2nd album by raw british indie-rockers eight legs, straight out of stratford-upon-avon!

soul camps smashing dubbed out, boogified original ( released on scr007 ) returns in 4 mixes by a finger-licking allstar cast. sense records artist soul parlor donats a laid-back, smoked out off-beat funkster with blinding rhodes, edgy, sharp beats and futuristic sounds galore. french production team affol’man keep the funk level high but this time embeded in a raw, slow-burning 4/4 groove that shows some oldschool hip-hop attitude. martin landsky and michael vater ( aka phonique ) represent the intim label in fine style: stripped down with loads of room for the original organ pads, subtle percussion patterns in the background and a dangerous bassline with a dub leaning. hamburg house messengers snider ( silver recordings ) and titus keep it on the dub side with a growling, slow-burning groover that twist your heads with some strange, haunting string stabs and hits you low at the same time with it’s gnarling analogue bassline. top-notch package bringing the goods for just everyone!

bozzwell throws us a slice of deep computer funk, a dark and skippy journey, a story even! not content in churning out tracky dull techno, hes come up with something deep with a thoughtful and intriguing narrative lyric and remixes by popnoname and andre kraml

flying circus music, returns with its second release, this time rocking the deep, extended, dramatic house vibes of radio slaves interpretations of humates love stimulation. the new-berliner matt edwards took his popularity from underground to overground, and right back round again. the world-travelling dj founded his solid, big room production style while his infamous bootleg and remix work was a mainstay of the uk electronic scene. now, with the strength of his rekids label and his unmistakable production approach, he re-works this early classic of german techno/trance élove stimulation into two remarkable slow burning epics. the >full length vox remix< builds from very opening bars, carefully combining classic house sensibilities with a totally free and organic, long flowing arrangement. at over 15 minutes, its a heavy weight tool for those late, hedonistic hours! carrying on the blissed out theme, weare also treated to a panorama garage remix, that bears a more raw, jacking house vibe, with its straight up beats and deeply-swung chord stabs. radio slave is a master at keeping things ear-tinglingly stripped, yet still filling the room with power, energy and tension. these two remixes certainly pay their dues to classic days gone by, but they also stand out as superb examples of the modern state of house. judging by this release its still as strong as it ever was!!

if we ever called it a classic…this is what we meant . after releasing one of the best artist album of the last years on carl craigs planet e label, kenny larkin joins now forces with one of the most influential artists of the recent times shlomi aber, and his acclaimed label be as one imprint. shlomi aber and legendary detroit pioneer kenny larkin are two artists that needs no introduction to the techno crowds. while the first one is recognized as one of the most forward thinking artists of the recent years, the other one is responsible for releasing some of the finest pieces of electronic music ever produced. sketches ep comes with 2 different versions of the same track, both having old school vibes reminiscent of the days when house and techno went hands in hands. kennys version is a superbly produced slice of techno, with an amazing drums progression in a typical larkin style sustaining a hypnotic lead pattern, all conjuring together to take the dancefloor into a 10 minutes long, deep and mind tripping tour. label boss shlomi aber, takes a different approach by putting out a tougher version, a loopy phat bassline and a jazzy rhythm with snare hits makes this tune a funkier techno shuffle a pure classic to come, already supported by basically everyone, from the detroit old school guys to the recent house and techno leaders

autonation s sit on the bass was released on esteemed label r&s , 18 years ago in 1991.. (shit! was it really 18 years ago??)
autonation kindly agreed to a re-release two years ago after a meeting in a pub in ladbroke grove. sit on the bass has been a mainstay of label boss jerome hill s sets since it s release all those years ago and still sounds relevent and rocks crowds today.
autonation is none other than seasoned producer dave campbell who over the years has released a vast body of techno, drum n bass, and ambient music under the aliases kibu, hiryze, xtro, greenback and of course autonation on labels such as rising high, certificate 18, r&s, cue and guy called gerald s juicebox.
its an absolute techno classic, but not one of the obvious ones that get rolled out for every old skool back to the 90 s set.. so get on board and be in the know before everyone gets on it!!
jerome hill steps up for the remix on the b-side utilising some fierce rumbling sub bass and keeping the energy levels on 11 for the dancefloor..
this release has been cut super loud and is the first 2-tracker on don t for just this reason.

