the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

hard signals for hard people !! carlos has been blowing up dance floors across the world with his phenomenal live pas. this track milkbox can be a great intro to a set. nice clean percussion and deep bass will surely let your crowd know what to expect! this techno pioneer is known for the highest quality of production in the business. he has tagged up with fellow producer j. walker to bring is an incredible techno stormer called vendetta. this track is intense as they come. a whole slew of amazing edits and stabs. thrusting kick and killer bass, guaranteed rock any club around the globe!! a powerful rolling synth line with a dirty kick and bass, people will catch on to this almost immediately. this is the start of a huge career for

mega sampler with pure new electro bombs. include the mega hit and very awaited garden s of fred rister. + a new electro remix of the massive hit >kick that bass<. an explosive sampler to rock the dancefloors!

early plays by steve rachmad, jerome, lat hoger, bart skils, shinedoe, jeff mills, len faki, adam beyer !! a fresh new release from these amsterdam based producers is ready to hit the streets! on the a-side is a big room techno bomb, raw synths, fat kick, plopping sub basslines and plenty dark subtle bleepy sounds. >psyche< is a highly techno infected track with deep basslines and sissling hats, peaktime material!!

massive uk techno / electro mover !! a teenage fascination with the outer reaches of contemporary music (beefheart, psychic tv, non, pharaoh saunders, the fall) and stints in various bands saw wright ditch the physics degree and return to york university to study music technology. by the start of 1992 he had made the jump from enthusiastic amateur to record his first tracks with john dalby in the local finsbury park studios in york under the guise of germ.

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

new minimal elektro tune, remixed by swared & alex elle, christian viviano & dj amon!!

the third release offers two legendary tracks by german hardcore godfather marc acardipane, on the a-side the, still, awesome tune pitch-hiker, better known as the famous lost 9 release, the basic yet deadly effective track full of distorted kick drums?on the flip apocalypse never, the former lost 10 release which is still casing mayhem on all international hardcore parties!so here you go, two juicy classic hardcore bombs which are still in heavy demand, both totally remastered so ready to blast your local hardcore party!!

this summer mos ferry prod. comes up with a new two-track 12inch by dapayk solo, announcing the release of his second album >devils house< in late september. the title track on side a is already giving directions for this journey – provided that theres a proper bass response – >frickelsound< with affection to the little details, in particular with regards to the bass frequencies. but knowing dapayk thats hardly surprising, by now ... on the b side he presents >a saw attacks< - a track like a recapitulation of certain minimal elements that are around for quite a while now. but only the beginning is a typical sportive staccato theme. after a while a full-stereo sawtooth sound and a demoniac vocal sample take the lead, pushed by a strong punchy kick drum and accompanied by a sounddesign of clicks and sweeps

played by karotte, l.garnier, steve bug, sebo k, mike shannon, layo, d julz !!! we are pretty sure that maetrik sent us his latest ep from a grow room orbiting the earth. his space chronic ep combines the innovation of techno with a sense of fun missing from your average four on the floor banger. its a little shocking, but the results have been exactly what wed expect from the dallas native - mass freaking on the dancefloor. the albums lead single, sex with bass, explores the type of low frequencies that usually occur when suspension bridges tear apart. all the while a subsonic voice repeats its desire to have sex… with bass! stab jockey throws a techno curveball at the start, utilizing rhythmic synths over a simple beat. dont trust it! midway through, the line clears out for full-frequency busting bass drops. on the flip, crawl machine immediately builds a head-nodding groove that wastes no time firing off its boosters – half the track is a sneaky buildup. by the time the kick slams back in, youre already back in orbit. cuban born maetriks techno pedigree is bulletproof.

we are very proud to present the debut of 21 year old tim toh, a fresh producer with such a huge talent and character in his tracks, we guess, we didn t hear for the last decade in house music! that s a big goal to claim, but it s also the reason, we signed him for a three-part series called >join the resistance< and this is part 1. the a-side is like an intro to the whole series, starting with some charming detroitish-sequences and a smooth piano, while the beat shapes itself naturally out of the track with raw percussions and a thumpin kick... from then on it twists and turns into sweet eternity…timeless! the b-side is beatdown rhythmic wizzadry and a tool par excellance, polyrhythmic percussions and a beat that will shake every floor you dare to play it

