supported by dimitri from paris, space ranger, dj morpheus, hardton, horse meat disco, baby g, fromage disco the ajello boys team up with peedoo@hell yeah recordings for a new vinyl based disco adventure: danny was a drag king. dwdk has some glorious releases in the pipeline, releases by ajello, supersonic lovers, luminodisco, brennan green, hardton and a few surprises make dwdk a label to watch for the forthcoming months. first release comes courtesy of ajello themself along with italo disco pioneer fred ventura. my rhythm is a sing-a-long italo disco anthem if theres one. variations on the main come courtesy of postdisco sensation crimea x and their eastern chill-wave spundscapes, ali renault of heartbreakers fame and new italo kid on the block the king of basia who gives us a terrific nu-disco burner, an underground hit in the making.

after an outstanding first release apersonal music strikes again! portuguese duo cisco cisco makes their worldwide debut under the label with new singles >if you want me< and >giro disco< along a jay shepheard remix. using highly effective and addictive sampling techniques combined with their own groovy bass lines and melodies to produce these two great dance-floor-oriented nudisco tracks that will work perfect for those peaking club hours. remixing >if you want me< talented jay shepheard gives a whole new version of the track. old school techouse kicks and jays own low key melody plus the original sampled voices all together for this epic remix, feels like closing time...

around the start of 2010 mutated forms caught the attention of the legendary vocalist jenna g, whose previous anthem material with un-cut and chase and status make her one of d&b most loved female artists. their debut collaboration >last time< has all the makings of a future classic. a deep atmospheric introduction, along with jennas sublime vocal roll into a warm heartfelt track with light snappy drums and plenty of bass! plays on radio 1 and 1xtras d&b shows, a spin on the pete tongs essential mix and lots of love and singing in the clubs mean you wont be hearing the last of this one for some time to come!
mutated forms get deeper and darker on the atmospheric roller >with you<. precise hypnotic percussion and huge sweeping bass hits combine to craft a track which balances dancefloor destruction with comfortable home listening, and has found massive support from bailey & crissy criss on 1xtra and fabio & grooverider amongst others.

early support by: marcus meinhardt, the glitz, stephan bodzin, emerson, mihalis safras and many, many more its time to say goodbye! the sixth and last part from first cascandy collection comes along with two massive a-side tracks.collection one is finished and this is the last part of the puzzle! collect the first 6 releases and you can compose a big single artwork out of them. every cover artwork is a piece of the puzzle to get the overall picture on your wall. be a part!

may this record be understood as a diabolic statement coming along with the winter season or even as an affront?
hometrainers affinity of doomed dispositions (possibly seen as humor) might be known to a few by tracks from the early 2k. now he turns the table and shouts out: >get up to nowhere.< sounds like an offense he made. acid pauli did like this right in time to produce another track that points it metaphorically out.

professional dj headphone... the one-piece tma-1 headband consists of a strong, durable and flexible nylon material, which provides full flexibility when wearing and positioning the headphones during djing. the two different cushions can be changed easily with the click release function, so the headphones fit all situations – from a noisy club environment to just being on the road. the speaker is protected by the cushion plate with integrated filter and provides the richest sound that is available today along with the most durable driver technology. finally, there is a 3mm cotton fiber filter for isolation and the headphone cup out of a resistant abs material to protect the fragile parts. the 1.7 meter cable has a mini jack connection in both ends as well as a reinforced plug with a 1/8 adapter option. it has a 0.4 meter coil on the wire, which gives extra length and flexibility at the turntable.
the name tma-1 (tycho magnetic anomaly-1) is taken from arthur c. clarke s science fiction novel 2001: a space odyssey and refers to a black monolith, which is extremely long-lived and reliable – just as the tma-1.

the box contains:2 sets of earpads
a carrying pouch
a booklet
a 1.7 meter cable
a 6.3 mm stereo plug converter.

