after a couple of artist eps, white is back with a new release of their well-known faces series . this time with an unknown face so far: tristen tristen has been an integral part of the white crew ever since. it was just a matter of time, until he was ready to release some tunes. everybody new, if that guy ever finishes a track, it ll be a bomb. and so it came. a track which announces a state of emergency on the floor. with deep chords and strings, which scream so high right at ya, that you can t resist dancing. on the flipside edward puts out a melancholic ravemonster. but still in edward style! minimal and housy, with a slightly touch of a jazzy trance. but always with an eye for the deep. a track like a dream-like scuba dive... once again edward proofs, that he is one of the most outstanding young producers in the game, right now.

the wait is over... !k7 is very proud to present the next instalment in the dj-kicks series and we couldnt think of a better pairing.
chromeo is canadians p-thugg & dave 1: best friends, virtuoso musicians, walking hip hop encyclopedias, and the only successful arab/jew partnership since ... well, ever.
after releasing 2 albums (she s in control and fancy footwork), hitting the dancefloors / attacking the charts with you re so gangsta and needy girl, remixing the likes of cut copy and lenny kravitz, feist and vampire weekend, and years of jet setting and globetrotting ... the time is right for them doing their take on dj kicks. a match made in...
teenage lovers, 20 something bloggers, 30 something burned out ex ravers and 40 something sistas can all finally party under one roof with this slick, sleek, smoothed out mix. a tribute to canada of sorts, as it includes so many maple leaf underground classics and obscurities. obviously there some unreleased versions (chateau marmont most notably) and of course the dj-kicks exclusive track, with chromeo fucking around with the eagles classic >i cant tell why< which comes in 2 versions and will get a separate 7 inch release also.

hamburg bad boy electro ferris, member of heavyweight german band deichkind, returns with his second single on freakz me out and it is a big hitter, as it were. co-produced and engineered by tobitob of moonbootica. we have a hand picked assortment of the finest remixers & big freakz me out label friends around doing their magic on this one.deichkind are among the biggest acts in germany, playing sold out concerts and destroying festival main stages on a regular basis. anyone who has ever dodged flying elbows at a deichkind show knows what s up with their remix, dangerous.fukkk offf, also from hamburg has been killing it lately with massive singles such as rave is king or the bottom, an album on new yorks coco machete and remixes for jan delay, zombie nation, decalicious, acidkids and lars moston among others. in trademark style fukkk offf gives us hands in the air electro for fight clubs of larger dimensions.cryptonites go french on us roulé style with their big chords and big smiles version, keeping the vocal sparse and transforming it into chopped up dancefloor dynamite.stuttgarts autodidakt has taught himself a thing or two about turning out killer peak-time electro remixes, like this one, sporting massive detuned synths, driving sequences and the deepest of kicks.the remix package is completed by freakz me out veteran & big label friend markus lange who build a huge floor bomb with his remix. yeah!

everyone knows this feeling, when a hook line of a track wont let you go. one says it is a tune wedgie, even if it sounds a bit weird in the clubbing scene. but never you mind, you just start singing out of the blue. olene kadar just hit the bulls eye with >yipyippyip<. this track impresses with an extraordinary addicting ragga vocal and puts on top his breathtaking freaky beat wrapping. one wonders where to put this into a greater content: musical seriousness or simply the fun factor. but in the end people always go crazy, when olene kadar rocks one of the countless parties in holland. the artist playing right after him faces a difficult time. that is what dave aju might have had in mind. his remix heads for another direction. very relaxed and reduced to the bare essentials he slows down the tempo to garnish this fantastic groove with the vocals and e-piano chords. so cool. on the flip you will find the dashing rave monster >neal deepersma<, that brings olene kadars former releases on mos ferry back to mind. on the label website you will get a free bonus download called >looking for an<.

this is the first in a series of three various artist 12 inch releases, that features four of the dublin labels most trusted henchmen. puresthatreds >robbery< is his debut track on mantrap and what an awesome one it is: dark imposing bass and beats meet the sound of smashing glass, rave led keys and all round mayhem, with haunting strings that send this one into deepest hell. meeting him there is magnetize, who in one take supplied this evil vox led synth grinder in >distant observer< , with deft 808s and distorted crackling fx creating both a scary but grooving feel. rory st john pushes wobbly techno eccentricity on >dysentry<, with fluid editing and supreme use of effects proving again why he is one of the most exciting new talents around. sunil sharpes >print more money and shut up!< is a slippery mover, where a succession of unruly lead sounds accompany odd vocals and rasping hats - with a straightforward approach that will penetrate all in its way. so, four top class techno cuts here, all with their own unique character and all for peak time play.

