south london producer darren cunninghams new album, r.i.p, underlines actresss reputation as one of the most eloquent voices to emerge from the sub-bass nexus of london dance music. his intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as drexciya, t++, aphex twin, autechre, burial and basic channel. absolutely essential release by one of the most exciting producers of the 21st century.

spring has arrived. think daffodils, premature outdoor parties, ambitious bbqs and the new fina 007. continuing our trend for spotting emerging stars we have enlisted the talents of mannheim poacher turned gamekeeper, and air london starlet, steffen deux. after mixing the >5 years of 8 bit< compilation and appearing on cocoons party animals mix , steffen has demonstrated his ability to turn his loft club fame, into a reputation as a producer, not just a record maestro.

edits may be dead, but just when your elitist attitude comes to a head and you think you re on top of your game, there will always be someone deeper, faster and still motivated enough to rekindle your digging desires. where blackdisco volume 10 saw the return of lovefingers and nitedog, volume xi pushes forward into new territory (and with a new aesthetic) by welcoming a group of three deep diggers who shun musical trends and their inherent fakers. dea, albion & spacelex combine their vinyl-mining efforts to unearth some real diamonds from the rough. deas cut malaka is a floater with a funky sailboat vibe, while his complimentary cut taubat takes the tired jungle disco vibe to new level with its triumphant synth-led chorus, an absolute stunner that could be extended for 20 minutes. on the flip, albion spoons water over the coals, steaming up the joint with an uptempo percussion bomb as if santana had a disco secret, and spacelex rides us out with a sexy rock groove complete with mysterious male voiceover, almost as if someone lowered the volume to whisper in your ear.

tresor records marks its 250th release with a very special project indeed. continuing to forge ahead whilst remaining ever mindful of its legacy, tresor proudly presents infiniti - the remixes: a trilogy of classic cuts and new reworks from one of its original detroit linchpins juan atkins.

incl dj koze remix !! für >candil de la calle< hat sascha ring aka apparat den gleichnamigen song selbst bearbeitet, als auch dem österreichischen multiinstrumentalisten fennesz zur neubearbeitung zur verfügung gestellt. zudem hat sich elektronik-dekonstruktivist dj koze an >black water< herangewagt, um wieder einen seiner unnachahmliche remixe anzufertigen - für spannung wird garantiert!

after only a handfull of remixes and original productions, but a long period as a dj philipp adam as one part of two-b-music delivers his long awaited debut ep. he therefore provides four tracks full of soul, pendeling between warm harmonies, stargazern, melodies and magic funk always with one eye on these days back in detroit. we are very happy with this release and its gonna be available within a limited edition of 250 copies only.

adjunct is back with force with its first piece of vinyl in 3 years! for adjunct23 we have label boss apendics.shuffle teaming up with the legendary mr. c for a dance floor masterpiece titled >something strange<. this is mr. cs first time spewing madness for adjunct and he needs no introduction, from the shamen to superfreq, you know him. this will be the party jam for years to come, mark our words! on remix duties we have the canadian berliner mike shannon giving us a slab of juicy juicy dope on wax that is sure to trip out the most trippy of folks with a disgusting techy housey dub of >something strange<. also on board is uks affie yusuf, from house of 909, slowing down the pace, kicking down some dirty water funk and laying it out for all you nutty ass muthafuckers! get it? got it? good! we do hope you enjoy, we sure do!

uncanny valley continues to introduce more artists from the valley with their own solo ep.with uv008 its credit 00 whos put on the map. the dresden resident delivers four ice cold chicago inspired cuts, with hints of acid and electro,straight out of his machines which will make every synth aficionados mouth water.another me is, by credits standards,an almost intimate jam, which shows that house can be a decent funky affair.in the cave problem youll get an extensive bassline before synths that seem to come directly out of a hurdy-gurdy from hell add the right dose of gloom.the b-side is started off with the living room, a hard rocking track that comes like an acoustic exploration of sophisticated sound and drum ideas. the final brios theme is a weird and slightly menacing sci-fi work that only needs a proper movie.and again a new cover artist, credits longtime buddy geprg hpfmann.

first 12 inch from this mysterious unknown producer for the spills label - following on the dez andres release! 4 extra dope cuts centered around bits and bops of classic soul and disco.

warm cuttlefish and asparagus salad (insalata tiepida di seppie con asparagi) ingredients: 22 oz (600 grams) green asparagus, spears cut into 12-inch lengths 6 tablespoons extra black virgin oil (for special vinyl taste) 2 lb and 4 oz (1 kilogram) cuttlefish, cleaned and cut into thin strips 2 tablespoon flat-leaf parsley, chopped 2 garlic clove, chopped 2 teaspoon coriander seeds seasalt and pepper directions:halve the pieces of asparagus lengthways and steam for about 5 minutes. drain and refresh under cold water. heat the olive oil in a pan, add the cuttlefish and cook until its lightly browned. season with seasalt and pepper, add the parsley, garlic, coriander and asparagus and mix well. serve warm and on a pirate flag printed tabelcloth. serves 12.

the next various artist release on houseworx lost housetracks vol. 3 welcomes 4 new artists to the houseworx family. siggatunez from germany, anton mayer from russia, freischwimmer from japan and last but not least, rhymos from uk.

