east leipzig theory™ is a electronic music label and a registered product of the east leipzig entertainment group e.l.e.g. which was established in 1991. all rights reserved - offences against the rights will be systematically pursued and penalised by e.l.e.g.
the second dimension ep is the first release of the label and contains four hybrid jams which are between the legacy of dutch west coast, & 90s house. main influences are the hacker, old vitalic, legowelt and bicep. all tracks are made for the floor and dj-friendly - but the last track “sehnsucht” which means “desire” is a refreshing ambient drifter with broken hard-hitting drums and also for easy listeing.
8factor is a german music project from leipzig - he is producing electronic music for 8 years without making official releases. tommy tricker was a former alias which was used for lo-fi boombap instrumentals. one of his most famous instrumantals is called “kommunistische tummulte” which was released on red tape. he is also a big fan of propellerheads software “reason”. most of his tracks contains self-programmed malstrom-synth-textures or processed samples.

following on from her stellar addition to monki’s & friends label - polish producer vonda7 continues her steady ascent and inaugurates a brand new project: art | werk with 4 deeply personal yet effective tracks.
the principle behind art | werk is to allow space for movement towards the left, to allow for full creative control and to provide a platform for the listener as well as the dancer with tracks that lend themselves as well to headphones as they do to the floor.
staying true to this, vonda7’s “pure intentions” ep is a genre-hopping collection that is hard to pin down as it spans breaks, techno and alternative pop whilst remaining suffused with a delicate balance of allaying melody and power.

d38 authority is a new project born in late winter as a new form of expression of two different realities, so far but so close. 100% club proof!

too $hort’s legendary 1992 effort “shorty the pimp” is back in effect on vinyl thanks to the hip hop preservationist at get on down. though many don’t consider this to be one of too $hort’s strongest releases, the project did move well over 80.000 in its first week of release landing at number 6 on the billboard top 200. taking the title from the incredibly rare 1973 blaxploitation film, too $hort does what he does best on shorty the pimp: funk beats, oastful braggadocio, a few conscious rhymes and layers of straight up pimp talk. the lyrical content can certainly be considered comical and entertaining. “shorty the pimp” is also a stand out project for producer ant banks who did many of the beats for the project, his first works with too $hort with many more to follow over the next decade. oddly enough, one of the best comments on “shorty the pimp” comes from a random guy on the internet who commented on his experience listening to the release, “i ran my car into a tree after listening to ‘it don’t stop’ definitely made for cars with the booming systems!”

this project was inspired by my trip to home to my root land. cape verde island, after 54 years of being on this earth, music and fans of my music actually brought me home.

having previously released some rare solo material from ende shneafliet member hanjo erkamp aka dr. c. stein, artificial dance is now serving up something special from the cult dutch minimal wave band’s lesser-known side project, king ende shneafliet. adding king to their name in honour of original dub maestro king tubby, king ende shneafliet produced far more experimental and out-there material than their better-known big brother. they released their first cassette, dimension mix chapter i in 1981 via cult label trumpett, with batches of follow-up material trickling out on various obscure tapes and later cd-rs up to the year 2000. artificial dances first dip into the dimension mix archives a second vinyl volume will follow later in the year features selections from chapter ii (1999), which was originally recorded between 1981 and ’88. the magical, mind-altering music is raw, lo-fi, spaced-out and forward-thinking, combining effects-laden, sample-heavy sound collages and reverberating ambient soundscapes with pulsating proto-electro jams, moody minimal wave instrumentals and kosmiche-influenced throw-downs. it effectively joins the dots between early-80s, diy electronic exploration and dub soundsystem culture.