limited vinyl edition of the black dog s new album on soma quality recordings. each of the 500 copies is hand numbered and screen printed by the artists. 3 x 180g heavyweight vinyl. the black dog are without a doubt one of the hardest working acts in electronic music. no sooner have they released one of 2008s best albums in >radio scarecrow< and the massive 12 inch >detroit vs. sheffield< which featured two remixes from detroit minimal grandmaster robert hood, they now prepare for their next album release. >further vexations< is a real successor to >radio scarecrow<. the thinking behind the predecessor is still very evident with even more bite, but theres something about the new album that lends itself to the dark club atmosphere. perhaps the recent bout of constant gigging has had its effect on the act because this one is going to be tearing up floors around the world on its release. >further vexations< might have taken half the time to create but still manages to maintain the same degree of meticulous detail and attention as its predecessor, and is a complete package of tracks demanding to be listened to from start to finish. >further vexations< looks to rouse the sort of political attitudes that have been sorely missing from electronic music since raves backlash against the criminal justice act in the 90s.

underground classic trax is a brand new label focused on releasing original material from timeless artists. our releases will be only for djs/limited edition/color vynil no promos. for this 2nd release, we bring you some of the rarest 12 inches around. a side comes up with the amazing pfantasy club a.k.a dj pierre with never give up (circa 1988!), an amazing acid track (one of the first we guess), originally released on dancemania but we brought you the never released no vocals acid mix & obviously, it still sounds fresh & amazing today, pre techno/pre rave & whatever. essential! on a2 & b, we have one of the original house master creator (2nd wave), johnny fiasco with darkness & here i cum (unreleased extended mix) from 1995 when techno was still frightening & underground, real raw ghetto cuts that are still played on heavy rotation by real djs, they use it as secret weapons, nobody knows them really, but now you can grab it.

minimalplus is an underground project that started quite a while ago and it is back with a new release. on the record minimalplus give you a legendary dutch underground dj called noes. it one of those guys who was there from the beginning. for a long time he had a solid residency at the transistor nights in the south of holland where he played with almost al big techno names like, jeff mills, joey beltram, surgeon, james ruskin, johannes heil, ben sims, robert hood, steve rachmad and the list goes on. now noes launches his first release on this underground imprint. one the aside the is hd which is like the man him self a little hyper. rolling percussion with some upwards movement. rocking but also a useful dj tool. one the bside there is the shit and it is! a rocking minimalistic rave sound, freaky sequence and easy to get a crowd going.

after several months of underground pressure the orbital classic kinetic by golden girls (paul & phil hartnoll along with mike hazell) is finally getting a full release. one of the most ecstatic rave stabs ever is at the heart of this record and has now been reworked for 09 dancefloors by floorplay music - the label run by hot brighton production duo prok & fitch. the story began a year ago with prok & fitchs golden shower remix. instead of going down the bootleg or cover route they paid their dues and licensed the original track for their new label floorplay and set about getting some hot names to remix it. top of the pile is atfc who takes the original and gives it a tough house makeover. this man has been responsible for a few classic records of his own over the years so this combination is unstoppable. with the original orbital mix included this is an all time classic tastefully revisited.

lets remixer speak! >it was great to be asked to do this. originally, i wanted to do something really quirky and funky with the strange vocal in human bond, one of my favorite old tracks. i tried a few times but i couldnt really get a vibe going in the funk realm. so i listened to the original over and over again and then the lightbulb turned on. i realized that the original was a monster rave track, like what you would hear in a warehouse in detroit in the 90s. so i threw out my original idea and went crazy with a huge techno builder, something to hype a big rave just like the original. maybe this doesnt sound exactly like what i usually do but that was the fun of making it< claude vonstroke. aa: >bounce your body to the box was one of the first kms records that i owned and it was all about the mike >hitman< wilson mix and force field on the b side. the production on the original was huge. the 909 groove just pounded everything... when that came out there was nothing that came close to it. so it was an honor and a challenge to mix it myself. first came the futurist bounce mix... not released on vinyl, anmerkung, ... which is more of a cover version than a remix. i had a lot of fun with this one but it definitely has a signature that steps away from the original. so i had to take a run at it one more time to pay a proper homage to the original with the flashback mix< mike shannon...