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

long and sleepless nights were the inspiration for slaapgebrek wich means sleep deprivation in dutch. the results of these sessions are two moody & hallucinogenic tracks, wich represent a state of mind only to be experienced after many restless nights. the original mix with its freaked out shuffled drumpatterns, rave stabs and maximal modulated bassline is peaktime dancefloor fudder for any crazed techno night. frustrated bleeps and fx give it a nervous twilight zone like feel, climaxing and clashing throughout the track. the flipside takes things on a lighter, more emotion ridden tip. the rhythm is stripped down of all nastiness and the bassline friendlier and melodic. halfway through the break the violins kick in, resembling the break of dawn after another night of turning and twisting without getting any much deserved rest. perfect afterhour material.

labelchef asem shama pflegt die reduzierte bassdrum zu schlagen. subtiles understatement statt protzender ravefanfaren. dezente variatonen mit kick statt trommelwirbel ohne hirn

labelowner frank kvitta presents an extra special release on his 5th bullshit record! space djz bringing their jackin hardtechno sound to germany. dropped the needle: full of heavy bass, edited vocal samples and building noises. frank himself drops his hardtechno version of the a1 track and takes it to the darkside. frankybangerz on the flip starts of with the heaviest kick you will ever hear, succes on the dancefloor guaranteed. jackin is another combination between the jackin sound and hard techno with the heavy kicks and full of basssss! dont miss out on this one

incl spartaque remix !! contemporary techno bass line meets the whistles from early days of rave culture, cold and clear synthetic lead transforming and pulsating on the solid kick drum

licensed from kick fresh records germany, mixes by ian carey, tv rock plus original mix!!

jesse siminski is one of those musicians its impossible to ignore. whether producing as heartthrob or alter-alter ego vivianne projects his work is instinctive, insightful and driven by an irresistible force that instantly rubs off on the audience. its no surprise then that the first single to be lifted from heartthrobs eagerly awaited debut album >dear painter, paint me< is >signs<, a track that fully demonstrates the extent of his repertoire. one of the highlights of his not-to-miss live set, its also become a corner stone of richie hawtins dj sets over the last few months due to the massive crowd response it generates whenever it drops. billed as homage to classic detroit techno, theres a real air of expectancy about the mix friendly introduction. the powerful kick pattern, swirling sci-fi vocal efx and loose hi hat groove soon make way for the urgent, cavorting main melody that spins off into another dimension before a massive, resonating synthetic bass wipes out everything in its path. one of the main ideas running through the album is the juxtaposition and layering of different rhythms and time signatures and this really comes across on signs, with disco and caribbean inflections adding a cut and thrust to the chugging groove, creating the perfect foil to the sonic mayhem overhead. the b-side features apprentice – a tag heartthrob can safely leave behind with the release of >dear painter, paint me<. of course its another guaranteed floor filler with a finely honed acidic riff that immediately taps into the subconscious...

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

this new russ gabriel 12 is the long awaited kick-off for russ’s new techno imprint, sestra recordings and marks his return to the techno scene. this release follows up the infamous >future funk volume 1< which appeared some 11 years ago on u.k. electronica label >input neuron<. russ is a legend whose career spans nearly 20 years. having started his ferox records back in 1993 he went on to record for the likes of carl craig’s planet-e, soma records, djax-up-beats, dave clarke’s magnetic north, morris audio, force-inc and countless others. russ has been hailed as a master of techno production by djs such as laurent garnier and richie hawtin and continues to push his music forward with this ep aimed firmly at the dancefloor.

first 500 limited edition on red transparent vinyl! we are very proud to present the debut of 21 year old tim toh, a fresh producer with such a huge talent and character in his tracks, we guess, we didn t hear for the last decade in house music! that s a big goal to claim, but it s also the reason, we signed him for a three-part series called >join the resistance< and this is part 1. the a-side is like an intro to the whole series, starting with some charming detroitish-sequences and a smooth piano, while the beat shapes itself naturally out of the track with raw percussions and a thumpin kick... from then on it twists and turns into sweet eternity…timeless! the b-side is beatdown rhythmic wizzadry and a tool par excellance, polyrhythmic percussions and a beat that will shake every floor you dare to play it

the skull returns to kindisch with four impeccably sultry and leftfield dancefloor cuts. >must have back< is silky, chicaning mix of ice-cool male vocals and slick, vacuum-packed percussion that will prove devastating to discerning dancefloors, while >lalalala< is a raw, spaced-out house jam that serves up spry, bouncy congas, wobbly bass and clipped hi-hat patterns with no small amount of dubby echo and delay. >forever ever< is a wonderfully trippy slice of minimal techno, a heady bass and percussion workout haunted by the blue, smoky ghosts of jazz keys. be careful - you may well find yourself hypnotized forever ever.the mood is less abstract but no less intense or inviting for deep, reverb-laden closing track >lovesong<. an insistent kick-drum and mind-bending fx make this prime dancefloor material, but the mood of the track is more complex - wistful, pining, mindful of the past, expectant of the future - a lovesong through and through.

