boss soul, funk and r&b sides from the vaults of the king, federal and deluxe labels. available as a double lp for the first time. specially compiled and commented by nyc dj mr. fine wine, from his personal favourites list from the king records catalogue. including ultra-rare tracks by wayne cochran, lord thunder, jeb stuart, robert moore, frank howard & the continentals, leon austin, eddie kirk, charles spurling, james duncan, and many more.

horse meat disco has cause for celebration. now into their fourteenth year and renowned worldwide for their unique brand of party they’re still at the top of their game. in the fickle world of clubland it’s a remarkable feat and more so given they’ve never wavered from their credo: to host a queer party where diversity is encouraged soundtracked by a disco behemoth of classics, italo disco, house and oddities courtesy of resident djs luke howard, severino, jim stanton and james hillard. it’s a joyful, inclusive experience whatever the venue

last days debut, sea told the story of one man s journey. now with his 5th album, seafaring , graham richardson returns to the sea to examine a range of vocations and exploits adrift. drawing inspiration from shipping routes, to ernest shackleton and his crew s ill-fated voyage on the endurance, to families being disjointed and reunited, seafaring goes some way to hint at what the oceans present to us. seafaring reflects on it s subject matter by coherently linking moments that are minimal and still, to those that are compelling and cinematic.
pressing on transparent vinyl with download code included.

invada veröffentlicht den score zur britischen independent-horror-komödie prevenge. toydrum sind pablo clements und james griffith, die unter anderem auch bei unkle tätig sind. zudem haben sie mehrere soundtracks produziert, darunter für die tv-serie this is england von shane meadows. prevenge erinnert stilistisch an den film sightseers von ben wheatley, horror und britische comedy kommen hier ideal zusammen. Ähnlichkeiten sind nicht zufällig: die filme teilen sich die hauptdarstellerin und den drehbuchautor. der score von toydrum ist düster, elektronisch und passt ideal zu invada.

suns of dub is a performing ensemble and production team, creating unique sound experiences that blend live instruments and dub influenced genres. their hybrid reggae sound includes live melodica, steel pan, nyabinghi drums, live dub and dj effects. the group has been working and releasing music together since 2010.
riddimentary - suns of dub selects greensleeves pairs the group with the greensleeves and vp records catalogue of reggae masters for a musical tour through the crucial tracks that have formed the outlook and output of the ensemble. the set is a continuous dj mix of seventeen songs on cd. twelve selected full tracks on vinyl lp and both the mix and seventeen full tracks on the digital album.
among the featured artists on the album is the legendary augustus pablo, whose son addis is a founding member. riddimentary is the perfect bridge for dub reggae and progressive music fans to connect with all-time reggae classics from greensleeves and vp records.
producers credits include augustus pablo, joe gibbs, errol thompson, prince jammy/lloyd “king jammy’s” james, henry “junjo” lawes, sugar minott, linval thompson, winston riley
for fans of diplo, prince fatty, mr williams, rockers and roots reggae.

the artists and inventors, along with the many other notable composers present on this 2lp compilation, are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre, the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.

the original motion picture soundtrack from “fifty shades darker” as double vinyl in gatefold sleeve.

nachdem rob zombie pünktlich zu halloween letztes jahr die zuschauer geschockt und begeistert hat, folgt jetzt der soundtrack zum film auf vinyl im klappcover.
der 28 titel umfassende soundtrack wurde von rob zombie produziert und enthält 8 exklusive tracks, die von zombie selbst mitgeschrieben und zum teil auch aufgenommen wurden mit der zusammenarbeit von john five, bob marlette und chris “zeuss” harris. auch andere bekannte songs von künstlern wie z.b. james gang, lynyrd skynyrd und the mamas and the papas sind auf der platte enthalten.
durch den soundtrack hindurch ziehen sich außerdem immer wieder fesselnde sprachpassagen aus dem film, um den hörern auch zu hause eine gruslige atmosphäre bieten zu können.