weare proud to welcome marc antona as the newest member on the highgrade artist roster. unless youve spent the last few years living under a rock you will most likely already know his name! the french producer has recently put out releases on several hot labels like freak n chic, micro-fibres, sender and mobilee . the opening track, >red faces< instantly proves why marcs sound fits perfectly into the highgrade musical universe: highly energetic and hypnotic, it develops slowly but relentlessly into an irresistible groove. the first track on the flipside >wheel of chance< skillfully picks up this train of thought, throwing some more percussion into the mix, which next to some bleeping synth lines will guarantee effortless intoxication on the dancefloor. hustle< on the b2 grooves on relentlessly as well - with some slick seeded reverse claps and detroit inspired synth stabs. our hats are definitely off to this release, and we look forward to many more from mr. antona!

lifeworld presents the intergalactic techfunk from the minds of glasgows solab. known for their killer releases on 7th sign and various other labels, you know you re in for something good! distant galaxy is a deep and mesmerizing track. killer beats accompanied by a great grooving bassline provide for a tight back bone. topped by erie synth strings and spaced out effects, this track is a real burner. on the flip we have the killer track new life. this track is simply gorgeous. just check the exquisite multi layered sounds and killer percussion. sleazy and slow paced grooves. this is sssoooo good! last but not least solab take things into much housier territory. wide awake is a static paced dancefloor nugget with a deep bassline and atmospheric soundscapes. the filtered synth sound running through out the whole track gives this track a true house feeling. this just cant go wrong!

keep me in my plane is the follow up to the succesful single the plot, including remixes by dj koze and kasper björke. a downtempo disco track that could remind of early talking headsà but goes much further! tip! the danish discorockers whomadewho released their second album in march. and who would ever have thought this: now, one month later, they are everywhere: you can see them on covers of music magazines in germany, france and uk. their concerts are sold out and the blogs freak out about the new singles and weird videos. after the first single the plot now here comes the follow up keep me in my plane. a downtempo disco track that could remind of early talking heads but goes much further. it got a clear touch of scandinavian pop - but without being cheesy as so much of the music we get from the north. remixes come courtesy of german superstar rmxer dj koze (the first remix after his remix compilation on get physical) and danish upcoming master of new house kasper björke

what sharon van etten?s heart bleeds her songs soak in and offer up to those throats in need of slaking. this is what we expect from musicians who trade in the autobiographical. we hold forth empty vessels and expect them to be filled with the reflective elements of a songwriter?s soul, mirrors within which we search for some small recognizable part of the self. ?because i was in love? features sharon van etten on vocals, acoustic guitar and tambourine, and greg weeks on electric guitar, organ and wood blocks.

phantasma volume 2 by dinky, matthew styles and pier bucci is out now. this lovingly designed record is produced by three artists we really like and and it is just grea they decided to work with us again. matthew is damn sure one of our favourite producers and pier s skills are nothing short of his. on the last release we made with them, they d worked together as oblique strategies on balld inc. for phantasma volume 2 pier wrote a track on his own, highlighting the noble beats he is known for and expanding the explicit cadenced patterns with a chord phrase that leads the structure to perfection. dinky whose work was released on such labels as cocoon, traum, vakant and of course on her own imprint horizontal composed the other side together with matthew and you can sense their familiarity at once. the two arranged >choises< carefully, sleek and free of any kind of hubris. well, this attitude is hart to find these days and their versed piece may calm your stressed out ears both in the club and at home

with the natural selction release fresh in our heads reeko already presents his next big hit on his own label! very well crafted techno for the serious beats lovers. witchcraft is the perfect title for this creepy spaced out techno. you will cry for your mommy when you hear this played on a proper soundsystem in a dark room filled with smoke.

