limited pressing on brown vinyl.

the 2000 album from lee scratch peryy back on vinyl.

first single from the upcoming solid bronze album on limited coloured 7 inch vinyl, including lee scratch perry remix.

the 1962 blues classic back on limited yellow coloured 180 gram vinyl.

even more blues & rhythm, popcorn, exotica & tittyshakers - part 4 of the series back as limited pressing of 700 copies on clear 10 inch vinyl.

rock ’n’ roll from the late 50’s / early 60’s on 10 inch vinyl.

a compilation of hits and remixes from italian producer lee marrow.

yet mo’ blues & rhythm, popcorn, exotica & tittyshakers - limited reissue on clear vinyl.

standard pressing on black vinyl.

die dub-legende und daniel boyle setzen ihre fruchtbare, 2014 mit “back on the controls” gestartete kollaboration fort.

2022 repress - remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who under his old joey negro alias once again turned his impeccable hand to some of the best-loved records ever committed to wax.

durch die echokammer und zurück: meisterhaft bearbeitete riddims der beiden dub-pioniere auf limitiertem 180 gramm vinyl.

after a short hatius following the sellout dr001 - tommy vicari jnr s suction ep in 2015. drifted records latest sub-label project mid-flow series showcases the more electronic/breakbeat shade of minimal techno. their debut 8 track various artist compilation lp includes compositions from henry hyde, martinez, voigtmann, alicia hush, lee hume, unai trotti, amathia and bilal.

loopy, classy house tools from greece s man of the moment lee burton, who finest hour are happy to welcome to the family

second edition of the peace feast industries 20 year releases - with tangling & whirling synths run over arpeggio based themes and dynamic compositions (as well as sound level!). a-side runs with bongo percussions on a disco tempo and the b is up-in-tempo, for a heftier ride - (slightly xmas-sounding arpeggios, if santa was on acid that is).

steppas records presents ‘osaka steppas’ vol. 3, the third in a series of releases showcasing the japanese underground dub movement. this edition features osaka producers hiroshi and roots masashi in collaboration with spanish producer ojah and well-respected uk singer rudey lee. the osaka steppas’ raw and unrelenting sound developed in the subterranean clubs of osaka, a port city famous for its counterculture night life. inspired not only by the sounds of jamaica, but also drawing inspiration from uk and european soundsystem culture with enough bassweight to test even the toughest of soundsystems. presented in a beautifully designed full colour sleeve inspired by the works of the legendary ukiyo-e woodblock artist, hokusai. this release is not to be missed. side a features an earth rocker riddim from ojah & hiroshi, with conscious lyrics sung by the legendary rudey lee. side b features a much sought after dubplate from osaka producer roots masashi, a deep, dark & mystical steppa.

lee burridge, lost desert and junior akwety return with summer vibes all the way. following last year s subtle monster lingala, they bring the sunshine once again with three tracks. elongis vocal floats above its foundation of warm sub bass and groovy beats and always seems to induce at least one person in the crowd to sing along. even though we know they don t speak lingala (a language from congo). mona yo is a little groovier. floaty house music for outdoors. talking of floaty, the ep is wrapped up by float on. its pretty for sure but has a certain drive thats been rocking the all day i dream dance floor all year. close your eyes and daydream.

as the lead singer of george darko s legendary burger-highlife hit-band, lee dodou became the number one voice of 80 s highlife. born in kumasi, the epicenter of ghanaian highlife, he came to berlin in the late 70 s - by then the uprising epicenter of burger-highlife - to work as a back-up-singer for pat thomas. after joining and leaving georg darko and running his own band -kantata-, he stopped releasing music in the early 90 s. now, philophon is proud to present new recordings of his soulful genius to the world of 2018. basa basa is a song in the classic -concert party- style, as it was played in the glorious 60 s. after a firey horn introduction lee takes over in that funny and entertaining manner typical for -concert party- music. buzz duncker joins lee s phrases with some gentle clarinet. highlife at its best! sahara akwantuo is anything but a classic: it s the start of a kind of philophonic highlife, labeled as kraut-life. ghanaian love of life meets german romantic melancholy. happy rhythms meet mysterious synth landscapes. eternal summertime and mangos are meeting a wet winter world and roast apples. kraut-life at its best!

classic , recorded in may 1977

nach ihren remixen für mount kimbie und tegan & sara, zaubert die londoner produzentin kelly lee owens ein cover plus remix des aaliyah-klassikers more than a woman, im original produziert von timbaland. limitierte 12inch auflage.