what can you expect? take the best fusion-band ever (chick coreas return to forever), some james brown funk, synth-fun like tangerine dream and even a bit of hardrock, and youre getting close. this is zappa, the flemish zappa: cool,funny, sad, difficult,no record for those who love the traditional verse-chorus-verse, and so probably as uncommercial as it can get

tiga is back to tell you what youve always needed to hear with his new single eye luv u. co-produced by one half of paranoid london, the new single harnesses all the pure source energy of what enlightened club-goers often describe as their favourite emotion. the title came to me while i was playing a pyramid that had been converted into a multi-purpose event space, says the canadian dj/producer. the hieroglyphics over what is now the coat check made me imagine a world in which pictures could mean words and words could mean anything. the thing about wordplay is that its fascinating to conceive of different realities informed by different systems of meaning, and how each reality would invariably bend to vault me to the pinnacle of all possible worlds. its humbling, really.

the best of dj cam on limited pink coloured vinyl.

a fantastic and rare soul-jazz album recorded in adelaide (australia) in 1976. originally pressed and released on crest records and fully licensed by the hot casa team to reissue it on a deluxe 180g vinyl. . sue barker is a jazz singer from the 70s – and one who isn t afraid of picking up a bit of soul. most of the album features covers from duke ellington to marvin gaye, curtis mayfield or even james brown!

remastered edition !! 20 track hip hop clut album by the beastie boys from 1992 ! 180gr vinyl, audiophile quality / faithfully restored

laurent garnier support !! announcing the first release by shift imprint, “hynek’s scale”! what magic results if we merge the spirits of detroit, chicago, amsterdam and lisbon, all in the same record? hynek’s scale is a smoking’ audiopath collaboration with ex parliament/funkadelic member jerrald james aka jerry the cat, who, besides being an amazing percussionist and great vocalist, is also a serious old school dj and producer with collabs with names like derrick may, theo parrish and moodymann.

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they dont mess around. in fact, if these tracks were steaks they d still be walking around eating grass.

played by : jonna (city fly / shadeleaf music), ooft!, simba (shadeleaf music), vincent inc, thatmanmonkz (shadeleaf music), javi frias, paul thornton (dig deep / reboot), marcel vogel aka em vee, eddie c, bodhi, dj p-sol, red greg, masterworks music
marcel vogel s ever-ready lih imprint celebrates six years of juicy, sassy, often illicit disco soul with some of the label s best cuts to date. ideal for filling any holes in your collection, the likes of uptown funk empire s pharoah saunders cover -freedom-, manmademusic s gospel-level -circles-, eddie c s tweaking, freaking drum funk -what it is-, stacy and peven s stuttering funk -body jerkin- still slap and tickle just as stylishly and smoothly as they did when marcel first prised them from the editor s clutches... and still will in 10, 20 or 50 years-time. proper dancefloor clobber.

a trailblazing radio 1 show, unparalleled club-nights and a promising label, the 1-800 dinosaur crew are undoubtedly a focal point for all tastemakers alike. with a new 10inch ready for circulation, trim returns with james blake and airhead hinting towards a taster of whats to come. ‘rpg’ seeps with blakes signature off-kilter soul, feeding the subversive nature that trim revels in, whilst the airhead produced man like me, is undeniably anthemic. guided by the distinct-outsider vocal of one the most under-glorified, yet revered mcs in the uk scene, the 1-800 crew continue to construct their own direction.

played by: craig bratley, jonny 5, benjamin fröhlich, james friedman
gone beyond. that s what they say when an (astro) pilot crashes to earth and takes the journey into the big sky. when juan trippe took that last flight little did he know that his re-incarnated self would be an electronic pioneer. in tandem with his co-pilot guido zen (his own father also a pilot) and kyle martin (from the land of light) they formed brain machine and scaled the highest peaks to bring back music both unearthly and intensely human. are we all not stardust anyway? this music proves it, takes you out flips you over and rolls you in stardust. don t try and think it through, make sense of it, grasp it - just wander in wonder and bask in beauty. get lost again.

fantastic voyage’s autumn 2015 release of soul for dancers proved so successful, that we didn’t have to think twice when lois wilson (mojo, record collector) asked if she could do it all over again. it turns out that there were plenty more classic sides in her dj crates, drawing on that rich seam of early soul and proto-soul rhythm & blues, of the sort that would have packed the dancefloors on the sixties club scene, or has been embraced by subsequent generations of club soul diehards.

the debut album from norwegian producer kygo on white double 12 inch vinyl, housed in a gatefold sleeve.

