die aufnahmen für das album begannen mit knowing me, knowing you und that s me. nach einer pause im april wurden im mai money, money, money und happy hawaii auf band gebracht. im juni folgte when i kissed the teacher, im juli dum dum diddle und tiger und im august my love, my life, why did it have to be me? und das für das album namensgebende instrumentalstück arrival. im september wurden lediglich einige overdubs zu einigen titeln hinzugefügt, bevor das album am 11. oktober 1976 veröffentlicht wurde.

limited edition on pink couloured & marbled vinyl, artist and title printed on sleeve in gold/glitter.
hailing from a maelstrom of reinvention, reckless idealism, and rainbow-chasing known as los angeles, puro instinct are the psychedelic pop discovery thats about to make your year look a while lot stronger. the speech marks come courtesy of their mouthpiece, 24-year-old piper kaplan, who joined by her 16-year-old sister skylar have cut one of the most striking and formidable pairings on the west coast indie-rock circuit in recent years. together, they have created a sound thats already made the year for all kinds of esteemed folks all around the world, from the likes of gorilla versus bear in the states to dear old blightys nme,as their debut long-player headbangers in ecstasy dawned upon them.

abba war eine schwedische popgruppe und eine der weltweit populärsten musikgruppen ihrer zeit. mit fast 400 millionen1 verkauften tonträgern gehört abba zu den erfolgreichsten bands der musikgeschichte.die band formierte sich 1972. ihren internationalen durchbruch schaffte sie 1974 mit dem sieg ihres titels waterloo beim eurovision song contest im englischen seebad brighton. charakteristisch für die gruppe waren die zu dieser zeit ausgefallenen bunt-poppigen kostüme, die die musiker während ihrer auftritte und in den musikvideos trugen.

presley begann seine karriere 1954 als einer der ersten musiker der rockabilly-bewegung, einer fusion von „weißer“ country-musik und „schwarzem“ rhythm & blues. seinen durchbruch hatte er 1956, als er zur kontrovers diskutierten identifikationsfigur der rock-’n’-roll-bewegung wurde.

nicole atkins (born october 1, 1978) is an american singer-songwriter best known for her work with the band nicole atkins & the sea. her sound is known for its mix of traditional vocal styles and introspective lyrics. she has been compared to roy orbison and singers from the brill building era.

nachdem die gruppe 1973 von ihrem sommerurlaub zurückgekehrt war, widmeten sich benny andersson und björn ulvaeus der komposition neuer lieder. der erste song, der in diesen sessions aufgenommen wurde, war dance (while the music still goes on), welcher sehr von den aufnahmen von phil spector inspiriert war. es folgten im oktober die aufnahmen für my mama said, honey honey, what about livingstone und suzy-hang-around. im november wurde lediglich der king kong song aufgenommen, der später von vielen fans als „der albernste song, den die band jemals produziert hat“ bezeichnet wurde.

the album also features a song co-written by agnetha fältskog. although she had composed much of her swedish solo output, the song disillusion , for which she wrote the music, is the only song released on an abba album to feature a songwriting contribution from her.

skyline recording is proud to give you sl45020, the first out and out hip hop. plug 1 - >in a flash< representing the forthcoming soundsci formula 99 lp featuring the extraordinary talents of emcee oxygen over an uptempo stormer that will have you shaking that thing on the dancefloor. plug 2 >class in session< taken from u-georges in production lp has a soulful edge and lyrics that will have you thinking for days. soundsci - altanta based emcees audessey and u-george team up with london beatmakers jonny cuba & dj ollie teeba. very limited edition of 300 numbered copies!

we love this record, it really puts the dub in dubstep. their first two releases have sold out and this has been doing well on promo which shows there is a real market out there for this style which really goes back to the early beginnings of how dubstep came about. on the a you are treated to a full vocal mix with lutan fyah in the booth and on the flip there is a dub mix which roles out nicely.

rob sparxs original mix kicks off with a funky 2-step riddim, layered with soulful guitar licks, penetrating synths and some extra deep bass to get you moving. the tune progresses into a super-funky, filtered disco beat leading into a high-energy buildup that will have any crowd going nuts. the drop combines beautiful haunting vocals, brain-rattling bass and sexy synth stabs in a >purple< fashion that has already made an impact on dancefloors worldwide. not to be taken lightly, this ones a heavy-hitter and still maintains its class!

the best of iron maiden as limited edition triple picture vinyl, housed in a tri-fold sleeve.