3 mysterious funky house tracks slamming by unknown artist, mark the debut of new project paradise pizza.

australian group retiree return to rhythm section intl in 2018 with a new record house or home. the musical project of matt crowley, tori holleman and marco vella retiree have steadily congealed their broad influences into a unique emulsion of strongly rhythmic and emotional music. from two releases, theyve been described as pared back 1980s comfort pop for all occasions, having a whole lot of criss-crossing rhythm containing swirling synth flourishes, languid wistful vocals and strutting drum machines. the albums songs explore the theme of house or home and what that means in present day australia for different people. they journey from an aboriginal tent embassy on the south coast of new south wales, a retirement village, a one room flat in ringwood and a sleepless 17 hour stop over in malaysia.

we are very happy to announce call supers remix package for our main artist kuniyuki. we have been talking with call super to make the release for mule for a while…then we got an idea to make remix package with him. no need for talking bla bla bla….here are first class tunes.

the notorious london white vinyl only project is back. this time round tracks selected by gareth wild. this cut through va sees excellent additions to the series via standout material from gareth wild, sp-x, kessell and exciting london based newcomer end train. tried and tested, dance floor killers.
being played and supported by the likes of: marcel dettmann, jonas kopp, kwartz, dax j, rodhad, etapp kyle, dj pete, aiken, rem co, and peter van hoesen.

jonny rock a familiar face on the london house and disco scenes is recognized by many for working behind the counter at phonica records & blackmarket records during the 00s and as the dude for playing the guitar in freaks project. rock skillfully joins the dots between the old school house, underground disco and boogie vibes in a party setting.

the maghreban returns to r&s for a new single following his dark debut album 01deas, perhaps with an icier sound. monster vip is a reworking of a double time rap track from the maghrebans strange u side project he added breaks and rolled it out. end level bosses lurk. beware of the monster. rave navel-gazing back to his roots: his first ever release was a jungle 12inch in 1994. early support from ben ufo. on the flip, batu (timedance/xl) offers up crisp percussion and ominous sound design in his energetic 140 remix of album opener eddies. then the ep is closes out with carpet bombing, the title of which references the producer adding more and more notes to the main percussive motif as it builds and builds.

silicone soul welcome the return of old friend justin robertson as he brings his much loved deadstock 33s project back to darkroom dubs. last spotted on the label only a matter of weeks ago with infinite interchange on the darkroom dubs presents summer love collection, here he builds on the momentum with two more singular missions deep into the timeless analogue abyss. whats more, they come covered with a print of one of justins very own hand-drawn pieces. dr. spectro on the frontier marks the start of this new deadstock trip. celebrating the lesser spotted dc super villain who could control people’s emotions with a brazen line or two of sinewy acid what starts off dark and gnarly gradually unfolds into a much more emotional narrative. watch out for the harmonic riff that rekindles feels of raving fields and a salvo of chords towards the climax that genuinely will control your emotions. the music is madness (to those who cannot hear it), meanwhile, is more than just a poetic title. already a summer anthem at a love from outer space, it s a roomy, cosmic affair that’s laced with layers of trippy textures and chugs at a cool 120. its one of justin’s classic signature smouldering sessions, what ostensibly seems forlorn and introspective is actually coded with deep hope and positivity. youd be mad not to hear it. youd be mad not to stay tuned too. for the first time in darkroom dubs history, this release and all this years vinyl dispatches will be released digitally as part of an end of year compilation, tales from underground vol. 1 and will also feature an exclusive silicone soul remix of rigopolar & cannibal inks thousand years before. and to round the year off? the long-awaited new single from silicone soul themselves.

for the fifth release on his label, marseille-based grant builds on his distinct brand of deep, luscious electronics with four cuts of smooth, atmospheric house.

this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.

vox populi field works vol.ii is the second part of a broader project entitled ‘field works’, in which the label travels to different locations in the world in order to collect sounds, eventually creating an archive of some of the finest and humblest musical traditions. inspired by academic methods proper to ethnomusicology and ethnography, this project’s aim is to showcase the diversity of our human cultural heritage, which is threatened by accelerated globalization and homogenization of the worldwide musical spectrum.
this record is the result of a twenty-day trip to japan. led by anthropologist and label founder fred scharf and his vox populi records crew, this is the second instalment on the ‘field works’ series. this 12’’ vinyl release is a collection of field recordings, jam sessions, studio recordings, street soundscapes, religious rituals, fighting championships and wedding ceremonies, all of which were remixed and reinterpreted by japan blues, tim karbon, hiroaki oba & shizka (aka inoue shirabe), delivering tracks whose core represents a wide array of traditional japanese sounds.