tma-1 specs:
transducer principle: dynamic, closed
driver unit size: 40 mm
impedance: 32±15% ohm
load rating: 0.1w
frequency response: 20 to 20.000 hz
total harmonic distortion: <0.3%
sensitivity: 110±3db weight w/o
cable: 190 gram
professionaler kopfhörer

croatian nu-disco/funk/boogie overlord ilija rudman has swung by around here. once more he is spinning his audio gems on the legendary bearfunk label. this time is the ever so funky new release soul embrace . ilija gets his niles rogers hat on and peppers this sparkler with chingy-funk guitar. add in some big rolling, dx-style, chugger bass and lashes of darting percussion and there you have it...floor-filler dynamite. the original mix and the spectacularly 80 s styled extended mix make an appearance. our man also goes straight for the beat jugular with his drum, beat and percussion heavy bonus beats mix. to round things off, label head bear, stevie kotey, takes on the remix duties. he brings some real bass along to the party and new layers of slick keys. turning down the floor quotient just a notch, this one is pure slow-burn disco done well, very well.

austere can mean >lacking trivial decoration< and >not extravagant< which is exactly what the ethos behind this esoteric new label is about - raw, real and underground. the first ep from laak (pronounced >lock<) is true to the roots of house music. warm pads, discreet analog melodies and vintage drum patterns. along the way giving a huge nod to chicago, detroit and the forefathers of the genre. already receiving support from jus ed on his underground quality radio show and quite a few other players, dont sleep!

celebrating its tenth release culprit welcomes another extremely exciting and upwardly mobile young american producer to its fold, m a n i k. born and raised in nyc, and with an accent to match. 2010 has been a break out year for this 24 yr old with his own original material appearing on some of the best underground electronic labels including josh winks ovum, poker flat, four:twenty and chicagos very own fresh meat – run by legendary audio soul project. as a dj and producer its impossible to put m a n i k in any one box. graduating from school in 2007 with a degree in music business, he is not by any means your typical artist. being heavily inspired by a diverse and comprehensive musical background, his style is a unique blend of cutting edge house, futuristic techno and deep, classic old school grooves, along with dark & edgy sounds. from the deep and groovy mclovin you to the old school techno feel of crooklyn this is a great four track ep, that further cements culprits burgeoning status as a cutting edge new label

nice price deal !!! support from: sinden, mary anne hobbs, 2562, martin kemp.... the one man hit-factory that is t. williams returns to deep teknologi records with another concise snapshot of the uk underground house scene with a barrage of intricate ammunition for the dancefloor. lead single >chop & screw< marches along with its broken beat-esque drum pattern and balearic sirens whilst >hard cash< is a foray into the deeper side of the s.a house scene with exquisite sublow bassline progression and raw percussive tribal drums that really take centre-stage. the e.p. finishes off with a firm favourite from the deep teknologi mix series in the shape of >in the deep<, an after hours roller with a devasting drop and stern low-end to boot

short about the label: a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut, just the way we like it. fernando pulichino should be a familiar name to you, either as part of 2020 soundsystem or maybe his recent cover version of bauhaus >kick in the eye< on redux? anyway, we cherry picked 2 of his tracks, one for the peaktime and one for the good times.

the kat edit stable pops back up and throws a couple of biggies into the pot ... first up is conscious of my conscience, which shouldnt really need an intro whatsoever. an out and out all ends up classic and a track largely overlooked by the masses when first released on the album conscience back in 88. mr beedle makes this sound bigger than ever with some wicked but subtle extensions & tweaks along the way. on the flip we have time is running out. ashley beedle takes the stevie winwood original, strips it bollock naked and re-dresses this into a wonderful psyched-out disco funk soul rock odyssey masterpiece. over 10 minutes of pure balearic dancefloor goodness, pure n simple. big ! oh, and on a super loud 12 inch pressing..

