darker shades into haunting ambient. louis vial merges slow drum patterns with foggy textures and sparse arrangements, reminiscent of early kassem mosse material. this is an incredibly affecting and mature first ep from the young producer who launches the label in the best way possible... and look out for the thoughtful artwork including a beautiful obi strip and reflective silver sleeve!

• incl andres remix
• * sabato in pineta* is a track written by these 3 guys (cosimo colella, fabio liuzzi, carmine mongelli) after a great party between the woods of their favorite club, sound department. they capture the feelings and the emotions and write this track in few hours. the emotional impact is really strong, with a great work on surreal pads and trippy synths. the listener can be projected into the atmosphere of the club, but this is sure not only a dancefloor oriented work. andres, with his version, give us a great remix, with his usual amazing use of drums and deep and reminiscent pads. fabio della torre finish the ep with an high quality dub version, more raw and intense on the grooves.

superb throwback electro sounds of the early noughties on offer here from swiss artist elektrobopacheck, debuting via his self affirming synthesizer music laboratory. this is quite reminiscent of stuff on vitalic s seminal citizen records imprint a while back. highlights being atlantic intertravel and kubusmann calculates which sound similar to the majestic modular tones of japanese telecom or the late night electro funk groove of ride on the waves. sure, he s not trying to re invent the wheel here, but it s all good!

italian melody makers modular project reveal their debut ep, a nature-dubbed and organic five track effort merging tech house and electronica. the endeavor kicks off with the nostalgy laden yet upbeat leaf, whose steady bassline gives leeway to a dreamy developing, synth lined harmony. aptly entitled into the woods, the second track goes into deep territory via distorted synths, a wave-reminiscent element that remains its central focus til the very last sequence. the woodlandish journey fully unfolds at the third track, a contrastingly darker ...

• long-awaited third installment from the project of earwiggle s sunil sharpe and defekt
• features unique hand embossed foil stickers
• sunil sharpe and defekt return with the long-awaited third installment of their tinfoil project. as ever a heavy buzzing machine sound underpins the four tracks. wild lead lines, swinging drums and all kinds of modular noodling make it an another unmissable tinfoil release from the irish duo.
• reminiscent in parts to classic beverly hills 808303 or neil landstrumm, this further establishes their sound as one of the most unique in dancefloor techno today.

with a recent sell-out self-release from telfort and a highly anticipated debut from hi and saberhägen on huntleys + palmers, the cast of this debut 12” sampler is as strong as plutonian steel! newcomer philip budny begins our journey with a crystalline aural interpretation of the waterfalls of bali, ahead of hi and sabes rhythmic raga. on the flipside is a meditative offering from telfort, reminiscent of a smoky hangover after a rave in the dungeons of kinshasa, before chief commanding officer percy main’s finale zooms 50 years into sheffield’s funktopian future with a bumpy dancefloor robo-killer. we reside in the heavenly land of caledonia and wish to share these experiences with the world around us and the planets beyond. we invite all regardless of multiversal location in joining us on our celestial celebration.

ltd 2016 repress !! >its a crime< is taken from virgo fours recently released >resurrection< album, which is now available as a single with remixes from none other than caribou and hunee. caribou reworks >its a crime< into an eight minute epic dance floor bomb. his mix starts out with an intimate vocal groove, reminiscent of his >swim album, but before long it explodes into an monstrous acid driven work out in daphni style. bam! hunee goes for a more classic approach. a deep, swinging groove which takes us back to the peak days of chez >n< damier. pure gold! and then there is the original mix. a chicago classic that never was, resurrected from the vaults of virgo four. winning

zaquoir alias matthias groß is a producer and musician currently living in leipzig. after sending us more than 10 gigabites of great music, we sat down together and tied a selection of his really eclectic styles of production together into one lp, creating some sort of showreel created in the timespan of over 15 years. zaquoir himself sees the record as a reminiscent mood of a donkey in the sardinian sun and describes the record as a trip in itself, allowing the listener to traverse the lines of various acoustic landscapes. the tracks on the lp where produced in six different places, including a historic house in the centre of vilnius, the artist residency blumen in leipzig, a french-german art association and a village in northern bavaria.

from the storming energy of opening cut the key of night all the way through to the deepertripping solar fields its a must-have ep for >those who know<. young uk based producer cleric has established himself not only as a bonafide new talent and key player in the international techno world, but also as a prolific artist on figure. now well known for his crisp, deadly club tracks and rich melancholic ambient studies, in this fifth single for the label he explores his hard-hitting yet luxurious sound ever further. whats immediate about the four tracks on offer here is clerics extremely powerful, yet masterfully controlled bass frequencies. coupled with his addictive, smart and dark 90s-reminiscent synth hooks, we are left with an array of stomping, percussive weapons primed for expansive spaces and killer sound systems.

dreams of the future reveal more about the mind of the dreamer than the future itself-. the third release of rome-based label suburban avenue consists of 3 original tracks from the liverpool-based producer binny and bouncing remix by zadig. -polymorph- and -i/o- are oldschool, direct techno bangers that draw influence from detroit and beyond. with its minimally acidic riff, -signal repeat- is the perfect counterbalance to these tracks and is reminiscent of robert hood s early productions. zadig s electric remix of -i/o- takes the core of the track and re-works it into a subtle, yet tough peak-time groover that will slot easily into any discerning techno dj s set.