shane cooper is a bassist, composer and producer from cape town, south africa. he is part of the new wave of young voices in the south african jazz scene. a prolific sideman and award-winning acoustic jazz artist, he also involved in south africa’s leftfield electronic dance scene under the alias card on spokes. features shabaka hutchings ( a.r.e project., sons of kemet and shabaka and the ancestors) amongst other fine players. big tip!

lost - minimal-synth-wave - gems have been rescued and now compiled on - nihon no wave-.

alma negra are back on heist! after their much applauded 2017 release with that great soulphiction remix, theyve been rather busy taking over the scene. they started their new label alma negra records where they released 3 eps in quick succession, with new as well as older material that showcases their tropical roots and keen ear for clubby reworks. they launched their live show, doing gigs across europe with a highlight at one of londons more intimate live venues: the jazz cafe. their latest outing making their release count a total of 4 in only 8 months was on marcel vogel’s lumberjacks in hell and explored the more live / rework side of their project. now theyre back on heist with 3 new tracks, supported by an awanto 3 remix. conversation is a track we wanted to put out on heist badly, simply because it’s a beast of a track. it sits somewhere between a live african drum track, percussive techno and moody midwest electronics, with pads and strings coming in and out of play while a relentless kick drum keeps the energy on a haunting level. this track is alma negra at their filthiest, and it feels like they’ve taken a next step from last years dark and heavy luanda dub, bringing it from an intimate dreamy stage straight into the main room. this is the place shows a different side of the house spectrum with the alma’s love for dreamy deep house. the track flows up and down, with soothing rhodes chords, arpeggios and mumbling vocals setting a summery mood thats perfect for your warm up or daytime party. meanwhile, their third original track from the heart goes even deeper and navigates around a smart vocal loop topped with strings, bleeps, claps and rimshots that just keeps going.

direkt im anschluss der nutzung von ›you can’t always get what you want‹ im staffelfinale der emmy-prämierten tv show big little lies, erscheint ›chill in saint tropez‹, ituanas debütalbum, zum ersten mal als cd sowie auf vinyl. das album liefert kollaborationen mit são vicente und dem tango tripping project und enthält lounge versionen von klassikern wie bob marleys waiting in vain, the doors light my fire und astrud gilberto & stan getz garota de ipanema. als bonustrack enthält das album zudem den special big little lies edit von ›you can’t always get what you want‹, so wie er in der hbo erfolgs-show eingebunden ist. dies ist eine weitere großartige ergänzung für ihre lounge music sammlung.

one part of premiesku is back with solo project floog. welcome back, george!

eitr is the new brainchild of nachtzeit, the man behind ambient black metal project lustre. representing the first recording of this new adventure, hädanfärden takes us back to the time of the norse gods and the death of balder, masterminded by the ever devious loki. as the waves of mischievous, playful synth wash over our senses we are transported to asgard and any misgivings over the potential of an album without lyrics to tell a story are dispelled. are we now loki or merely observers in his game of trickery and cunning? limited edition of 300 copies on silver coloured vinyl.

cabaret du ciel was an electronic research project based on atmospheric ambient and harmonic textures. luigi morosin explores electric guitar soundscapes while andrea desiderà, fascinated by synthesizers, navigates into melancholic notes. eu based label manufactured by late-night rec. melodic, cold, pop, hybride sentimento diffuses music for atmospheres. the ethereal side of synthesizer sound.

prioris second solo offering comes in the form of anform: a wandering four tracker, including a rework from project pablo.

maps is a project by a london-based lithuanian drummer and producer, marijus aleksa. this labour of love is the culmination of many hours spent touring and in-session with some of the greats of londons bubbling contemporary jazz scene, resulting in marijuss first solo project to date. the ep combines elements of jazz, afrobeat and electronic music through free-form jamming and remixing, with movement and the dance floor firmly in mind.

medical records presents the eleventh release in our transfusions 12- singles series. guilt, the collaborative project of new york city based artists, oliver chapoy and nathaniel young, is the result of 2 recording sessions during the spring of 2017.