hidden recordings first vinyl release after two years with only digital. the releases are called hidden sessions and will be a series of 4 track records with music from the digital releases over the past two years. the first record includes tracks from argentinas gustavo lamas, who received a rave review in time out new york and not to be out-done was the remix by deepak and dieter krause. the 3rd and 4th tracks come from an earlier release from deepak and dieter off their >shes got soul< ep. hades is a darker, high energy minimal track which was received nicely in europe reaching no16 on top downloads for kompakt-mp3. >blow< has been labeled the duos signature track with warm deep bass, soft pads, guitar riffs and a strong psychedelic influence. the track also received strong worldwide recognition as it was licensed to uk label fourtwentys music02 mix compilation completed by james mowbray

if you like electronic music and youve lived in paris for the last 15 years, theres no way you dont know that man. djulz start playing the very firstparis raves back in 1992. since that time he never stoped running to make things happen in his hometown. hes also the oldest resident of rex club with his party bass culture. today djulz is releasing more and more great music after having produced eps and remixes for label such as music for freaks, paper recordings, 20:20 vision, poker flat, ovum, real tone or intacto, djulz is releasing, fleurette, his new 12inch on circus company. fleurette is a sweet, naïve and housy track. the track is build up over a piano loop which leeds us to some children vocals. all that is surrounded by a strong and precussive rythmic stuffed with a beautifull ride. its defeinitively the kind of track which gives you the power to stick a smile on everybodies face. on b side comes the fleurette tobias. remix. for sure you know the man behind mythical releases on logistic records and more recently wagon repair. hes also behind the electronic jazz combo called nsi. which just give name to his own label. an emblematic character of the scene who collaborates with artist like atom heart, dandy jack or max loderbauer in the past 20 years. supported by dixon, jay haze, Âme, luciano, laurent garnier, 2000 & one, josh wink and dj deep.

one of the first ever-productions from roger sanchez from the early nineties. bleepy proto-house rave action the predates the underground solution stuff. deep, sparse and highly classy original techno. now is the time to fill the gap in your collection! reissue comes in high quality mastered sound / original label / polylined bags / shrink wrapped. tracklisting: a1 world of dreams mix ,a2 r.e.m. beats , b1 deep in swing mix , b2 higher understanding

once upon a time there was the wilderness ep part 1. what follows is the second band of this futuresque music fairy tail-continuing the journey through the dark forests and gardens of the cheapers in which the >hunter< on a1 claimes his territory and eagerly is looking out for bass-devils in heat. thereby the fun drunken rifleman shoots down the rave-bird and even a flock of house-sparrows are being stampeded into the underwood. on the other side of the forest play the busy intricate bees in the vaults of the >fortress< on its mystical fantasy plug ins and a bewiched quake is coming through the deep b1- cracks until the magic tree of dreams starts to flourish

igor tchkotoua and dan duncan are true workaholics. not only are the two mallorquinos forming one of the most exciting techno duos of our time and play in the most famous clubs worldwide, they always make it to pop up in the studio to work on their releases on sonic society, wig records or like in the case of >deliverance<, the new 12inch on cocoon. >deliverance< starts quite cautious but the track becomes more and more complex – pig & dan give the dj a tool that fits the minimal raver like a custom-made suit. the b side is again one of those tracks that put a smile on your face. in >sly detector<, atmospheric techno sound unites with energetic celebration pleasure, just as we know it from tracks like >after ibiza< or >on to the beat<. the rolling hookline which has the necessary splash of acid is, together with the floating trance layer, adrenalising to such extent that nothing else remains to be done but to raise your hands in the air. the track was already a hit with many djs in 2007, and will be one – chosen in the right moment – on many dancefloors in 2008, too

supporters: mason, sebastien leger, john dahlbäck, huntemann !! here it goes again – the never tired swedish production phenomenon. paranoia is a naughty builder with mysterious chords and melodies resulting in total rave jimjams! definitely made to make peak time dancers shiver and scream. the b-side displays zoo brazils disco background: grooving real drums, melodic arpeggio action and of course disco toms make this one a unique & exotic electro house rave interpretation. the best thing to do is to clap your hands and lift them up at the same time. mission accomplished!