the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

hans bouffmyhre is back on synewave after his debut lambada ep was released back in march. this remix ep features a re-work of >morning tinnitus< along with 2 great remixes of >lambada< by label boss damon wild & fellow glaswegians , bcr boys. hans has been on form recently with releases on perc trax, harthouse, 8 sided dice & his own imprint, sleaze records. this release is another testament to the production talent coming out of glasgow at the moment, with hans & bcr boys combining on one of the worlds most repected techno labels

a1. >everybody techno< - this is typical of gideons dance floor techno style, thick beats with a marching bass-line. from the first beat we are guided through a tough no-holds-barred trip into an unforgiving world of the darker sides of techno music. a retrospective vocal with a sinister laugh completes this evil peak-time track.
a2. >flight to right now< - this minimal track snaps along with a very basic beat and synth combo. the synth rises as the track progresses to keep dance floors moving. there is a wonderfully simple aspect to this track that gets under the skin and allows people to really connect with it.
b1. >recession tool< (vocal mix) - recession tool is a chunky tech house track with a wonderfully chewed up vocal and ever-present reverse snares. the track pumps forward until a nice rising breakdown lifts to complete with more vocals and intricate drum loops.
b2. >rico< - rico is a long progressive track with a slow builds and a warped lead line. the least aggressive track on the ep and possibly the least expressive. that said, it still ticks along seamlessly with a perfectly crafted warble and smart drums.

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj’s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

organ-driven afro-beat, cosmic afro-funk and raw, psychedelic boogie... just some of the flavours to be found on this highly danceable compilation by samy ben redjeb, founder of analog africa. no effort has been spared!
to document these 15 irresistible tracks and the music scene from the 70s, samy crisscrossed the lengths of ghana and togo in search of the producers and artists - or their relatives. in the process he recorded a dozen interviews, scanned 90 pictures and transferred 120 master tapes. afro-beat airway showcases an amazing diversity of local rhythms spiced with afro-american funk, soul and jazz.

snapshot records are back with the long awaited remixes of roberto boscos >hong kong<. rising star bosco previously releasing on wave and figure records hits us with his title track twisting and turning into an uplifting dancefloor-friendly chord-driven essential deep techno cut. claudio mates remix keeps it deep and emotional unfolding his raw groove style, flipping the 12 over label head elliott dodge moves straight to the floor with a rolling sparkle of enjoyment, layering sounds that hook and lock you in for the ride. rennie fosters mix has to be one of his best tech-house remixes of his career, mixing his signature sound and taking boscos original to a whole new level. all in all, four serious tracks that will find themselves hitting the floors for along time coming.

>burnt chrome< is edwin james aka currogated tunnels first release on district of corruption that he held until the right label came along. edwin was determined to get this 10 minutes techno track onto vinyl without making any exceptions. soon after doc decided to sign track, richie hawtin added it to his favorites and hundreds of plays + comment.
the burnt chrome ep also features a more forward new school rave remix from doc head, aaron hedges, and simon beeston (doc / highgrade). this mix is a redux of the melodic beauty of the original with a more raw and percussive drive.

a new release on small world disco edits, two sublime reworked soul classics by nicholas.
side a: willie edit - melodic bass line intertwined within a driving kick drum and lovely percussive elements. the strings make this song stand out - along with the chopped up vocals.
side b: love is - the vocals really bring this track alive. heavy on the drums, bass and hats, this track really grooves - laced with brass!

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

one year later the label panacustica delivers a slamming second twelve inch rats mother followed by a brilliant prins thomas remix, plus a detroit inspired instrumental by stay gold, argentoÆs alter ego. the record opens with a dreamy version where a plucked string intro and rats voice drive you into a deep, cinematic, adult dance groove. this laid back, psychedelic track flows well beyond your usual dance floor act into eno-esque territories. prins thomass mix is faster, happier and jumpier. its an amazing balearic trip with a live warm feel to it in which a guitar plays along the melody, accentuating the spaced out feel of the track, lifting it into higher states. stay gold gives the listeners a techno version where sparse, mechanical drums and a minimized melody take us to the motor city (citta dei motori) for a night drive in the dark. own it, feel it, play it loud.