mark archer aka dj nex returns to music mondays for a limited edition, bespoke, shrink wrapped, collector’s item, triple pack vinyl album of his legendry dj nex ep’s.
originally released in 1992 and 1993 the nex ep and poundstretcher ep have become incredibly sought after on vinyl. however, the poundstretcher ep was always cut too low with 4 tracks aside. we are now taking both ep’s and remastering them to 3 loud pieces of vinyl.
the sleeve will be a specially designed piece of art just for this project, while the label on the 3 records will represent the original releases, keeping that authentic dj nex vibe!

an electronic beat-driven side project created by android lagowski to release tracks on sleepers records.

hq art with gatefold+graphic novel label project from russian dj and rhythm composer julia govor. jujuka is a multidisciplinary art project and record label that involves rhythm composer and dj julia govor and london-based illustration duo le.blue. the project is about music, short narratives, true stories, comics and illustration, where the artists behind the project want to go beyond what the conventional record label offers. every piece will be unique, told through music and stories composed and written by julia, accompanied by artwork and comics illustrated by le.blue.

variable is the first compilation on pi electronics, which also kicks off the new catalogue peva. this various artists release includes the works of several artists involved in the label till now, along with some very familiar faces to pi that have been supporting the parties in the past years. the aim was to bring the main label roster - artists with original music on pi, such as jk flesh, ontal and damcase - under the same roof as artists that have been with the pi electronics project since its early days: the label s party residents, 3.14, nemmett and das along with other fellow athenians, unhuman, bmsk and the project “i am legion, for we are many”. the outcome will be available in cd, vinyl and digital format, while the vinyl sampler will feature jk flesh, ontal, nemmett and bmsk.
regardless of the different variables, equation drops back to the same constant result.
divide and rule. sticks over carrots. repent or collapse.

mirror box is the solo analog synth project of dallas musician sean kirkpatrick. with an extensive resume that includes keyboard duties for kill rock stars 00s noise rock band the paper chase as well as his concurrent projects, dark post-punk-synth-rockers nervous curtains and darkwave duo little beards, mirror box is kirkpatricks first foray into the purely electronic realm. blending together elements of giallo moodiness, dub texture, techno propulsion, a passing nod to your favorite wave music, and a flare for the kosmiche, mirror box debut release, minimal compliance ep, is a tour de force of the veteran musicians exploration of a wide range of influences and experience. released by dallas-based gavin guthrie (tx connect)’s tru (texas recordings underground), the 5-track ep kicks off with the immediately-gripping title track. a huge mid-tempo 808 beat drives the menacing moog bass while cosmic synths explore the skies over gritty, urban terrain. the body, grounded by its stuttering and singular bass line, is an expansive reworking of a track from little beards debut album which features nan kirkpatrick on the release’s only vocal appearance. side a closes with destabilized agent, a retro-futurist dream that effortlessly voyages from sagans cosmos to a melodic minimal wave refrain. while the first sides lush synthesizers and sophisticated syncopation are somewhat of a departure for tru, a label that has so far defined itself by bringing the electronic sounds of texas underground warehouse scene to dance floors across the sea, the flip side of the record is where the four hits the floor. grifter react opens with a hard kick and electro zaps, letting the rhythm take the lead until a distorted bass finally enters to provide the hook. minimal compliance ep finale, critical blitz, weaves together all of mirror box finer elements into a concise mission statement

the 3rd studio album from nas, originally released in 1999, now back on double vinyl

alphabets is the new baby project supported by the all mighty chez damier . elements 01 introduces the project with a series of 5 tracks curated for all dancefloors hours. alphabets is a house project coming from south east berlin and run by a french man and other audio signals. me, them and their associates are really starting to enjoy our relationships and have a plan to try and share a little series of different tracks that could represent the vibe i ve enjoyed sharing when all under one roof, dancing on the same beat. it s slightly underground, hopefully.

