hutton drive (known for his great tracks on 7th-sign and soma) brings us 2 chicago bassment tracks in the style of early dj rush, larry heard (gherkin) and roy davis. especially '324' which is a long buildig track that builds and builds and goes on with a dirty irrisistable groove. the flip contains 'moodin' which has a energy like lil louis french kiss and is kind of cross over between early chicago and detroit. check

excellent minimal styled techno album !! great !! >> restock

the popular house remixer matt schartz aka the drill releases his own euro-phoric-electro-disco-house crossover anthem. a bouncy electro bassline is complemented by escalating tear-jerking synths, the kind of blissful little thing you might listen to when speeding in a ferrari through palm tree-lined boulevards in the south of france. massive support by boris dlugosch, markus gardeweg, tom novy, martin heyder, da hool

a sexy blake baxter kind of techno.

a sexy blake baxter kind of techno.

the original track has an infectious almost commercial vocal sound with a definite felix edge. the two remixes bear down hard and transform the track into an edgey sound kind of in a goldfrapp/ fischerspooner vein, especially the alanis version

brill dark and deeper tribal house cuts !!

excellent abstract hip-hop instrumentals with forward-thinking arrangments, swift cut-up techniques and dark jazz licks

the a side is an acidic pecussiveish munster, not just another 303 track, more a vital as hell, techy, uplifting piece of demanding modern music. the b side is completely different, maybe even stronger, kind of german(ish), electronic, melodic, prime time cut. both sides are big with: mr. c, dave mothersole, chris duckenfield, nathan coles, murray richardson, amir javasoul, fafa monteco

oldschool meets newschool, jack meets disco! or kind of chicago meets tiefschwarz and metro area!

young argentinian producer with a deep and melodic techno built up with phat and carnal basslines , he will for sure make the happiness of all kind of electro lovers!! perfect dj weapon

big legend italo disco and robo disco tracks, played by savas pascalidis, really great stuff

'abusator' is the kind of track which can make everybody agree like 'rocker' from alter ego quite recently. hammered by ivan smagghe, ewan pearson and the usual electro suspects etc�this is huge and you have been warned�

four tracks of electro booty funk, the kind of stuff your wildest nights are made of. sado disco starts it off with strong with dirty synths, followed up by song for fools, a deeper and trippy track that builds up perfectly. and essential the electro remake version of justin t. s rock your body

"the redesigned ep� demonstrates his unique take on electro. the two tracks were original released on his own label materials in 2002; it received plenty of plays and support from billy nasty, dave clarke and andrew weatherall"

three ass kickin acid tracks, charged with this very special kind of hypnotic vocals...aka alexi delano & jesper dahlbäck !!

a dope, funk-fueled three-track ep that's been getting some nice hype since the wmc. funky, jazzy floor-friendly house is what�s on tap here, kind of like what you�d hear in a vintage mark farina set. if you like the inland knights, you�ll definitely need to have this ep

phat / retro 80s neo disco kind of gigolo meets italo/electroclashË4 tracks

top electro clash.huge effort from the cryogene techno crew, hands down the most floor rocking, strongest release this label has seen so far. sure there is the usual 80 s mixed with a bit of new wave, some kind of vitalic gigolo techy new wave thing with hard grooves!

2 massive killer tracks to rock the floors worldwide. atrack >what happened ?< and b-track >go on da knees & suck me denise<, shows that michael and lars are ready to rock and straps a filthy, driving bassline to the kind of tuff beats expected from the two germans

decks tipp

hip hop album

reissue

nice price

symphonic music

die bereits mehrfach für die grammys nominierte brasilianische sängerin bebel gilberto veröffentlicht ihr mittlerweile achtes studioalbum joão . das album ist eine sammlung von liedern ihres vaters joão gilberto, der weithin als erfinder und wegbereiter des bossa novas gilt und 2019 nach einer 70-jährigen musikkarriere verstarb. bebel begann schon als kleines kind mit ihm zu singen und die lieder, die sie nun in neuem gewand präsentiert, begleiten sie schon ihr ganzes leben - joão ist ihr ganz persönlicher liebesbrief an joão gilberto und seine musik

soul jazz re-issues the winstonÕs 1969 album Òcolor me fatherÓ, the source of the most sampled drum break in music history - the amen break.