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

the ever on point citrus recordings is stepping up for its 5th artist lp. after having released the debut albums of mindscape & jade wich all went on for critical acclaim its time for citrus to get ready for its 3rd artist album. this time its time for the debut album of fourward! hailing straight from lower austria the four men collective fourward started out producing music in early 2007. the boys knew each other for quite a while and shared the love and passion for drumandbass music. for them it was always a main issue not to stick to any particular tiny subgenre only, but to develop a sound of their own. all members have different musical backgrounds which fit together perfectly and provide a great studio vibe. days went by and the boys finished a couple of tunes properly and it wasnt long until austrian drumandbass producer duo body&soul showed interest in their works. also international artists like bbcs very own crissy criss began to support their music giving them airplay on his radio show. as a result of their effort fourward has released quality tunes on labels like subsonik sound, planet funk and fokuz. the year 2010 they experienced the so called breakthrough with releases on nasca recordings and fokuz followed by an epic 12inch for the legendary label virus recordings! the guys definitely didnt stop there and being on the road now broadened their horizon even further. resulting in a series of tunes perfectly fitting together in this cd. diversity and musicallity are keywords for this album. listen from low blow to you and me, quality drum n bass!!

dave.i.d likes to think for himself. always has done. its the reason why his debut album didnt go quite according to his initial plan. he was going to make, to use his own words, >something pretty simple and straightforward<. but then he noticed lots of his friends were discovering new beliefs. some even tried to convert him. >im very open-minded to different beliefs, but i question and see things slightly differently,< he says. without necessarily wanting to, he found himself reflecting on existential questions. >the album is a record of the time that it was made, and thats what was going on in my life at the time. i didnt necessarily want to make the debut album like that. i felt i had to make it<. the cerebral inspiration catapulted him into musics outer rim. he beamed back a dark, dense sometimes confrontational sound, but ultimately compelling sound. but, in the end, it turned out to be a happy accident because the resulting record, called >response< appropriately enough, is mind-bendingly inventive, brilliantly off-kilter and constantly surprising. crucially, the tough sonics are paired with killer melodies: this is deep, heavy music you can hum. the records he was listening to while making >response< help make sense of his singular sound

the latest immerse cut sees the label tapping once again into the fertile waters of haunting, leftfield 4/4, showcasing the hitherto unknown talents of el kid. the eagle-eared out there may have picked up on the young echo radio show, which features sam kidel (to his folks) alongside west-country compatriots kahn, vessel and zhou showcasing their new tracks and mixes. for most though, this will be the first they hear of the bristol-born, brighton-based producer. on both tracks the synthetic sheen of detroit techno gets refigured into an almost downtempo kind of house music. the melody is king, whatever sonic texture it might manifest in, leaving you with ample layers to get engrossed in. that same quintessential yearning quality ensures that these first offerings from el kid fit perfectly into the immerse canon. it will shake the right kind of dancefloor, but it will also tug at the right kind of heart-strings as well.

favourites of everyone from sinden to mary anne hobbs, r1 ryders follow up the excellent full throttle ep with this newie from their self-titled label. mixing grime, tech and ukf perfectly, these tunes will slot into a huge range of dj boxes – the awesome >on your marks< especially, with its lazer-guided synth melodies, heavy wobble bass and funkified drums making it a real standout. the strings n bounce of >cyber< is similarly epic, while the itchy tech-funk of >pop shit off< is frankly begging to have the acapella from ludacris >whats your fantasy< plastered over it – such is the similarity between their bassy stabs and off-kilter rhythms.

following off from the widely acclaimed >gangs< ep, dave.i.d brings a new epic, aggressive and tribal sounding record, which is a refreshing outburst from the rest of the new music we are currently swamped by. this is a creation of dave.i.ds perception of modern reality and his life within that and >response< represents this perfectly.
code for free digital download of this album included.