2018 marks the reprisal of los angeles’ l. scatter with the new 7” figueroa & sunset, returning after 2011’s beat swap meet presents: the all vinyl mixtape. l. scatter’s new 7” features the heavy weight boom bap tracks “figueroa street”, “sunset blvd./cesar e. chavez ave”, and “chick hearn court”. as bonus beats, “sun” and “fig” exist as short instrumentals of “figueroa” and “sunset”. as a building block in project blowed’s infamous history, l. scatter’s legacy continues on a straight arrow progression, keeping intact the foundations that shaped an entire movement of technical hip-hop.

rogue d is the new solo project from danny minchella. under this new moniker he delivers the eagerly awaited chains. set to be one of the biggest tracks of the year, its a high octane, club-ready number with abundant driving percussion. unstoppable force patrick topping is also back on home ground for the remix. chains was inspired by jamie 3:26s and cratebug’s edit of loretta holloway hit n quit - i wanted a simple, raw track, killer bassline and a soulful vocal. the process was very fast and i made the majority of the groove in one morning. i dug deep in my collection, looking for that special vocal and came across steve silk hurleys chain of fools (with aretha franklin on the original vocal), and it just made the record pop! - rogue d as an artist minchella has played some of the worlds most esteemed establishments and released on a wealth of high profile labels. he now aims to use his rogue d guise as a means to express his forward thinking and personal tastes in sound- from techno to old school garage to the sounds of detroit. he’s already released on dftd as well as providing a remix of soul claps misty on classic music company. in his relatively short career so far, label favourite patrick topping has made the cover of mixmag, won a coveted dj mag best of british award and made the resident advisor top 100 djs. hes released some of the biggest tracks on hot creations and is resident for jamie jones paradise at dc10. on his rework of chains, topping isolates the vocal and adds a tribal bounce to proceedings.

respuesta alternativa or the alternative response was the project of spanish musician jesus ma catalan, created with the help of julian c. perez. as the title implies the music was generated in response to traditional music notions of the time, and reflects how jesus ma catalan would challenge these traditional ideals using a fusion of styles and his unique vision. jesus laid out his synths and drum machines, while other musicians played traditional instruments over the top. this unique approach worked to create atmospheric tracks capturing simple themes, with each influence being carefully thought of in the joint result. as he explains each instrument weaves independently throughout a passage in a curious game where the listeners attention goes from focusing on a keyboard, guitar to bass or percussion. previously only released on a cassette album in spain, left ear have polished 5 choice cuts for a 2018 12inch.

“phase” sees a debut outing on vinyl from err rec label head gilles mate’s dialectric project.
impressed by the wealth of wonderfully varied analogue electronic music being released by this small, fiercely independent french label, it was surely a matter of time before py & errs’ likeminded paths crossed- and following a “cold wave” styled small run cassette release, gilles releases a full length on py for august.
“phase” is a timeless, minimal electronic record, heavy on hypnotic, emotional tonal arpeggios and sequences. dreamily crafted introspective pieces, and short “broadcastian” interludes, using a semi-modular system. comprising of various analogue oscillators, effects and sequencers (pittsburgh modular, moog, arturia, yamaha, korg to name a few…).

deluxe 2x12” full artwork gatefold, shrink-wrapped double vinyl package with printed inner sleeves and download card.
the recording sessions for rastrumentals took place over seven years, between são paulo and brixton, but the roots of the project stretch back to the arrival of digistep’s father in 1970s bristol. aged 18 he had almost nothing to his name, apart from his treasured vinyl collection. these records are still in the family, and have been invaluable in shaping dubkasm’s unique sound. rastrumentals combines samba instruments such as the cavaquinho, pandeiro and cuica with the work of some of the uk’s greatest reggae musicians.

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track do you believe? poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called daytime disco through tracks like their cover of neil youngs harvest moon and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called slow down as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albums release, remixes for artists like matthew dear, little dragon and fools gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