can we do more? we are very happy to welcome back one of the guys that started it all with us in the late 90s and after some time away working on other forms of music lance desardi is back with us in full force! releasing with seasons recordings in the late 90s working under the artist name lance nuance with projects >leaving the city< & >pieces unfold<. also working along side his long time friend jt donaldson as they worked under undercover agency and released an lp titled >paper love< on the seasons recordings imprint. ld is back and get ready for this single to break dance floors in half!
enjoy the music and remember to play it loud!

fans of the itchy robot sound will go mad for this release as it has all his trade mark production technics glitchy beats and deep b-lines rule, are you ready to funky is the cry you hear from the intro. then from the drop the drums take over and with the screeching synth and power bass matched for effect. esoteric sound delivers a similar sounding track although it rolls along a bit smoother with a pounding driving b-line, and echoed out one beat vocal hook.

velvet: a great techno classic gets the full c series overhaul. bang up to date and a perfect floor filling package. tribal percussion rattles along with a speaker throbbing bassline which drops seamlessly into that well known synth from the original. the main lead is then tinkered, wrapped around, and flipped to breathe new life and give us a new shade of velvet. intergalactic:doesnt need much of an introduction, the title pretty much gives it away. the beastie boys go techno! another dance floor smash and grab here beastie style. vocals used effectively.. not too much not too little but with the fused with the rest of the track it brings out so much energy, the percussion, the toms in the background, the stabs throughout the track makes everyone in the room jump!

limited 2010 repress !!! >most of all< sees morgan aiming for the deeper end of the ital-disco scale, with jeremy greenspan s smooth vocal backed by great italo keys, a bouncing analog bassline, and tight beats. along with an instrumental take of >most of all< on the flip comes >skyblue pink<, a slightly angular, atmospheric late night cut for the leftfield headz to get to grips with, combining sprase metallic beats and textured italo keys. tracks: most of all/ most of all (instrumental)/ skyblue pink

for the first time weave music starts some remix excursion of 2 stunning tunee... original version is a state of the art techno track coming along in a reduced and pumping shape. its accompanied by an amazing secret cinemaremix on the flip that also doesnt fail to hit the target in any way. this 12inch is pure energy! finally all of us are seriously confident of having made the right decision, giving m0hs tunes the chance to reach even more electronic music heads this summer by releasing them on vinyl as well

early 90ies house classic by produced by l.t.j. experience, the man that currently churns out hot records almost every week.
side a) mestizo medley with hear the funky sound: ltj aka luca trevisi, the longstanding producer from irma, is on guitar, program and produce. originally released in 1991 with vocals from james thompson. as this tracks first part is composed by joe bataan, you can expect latino chicano feeling along the breakbeat house beats with summer essence!
side b) dont stop the sax. starts with funky raw bass with guitar and jazzy saxophone, then the braekbeat comes in and great keyboard solo to the saxophone line again… jazzy dance.

called the italian sucessor of early maw nicholas continues his edit journey on his no more hits label.
side a - 1 techy floating key, housey beats with, creates moody atmosphere though vocal chop is smoothly working.
- 2 simple but effective minimal house groove, repetitive key riff with female vocal.
side b - 1 funky synth bass goes nicely with dreamy soft keys & male vocal. it reflect the title >sunshine and rain< atmosphere ...
- 2 slow house with the tough kick sound, bougie bass, vibraphone with japanese female vocal work along >l.a. nights< chorus hook.

arran was doing a photography course when she joined the band, and at her first rehearsal she brought along a notebook. written on it was dark room notes. we had gone through numerous terrible names, and felt this was one we could settle on. we were lucky she wasnt doing a knitting course.

after two amazing releases from jamie james and robert james, fellow label owner lee foss serves up the third hot platter. lee is one half of hot natured along with jamie jones and has previous releases on wolf + lamb and culprit. this latest release under his moniker is pure psychedelic summer disco fun! ‘u got me’ is a great four track e.p. featuring quintessential tracks tried and tested and firm favorites at the recent hot natured parties at demf, sonar and ibiza.