7 year old spaniard alberto pascual is the latest techno talent to be welcomed into the plus 8 fold with vertigo, his debut ep for the label. a skilled dj and live performer, pascual has been producing since 2004, with over 30 releases to his name, all of which pursue a direct and powerful techno style. its much the same on vertigo, the title track of this ep which hits loopy depths immediately. dramatic fx, crunchy hats and tension mounting hisses fill out the spaces between the beats, but the militant, marching groove never wavers. truchas rancias is more reserved: economical arrangements characterise the techno eeriness this time, forever hinting something is just around the corner but never quite showing you. final vinyl cut continuous learning is more unhinged, with swirling synths, dripping water sounds and shadowy voice sounds all coming together like classic plus 8 weaponry.

sk 011, 444, centralbron, midsummer night, babar, russian folksong, carbon oxide, i love water, all those brilliant tiga productions... we really don t know what else to say - just try to imagine the history and future of this dance music thing we re all involved in without jesper dahlback... nah, rather not, right? being part of jespers discography is the greatest thing that has happened to studio barnhus up until now and these two tracks, fransson and dx2 rmx, are up there with all those previously mentioned masterpieces. fransson is a freaky, windowlicker-esque jam while dx2 rmx is a dance floor burner which perfectly balances melancholia with joy.

just like different fishes can be found in different grounds, also the acoustic tales of the micronaut take place in different regions of the emotional landscape: sometimes warm, sometimes fresh – sometimes calm and stagnant, sometimes lively and floating. and just like all the fishes are connected by the water surrounding them, also this album has its connecting element: a very individual and independent groove. this groove comes with a lot of surprises. for instance, when a guitar chord from the acoustic band atmosphere of gruen- dling suddenly gets tangled up in a loop and introduces an unexpected but coherent change into the direction of broken, electronic beats. or when the emotional world music elements of schleie mix up with exciting halfstep rhythms. sophi- sticated arrangements, unusual instrumentations and intense emotions- these are the main attributes of friedfisch . though the experimental character of this work does not really aim the dance floor, it still keeps connected to this place: two sensitive remixes by mollono.bass represent the upbeat for an entire series, being exclusively released on vinyl.

florence and the machine ist eine englische band um singer-songwriter florence mary leontine welch zusammenarbeit mit anderen musikern. das debütalbum lungs wurde am 6. juli 2009 veröffentlicht und erreichte platz eins im vereinigten königreich.

after his ace remix for nicolas jaar s >space is only noise< here on circus company, our man dave aju is back with an appropriate dose of in-between original music for the fall season. taken from his upcoming album project that uses vintage inherited recordings as sound sources, >all together now< is a beautifully unique track that is guaranteed to move people with its irresistible groove. indeed, the aptly titled jam brings together and bridges gaps of various kinds, from lo-fi and hi-fi to under water and outer space, with classic-flavored dynamic percussive elements, spiraling futuristic leads, and melodic synth work sprinkled with aju s distinctive voice, encouraging us to join in on the live collective claps that accent the cut. the building bass pulses and warm instrumentation stack up toward the ceiling, until a fresh breakdown spreads things out to release the pressure. amsterdam don san proper brings an equally unique and refreshing remix to the table, with a rugged take on the track complete with cool guitar licks, modular effects, and contrasting additional vocal stylings. similarly dynamic in the drum workout department but with an extra rawness, it is a fantastic complement to the original that rounds out the release perfectly.

repress 2015

after four smashing v/a samplers, dutch based aftertaste recordings launches its second full ep.
asagaoaudio repressenting japan and does it with style. execution support ep is all about serious techno beats!

fade to mind is a both a record label and a movement, a series of club nights and cooperative projects in music, visual art, video and apparel. led by los angeles based kingdom, fade to mind is an injection of the personal back into contemporary club music. sparked by kingdoms longstanding relationships with dallas dj/producer prince william, la-based nguzunguzu and total freedom, as well londons night slugs collective (to which fade to mind will operate as a sister label), fade to mind marks a dramatic genesis of collaboration between the uk and american undergrounds.

incl quantec remix !!! played and suported by efdemin, samuel l session, technasia, mathias schaffhäuser, cio d or, dasha rush, bryan zentz, chris carrier, florian meindl...