produced by j.rawls. vocals by middle child! debut album by singer from j.rawls hometown columbus, ohio, who was featured on several cuts from his essence of soul album

a funky peak hour pair of goodies. doo kicks off the ep with its rubbery bassline, keys, jerky rhythm and sustained strings that provide the male chant, doo doo doo a comfortable bed to bounce on. the meat of the track contains a lengthy piano solo by antonio di mauro driving the point home. full of drops and fills that build the energy then releases it ferociously. anthem is exactly what the title suggests. it is another 2am jump off (musically that is!) jam. the deep bass & dense kick supports the 80s styled chicago jackin snares, the persistent hi hat and intermittent piano strikes meshing well with the watery bleep sounding keys and string stabs. the melody of the bass gets redirected as the twinkling keys create a sense of tension for the samba ish breakdown. nimble fingered, antonio di mauro is at work again, producing a sound reminiscent of patrick adams styled keyboards from his legendary phreek lp. ends cold. supported by: dj spen, deli g, roger sanchez, joey negro, dj pope, kenny carpenter, franck roger, dj yass, master kev, mark stone (udm show), groove assassin, sven love, davidson ospina, dj dealer, timmy vegas, dan (liquid people), deep josh, danny marquez.

booka shade return with the second explosive single to be taken from their the sun & the neon light lp. >charlotte< appears here in four different remixes, two by booka shade themselves and one apiece by dubfire and matchbox. booka shade kick off proceedings with their own remix of >charlotte<, re-shaping the original into an expansive, anthemic dancefloor cut that grows out of spindly arpeggios into a glorious overload of drums and swirling synths

big label kick-off w / xpansul(plus 8)rmx

people love charles. djs love him for making their jobs easier...producers love him for the inspiration he provides...his loyal fanbase love him because they can trust him to deliver time & again. twenty odd years in the game and charles has the respect of several generations of music lovers.

after the genre-smashing, seven vinyl pressings deep (and counting) success of viktor casanova, there is no way that the italoboyz could possibly top their first appearance on mothership, right? wrong! we are happy to report that they have created an organic techno masterpiece in >bahia<, enlisting the help of one of the greatest jazz musicians of our time - john coltrane. youve never heard the master like this - the italoboyz have molded the original >bahia< into a stomping peak timer as only they can. their trademark monster kick underpins stuttering jazz kits, a playful piano line, and an insistent, soulful tenor sax sample from the man himself (cleared after four months of intense negotiations). bahias intro leads into one of the most surprising and euphoric breaks you will ever hear. there are two versions to choose from - the party swing mix gets right to the point, grabbing you by the scruff of your neck. the flip sides mucho lungo mix is perfect for those late night warehouse moments, taking its time to deliver the sweet payoff

massive new output by audio damage! 4 kick ass hardstyler that will work the floors like hell!!

here it is, the last 12inch in the series of relatively hard to find disco re edits and exclusive remixes from detroit. we kick off with an extension of brainstorms beautiful understated journey to the light from the album of the same name. then its the full on uptempo retwisted disco of gq as heard on several sound signature mix cds and live sets. these are original copies from detroit!!!