plattenbau-music presents his first release on vinyl. thegerman label celebrates since 2004 great minimal-techno-partys in allmost every club in berlin. the song chimpys brother chipmunk is remixed with 3 songs by laufmasche, bjoern nafe and roberto mozza. his artist tonkberlin plans two more songs for 2009. laufmasche released his last tracks on snork. bjoern nafe coppled his tracks allready on aspekt records out. the third remixer roberto mozza is a member from plattenbau-music and.

itÆs been a couple of years since victim last released a full 12, but just like the buses you wait that long and then two come along at once. for victim, the >off piste< 12 follows hot on the heels of their split 12 with jerome hill & dont recordings. in the case of ben pest, they are coming thick and fast at the moment, with a recent release on lukes angers bonus round label, and an upcoming 12 on the seriously deranged panic bridge label. so, all in all a busy few months. as for the tracks, they all share in common a seriously weighty bottom end, and a tendency for crunchy acidic midsàbut that is kinda where the similarities end, as ben takes the opportunity to explore various avenues off the main street of techno. from the stomping acid workout of >zeedonk< to the more electro-influenced beats of >pain n gain< this is a record that covers a fair few bases (basses?), although all with the aim of thrilling a crowd that enjoys their techno on the gnarly side.

techhead toolbox is a vinyl series concept brought to you by techhead recordings based on the idea that the most basic tools are simple machines. the audible result aims in crossing the line between techno as we know it and techno as we don t. each record is inspired by the usage of different tools and each tool plays a significant role in each record. the always innovative duo of john karagiannis and paylipservice (techhead recordings, soulaccess, relatives, techment) put out their scissors while wehbba (jesus loved you, great stuff, get physical) and paul hazendonk (stolen moments, adult) work with them creating the first record of techhead toolbox, surreal scissors.get into the concept!

ill keep on loving you lays down a commanding piece of old fashioned electro-disco, particularly notable for its blurry, washed out vocals and stately downtempo synth-funk. next, >living without your lov< weighs in with a bassline that halfway between >another one bites the dust< and daft punks >around the world< before sublime synths, twangin guitar and vocal edits pile into the mix to round off a delightful piece of grade-a rose-tinted disco.

delusions industry proudly presents release 3! after the big success of the first two releases on this dutch indie label here with another top kickin 4 tracker which is already in popular demand due to the heavy dj support... the a side kicks off with fuck your own face by dj obscurity & dj rampage, a terrific hardcore track full of hard bangin kickdrums, phat synth lines, tough sample use and cool edits, a true hardcore floorfiller! the a2 track is presented by chrono & the demon dwarf who just had their debut release on megarave records, a great more uptempo hardcore bomb which will be highly apprciated by those who like it a little faster! the flip side starts with the solo track by dj obscurity: obscure afterlife, a more spooky & raw hardcore pounder which is featured on the new thunderdome compilation (fight night)... the 12inch ends with captured by evil, also by dj obscurity, which is a more exprerimental track full of distorted kickdrums and heavy breakbeats. so all styles of hardcore are presented on this vinyl, another delusions industry masterpiece, do not miss out!!

tripping & subtle dubbed out, stripped down & heavy house rhythms tracks

incl. jerome sydenham rmx !! nihad tule has had a busy few months working on new material for adam beyerÆs iconic drumcode imprint. luckily he found sometime to deliver spectrum this masterpiece of dubbed out, deep, melodic techno. its a beautiful driving track with swirling and rising synth-lines that are ideal for the early morning vibe, but still has enough weight, in the massive bassline and drums to keep the dance floor very happy indeed. remix duties come courtesy of jerome sydenham, another producer making some serious waves at the moment and also awaiting an imminent release on drumcode.

favorite recordings is proud to present this new killer hip hop number from yann kesz & lmno. lmno from the exceptional group visionaries has been working with some of the dopest producers and artists around such as kev brown (featured on the track sur too strong), j.rocc (beat junkies), dert, ld, georgia anne muldrow. on this project, a 12inch featuring 6 hard hitting beats with contagious hooks, lmno takes a trip with wizard yann kesz. on the soul infused never stop!!!, lmno explains how family, good times and bad, push him to never stop... thankfully for all of us lucky listeners out there!!!! this is high quality stuff, soon to be followed by an album as wicked as this 12inch. limited to 500 copies worldwide, so be quick!