mixed 2cd compilation

100% daf...

new 2021 and permanent 1 cd edition. jewelcase. the album remastered for the very first time , with roland gifts involvement. includes 10 rare / unreleased bonus tracks.

dave lee and will fox compile a personal selection of west london breakbeat sounds.

reptile music releases gloria de oliveiraÕs eps Òla rose de ferÓ and Òl�vres de sangÓ as one album, entitled ÒfascinationÓ.

ambient / drone sounds

a kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in bishkek, devoted to the roots music of kyrgyzstan

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

unplugged vol. 1 is the first in a cd series by ssaliva. the first one contains 11 synthetic vignettes, a very stripped back affair, much more then we are used of this ever so elegant master of layering and kingpin of the lighter kind of electronic lasagna, digesting the latest flavors long before they get stale. not on this one though. these are more skeletons of pop songs, bare and glassy, played on a fake nylon-stringed koto for an imaginary court of internet angels. digipack in silver pantone with black 500 pcs

3 cd compilation. essetial 12inch and extended mixes of 80s groove classics! incl. grandmaster fash, midnight star, raze, fatback band, the whispers and more

with his new album trail of intuition danish singer and songwriter jacob bellens once again is shimmering somewhere in-between electronically influenced songwriting and synthpop music, using his characteristic voice to reflect on his lifes journey. since the age of five, making music means creating a parallel universe to jacob bellens

all clear cd jewel case with 8 pages booklet, no inlay, the cd is put upside down on the tray so its label is visible from the back of the packaging. molecule returns with a new odyssey both physical and musical. following the success of 60¡43 nord, his concept debut played, recorded and mixed on a fishing boat during a 34-day journey in the atlantic ocean, the french producer decided this time to take the process further up north and embarked on a voyage to greenland. isolated for five weeks in the small inuit village of tiniteqilaaq, romain delahaye used his survival electrokit to find new sounds in the fjords, the icefields and the hostile yet dazzling landscapes surrounding him. entirely recorded and mixed in this remoted place, the tracks of -22.7¡c range from contemplative ambient atmospheres to more upbeat techno blizzards and accurately translate this epic self-reflective adventure across a land of contrast, its abyssal silences, its immaculate glaciers and its blinding whiteness. with ten previously unheard tracks and very enthusiastic early feedbacks from medias internationally, -22.7¡c is set to confirm molecules status as a one-of-a-kind producer in todays electro scene.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

die neue fabric-ausgabe kommt von roman fl�gel, einem seit �ber 20 jahren elementaren mitglied der frankfurter elektronic-szene, der unter aliases wie alter ego, acid jesus oder sensorama auf labels wie playhouse, ongaku, klang elektronik, cocoon oder dial (club-)musikgeschichte geschrieben hat. und auch sein fabric-mix ist gepr�gt durch seinen langj�hrigen, charakteristischen stil: abstrakt, idiosynkratisch und dicht, dabei aber immer warm und einladend.

an unreleased classic from the vaults emerges with beautiful reshapes by cv313 (recorded and reshaped from 2007-2016) this is where the sound of cv313 was realized, culled from cassette tapes recorded live (1995-2000) with nothing but analog/digital hardware, no computer in sight (excluding our commodore 64 midi sequencer, which is still alive and well today). the radius project has been absent since the final release in 2001, the first 12- appearing in 1996 (limited white label run of 100 copies pressed at acme pressing in canada) after revisiting these works we realized there was truly some magic here. this project was initially sent to rod modell & mike schommer shortly after they launched their brilliant deepchord label in 2001. they were incredibly kind in saying it was the best demo they had ever heard and passed it on to octal records for release, sadly, that didn t materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. we ve spent months doing our best to restore the old tapes from our tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. (that is of course, if you can get past the tape hiss) we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it s been a truly nostalgic experience re-visiting these masters.

decadent yet depraved, the debut album by belief defect, finds shelter and complicity in raster as home and label. familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, belief defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. at the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. the result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future Ð underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. yet, more than a political statement Èdecadent yet depravedÇ is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.