matt green brings along some fellow artists for this release in the form of tripped & koney. tripped & matt green get down to some serious beats together for their track nitm. while koney takes on the task or remixing matt greens track childhood trauma. back up by 2 solid tracks by matt green on his own this finish off the 4th release on corrupt redux nicely!

one of berlins finest dj and producer teams - aka aka - are back on stil vor talent with their first full on 12inch that showcases three fresh tracks, straight for the floor. things kick off with title track >ich & du< (me & you) where aka aka invite everybody on the dancefloor to sing along to this smooth deep and melodic vocal that is performed by umami. flipside with two more floorfrienly tracks

h&l are sending summer greetings from potsdams sunny shores. this fresh religio.audio release comes along with a small but priceless selection of unspent pieces just ejected from the irony work bench of the two young technoids. three tracks forged of three solid blocks of iron ore. with tiny hammers, minimum force & maximum devotion they gauged without limiting the full substantial spectrum. now successfully moulded on vinyl for everybodys pleasure

the phrase >tropical< is currently getting used to describe a lot of different music, some good, some bad, some ugly. to save on confusion senseless went out and travelled the world to find some music from the actual tropics, venezuela to be precise. somewhere buried deep in the mysterious rainforest, or possibly just in a studio in caracas, they found pocz and pacheko. it?s so near the equator maybe we can ditch the ?tropical bass? tag and go for something new, >equatorial bass< perhaps? maybe not. pacheko, francisco mejia, will be familiar to some for his solo releases on lo dubs, murder channel, seclusiasis and for his work with legendary venezualan expat cardopusher. his partner in bass pocz (carlos majoral) is a classically trained musician and production engineer. along with a select few others they run abstractor, a collective of producers, artists and designers, who promote parties, run a blog and do a fine job of representing bass music in venezuela pretty much solo. the collective includes graphic artist design or die who is responsible for the incredible artwork and pretty special video for >zarbak<.

just when it was getting hard to bear anymore lo-fi, dub inspired techno records - along come producers like skudge and newcomer mrsk. both from sweden and now befriended. both turn saidgenre into kick ass, peak time productions that funk like crazy.black keith definitely has thatdrive and swing and groove we love so much. close to me is a little deeper and more classy (detroit), yet still grooves like a motherlicker.. a classic techno release!

anyone who ever has listened to a live performance or a record of illeist collective knows of the difficulty to describe the sound they come up with. some say its big beat, some say its rock, electro or dance music. and as always, the truth is somewhere in between, somewhere along the lines of bands such as soulwax, digitalism or friendly fire. and the best way to find out is to listen to their energy-loaded, genre transcending and - most importantly - uncompromising music.

a few times a year, a label releases a single that rocks the industry and the upcoming release from hidden recordings does just that. gregory shiff, who has also released off of such high caliber labels as stewart walkers persona label in berlin, produced the original and the label enlisted techno luminaries adultnapper, tony rohr and pheek, along with deepak sharma and dieter krause to add remixes to put together a five track monster that will, and should be in the crates of djs around the world for the rest of this year and beyond. the best part about the release? the remixers brought their a-game and put forth effort that has helped make them some of technos most revered producers and artists. simply put, all five tracks rock and will pound the dancefloor

italian du ajello drop tip-top disco business on demo-disc. side a : bull attack: tough kick with wah-wahed guitar, hypnotic synth sound go along with rap. side b1 : 2 the top: starts off with killer percussion and dubbed out stabs keep the groove going till bass and vocal comes in. uplifting disco. side b 2 : motor show: chunky bass line with acidic analogue synth sound, and stab keys brings strong groove till percussive breaks part. peak time disco bisiness

the detroit duo known as reference focuses on the soul of electronic music, not the hype, staying true while working to promote the expression of underground music and dance culture. luke hess is a name synonymous with a new wave of detroit techno producers, but his roots go deeper than that. his continued dedication to musicianship and his natural talent as a dj have allowed him to release music on some of the most respected labels in the genre, and play some of the most prestigious clubs in the world. brian kage is the founder of the record label beretta music. along with a countless number of successful releases, brian s experience as a producer, dj, and label head has helped catapult the careers of some of today s brightest and best artists in the dance music community.