blockhead drop the æfunky soul sampler just in time for the summer months featuring some top notch names. australias d-t3ch hits the spot with æswingin for the fences with many djs charting and playing this 1 from the ep. magnus wedberg hails from sweden and has recorded for lables like black vinyl & groove baby. æbrooklyn has had support from the inland knights.the title track from the ep comes from scotlands craig hamilton having had tracks out on tango / greenhouse & flatpack traxx etc. æfunky soul is a wicked rework of the james brown classic, purple musics jamie lewis has picked the track for his new mix cd dj support from giom / dj heather etc. rounding things off we have singapores #1 dj kane ian who takes things a bit techier and finishes the ep rather nicely

some spicy latin salsa to heat up the dancefloor at your tropical dance party! there s nothing quite like listening or dancing to good strong latin music, and i m not talking about wishy washy bossa nova or boring rumbas that your mum and dad danced to on their honeymoon cruise in the caribbean. i m talking about tropical rhythms that make your hips grind and jiggle, complex, crazy beats that make your feet take on a life of their own, hypnotic piano and blasting horns that whirl around inside your head, intensifying an already exotic experience. it doesn t matter if you don t understand the lyrics, the fun is all there in the vibrant atmosphere and the knowledge that you re listening to pro musicians making seriously exciting music.
when it comes to proper latin, there are loads of bands to choose from. most of them don t get a peep outside of their local communities, it appears that the latinos are only too happy to enjoy their own music, and so what if the rest of the world can t hear it? not so orcestra esencia - this west coast usa outfit can give it some if they really have to. check out these two irresistible tracks. tropical dancefloor salsa at its finest. now that s what i call bangin latin!
we re not the macnamaras, and we re not leaders of men. we are an east bay salsa band, the finest in the land. we play at wakes and weddings, and every fancy ball. we cancel playing funerals, to play the carnival!

halo beats and slaughter mob are on fire right now with an abundance of releases out and forthcoming. this release is different! techno skank incorporates the current techno trends within the dubstep framework to devastating effect, pure dancefloor vibes bound to crossover to the mainstream. support from comes from the sub fm crew (voted best internet pirate), hatcha & skream. go get it!

from out of a clear blue sky comes ?my electric family?, the second full-length and third all-round release from new zealand?s bachelorette. bachelorette?s music beams to us through a universe of unconquered pop music, where long beams of sunlight extend to infinity, and blue moons rise wistfully in the deep purple expanse. she stands in the cradle of modern songwriting, that of psychedelic pop music. the sense of infinite possibility felt in those songs, the desire to manipulate a collective sensation to become anything at all, informs bachelorette?s journey. bachelorette?s song structures are traditionally examinations of love and longing, the exploration of self versus self and in relation to the surrounding, silent universe. the songs of ?my electric family? emphasize a particular fascination: the meeting of man and machine. ?my electric family? is an arresting development in the world of sweet pop music.

second output from the needlight records imprint. this brand nu label has been settled up by cisco and miss chrysalide, 2 well established artists out of the parisian electronic scene.the label will cover a wide spectrum of electronic dance music. nothing but music without boundaries, as you will discover with this project >tribute to< by french female producer miss chrysalide (qalomota records, missive) releasing a dark, sweaty, hypnotic ep

the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we are gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. all packaged with brilliant artwork by our own in house designer bob !!