peter has already graced numerous labels with his unique yet constantly evolving studio style. after numerous afterhour situations with the doc family, we caught wind of grummichs new productions. we believe that the therapy ep continues the development of peters uncompromising underground productions. the title track, therapy, is a nine-minute journey into dancefloor dynamics. slowly building with concentrated breaks, therapy works it out and then some. label boss, aaron hedges, has been giving it heavy dj support and has found that its been quite some time since well placed hat crashes can drive an audience crazy. minimal, sexy and sleek, but at 7 minutes the listener is surprised with a full on new-rave lead which takes the song in a different direction. get it is a nice tech-house track with building percussive patterns and highly concentrated synth breakdowns. this track is only for the most sophisticated house djs that know when to drop a track like this. drymilk is a seriously twisted hard minimal track. nasty sound effects and perplexing pitch shifts will keep you guessing. is it genius or insanity? you be the judge!

the long a-side is reserved for bülent gürler and his project bee-low. >the hidden noise< is a neo-detroit-screw of the plus 8-hawtin school in a very popular plank of the minimal-rave. a track like evolution. antonelli digs, as >random aficionado<, a handful of melodies deep under a rave that is hardly recognizable as such one. he removed the snare completely in favor of a more effective feeling of the song. that s the way deep-house should sound and the way you always imagined it. no frowst, no references, just clear warm water. martin hirsch, alias deer, lived in devon (uk) for a long time and was an immediate neighbor of lee norris, also known as norken or metamatics. recently, the two of them have revived the connaisseur label neo ouija and that will surely do good for the cultural environment. and they have decided to start a long-ranging cooperation in terms of producing records. an outcome is >beyond the breeze<, a piece of house music whose title couldn t be more precise... sasse, giles smith, jeff milligan, laurent garnier

the cream of the underground strikes back! andreas kremers 1st track in 2007 is a absolutely hammer, and you get by every listen of the track a goose-struck feeling under your rave skin...awesome melodies. leo laker invite us with one of the powerful things in his completely carrier, straight forward without compromise is the rule...puhhh witchblade is so hot. lexis sends us not a present card this times, he separate a nice gift with the maximum bass tool of this year. and last but not least, dr. chekill from spain packs for us the ´jaws theme´ into a techno track and fills this completely ltd. package finally up.

the best bit about the muscles is the muscles. super explosive neu-rave-ish guitar drenched dance music for the hottest clubs from berlin to tokyo to sydney to paris… fierce vocals, out of time harmonies over the top of soft trance synthies + a dose of solid techno. whatch out for the muscles!

rhythmetic is back with the 7th shot, this time a compilation round wich features 4 damn great tracks, tom clark with jens bond produced the opener, straight to da point tech-house tune, dark and crispy sound effects, pretty cool & clever staged samples and a keen sense of dancable basskicks and drum works…..the next one is aldo cadiz and he is presenting a grandiose peak time anthem….beamy basskicks and cool analogue lines will push the crowd to the max…actual horsepower. the first one on the flip is a tune by jobim’s cousin aka argy …oriantal styled and smooth song, recommend for early morning hours.last shot produced by diffuse……mystic and dark hypnotic - rounder, alarming sound scapes meet old-ravey sound structures…altogether and pretty good new release with four different tracks

attention: it s nu-rave time!! sureshot for all fans of klaksons, kitsune, erol alkan. ed banger !!! next up on 12 inches we release a song from kim. of the presets and modular fame. whoah kim your a party machine! a lot of kim music is making us shake lately but this one especially makes your brain shake. it starts off with a din din da da da da din din of a steel drum and some bongo s and rolls and rolls like indy basement jaxx techno making you feel like you are in some kind of psycadelic carnivale in brazil in a moshpit or something, the vocal screams, >by the time they reach you i ll probably be dead< it s the kind of song you would be listening too if you were to be stuck in a hotel room surrounded by hot naked brazilian strippers doing coke off their asses and tits

nice price deal !!! passions was formed in the summer of 2006 by ben deitz, after attending a rave in berlin. passions reside in brooklyn, ny, ny. passions has between 2 and 5 members at any given time. while ben deitz is the only band member who will reveal his name and face, each member of passions brings a unique history to the band. from deitzs being mentored by a former member of snap in high school, to other band mate s experiences in the the early 80s la punk scene and practicing chaos magick. all of passions, however, share a love of dance music, from 90s hardcore, to electro-house, to grime and anything in between emergency is a punk electro stormer climbing to the max thanks to a huge funky bassline and addictive vocals sung by star eyes. the reach-for-the-sky construction leaves you no chances. melodic as hell, it will no doubt catch all the ears. passions is what happens when you stop controlling yourself. passions will not protect you from what you want. if you wake up everyday and listen to this song, you will become a millionaire. we guarantee it

this time the labelowner himself comes around with the next shoot called stil vor talent number 9.oliver koletzki, well know for this remix marathons and as the one and only party-hard guy brings us another full effect peaktime guaranteed floor-filler, wich will break every ravers heart in seconds!big support from kiki (bpitch control) who remixed this tune, more minimal but also more than dj friendly.a must have