die in genf lebende, in lyon, mit vorfahren aus kamerun, geborene emilie nana ist ein wunderkind. -the meeting legacy- beinhaltet eine eklektische selektion, die viele davon aspekte beinhaltet, was emilie ausmacht. -the meeting legacy- umfasst 11 stücke und erfreut sich an dem erguss aus nanas grazilem und dennoch lebhaften wesen und trachtet erfolgreich nach dem brechen der regeln, mit denen kunst oft behaftet ist. indem sie ihr leben vergegenwärtigt, führt sie uns gekonnt, mit kindesaugen, teenage-erfahrungen bis erwachsenen sehnsüchten und ausgereiften konversationen, durch subkultur, kampf und verschiedene soziale einflüsse. nach vier jahren produktionszeit liefert emilie nana ein album ab, das ihren verspielten, aber reifen geist widerspiegelt und ihre seele miteinbezieht, the meeting legacy.

this month sees the launch of newly formed label rm records. rmr has been put together by dj and production trio longplay who say that the label will serve not only as a platform for their own productions, but alex agore / james dexter / longplay / m.a.x & lloyd rmr001 also to showcase up and coming talent along with established acts from around the world. the excellent first release features tracks from longplay, m.a.x. & lloyd, james dexter and the mysterious figure that is alex agore.

out on the floor firecrackers that ignited the northern soul boom on soul for dancers, journalist (mojo, record collector) and r&b authority lois wilson takes a trip back in time to the rare soul scene s roots, to where it all began if you like. many of the 32 tracks on this 2lp vinyl set (selected from the 61-track 2cd compilation) filled the floor at manchester s the twisted wheel and london s the scene club, both precursors of the wigan casino, blackpool mecca, the golden torch in stoke et al. the sparks that lit the fuse, these early triumphs would give rise to an era defining scene, one which became a treasured subcultural phenomenon.

seff doing what he does best here courtesy of a new ep that s full of killer up-tempo hues and isnt for the feign of heart. to put it mildly: this one will positively desiccate any dancefloor it is allowed to roam free on. dj support: gene farris davide squillace joyce muniz chus & ceballos, daniel bortz, tom findlay, jacky, robert owens, danny tenaglia

chuuwee and jr & ph7 pay tribute to sactown with the south sac mack. jr & ph7 and chuuwee are pleased to announce news of their collaborative lp, the south sac mack. the project brings the german production duo together with the sacremento spitter for 17 breezy tracks that epitomize the sound of the new west. the south sac mack will give listeners a street level perspective of sactown.

das prignitzkombinat ist zurueck mit einem neuen release ihres labels zum eigenen club, dem aggregat. nach dem sehr guten ersten release auf aggregat concept series mit dem schwerpunkt techno, rückt mit dieser veroeffentlichung house in den vordergrund. funk fetisch liefert hier mit dieser ep zwei feine tracks seiner definition von house ab. der track >gotta get down< zeigt deutlich seine einfluesse aus den verschiedenen genres des klassischen housesounds, typische skippy beats, jazzy chords und discofilter loops bilden hier das house. bei >black is beautiful< behaelt funk fetisch diesen charakter, allerdings wirkt alles insgesamt moderner. groovige beats und eine tiefe bassline bilden das bett für atmosphaerische warme pads, akzentuierte chords und verspielte melodielaeufe. james johnstons (no matter what) remix zu >gotta get down< geht direkt in die beine, straight, fokussiert und sehr kraftvoller house, der zeigt, dass der mann aus glasgow sein handwerk aeußerst gut versteht. danke james! p.s.: this ep is dedicated to all the lovely people from the diamond s kitchen in northallerton, uk

brandneue auflage auf 180g heavyweight vinyl! der legendäre albumklassiker der funk-sängerin marva whitney aus 1969, produziert von james brown - eines der am meisten gesampleten und gebootlegten funk-alben aller zeiten. die soul brother version wurde sorgfältig remastered und um vier bonustracks erweitert und erscheint hier nochmals und erstmals über soul brother auf schwarzem 180g vinyl in neuer limitierter auflage.