the magic fly returns to bastard jazz for his follow-up 12 inch to his >champion mushroom ep< released last year. this time around, he enlists the talents of prolific uk soundsystem veteran ricky ranking (recently known for his appearances on the bugÆs >london zoo< album and his work with roots manuva) on the mic for some serious vibes.
>two planets< is a true summertime crate mainstay, this tune has been floor tested and crowd approved while waiting in the wings at bastard jazz.
on the flip, up-and-coming bristol producer mr. benn takes the original reggae-disco flavor of the original and throws some nasty bass wobbling stylings into the mix with just a touch of baltimore club music. itÆs a bonafide dancefloor killer with rare crossover appeal into the dubstep, breakbeat, b-more, and bass driven worlds û with hints of them all. also included is the instrumental of the original for your mashing pleasure.
full support from a wide and diverse array of djs like ursula1000, drop the lime, dj vadim, kraak en smaak, the nice up! soundsystem, tim love lee, in flagranti and many more!

he s the man of the moment. james nidecker, rising star of the dutch technoscene, is always sure to raise an eyebrow or two. not only his djsets, where the amsterdam based artist is often getting the crowds wild with his dark gothpunklike outfits, but also his recent productions can be called mindblowing. nidecker perfectly knows how to combine his dark vocals with uplifting beats, combining influences from electro and minimal techno. s.t.a.l.k.e.r is the culmination of his talents, a hit record already wandering around the dutch clubscene for a while, now finally released on alexander koning s upstruct imprint.
the aside of this release provides a more than outstanding remix from dave ellesmere. renowned for his collaboration with producer 2000 and one under their name microfunk, but nowadays also reaching international fame under his own guise, ellesmere turns s.t.a.l.k.e.r into an ideal dj tool. with a length close to nine minutes, his mix slowly takes the funk of nidecker s rhythms to an upwinding, more techhouse based floorburner.
the other side of this ep is more about the clubs, with dutch dj producer georgio schultz and alexander koning together transforming s.t.a.l.k.e.r into a housetrack like there s no other. here, the unique vocals of nidecker are combined with more melodic, sometimes crazy sounds, always keeping the original flow of the track alive, but taking the best parts of this clubhit to a next level.

plays by:shlomi aber, alexander koning, karotte, shinedoe, namito, dubfire, raresh, ellen allien, bart skils, gel abril, laurent garnier, anderson noise, nuno dos santos etc

according the info provided by the label this is all new tracks from art forest, the actual son of cybotrons rik davis. some freaked out electro techno that harks back to the early days of model 500. we are not sure if they are telling the truth (or are we sure they are not telling the truth!? stuff like this does not come around often.... dont sleep!!

the chicks have been busy in the last 2 years, filming video, making art installations, girl monster extravaganzas, reading books, exhibiting all over the planet, making patchwork fashion collections (for insight, crystal ball and yoox.com), building high heeled shoe guitars, high tech super suits that trigger sound and video and other objekt instruments ... and they even found the time to make this new record!

this is the first ep from claude vonstrokes new album due out october, 2009. it represents the deeper, moodier shades of the full-length project. the lead track, >aundy< is featured prominently as the closing music for claudes epic fabric 46 mix to be released on the same day as this vinyl. it is also a homage to the 90s drum bass sound of people like ltj bukem and good lookin records. on the flip, >storm on lake saint claire< is a vibing summer track that builds and sways with cascading melodies raining down on your ears. it is a perfect building block for bridging the gap between moody house and big room thunder.

- 5 kanäle • jeder kanal mit 3-band eq8 line, 3 phono und 3 mic eingänge2 usb ports, als ein- oder ausgang zuweisbar • usb in zum anschluss von computern als audioeingang • usb out zur aufnahme des sets auf den computer • symmetrischer xlr master ausgang,

another hot jam for your favorite soulful house label !! dj jorj, australian superstar dj and producer is on duty here. after many releases and remixes on various labels such as defected, look at you, papa recordings, distant music or curious records, dj jorj is back with a track that define what soulful house is all about: warm instrumentation, hot and bouncing beats, funky organs, not to mention the blazing vocal performance from nonetheless than heavyweights artists michelle weeks and byron stingily !!! on remix duty this time is juan kid, better known as jason herd, for his releases on subliminal among many others. he hits the big room scene here with 2 storming versions that complement perfectly the original mixes. a must have release !!!! support from ralf gum, rocco, danny krivit, osunlade, richard earnshaw, darrio dattis, dalminjo, david penn, dj pope, the layabouts & more !