you might not be aware of this artist or lp… but thats all about to change. this is the holy grail of cosmic disco… that disco kids dont even know yet. released in 1978 on little known inter global records, this lp is one of the most in demand, expensive & undiscovered albums of this genre. just check discogs! not much is known about the group, where their from or what they went on to do, but that doesnt stop every track on this album being a bonafide killer. arguably the albums highlight is jamaica electric, but unlike most cosmic disco lps where there is just one main track, every outing on this lp is unique and of the highest quality. cosmic, mind bending disco at its finest… sounding so fresh it couldve been made by prins thomas or lindstrom this year.

tes la roks highly anticipated debut album entitled >them< will finally see the light of day. tes la rok made his name in dubstep circles in 2007 with the massive >round the world girls remix< which immediately positioned him as one of the most exciting artists and definitely one to watch. anthem releases such as >under the dancing feet< remix for clouds, >wikidness remix< for mungos hi-fi, and >up in the vip / living fire< on dub police were soon followed by bookings at dmz in brixton and dubstep mecca fwd>> at plastic people. >them< features thirteen tracks engineered with precision and care. these tracks are being championed by the main players such as distance, n-type, kryptic, minds, desto, pinch, addison groove and cyrus.

berkane sol present the vinyl debut of erra. erra comes bursting through your speakers with a riot of tuff drums and sweet melody – its like the sound of someone who has rinsed their console so much that its gone way beyond high scores and into a full on system meltdown. >stax< starts out with a dreamy intro which leads into the rudest of wake up calls – a proper peak-time jackin synth stab married to a smartly evolved bassline, all driven by concussive garage flavoured rhythms. >jookup< on the flip again demonstrates erras irresistible talent for blending blissful keys with hectic dancefloor moments, this time really bringing the sickly grime synths to the front, with some cute but disembodied vocals punctuating the action. the 12 inch follows up erras popular l2s digital release >cake music<, and neatly shows off this young producers rapid development. these tracks have been getting love from people such as: al tourettes (applepips), mary anne hobbs, brackles (rinse fm), n type (wheel and deal), dj flight (1 xtra), spamchop (wigflex), 2562 (tectonic), shortstuff (ramp), cardopusher (hyperdub), martyn (3024), martin kemp (blunted robots), elgato (hessle audio), selector dub u (hotflush), skipple (sub fm), west norwood cassette library (teal), king thing (fortified) ...

model man is the nom de plume of the diverse dutch man dj overdose. forever strangers is the second model man release with dark dense electro pop, sinister and playful on the new bordello a parigi imprint. comes with beautiful picture cover, illustrated inner sleeve and hand numbered press sheet. a great record made with a lot of dedication! the pleasure of buying vinyl!

such an intense, variegated, and singularly saccharin sound can only come from the mind of someone whos in love with life and music. its what puppy love sounds like for our generation. following the paul woolford remix of t. williams and terri walkers heartbeat comes local action 006, the first 12inch release by an amazing new artist from manchester, uk, called damu. after this, hes got material penciled in for blackdowns keysound label and more. the title track, a stand-out from girl units xlr8r podcast last year, is one of the best tunes weve put out yet, full of colour with just the right amount of lushness to it. while a lot of uk dance music right now seems to use colourful synths in an unimaginative way, damus drip, glow and fizz at every turn in the same way that ill blu or funkystepz do. listening to mermaids like diving head-first into a lagoon. after that youve got three more killers: the iron assault of >beat of zen< and the few-more-intense >sequinny<, plus a ‘beat of zen remix by chicago juke titans dj rashad and dj earl. early support comes from lv, girl unit, sinden, brodinski, starkey and more

after a long break cécille numbers comes back with a great 4 tracker from alex celler. after huge tunes like >caedmoon loop< and >a sin< together with his friend anthea, alex goes for his first record by himself on cécille. on the a side you find >blue vaudeville< a great emotional dancefloor track with an awesome catching groove, together with shonkys perfect summer anthem interpretation of this tune you have two different strong heaters for the hot summer. on the flip you find the cool clubbing monster >dawn in the jungle< with an unforgettable hookline plus >eccosaise< which shakes every ass on your dancefloor

the debut album from adele on vinyl lp.

nycs munga with a debut ep of quality edits & re-works. dj support from: jkriv / rayko / manmademusic & more…

after the success of the first release, max duke gives us another great deep ep on delphine records. full of moody and jazzy vibes.

stunning up to date hip hop ! enhanced cd includes all instrumentals and acappellas as 320kbps mp3s