active as a record releasing producer for a decade, james burnski burnham has credits for a wide variety of labels in his discography, gracing everyone from boe to hot creations. constant sound is a new label from the man, set up with jon woodall, burnski s production partner as constant. music from cab drivers, a scott, and richard rowell is promised over the coming months but it s a solo record from burnski that kicks matters off with your love. a collaboration with vocalist beckford, -your love- is one of those insistent, driving house cuts with dashes of acid to it and it s complemented by remixes from prime numbers man trus me and mosaic boss steve o sullivan who take the cut in markedly different directions. a solid start for constant sound! other releases by burnski burnski changes (12-) constant sound forthcoming other releases on constant sound a scott & chad mrs j (12inch) constant sound forthcoming burnski changes (12-) constant sound forthcoming what do you think of this release? write a review in the facebook comments box below: what do you think of this release? tell us what you think in the facebook comments box below: burnski - your love (incl. trus me & steve o sullivan remixes) burnski - your love (incl. trus me & steve o sullivan remixes)

the bodyjack label returns with a bang and a split ep with the man himself and fresh talent soundbwoy killah. hot on the heels from ep s on unknown to the unknown, his clone co-run bodytrax label and a remix for jimmy edgar s super hot ultramajic, bodyjack is on fire right now. not much needs to be said about this, other than shake that ass is an unapologetic main room banger with a rough bassline and cheeky vocal. also comes with an instrumental version for the heads. soundbwoy killah has been turning heads this year (if you have heard his cheeky edits online you know what we are talking about). this brand new artist drops us 2 of the rawest jungle-fused underground party trax you ve heard this year and this is just the start for this bwoy...heavyweight tracks for the floor from the bodyjack crew. support from: jackmaster, james zabiela, claude von stroke, huxley, eats everything, shadow child, la4a, monki, serge, tiga, dj haus, serge and many more.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

munk is the project of gomma label founder mathias modica (germanys most interesting electronic music label the nme). munk is best known for his collaborations with rebolledo from pachanga boys (surf smurf), james murphy lcd soundsystem (kick out the chairs), asia argento (live fast die old) and club hits like down in l.a. and la musica. he co- produced the albums of gomma bands whomadewho and moullinex.

fantastic voyages new series, soul city, explores the music being produced in key centres in the early 1960s, when r&b was evolving into the style that was soon widely referred to as soul. having kicked off the series in detroit, we now turn our attention to the big apple. special backstock

straight from the berlin pioneer of house alex agore, comes his new track the prayer remixed by the uncle of house james johnston. we have already been introduced to alexs eclectic group of productions, his many signings with past or respected house labels like: wilson records, 4lux, defected, washermans deepdownslam and kolour recordings. alex and james also own together no matter what records a vinyl label full of quality and soul. these two together create a vision of sound for the future and soul thats a blast from the past, together they bring you the crème de la crème of house music. welcome to the sound of axe on wax.

each ep adopts the work of an artist translated to musical form.
when you dream where does the light come from? there is a light that has clarity as great or greater than the daylight vision, and a lucidity of color that s beyond how we see color now ... i m interested in the point where this meets the imaginative vision that comes from seeing what we want to think of physical reality as outside, because it has a lot to do all which how we create reality. - james turell
within the walls, lighting(s), james turrell built spaces of solid material. the aim is not to also penetrate the foundations, passing through space, leading us to consider the immaterial, the mind. divergent ways first four compositions much like the four first light compositions, have sought to externalise the imaginative vision making it apparent.

*jamaica selects jump blues strictly for you - jamaican sound system classics 1944-1960* ist der nachfolger zur erstklassigen *jumpin the shuffle blues* compilation auf fantastic voyage. das doppel-vinyl ist auf 500 exemplare limitiert.

keepin the legacy, it could be our motto here at hizou and it is certainly what we humbly try to achieve with all of our music. which makes it the perfect title for this our fifth release, a various artists affair featuring four producers from two continents with one aim: quality house music inspired by the classic sounds we love from chicago, detroit and new york.

awanto 3 on rush hour! under this latest moniker, steven van hulle (rednose distrikt) brings it heavy and correct! includes a dubwise jameszoo remix! to be released across three 12 inch singles between now and march, opel mantra twists house music into intoxicating new shapes, blending influences into one thrilling, surprising whole. the three 12 inches combined make up a complete album.

slamming delayed audio vinyl compilation with proper house music

ndv return from summer with their 2nd release which is a bloomin all star va. the idea of the va ep is to showcase the synthy housey technoey sound theyre all about, and what better way to do it than give the vinyl over to some of the most freakishly talented producers out there.