10 days off is in the meantime one of the main festivals for electronic music in europe. every year 1000s of absolutely wicked parties,events,raves go off for full ten days of pleasure, all in ghent , belgium. a festival that once in your live you have to checkout. we are proud to be able to offer the official festival ep. an amazing cocktail of electronic techhouse / techno

hardstyle edm compi !

as the next curator of dj-kicks, elkka is voyaging through rave euphoria with an intoxicating journey through chicago house and disco, leftfield techno, uk bass and electro-punk,

we celebrate 30 years of bonzai records on 4xcd ! the fly is more alive than ever before !!

anders trentem¿llers career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. but its his home port thats inspired his latest project, the sprawling, stunning compilation mix Ôharbour boat trips vol. 02: copenhagen. clocking in at just over an hour long, the compilation sees trentem¿ller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like a place to bury strangers (with a new trentem¿ller remix) and slowdive to more obscure finds, as well as trentem¿llers own tracks and remixes, most notably a brand new trentem¿ller cover of neil youngs classic Ôtransformer man. the mix sees him pick up a thread he left off earlier in his career. in 2009 he put together Ôharbour boat trips - 01: copenhagen, a compilation mix comprised of his favourite music, both danish and international, from across four decades, loosely inspired by the motion and movement of copenhagens busy harbour. closing in on a decade later, were getting the second edition, with Ôharbour boat trips - 02 arriving this november.

the cd version includes a poster inspired by the aesthetic of the label, which sums up the journey of involve since it first started in 2012. after the resounding success of Ôtrave generationÕ ep, regal and involve are back with a brand new release, this time is all about a compilation cd featuring some of the strongest names in the worldwide techno scene. the label commemorates with this release its fifth anniversary. five years full of music, acid, experiences and learning. five years representing its own values and following a path that has led to making involve one if the greatest acid techno labels. family, rave, solidity, aestheticÉ the pillars in which the brand leans are the ones that pop up now stronger than ever. ideas that have shaped the becoming of something that is much more than a record label, a way of understanding electronic music and society in general. involve is not just a music platform, itÕs a spirit, a representation of the personalities of the artists that are part of it.

say what you wanna say, but you have to give strahil velchev this: the manÕs a powerhouse. recording and playing live under the kink alias, he went on to become one of finest purveyorÕs of funk in techno and house. what it is, by definition, ainÕt exactly clear. and that is the beauty of it. kinkÕs music is unifying in the best possible way. channeling the spirit and feeling of a time where it didnÕt really matter who the faces behind the music were, kink plays with the elements of genres and sub-genres as if the future of it all is still wide-open. at the same time it could be accused of retro-fetishism, as much as the pope himself is infallible. the pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started kinkÕs production work. hailing from bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from sofia, and financially it might as well have meant another galaxy. wanting to dj without having access to the tracks that spun the carousel meant that you had to create them yourselves. so, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond. from kinkÕs early productions with neville watson to his smash-hit for ovum, a cerebral album for macro, tons of remixes & tracks and his mind-bending live act, playground seems to take all that into a blender. simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of kink dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions

pianos have featured in house music since day one. there s just something about the combination of looping piano chords and a skipping house groove which works so well. in contemporary dance music the piano still remains intrinsically linked to house, though it was in the late 80s and 90s that the true piano house classics were created. we took it to our hearts. the emotionally charged piano riff became a defining motif of uk dance music. producers knew they only had to alight upon a suitably uplifting three-chord piano hook in order to unleash a tide of misty nostalgia for rave s halcyon days. ministry of sound are proud to present piano house classics.

pilocka krach still means nothing but pilocka noise. sheÕs the charming queen of berlins post techno underground and a true recording & perfoming artist. her new release on her very own imprint greatest hits international is a conceptional framed double vinyl album and a journey diary of her last two years on tour around the globe, with mexico, detroit and her hometown roots in berlin as fixpoints on her neverending agenda. pilocka krach is ãsugar caneÒ & ãthe lost amigosÒ, her band and all at once. her style is pure electro post rave simplicity, where each single sound is either raw sampling cuts or deep growling synthesis. big basslines meet funky grooves and surprising hooks, grooving along with her own voice and a lot of other vocal features, whereever you go. each Ôn everthing gets the room it deserves and mingles alltogether to so much more, than just another stereo sum. never heard an album that dry and that wet at the same time, with an overall fun and jam factor, that is truly touching. she took her original style more than just a few steps further and sharpened her skills in an impressive and real straight forward way of raw funkyness and true storytelling. you canÕt listen to it without moving. pilocka is always surfing the right balance of how much, or better how less it needs, to keep it going, get down to the point of no return and beyond the miracle of repetition.