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business É it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solŽ, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

the source material is varied and wide: 70s and 80s classics & tints from human league, rusty egan and space. cutting edge indy from hot chip, moshi moshis james yuill. underground house, disco and techno from baxendale, hiem, arj snoek and chelonis r jones. not forgetting jks take on some great songs by pocket and bozzwell. all threaded together in perfect tapestry. yes justus, you certainly are a master.

spannung im song: das kölner duo steht für sich selbst.

in june 2011 dj phono will release his first album on hamburgÕs record label diynamic. Òwelcome to wherever youÕre notÓ is a work of heart, of emotions of awakened, flourishing, and unrequited feelings. itÕs something of a kind that could neither be accomplished within a nights work nor even in a cycle of nights, but only in good time. dj phono and his producer jimi siebels (a different jimi / egoexpress / its records) allowed themselves to take this time, two years, to be precise

just when you thought that greasy delicious extra helping of biscuits n gravy was enough to make a movement, flapjack records busts into the breakfast mix with >gut bombs< by our bowel friendly funmaker nate laurence. nate laurence of the famed duo scrubfish n laurence first appeared flapjack records back on flap003 with a snappin remix. since then nate has gone off on his own cooking excursion to get a little greasier and dirtier up in the kitchen. >gut bombs< is testament to his grits n gravy dance floor gut bombing new style. dig it, but stay close to a bathroom

onwards and upwards for the section8 clan as they get ready to deliver possibly their biggest release to date with a mighty, thunderous dubstep assault from one of bristols brightest up & coming production duos, dodge & fuski. having built up quite a reputation already with some killer releases on labels such as never say die and rat, this one looks set to earn them even more attention, get ready for the sound system bangers! ethereal pads open up aerophobia before an epic, grandiose synth enters the mix to set the scene for whats to come and youd better be ready because its quite simply, sick! watch the dance go crazy as we kick into an absolutley heinous bass riff that grabs by the throat and doesnt let go with a smashing break holding it all together. it only goes on to get even better with a totally funked up 4/4 switch up too! more bassline manipulation ensues and the dubstep break returns to complete whats sure to be a massive club anthem. a lot of fun. onto the flip and the tranced-out intro vibe continues with another awe-inpsiring arrangement of twinkling synths and fx on fuckem all. though the ravers are gonna love it and thats really what this is all about. bangin!

fresh from the release of his stunning third album, >inner space break free< on the magic + dreams label, the unique and acclaimed live performer, bass clef delivers an anthemic summer 12 inch for the punch drunk label. an integral piece of bristols musical jigsaw, bass clefs live shows and dj sets have wowed the city for years. his punch drunk 12 inch debut is long over due. rollercoasters of the hearts euphoria fuelled piano refrain combines with dub echoed beats and rolling, ground shaking bass before delving deep into acid bliss, juxtaposing the darker, melancholic yet tough and club ready so cruel on the other side. if you get a chance to catch bass clef live, you wont regret it!

if you thought we were spoiling you with the last build release (baobinga & hyetals joint 12, loved and played by pretty much everyone), then you should probably look away now. yep, once again, the game has been upped most thoroughly: build006 sees guido, one of the most original talents to emerge from the fertile bristol scene, team up with genre-blind bass-music badman (and label boss) baobinga, for another collaborative 12&#8243,,, of impeccable quality and taste… and of course, weird artwork.
support from: crookers sinden jackmaster scratcha dva alex nut braiden simbad starkey geiom seb chew shortstuff, brackles, bok bok, hyetal, pinch etc…

in 4 years anile has steadily established himself as a underground d&b solider. this release for spirits label is a absolute stomper >exclusion zone<. real heavyweight d&b with no cheese. the flip >code of conduct< by anile & dakosa rolls out controlled techoid fun pressure with super weighty low end sub-bass. sinister music for the real d&b heads, perfect to mix, perfect to make you move.
dj support loxy, spectrasoul, d bridge, total science, s.p.y, lenzman, ink, manifest, raiden, spirit instra:mental and gremlinz, anile is certainly one to watch in 2011.