vicissitude - zu deutsch wandel, wechselhaftigkeit, unbeständigkeit - ist der titel des neuen, dritten albums von maps alias james chapman, das anfang juli auf mute erscheint. schwang im zweitling *tuning the mind* noch der hedonismus des mercury price nominierten erfolgsdebüts *we can create* nach, vermittelt das wunderschöne indie-rock/pop-album *vicissitude* nun die unmittelbare konfrontation chapmans mit der realität: *writing and recording coincided with quite a lot of things in my life changing. although things are good for me now, every song on the record comes from a long period of me having to take stock, to start again almost. i took myself out of everything and had a hard look at what i wanted to do and where i wanted to take maps.* den letzten feinschliff der platte übernahmen produzent und sound engineer ken thomas (sugarcubes, m83, sigur ros), der zuletzt auch an *we can create* mitarbeitete, und sein sohn joylon, der schon als programmierer und produzent für bands wie s.c.u.m. und telepathe aktiv war.

with releases on skylax, morris audio, no matter what, local talk, kolour, rawax and much much more, we dont need to say more about they guys on this va. quality all the way.

londons dogmatik label return with remixes of duskys massive flo jam ep. part two, sees laura jones deliver the goods with her take on every day. the flip sees james what takes on mystics and delivers the goods to round off a solid ep!!

james holroyds wonderful begin returns with another vinyl only limited edition selection. the elate ep features a second chance to get hold of what has become a cult classic from ep 3 after regular spins from lcd soundsystems james murphy, dj lexx & todd terje, eager fans had to pay the often ludicrous discogs prices to track down this enduring and beautiful cut as a result, james at the label decided to include the track on this new release

godzilla kebab is back with it s superb second release featuring artists from st.petersburg, moscow and glasgow! dont miss this dope 4 tracker which is dripping with classic 90s style house beats and vibes. pressed on heavyweight 180 gram wax!

twenty mids huge leon vynhall remix! dj support deetron, jimpster, norm talley, gerd, huxley, mr g, droog, catz n dogz, trickski, ethyl,james what, jay tripwire, chris duckenfield

xoom recordings is a new irish label run by matthew collins. its emphasis will be to release what matthew considers to be his vision of true house music and melodic techno through his own productions and other artists that inspire him and also share a similar vision.

paul müller introduces himself with a record that sports class and mass alike. its mass is easily explained: it sports three superb remixer. what tells better than some good old namedropping ... jori hulkkonen, lauer and matt walsh. these guys and paul müller are the ones responsible for the releases class by delivering great tracks ranging from tech-house to disco - and whatever you may call joris sound.
early love by: chlo e, the hacker, justin robertson, brodinski, luciano, mandy, maceo plex, laurent garnier, tim sweeney, daniel avery, chaim, crowdpleaser, troy pierce, robert owens, x-press 2, james teej, headman, phonogenic, xenia beliayeva, remain, jeremy p. caulfield, bonar bradberry, wally lopez, alex niggemann, funk d void, mugwump, tim paris, clive henry, shir khan, bubba, bozzwell, tornado wallace, kid who, hannah holland, maxime iko, doomwork, disco bloodbath, silicon soul, slok, richy ahmed, luca c, dj three, justin sloe, the saint and many more ...

here we find a couple of heavyweights facing off with one of the centre pieces of orgue electroniques acclaimed >strange paradise< album. on the one hand we have kink & neville watson (an unlikely pair blabla but you know all that) with a swooning but rather pressing epic that unexpectedly turns into a harmonious vortex. and once you have crossed its event horizon it proceeds to quite exquisitely tear you to shreads. marvel as you turn into jelly and watch your legs grow longer and longer in what not only seems like an eternity, but actually is cause umm technically, like, there aint no time in a black hole dude! code! speaking of which, if you ever do make it to the other side, you will find up n cummer willie burns (who is known to many as the brooklyn budgie smuggler) oldschool jacking the faders with two of the sikkest organic beat tracks north of the corpse of ron (who is in a dead heat with jimi, jim and james in the race for most desecrated musician in like 4evah). anyhow, these jamz come courtesy of the sp12. feel it feel it feel it feel it... boom knock out!