schneeweiss v: a collaboration of neighbours. over the years, oliver koletzki has continuously cited berlin as a point of reference and, more importantly, a source of inspiration. two of his albums gro§stadtmŠrchen and gro§stadtmŠrchen 2 have been a direct ode to the capital.

bonus instrumentals of said vocal tracks what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last nightÕs unmade sheets. appropriately, tin mans melancholic dance music is more club-ready than ever.

danny howard, bekannt aus seiner bbc radio one samstags show, stellt uns seine 40 top dance anthems vor! 2 cds vollgepackt mit hits von martin garrix, avicii, tiesto, breach, disclosure, fatboy slim, ben pearce, dvbbs & borgeous, london grammar, monkey safari uvm.!

ben klock zeigt auf no. 66 ein schonungsloses insider-set, wie eine entdeckungsreise. statt der hits waehlt er raritaeten und unveroeffentlichte tracks wie zb. von staffan linzatti, sagat, k-hand und dj bone werden kombiniert mit oldskool-favoriten von josh wink, robert hood (aka floorplan), luke slater (aka planetary assault systems), dvs1 und technasia, die wirklich nur ein langjaehriger trainspotter kennen kann. dazwischen mischt er den uk dubstep-helden burial, brandneues material von mathew jonson, sigg gonzalez und sagat, eigene produktionen, edits und reworks, sowie neue cuts seines labels klockworks. ein fantastischer mixtrip von au§ergewoehnlicher und kompromissloser qualitaet!

everybody better bring some towels, because housemeister is about to soak the world in electro champagne. presenting his third full length music, the dirty don of club music did it again. touching ravers hearts and hitting ravers right on their heads at the same time. in arts, good ideas are hard to have, but easy to get - masterful musical output is pretty hard to create, but once itÕs done, itÕs about pure listening pleasure. and with a thousand shitty drugs flooding the streets of music today, it isnÕt everyday you get to consume the 100% stuff. Òmusic is awesomeÓ is that shit thatÕs straight from the kitchen, and housemeister has produced this bitch to the point like a 5 star chef. it seems playing clubs and crowds all over the world do add to a players game. add class and confidence. add experience and excellence, add balls as well as balance, and maybe it just takes 15 years of hardcore djdom to be able to come out and kill like this. music is awesome!

hectic times require adequate measures. shorten the text message, shorten any url, filter a newsfeed to make a broadband broader - in any way, take a shortcut wherever you intend to go. while the world is struggling for convenience, those who chose the road less travelled will soon become - or already are? - outsiders. in many ways this is the case of jacek sienkiewicz - with over 30 releases behind, and over a decade of running his own label, he persistently followed his very own path, creating music that very soon began to be impossible to define. friendly, but not fraternizing with everyone and his family, modest, but stubborn only in a positive way, jacek is an individual with clear, personal vision and an unorthodox approach to music - light years away from the hectic, utilitarian ethos of club-derived electronic beats. and this story finally took shape - at the same time rock solid and otherworldly ethereal - in the form of “on the road , without any doubt one of the few rare records, this complex and challenging, to be derived in recent years from the music formerly known as techno. this album successfully attempts to embrace virtually all aspects of modern electronic music - from rave-like club bangers, through detroitish passion and deep house-like style, towards ambient soundscapes that are mariana trench deep

surgeons fabric-cd sprŸht vor leidenschaft & imagination. zwei eigenschaften, fŸr die diese techno-legende steht. in seinem set verbindet surgeon bewŠhrte rave & techno-sounds mit moderner bassmusik, stellt links her zwischen oppression & reduktion, die bislang in dieser form noch nie decodiert wurden und erschafft so ein einzigartiges, generationen Ÿberwindendes kunstwerk!

just in time for the summer, trans air records brings you a simmering compilation disc of carribbean diso heat that will keep dance floors packed all day and all night. 12 choice cuts from the likes of billie cole, bobby raven, el cid and casual toffer something for all tastes, from soca to dance hall and more, but no matter what it is, expect only the best. this is the only album youll need to keep things hot the whole summer long... tip!!