a wild solo project from rita lee – done after the breakup of os mutantes, and offered up almost as some sort of commentary on mainstream rock in the 70s! there’s a much more straightforward approach to the music here – a sometimes-glammy sound that’s echoed by the band’s space-style costumes and makeup – but there’s also some weirdly old-style rock instrumentation too, almost like the way that an artist like gary glitter could fold the 50s and 70s together in his music, and come across making something very weird and new. here, the keyboards are almost stronger than the guitars – and rita herself plays moog, melotron, organ, and piano – on titles that include -tem uma cidade-, -menino bonito-, -mame natureza-, and -eclipse do cometa-.

lee pearson is back on neroli after his feature on the inside various artists ep from few months before...and together with detroit s javonntte garrett of ndatl and sistrum fame this time! the larry heard collaborator shows again his songwriting talent on what do you prefer? and bye bye . one for the headz!

lost desert and lee burridge return to get weird with an ep aimed squarely at the dance floor. k bug’ is a steam train slowly gathering pace as it moves forward. the chugging groove and fat bassline has been whipping the crowd in to a frenzy everywhere it s dropped. hinduma’ is a tracks that causes the mouth to contort while mouthing out the wonky synth line. and ‚reply to sender’ is a slow burner with a trippy ethnic melody and a drop that goes all mystical. three tracks for the clubs

back down on my knees is a raw house cut combining a pounding bass drum and clever percussion reminiscent of a late 00 s new york sound with washed synths. i m amazed offers an ambient track lead by a simple piano interlaced with a field recording taken on a subway platform in new york. on the other side rubber jam is a tough hardware jam with a floaty arpeggiated synth line. here will be blood rounds the ep out relying on percussion to drive the track with breakbeat and a heavy bassline.

for dudi003, we got back right back to the beginning of dub disco. those who remember the very first track on the dudi001, los wawis - no se in the aussteiger remix, will also remember the mind-bending and psychedelic synthesizer chords, dominating the tune. this fertile combination is now back, orchestrated by thorsten lee broda, the synth wizard of neukölln and aussteiger.

best reaggae sounds by superstar bunny lee

the third release of the vinyl only label another earth is upon us and its all about techno. esther duijn combines 2 acts together in a split ep series which compliment each others sound. for this release esther selected two notorious european techno producers she adores, opuswerk and lee holman. on the a side opuswerk delivers 2 deep driving techno tracks. rf thruster basically expands from beginning to end. this constant propulsion has a deep impact on any dance floor. he drew inspiration from jeff mills and planetary assault systems for this particular track. emdrive starts with an atmospheric intro and morphs into one epic build up that makes you feel all warm and fuzzy inside. on the flip side lee holman bangs 2 deep and firm techno grooves like there is no tomorrow. while adaptive optics is rough on the edges it does pay attention to small details which make the track very dynamic. absorption lines puts the emphasis on a warmer atmosphere. with this track you can transform anything into a pulsating hot mass, according to esther

without knowing it, you’ve probably heard kelly lee owens work over the past few years: the 27-year-old london producer contributed vocals and writing&#8239,,,,to several tracks on fellow uk techno wizard daniel avery’s debut lp, 2014’s drone logic, and she’s made waves with a pair of limited-release 12” singles showcasing her gifts for spectral, hallucinatory pop. on&#8239,,,,the “oleic” ep,&#8239,,,,her debut release on smalltown supersound, owens flexes her considerable muscle as a dance producer with four luscious, deeply satisfying slices of big-room electronic music.

der titel ist programmatisch. 1976 im new yorker hunter college aufgenommen, steht der große blues-sänger und gitarrist john lee hooker alleine auf der bühne. nur auf sich selbst konzentriert, spielt er den blues in seiner reinsten form. dieses album wird nun erstmals auf vinyl veröffentlicht (downloadcode inklusive). dies ist teil 2 der aufnahme seines legendären konzertes in new york, was ursprünglich auf dem label tomato veröffentlicht wurde. wie ein jazz-musiker, liebt john lee hooker es zu improvisieren. so sind die hier vorliegenden versionen einiger seiner größten hits wie “boogie chillen” und “hobo blues” einmalig - im doppelten sinne dieses begriffes. der im jahr 2001 verstorbene john lee hooker gilt als legende seines fachs. er spielte in dem film “blues brothers” mit und ist unter anderem mit einem stern auf dem hollywood walk of fame, der aufnahme in die blues hall of fame und die aufnahme in die rock and roll hall of fame geehrt worden.