seit 2006 sind devin booze und sarah reynolds als ear pwr unterwegs. ein projekt, das von boozes instrumentierung, reynolds lyrik und dem kreativen zusammenspiel der beiden lebt. boozes ausbildung an dem von bob moog gegründeten music technology program an der universität von nordkarolina liefert das klangfundament, auf dem ear pwr errichtet wurde. mittels einiger alter synthesizer und reichlich perkussion schaffen die zwei dicht gewobene klangstrukturen. das bescherte der band nicht nur eine einladung zu dem von animal collective kuratierten atp festival in england im mai 2011, sondern auch eine us- und europatour mit ihren labelmates toro y moi. ear pwr , das zweite album des duos, wickelt die soundgespinste des 2009er-debüts weiter und offenbart dabei ein reichhaltiges set von klangkonturen. entstanden im heimischen nordkarolina ist ear pwr so freudvoll wie beruhigend, so sentimental wie neugierig.
inklusive code für freien download des albums als mp3.

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

black gold also contains a rendition of sandy denny s who knows where the time goes, in a minimalist arrangement that ends in an uplifting orchestration true to both the writer of the song and the performer. throughout the entire performance ms simone keeps a regal, aloof and sometimes goofy composure, her monologues in between songs ushering the listener a little closer to her moving performance.

on this release we have two goddesses of drum & bass, the queens of the jungle ... diane charlemagne (goldie >inner city life< / high contrast - >if we ever<) and ladyroller (ez rollers >tough at the top / walk this land<) and what an honour to have worked with them both. still as much talent now as back in the day.
here we present to you 2x 140bpm straight up bass bangers ... simple as that. you know the protocol, turn it up load and keep it rolling till the morning...

this latest single from disaszt is the third in a series of five to be taken from >shadow & lightning<, and delivers two of the dirtiest slices of dancefloor d&b you will hear all year. both tracks here are collaborations, >try me again< sees disaszt link with high maintenance a recent signing to shimons audio porn label, while >ultimate win< sees him join forces with regular studio buddies and fellow austrians kos & tenchu.

tube10 returns with their 10th release already and their not mucking about! usas own don distal is stepping up with the ever epic >apple bottom< is it juke? no! is it house? no! is it dubstep? hell no! apple bottom is a hybrid tune is there ever was one ... this one smashes the dancefloor and leaves the crowd begging for more. with its juicy form and rave like edits its obvious that distal is no one day fly. with releases set for pinchs tectonic label and sindens grizzly you will know what to expect from this guy.
flip it over for >space graffiti< another piece of interstellar vandalism. this time distal shows what he is worth on a more dubby side. dont underestimate this one as this will pound any speaker system to bits with its firm deep bassline. let the tribal beats pick you up and put you down wherever you want to!

swedens drop out orchestra return with an amazing disco balearic version of the sex pistols classic b/w a live disco version of the classic jx - son of a gun. support from rayko, bang gang djs, faze action, tronik youth, frank broughton: (dj history

original motion picture soundtrack

with niko schwinds first album for stil vor talent you never loose the feeling that each of the tracks would work harmoniously on the dancefloor, but also within the concept of this album that goes from slow-moving vocal house to pretty nifty tech-house and back. niko schwind is a magician when it comes to producing very fine and mature pieces of house music that are sure to work great on the dancefloor. maybe niko has had the dj in mind that he is himself, as the tracks seem to perfectly provide great productions, but also the ideal ability to mix them in and out, with little samples providing great audible cues. after all, as the title suggests >good morning midnight< is an album with the dancefloor in mind

everybody better bring some towels, because housemeister is about to soak the world in electro champagne. presenting his third full length music, the dirty don of club music did it again. touching ravers hearts and hitting ravers right on their heads at the same time. in arts, good ideas are hard to have, but easy to get - masterful musical output is pretty hard to create, but once itÕs done, itÕs about pure listening pleasure. and with a thousand shitty drugs flooding the streets of music today, it isnÕt everyday you get to consume the 100% stuff. Òmusic is awesomeÓ is that shit thatÕs straight from the kitchen, and housemeister has produced this bitch to the point like a 5 star chef. it seems playing clubs and crowds all over the world do add to a players game. add class and confidence. add experience and excellence, add balls as well as balance, and maybe it just takes 15 years of hardcore djdom to be able to come out and kill like this. music is awesome!

the balearic house sound of saturday nights at pacha and beyond, this is spiritually ibiza