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

rektchordz with his debut on rob rengs superb ruff dog imprint. 2 kick ass electro flavoured breaks tracks to work the crowds hard!!!

frank kvitta doesn t stop, that s for sure, and this fourth release on his label is kick-ass! patrick dsp (fine audio, hydraulix, hardsignal) and misstress are responsible for the first track >fucked<. frank kvitta himself remixes >fucked< for the second track on the a-side and both patrick dsp and misstress dropped a track on the b-side. hardtechno lovers, this is a must have!

breakfast is one of the bangers on their forthcoming album flage,....a special bonus we ve added disco vraiment, as the title suggests, true disco but with a hard hitting kick for all you househeads.

what better way to kick off this new year with an outstanding ep from our latest signing hailing from japan. ryoh mitomi is becoming a producer to watch in 2008 through his recent releases on belgiums infamous r&s records, technasias minimaxima and canadas restructured recordings. ryohs debut immigrant ep showcases ryohs versatile production style of pure techno to house.

elons latest release on clink is another peak minimal groover, properly set to kick off their 2008 catalogue! these tunes are a great addition to the label, following the compelling tripped out burners from the afternoon coffee boys and camea at the end of last year. noose is a fantastic extension of these releases and will appeal to the techno, minimal and techhouse folk. elons unique sound and courageous combination of these three sub genres make him one of new yorks most interesting new producers, and he has become an established and valued contributor to this imprint.

to kick off into the new year, highgrade brings you a new edition of its various artists compilation. this time we focus on two surprising collaborations from the middle of berlins club circuit who seem to follow the same aim with different methods: clique artist daniel.fx joins up with one of highgrades main producers todd bodine for a deadpan minimal house groover, as well as the massive and challenging monster track by guido schneider from pokerflat together with ostgut/panorama barimpresario dj andre galuzzi - a demanding and enthusing track just perfect to bring on the perfect headrush on the legendary ostgut floor as well as everywhere else

massive 2 tracker by dave from dallas. this will kick asses worldwide

nice price deal !!! techy jumpstyle 4 tracker!! will kick asses everywhere

c mon get up! get up! its sunday and time to go to church! gents hold on to your bibles, ladies hold on to your hats & fans as dj drop this crazy sunday evening mix on the congregation. sean mccabe from the blak beat niks puts the feet in stomp with this track. just listen to the thick, pounding kick of the beat! soulful guitar riffs and the base organ that roll in tandem with the guitar taking the energy level pass infinity. another organ wheezes, whines, shakes and wiggles against the groove, while the strings carry the original melody. the modulations are too intense and will drive any dance floor crazy and have them begging for more.

the first in a two-part sampler series from the sound republics highly respected chicago-based spatulacity. the a-side kicks off with a funky-as-hell piano jam by hollands tommy largo with a killer bass groove that is certain to get dancefloors whipped in to a frenzy, and the a2 delivers just as well. >barnyard announcement< by melbourne, australias house prodigies lamanex is a pumping, funny tongue-in-cheek jacker that bounces relentlessly and has been drawing incredible reactions from dancefloors worldwide! flip the record over and check chicago newcomers scrubfish laurences >disco papacy< cut for maximum booty-swhaking satsfaction! this track has it all: interesting drum breaks and super-crisp beats, chopped-up instrumental bits that kick the energy up further, and an unforgettable vocal. last but not least the uks sound diggers turn in a fantastic deep-but-still-jackin tune that really rounds the record out with the funky horn and guitar bits sitting on top of a great groove.

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

kick ass dancehall anthem

straight jackin, techy edged chicago house head nodder. on the flip you ll find the derrick carter and honey dijon mixes who keep the jackin kick ass flavour alive. must have for all the jackkers out there!!!

hyperdub kick off 2008 they way they intend to proceed, with new tracks from a new artist. on her debut release, ikonika comes with her own very unique, warped yet soulful bleep sound. with shape shifting beats that switch styles every few bars its hard to pin these two tracks down... cos if it was easy, it just wouldnt be hyperdub. both tunes are one minute minimal, one minute maximal, driven along by ikonikas special combination of wonky synth and deep swingin sub bass melodies that place them somewhere between an early, blocky grime instrumental and the sweeter side of detroit techno ? except with better bass of course! who needs a vocalist when your synth can sing like this? quite how kode9 manages to keep unveiling new producers of such abundant talent is a conun drum, but one to be cracked some other time when we?re not so busy keeping up with his astonishing labels ceaseless march into the future.

kris menace has done great remixes for some time now. lcd soundsystem, tracy thorn, air and the list goes on forever. his last release is the winter favorites of 2007 and would definitely kick ass on a big system

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

paperclip, flexo & selector kick off here with some dark neuro vibes all the way from russia! a progressive intro builds and heavy crushing drums come in before it breaks down into an eerie build-up. the bass comes in giving a hint of what?s on the way before the drop arrives and explodes in a wave of neuro sickness