mennie and julien sandre team up under their jarau alias for an impressive ep on one records. dubnova features two originals that span hypnotic synths, warm, sonic basslines and intricate spacey layers. for the remix, musical craftsmen dewalta and voigtmann join forces for the first time since their monumental ground effect ep on jan kruger s hello? repeat in 2014. here they showcase the more techno side to their production skills. friends and colleagues, mennie and julien, began the jarau project in 2017 to experiment and push creative boundaries. 2018 saw the release of their interstellar ep on respected vinyl imprint pleasure zone, which will be followed by this heavy-weight offering on one records. tenax resident mennie was named by dj mag as one of the most prominent emerging italian producers. born in france and now based in italy, julien runs the acclaimed blind box vinyl only label, which he started in 2015. meander boss dewalta a.k.a david koch is one of the most admired artists in the industry, not only a talent behind the decks he delivers a remarkable live set and has released a wealth of music on key underground labels. claus voigtmann was originally born in germany but bases himself in london, where he co-founded the underground and conceptual party, toi.toi.musik. this year sees the release of his eagerly anticipated album and a focus on his subsequent imprint, also playing regularly alongside adam shelton and subb-an for their one records showcases

a new project from two anonymous aussie veterans. melbournes smouldering underground turns up two untitled cuts from bad channel, named for the faulty mixing console they were produced on, with a cheeky nod to mark and moritz. organic late night tracks, soulful and dub wise. they passed bradley zeros litmus test, so now they come to you cut deep on rhythm sections twilight sister imprint international black. the a-side keeps it spacious, a relentless stepper for the early hours. side b is music for autobahns, starlight soul for the post-club cruisers.

black vinyl pressing. a special project from the archives as goldie celebrates 25 years in the game with 6 unreleased and re-mastered tracks on vinyl.

refreshingly new oldskool techno tracks by bornek nowec, a project by a rotterdam based dj/producer known for his long tied connections with the local techno scene. this release is the first outing from his large archive of techno tracks produced over the years. 4 cuts full of character that reminds us of the long nights at the nightown basement in the 90 s where he was dj ing with guys such as dj t!m aka frame six and paul du lac.

realistic monk is the new performance project from carl stone in collaboration with artist and composer miki yui. carl stone is one of the pioneers of live computer music and has been composing electro-acoustic music almost exclusively since 1972.

a love project from the heart and mind of uk broken beat stalwart and iconic keyboard maestro kaidi tatham, alongside an outstanding group of danish musicians led by percussionist peter stenbæk. 12 senses debuts with the movement ep, a record drawing on jazz-funk, broken beat and disco, laced with the distinctive melodic progressions and boogie touches kaidi tatham is known for. recorded over an intensely productive three-day session, which produced 20 plus songs, this ep is a first taste of whats to come from this creative gathering.

el deux is the swiss electro-pop trio of gutze gautschi (guitar, vocals), steno onetz (bass), martin kraft (vocals, drum machine). formed circa 1981 in aarau by gutze and steno who played together in punk/new wave band fresh color aka frische farbe featuring a pre-yello dieter meier. gutze?s minimal electronic compositions did not fit the concept of fresh color, so they formed a new project with their live mixer, martin kraft, on vocals.

vibronics and cross club prague team up to bring you a new project that celebrates women in reggae & dub. “woman on a mission” is a new release featuring 8 female vocalists on 8 brand new vibronics tracks. the album presents time-honoured vibronics associates, boney l (recording for the first time in 10 years), nia songbird, vanya o and saraléne , alongside first time collaborations with trilla jenna, nanci correia, nish wadada & sis i-leen. each track vocal track effortlessly glides into an extend dub mix that showcases the sonic skills that vibronics is known for. 10% of the profits of the album support the women’s charity womankind - transforming the lives of women & girls worldwide.

man face is a disco afro studio project from 1977, from the musicians duo winston alwyn gill and henderson brathwaite from sounth africa but recorded in italy during the disco era. now rediscovered by early sounds recordings in conjunction with best record italy. early sounds recordings owner pellegrino delivers an additional remix and overdub with the new na na na edit plus the remastered original disco version available on the flip

the mbo theme represents one of the first hits on the early days of chicago house movement. now came back with the plus of the unreleased italian version (on the side b instead of the unnecessary radio cut). this project is being managed by mario boncaldo the same man behind some other great italo-disco projects like tullio de piscopo - stop bajon and plastic mode - baja imperial today is enriched with this unreleased edit produced by mario himself back in the days and availabel only on the studio tape this cut is more heavy and club oriented because there are no vocals so there is more space for synth and bassline parts, a must play for every set!