tippa lee’s new album cultural ambassador will be released on stones throw, may 20, 2016. tippa lee was born and raised in kingston, jamaica. he started performing on his fathers sound system as a child, standing up on a beer bottle box to reach the mic. he made his first recordings at king tubby‘s studio at the age of 12. eventually he teamed up with rappa robert and as a duo had a number of hits including “no trouble we”, an anthemic statement against police harassment, which was a number one jamaican hit in 1988 and is still played often on jamaican radio. in more recent years he has been based in the us, performing live and releasing his own underground cds. produced by tom chasteen, dj and promoted at la’s long running dub club.
the vinyl lp includes a download code.

tippa lee’s new album cultural ambassador will be released on stones throw, may 20, 2016. available now is the dub version of the album, dub them with reality, mixed by producer tom chasteen (dub club, natural numbers), who has reconfigured the tracks live on the mixing board with echo, reverb and various arcane electronics. the lp covers, in two variations, were screen printed in gold and black by hit & run, with artwork by ellen g. tippa lee was born and raised in kingston, jamaica. he started performing on his fathers sound system as a child, standing up on a beer bottle box to reach the mic. he made his first recordings at king tubby’s studio at the age of 12. eventually he teamed up with rappa robert and as a duo had a number of hits including “no trouble we”, an anthemic statement against police harassment, which was a number one jamaican hit in 1988 and is still played often on jamaican radio. in more recent years he has been based in the us, performing live and releasing his own underground cds.
the vinyl lp includes a download code.

lee is a fan of deserts. (no, not desserts… deserts) and with lost desert creates two atmospheric musical visions for the dance floor. out there under a mystical night sky * stand up right* is the soundtrack. recently featured on lee radio one essential mix and this years robot heart set from burning mans saturday morning sunrise both two tracks take you right back there.

phat deep / disco house , incl kiko navarro rmx

storming 3rd release from tommy 47’s 47 records. 4 monster techno tracks from tommy 47, i/y, bas mooy and ritzi lee.

volume 8 in the stag-o-lees series with more blues & rhythm, popcorn, exotica & tittyshakers.

one per customer and shop ... bam!!! vinyl only 45 rpm cut

neue single von lee fields emma jean album in einer single edit version mit neuer b-seite, die aus den albumssession stammte, es aber nicht auf das album geschafft hat. dont walk war zuvor auf dem limitierten truth & soul 2015 forecast 10inch sampler zum rsd erhältlich.

a blistering new 4 track ep from ritzi lee, featuring a remix from paul mac!

ferox brings you four of the uk and irelands finest on this 4 tracker

the globally trendsetting house and techno family that is visionquest now turns to a new pairing of sonny fodera & gene farris for their debut ep on the label. entitled ‘we work it’, the two-track affair comes with a remix by visionquest man lee curtiss. australian sonny fodera has been at the sharp end of the dance music scene for years now, clocking up huge hits both solo and with green velvet aka cajmere, releasing albums such as afterparties & aeroplanes and appearing on cajual, defected, suara and many more top labels. gene farris, of course, is a chicago house legend who has been active since the nineties, runs his own farris wheel label and has released close to one hundred definitive eps on relief, soma and many others. up first, ‘we work it’ is a lithe ritual of house funk with bent synths and slick mid tempo drums. a spoken word vocal snippet muses on the intake of various substances and the drums roll on infectiously below. it’s sure to be a standout anthem in the months to come given that vocal line and the spiritualness of the keys all around only adds to the effect. the first remix comes from lee curtiss. this one is a much quicker and more peak time bit of tech house with textured, dynamic bass and plenty of drum fills. it’s an involved, more cosmic and tense take on the original, that will build great pressure on the dance floor. all in all this is another on point package from visionquest that will get played far and wide

after debuting for the first time at this years we are fstvl, producers/djs mk & lee foss and singer/songwriter anabel englund have announced their first official release together as pleasure state. coming out on jamie jones and lee foss label hot creations, the group announce the highly anticipated release of ghost in the system

elegant swingendes disco-boogie-debuet von ed lee mit einem starken und verdammt coolen gesang von alison david (the black sience orchester). maestro moonstarr verwandelte das original in ein uptempo hands in the air blockhaus stomper, während akshin alizadeh mit einigen nu-funk-beats nachwuerzt.

zweite folge mit den hits der australischen r&b- und rockabilly-clubnacht.

here begins the journey for birth which will lead to the discovery of different facets of the techno world. first stage of the trip is ireland ... the eclectic producer lee holman brings out the forgotten ep…