shortly after the idea of acting as a record label under the guidance of oliver schories, the first release is already upcoming. different artists from northern germany convinced with their qualities and they found their way on the >nordlichter ep<. mauro basso brings with his >calm water< a potential summer-hit, which should not be missing on any open air event in our opinion. friends of more bassy amusement should listen to the hamburg/bremen based duo apnØ with their >trøt<, a track which encourages even the coolest northern lights to get into action. on the flipside >meet me on the streets< brings some deeper sound onto your turntable, accompained by a video on youtube, the intention of bremen-based duo datastix becomes definitely clear. last but not least julie* from papenburg, who is spinning only vinyl for years, shows us with her >cheerful expression< again, how to make your legs perk up. our advice is: dont disappoint your mum and make your exercises enjoyable: do not forget your turnbeutel in your next set.

the summer of 2011 welcomes the self titled debut album by hollie cook, released 6th june on mr bongo recordings. hollies self-coined tropical pop sound stems from her passion for reggae singers janet kay and phyllis dillon combined with classic 60s girl groups. the album is produced by friend and collaborator mike pelanconi, better known as prince fatty.

open air 2011 !!! this is definitely a serious movie, but in this case quite large. the swiss cowboy mario zar returns with his second ep on leutral the soundtrack to the movie the ocean plant. give the way he has managed to human emotions amid societal cold again, has something very enchanting. the very first track is the title theme from the film of the same. open air heartbreaking mood with an incredible catchy tune. finally one has the feeling again - that it is - the ultimate track - summer sun sunshine - large movies 2011 - 30 degree in the shade - and then this track. martin brunner has made a realistic study and there is the typical brunner sound with 3d effects and full speed ahead. in the film, two water plants are fighting for a piece of land on the ocean floor. they also use modified shiruken. the special feature is the integrated facebook app that posts the current status of the strikes. but otherwise the film is bursting with new-fashioned bio-weapons. a high-level cold saw turns the two water plants and over again in his way. at the end of the film, the two water plants enthusiasts. what they have experienced before you can watch and listen in this awesome movie. now playing in your cinema worldwide!

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business … it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solé, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

limited edition double 12 inch lp, includes the cd album.

delsin is proud to present this best of ambient -compilation by one of their all-time producer heroes john beltran. 16 tracks presented on triple vinyl and cd, including collage of dreams as featured on hbo s six feet under series, and other material from his sought after albums originally released on peacefrog and r&s. with extensive liner notes from the artist himself. really lovely..tip!

finnish experimental artist sasu ripatti, most often known as vladislav delay, has put together a new group called the vladislav delay quartet, with a self-titled debut album.

bedroom community broadens the scope with their newest release: en garde by puzzle muteson, a mysterious, intimate record by a fearless songwriter and lyricist from the windswept isle of wight. arranged and produced by collaborators and labelmates nico muhly and valgeir sigurdsson, en garde is a strange, comforting and alarmingly personal record. driven, spare lyrics are hoisted high by vocals of steady, sturdy tremble. each tune swells with plush guitar pluck in a sea of orchestration and electronics. recorded in the greenhouse studios in iceland, the album collects puzzle muteson s odd and beautiful stories - about love and horses, rust and polar bears, heartbreak and birds. puzzle s songs are curious sounds from a troubled heart and his lyrics are urgent and open, striking a note with their vulnerable memories. i was once a horse is an unforgettable song about nostalgia. the first single and title track, en garde , pits puzzle s longing against waves of dense strings and jagged rhythm, while perspex disguise sets his naked, translucent vocals against shimmering piano that refracts off epic chords. in flamingo head he sings, i left your house. you let me. i left you ugly , buffeted by guitar and distant murmurs. not a single thing could take this magical sight. i ll find you still , he sings in medusa , the story of a man tracking down a lost love. like many bedroom community recordings, en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he s an intense stranger from the isle of wight - at once both familiar and unfamiliar. en garde heralds a haunting and essential new voice, beautiful, earned and yearning

limited to 500 copies on black 180-gram vinyl. includes album download code.

maxmillion dunbar returns to future times with his first release there since it began with his >outrageous soulz< 45. >max trax for world peace< takes the house sound maxmillion hinted at on his 2010 >cool water< lp (for uks ramp recordings) into sublime territory. tip! in the hyper-percussive, shape-shifting opener >polo,< max mixes italian house, angelic choirs and a bouncing bassline, while >ballroom< sees a synthetic waltz become ambient disco as 707 claps echo from the corners. >piano & dream world< engulfs the entire b-side with a blissful, heart-wrenching workout indebted to those head-down, eyes closed house tunes of the past, adding what sounds like a smudged digital orchestra to a roller of a track that marches on (>and on<) forever

for the inaugural release on the newly formed lo:rise imprint, jedi knight tom middleton brings us a tribal, percussive workout that centres around the infectiously groovy clicks and whistles of its onomatopoeic title. the original should be enough to make any djs mouth water, and with an eerily deep and stylishly bouncy remix coming in from girl of the moment maya jane coles, the package in its entirety is almost frighteningly good. frequent reports have been flying in of this destroying dancefloors from cable to fabric and beyond. both the original and maya mixes have been charted numerous times and full support has come from dyed soundorom, guti, d julz, tony humphries, nick holder, roska and alex cellar to name a small few!