killer 12inch release from one of the best contemporary keyboard player out of the french jazz scene... somewhere between jazz, soul and funk... blackjoy grants us with one of his secret formulas remixes to take the track into other dancefloor dimentions... dont miss out

great remixes from the french house don llorca. on a-side, llorca takes one of the best mid-tempo song from alice russel s latest album pot of gold , and turns it to an uplifting funk monster. with an infectious, fat bassline and classy rhodes, there s no doubt that got the hunger will stir huge damages on dancefloors. b-side displays another ludovic llorca s side, under his art of tones moniker, using 1987 s sterling void it s gonna be all right acapella, and relifting this old-school chicago anthem into a 2009 modern and fresh deep-house sounding gem.

first single from the forthcoming izmo album æearly night. izmo is a young frenchman born in 1984 in paris. he was discovered by harley&muscle a few years back when he tried to get in touch with them.. he started making music at the age of 15 years old , strongly influenced by the ambient and electronica music coming from uk and germany. as years passed by, his frequent holidays in englands midlands led him to discover various club scenes with the 4 to the floor spirit.. from hard stuff to funky and mellow music , izmo was soon found searching for a sound that was calling him... years passed by and izmo is now deep into house music where he finally found his roots in the 90s house music vibe from new jersey , chicago , detroit , england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to old school or new school: i hate when people say that this sounds old school and that style sounds old or whatever...for me, a vibe is timeless ... izmo is also a deep techno head and all sorts of raw dance music.. watch out for his deep jacker and brawther aliases in the future... in summer 2007, izmo releases his first e.p. as a 12 inch on french label 9ts records, and gets a very good response, support and plays by legendary tony humphries... disguised as a tribute to smack productions , his where is eddie e.p. touched people from all different scenes, from deep house to uk garageà in 2008 , he will release his first full length album on little angel records, 14 tracks of strictly deep house music of different moods and atmospheres. izmo is thirsty and he will keep on trying to better his music for the pleasure of the real house heads. keep it underground ! support from laurent garnier, gorge, scope, osunlade, rocco, jay tripwire, dj rork, marlon d, dj dealer & more

>there is nothing more alive or energetic than crystal fighters dazed & confused. offering raved-up folktronica and minimal electro pop and veering from fischerspooner-style euphoria to animal collective-toned delicacy time out crystal fighters reputation has rocketed in 2009, perhaps due to their uncanny ability to create carnage at every performance. loud & quiet forget what you think you know about londons party scene, crystal fighters have the perfect remedy for those jaded eyes and ears< fact

here it is the first official ost on permanent vacation: gutterballs. gutterballs, by ryan nicholson, is a groovy, sleazy and pretty dang gory grindhouse revival slasher in the vein of the great 80 s horrorfilms. the film takes place during a midnight disco bowl-a-rama at a popular bowling alley, which leads directly to the great soundtrack by gianni rossi, who composed a mix between classic, goblin-esque, synthie flavoured, horror-movie soundscapes and uplifting italo pop/rock.

jazzmin deliver the goods yet again with this killer jazz dance 4-tracker from m swift! it opens with disco, a wicked energetic disco jazz nugget, that wouldn t seem out of place at the end of one of mr scruff or gilles peterson s dj sets! ôpanamaö is more laid back, sounding like soil & pimp when they re not bouncing off the walls! over on the flip there s two killer remixes , 4hero s marc mac underpins the live instrumentation on caf? bahia with a tight jazz break. moon at noon remixed by french beatmaker fulgeance delivers a rough wonky jazz hop vibe, keeping the jazzness of the original and adding a heavy banging beat. m-swift presents 24 carat æs forthcoming album will be released soon on jazzmin records:

nice price deal !!! essential & deep album by the man monoder aka jussi pekka! timeless beauty ! monoder. born in the cold north among industrial warehouses, people wearing only gray and random rabbits crossing the streets. his home town has two-lane streets which were made for the mass movement that never happened. physically close to civilization but mentally light years away. with the economic regression hitting hard, the town is filled with unemployed and old people wandering the streets and trying to find out what went wrong. like zombies of a mental desert. monoder. though the name sounds familiar, he has nothing to do with italodisco or electropop. the music, as the name, is filled with cold, stripped down and hypnotic atmospheres. taking you on a trip filled with hunger, cold breeze, forests and frozen tundra. the studio is on the roof-level of abandoned rubber factory, where disillusioned entrepreneurs try to get their daily bread doing what ever. moist pushing from the sealing and walls. water dripping during the mixdown. someone pulling cargo in the hallway.