already played by: adam beyer, gel abril, len faki, joseph capriati, alan fitzpatrick, edit select, luke slater, dustin zahn, mihalis safras, secret cinema, paco osuna...!!! touched hits the road with another strong release. this time with a power production by bessioud mohamed khaled aka >m0h< from canada, as well as two great remixes by gary beck! no need to introduce gary beck, since hes made his name during the last years and earned massive respect by putting out music on labels such as: soma, edit-select, minus, figure & many more! m0hs tracks come along in a powerful but very multilateral way, which makes us confident, that you will hear more of this guy in the future!

anybody never heard of moullinex? we can t imagine. blogs, music mags and dj s have been getting mad about the digitalfunk of luis clara gomes - better known as moullinex. and all this with only one official release! (breakchops ep 2009). the remix for two door cinema club (kitsune) has been a real club hit and his sebastien tellier remix was the one that had been most featured on playlists (along with a–trak s remix). yes: the remix for cut copy on modular was a bomb, too and his telonius remix is currently playlisted all around. guess that s the reason why so many labels have been chasing moullinex to sign on them. some have been really pushing him hard to join their roster, but luis preferred to stay with his munich buddies at gomma. and so now it is sure: this new moullinex ep is only the beginning of a whole series for gomma records.

it is no secret that the 1980s was probably one of the best decades. 1986 was in particular a very memorable and historic year across the world. it also happens to be the year delete was born and the name of the groove laden a-side. >1986< does not boast any sci-fi effects or other worldly sounds, it does however have one of the catchiest bass lines out there. >our generation< pours a real telltale chicago house vibe, complete with derrick carter style vocals and a bone-chillingly infectious four-note pad melody. this is eyes closed, hands in the air euphoric house. the 12 inch rounds out with delete still showcasing his knack for creating funky bass lines with, >lunchbox<. this number runs a bit deeper than the first two tracks, as it is rolled along by little percussion edits and snippets that evoke a more subtle laid-back vibe.

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

support by: in flagranti, toby tobias, andy black, munk, bottin, babyg, massimiliano pagliara, dicodromo, rayko, clap rules, love supreme, club silencioà after record, slow motions follow up û wrong era ep is set to catapult this small italian label into the big time. this time around and its all about the charms of italys very own motorcycle boy who delivers two stunning original tracks backed up with white hot remixes from the heels of love and old school disco legend fabrizio mammarella. try begins as a sleazy electro disco cut, thats swaggers along until breaking out with melodic strings that lighten the mood, before things drop back down to a perfect 4am groove that john carpenter would have been proud to call his own.

this 2x12inch of dapayk solo - decade on (2000-2010) combines brand new dapayk tracks, a refreshed classic and four remixes. it comes along with a dapayk poster and a voucher card for a free download of the full length album!!!

tres gueros are three white brooklynites led by the amorphous producer sleazy mcqueen. this collaboration as a whole has been a few years in the making with two vocalists, two guitar players and if that wasnt enough, he brought in beef wellington for some additional synthesizing work.
this is a feel good indie-dance track that you will keep any crowd dancing. we have got some great remixers on board from nu-disco gurus anthony mansfield who runs hector works with partner and crime nick chacona. neighbour and his signature disco-house sound, along with newcomer dave allison who runs kinjo music. for good measure sleazy mcqueen has added a big room dub!

so when elektrax got together with bergens label if? to create a new vinyl release of remixes of the sublime little nobody track >metropolis how?< - as the debut showing for our brand new side-label gynoid - we couldnt think of two better practitioners to suit the moment... along with, of course, another canny remixer in the guise of elektraxs main-man, dj hi-shock.