nice cat brings to your probably lavish sound system two beautifully strange dance cuts: side a is called >throw water into the lake< , a deep and earthy track sculpted by ricardo villalobos , los updates and anthony collins. on the flip side you can listen to the collaboration of villalobos and los updates. the track >i miss you so much< creates a really celebratory mood. this nice record is a collectable item. thats for sure.

easy and the center of the universe we already know from their recent flogsta danshall 7 inch release and some skweee compilers,remember legend of selda on skweee tooth?this new release on harmonia is as the previous ones infected with arabian soundbites. we recognize the details from our nights in the medina of marrakesh, we slip into our caftan, smoke the water pipe and drink mint tea,and are bodypoppin like an egyptian. no kiddin, this record is so imaginative and so true to its style that you cant go any other way. details of the percussion on halloumi are so good with the details in the orchestration (references to uom kalthoum records come to mind) the pitch and modulation wheels used intensive. with this release easy & center of the universe prooves again that skweee is one of the most evolving styles at the moment. this is exotic and exiting music.

cursor miners fourth studio album >requires attention< is his most coherent and accomplished record yet. featuring the singles >mad cow< (which spent 2 weeks on the dmc update chart) and >luna< (currently picking up radio play from huw stephens (bbc radio 1), nick luscombe (bbc 6 music), john kennedy (xfm) and more), it combines everything that is good and great about cursor miner, which is basically just about everything.

ltd repress, black vinyl

limited edition white vinyl, cover with golden artwork, including poster.

nile delta is dancefloor wizard joel dickson, former member of riot in belgium and current member of cutters dynamic-duo, voltage. having spent the past year neck-deep in other peoples music – it was only a matter of time before this, nile deltas debut ep emerged, shimmering, from the water. channel sounds like a late 70s house party. except the house is actually a warehouse and the late 70s are actually the early 90s. an almost paradoxical blend of filtered piano stabs, party whistles, endless delays, a squelching acid lead, horns, bendy-breakdowns, you name it. channel sounds like moodymann at his rawkus best. no party will be complete without this house gem. all this on the flip, sees cut copy bassist ben browning provide an otherworldly vocal hook over nile deltas inescapable rhythm. and the crawling baseline will have your hips doing obscene things. guaranteed. remixes include longtime favourites chicken lips, who take their invincible track record on an italian holiday – and tornado wallace who takes us deep, deep into the night.

the less we say the better - another essential collaboration, suck it and see ! limited 1st pressing features clear vinyl, and a poly outer sleeve to brilliantly show off the full size printed insert also included... a new take on classic uk techno here with a solid and somewhat retro sound palette. regis and james ruskin follow up their previous collaboration (bp025) in brilliant form with menacing riffs, frenzied 808 kicks and a haunting downbeat track to finish things off

debut release by idiot glee on limited 7 inch.

must be something in the water in sweden. yet another top techno producer in the shape of joe mull!

incl lullaby ! a 1989 masterpiece by the cure, a sentimental, bittersweet and melancholic release. digitally remastered from the original master tapes by robert smith, pressed on heavy 180gr vinyl, including lyric bags.

long-awaited second release on uhu feat four tracks of perfectly-crafted electro heavily influenced by kraftwerk/ur

uk duo throbs full on! following their steps on perc trax, sleaze, proper, seta-these three cuts pure techno peak madness

big with manuel tur, burnski, will saul, luke solomon, gregor tresher, boris werner, gorge, slam, sasse, federico molinari, chris duckenfield, matthew dear, tiefschwarz, paco osuna

hypnotic brass ensemble - the heritage ep - choice cutsccep 01 - uk12genre: funk / soul1. prelude 2. moments 3. spottie 4. rainbows 5. water in stockfive re-reworkings recorded late last year in dublin - hypno-tized hip-hop, indie, dancepop and afrobeat - for the new choice cuts imprint. from jay z (kingdom come overture) to fela, via an art of noise (moments in love), an outkast (aquemini) and a madlib & mf doom scored for the hypnotics by mos def. limited release - tip!!

4 new tracks by kyle hall, the man of the hour whos turning everything he touches into gold! slowly the new generation is injecting new influences, new crossovers of styles, new techniques into techno and house which didnt change much in the last decade! great to see and another release that we will cherish. recommended!