spaced out mixes by mighty mouse, morris and mckie and soft rocks!! cant afford to miss this...

enjoy a spaced out cosmic trip by richard fearless!

a little piece of sampledelia from maxmillion dunbar (future times, food for animals) and ari g (manhunter). you know when you scoop a record at some flea because the art looks tight, but it turns out that the shit is wack except for some little beautiful chunk? yea you do. we rescued the good parts from many terrible records that otherwise just would ve collected bad vibes on our floors. dudes trying to bring back something like early daniel wang but mix it with heavy boogie visions (swimmers groove) and all these psuedo-african slow cuts from the 90s that we keep finding (o yea). lifeguards for the vibe.

4 tracker by fiend & deathmachine. both rinse out with one heavy hardcore track, and one heavy breaks/hardcore kinda track, drum & bass/breakcore influenced. fiend - hell is an absolute dancefloor burner, even as want to know. both other tracks offer a nice mixture between beats & breaks! quality ep

excellent release by mastermind delta9, superb industrial hardcore/ darkcore 12, must have for all hardcore heads out there

epic’ is the word that springs to mind when you witness the power the latest bushwacka! tracks hold over the dancefloor. picked up by pete tong early on in its life ‘show of hands’ has already enjoyed numerous plays on radio 1and is the first up on the a side of this package. percussion excellence provides the backdrop before the cruelly unforgettable hook takes things to another dimension, nevermind level. licensed to numerous compilations and with the worlds elite djs caining it, this track is sure to be a big part of your summer clubbing experience. a classic. and after the end, comes ‘the beginning’. deep hypnotic stabs and whirling melodies, evoke images of the morning after the night before, heads down clubbing at its best. the icing on a very tasty musical cake.

fear of flying presents the first in a series of extremely limited edition coloured vinyl only pressings. low volume, the alias of a well known producer who wishes to remain anonymous for the time being, produces 3 tracks aimed squarely at those afterhours sessions. the ep kicks off with the appropriately titled afterhour , a slowly evolving hypnotic groove with tripped out noises a plenty to give a serious feeling of heady depth.

remixes by shinichi osawa, k.i.m., light year, flight facilities featuring louis austen
bag raiders return from their middle american bowling alley dj tour to release the turbo love remixes on banggang 12s. ditching the b-side (to be re-released as its own a side real soonà.watch this space) this package turbos up, straps on some nitrodepth chargers and shoots the tune off into the noisy dancefloor hit-o-sphere. shinichi osawa. wow. his remix can only be described as power- dance. he takes the original, whacks even more turboness on it and re-sings the vocal himself to make an abrasive almost-but not-quite- trance hands in the air blisterer . the perfect soundtrack to your late night steroid and powerade party. kim took a short break from his role as presets party machini to reverse a monster truck and a half full of donks onto the original that hots-it-up into a turbospeed booty monster.

as costello continues to look long, the grooves continue to flow. lng3 sees the reissue of the deep house classic pleite which originally appeared on trapez in 2003. recorded in dublin in 2002, this version has been mastered at dubplates and mastering, berlin in 2009. the results are stunning and serve as a welcome reminder of costelloÆs deep roots. pleite (costello dub) in particular could teach some of todayÆs hyperactive producers a thing or two about setting up a solid groove and letting it sit. the timing of this reissue could not be more perfect with regard to the current musical zeitgeist. the title, a german colloquialism for broke or indeed bankrupt which was an in-joke at the time of the original release, takes on a new significance in the context of global economic recession.